Partitions Numériques de Crisis pour Chorale SATB

Crisis

Crisis
Chorale SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1098425 Composed by Freddi…(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1098425 Composed by Freddie Hubbard. Arranged by Caryn Patterson. Jazz,Standards. Octavo. 30 pages. Pattersongs #702290. Published by Pattersongs (A0.1098425). Finally! A vocal jazz ensemble arrangement of Freddie Hubbard's 'Crisis', complete with original lyrics and rhythm section/combo parts. This classic chart combines Afro-Cuban and Swing styles, with a catchy tune in an arrangement perfect for a high school or college SATB vocal jazz group. The rhythm section parts for piano, upright bass or bass guitar, and drumset include written out parts for your beginning jazzers, along with chords for your more experienced players. A section for ad lib solos is also present to let your singers and instrumentalists shine. A full score, vocal score, vocal/piano score, upright bass/bass guitar part, and drum parts are all included. Introduce your vocalists to one of the greatest jazz songs ever written.
$3.50 3.2 € #Chorale SATB #Freddie Hubbard #Caryn Patterson #Crisis #Pattersongs #SheetMusicPlus

#Crisis

Crisis of Leadership

#Crisis of Leadership

Crisis of Identity

#Crisis of Identity

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplinâ€™s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishersâ€™ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplinâ€™s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.818179 Composed by Philip Le Bas. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Philip Le Bas #5770087. Published by Philip Le Bas (A0.818179). This setting of Psalm 130 (Out of the depths have I cried to you, O Lord) was written as a response to the covid-19 lockdown crisis. It is a prayer for help in the midst of difficulty and sin, waiting for God with hope in his compassion and forgiveness. Its tempo marking of soulful, but rhythmic highlights the character of the weary, bluesey theme in B flat minor and its falling chromatic accompaniment. However, there are signs of hope throughout the setting, and the last verse mixes its principal key of G major with the original rise and fall of the minor third interval (G to B flat). Hope is, after all, sure and certain, yet it is a trust in a God who is ultimately unseen and unknownable.Psalm 130: Out of the depths have I cried to you, O Lord, Lord, hear my voice,O let your ears be attentive to the voice of my supplications. If you, O Lord, should mark our iniquities, Lord, who could stand? But there is forgiveness with you, that you may be feared. I wait for the Lord, I wait for the Lord.My soul waits, and in his word I hope. My soul waits for the Lord more than those who watch for the morning, more than those who watch for the morning. O Israel, hope in the Lord, for with the Lord there is steadfast love and great power to redeem. The Lord will redeem you, O Israel, from all your iniquities.

365 (from Absalom)
Chorale SATB

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.854828 Composed by …(+)

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.854828 Composed by Daniel Elder. Contemporary. 20 pages. Daniel Elder Music #4983459. Published by Daniel Elder Music (A0.854828). It is undeniable that we humans are, as a species, outgrowing our small planet. As populations boom and technologies diversify, we are increasingly unable to run away from our problems. As a result, violence in civilized society is increasing at an alarming rate. How do we combat those that do harm to others, and more importantly, how do we convince our race as a whole that the problem cannot long be ignored? This original poem and its musical setting seek to pay tribute to the victims of violence in the modern United States. In an age where it seems a new tragedy has occurred somewhere every day, this work is titled 365 to represent each day of the year. The poem is structured in seven stanzas for the days of the week, and there are twelve iterations of Three hundred and sixty-five for the twelve months in the year. The final, introspective stanza parallels the poignant Christian story of Christ's crucifixion at the hands of his brethren, and lends a darker side of thought with the chosen grouping of words (read either no more; God forgive us or no more God; forgive us). This text humbly seeks to draw attention to what exactly is happening among us, among our neighbors, our governors, and our legislators, and the importance of addressing this ever-growing crisis in our society.
$2.50 2.29 € #Chorale SATB #Daniel Elder #God forgive us or no more God #365 #Daniel Elder Music #SheetMusicPlus

I Heard The Bells On Christmas Day
Chorale SATB

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1141619 Composed by…(+)

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1141619 Composed by Henry Wadsworth Longfellow and Johnny Marks. Arranged by Scott S. Stewart. 20th Century,Christmas,Contemporary,Holiday,Religious. 12 pages. Scott S. Stewart #741957. Published by Scott S. Stewart (A0.1141619). The Christmas carol I Heard the Bells on Christmas Day, based on the 1863 poem Christmas Bells by American poet Henry Wadsworth Longfellow, was set to music by Johnny Marks in 1956. Longfellowâ€™s poem tells of the impact of hearing Christmas bells during the American Civil War. Marks, and other arrangers and performers normally omit the mention of the war in their adaptations of the poem. This arrangement uses the complete text of Longfellowâ€™s masterpiece, and through respect to the text, (using choral colors and styles), honors what this arranger considers to be Marks intention, a simple hymn-tune narrative of America in time of crisis much like today. This arrangement in scored for 4-part SATB ensemble with piano accompaniment. Performance time: 4:15+-.
$2.99 2.73 € #Chorale SATB #Henry Wadsworth Longfellow and Johnny Marks #Scott S #I Heard The Bells On Christmas Day #Scott S. Stewart #SheetMusicPlus

We Will Meet Again
Chorale SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.965417 By Ozark Henry. By …(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.965417 By Ozark Henry. By Piet Goddaer. Arranged by Frank Galmart. A Cappella. Octavo. 7 pages. Frank Galmart #5775629. Published by Frank Galmart (A0.965417). This is a SSATB arrangement, a cappella, from the single 'We Will Meet Again', written by Ozark Henry during the Covid-19 crisis. ...people are struggling, businesses are going down. The village is in survival mode. But people around here are tough and have a communal pride. Togetherness has never been more present and so we keep hope: we will meet again! (Ozark Henry).
$12.99 11.88 € #Chorale SATB #Ozark Henry #Frank Galmart #We Will Meet Again #Frank Galmart #SheetMusicPlus

Sonnet 18: Shall I Compare Thee To A Summer's Day
Chorale SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.948248 Composed by Christo…(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.948248 Composed by Christof R Davis. 20th Century,Holiday,Instructional,Love,Wedding. Octavo. 12 pages. Christof R Davis #2912917. Published by Christof R Davis (A0.948248). An SATB Choral setting (with piano accompaniment) of Shakespeare's best known, and most loved Sonnet 18: Shall I Compare Thee To A Summer's Day. This intermediate choral work would be ideal for a choral society or community choir. It has been extensively performed by choirs throughout the UK and now you can perform it with your own choir. For the month of April , and during the Corona Virus crisis, any proceeds from sales of this piece through Sheet Music Plus will be donated to the NHS in the UK. To hear an extract of the piece recorded live at a concert given by Halesowen Choral Society - click here: https://soundcloud.com/christofrdavis/shall-i-compare-thee and to find out more about the composer here: http://christofrdavis.com .
$10.99 10.05 € #Chorale SATB #Christof R Davis #Sonnet 18: Shall I Compare Thee To A Summer's Day #Christof R Davis #SheetMusicPlus

All Things Work Together (Romans 8:28)
Chorale SATB

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1254262 Composed by…(+)

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1254262 Composed by Christopher Durigg. A Cappella,Contemporary,Praise & Worship,Sacred. 7 pages. Christopher Durigg #847832. Published by Christopher Durigg (A0.1254262). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.comÂ VISIT FOR AN AUDIO SAMPLE RECORDING: COMING SOONC. DURIGG MUSIC ID FOR THIS PIECE: CDSC-001VOICING: SATB, a cappellaLEVEL: ADVANCED INTERMEDIATE (LEVEL 3.5)CHORAL SERIES: SACRED CHORALPRODUCT DESCRIPTION:This piece was first started (but not finished) in 2009. In 2020, the human race saw extreme social and physical isolation during the COVID-19 crisis. In the years since, political and social division has continued to escalate. In light of these developments, I felt that this pieceâ€™s message was needed now more than ever. My first sacred choral work, this piece carries the beautiful message of Romans 8:28.
$2.50 2.29 € #Chorale SATB #Christopher Durigg #All Things Work Together #Christopher Durigg #SheetMusicPlus

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienne Inglis (ASCAP) #811933. Published by Adrienne Inglis (ASCAP) (A0.1215070). Help fight the extinction crisis! Here's an important work for our times that's perfect for your nature/environmental program. It's an SATB (some divisi) a cappella choral piece with option soundscape, but stands alone with the singers making some nature sounds.Extinction by Adrienne Inglis (ASCAP)Soundscapes arranged by Seylon Stills in the audio sampleText : An Extinction by Kim Stafford (https://www.kimstaffordpoet.com) The poem â€œAn Extinctionâ€ Â© 2022 Kim Stafford is unpublished and used with permission. An Extinction by Kim Stafford Not just the creature gone, not just the tattered feathers, dry leaf pressed thin. Not just the rendering from memory, not just the lost-list growing longer, a shape and hue from the field guide fled, not just a name that meant a life, a syllable that once was teeming glory, one bright flurry shimmering the sun. No. No. No. Itâ€™s one name gone from our happiness, one breath lost from our respiration, one thread frayed from our salvation, one plank gone from the ark that carried us. Be the songbird now and testify. Be the butterfly hinge of gold. Be the one with open hands these wonders to behold. Donâ€™t let them fly. Be the songbird now and testify. Program note â€” Commissioned by Inversion Ensemble for its February 2023 Planet Home concert, Extinction sets the poem â€œAn Extinctionâ€ (2022) by Kim Stafford for SATB mixed chorus. The three stanzas of the poem get distinct musical treatment: the first some text-painting and dissonance, the second rhythmic parts underpinning canonic melodic lines, the third a rich chorale. During my work on this piece, I happened to be traveling by train. The pitches of the train whistle snuck their way into the score as a dissonant chord. A nature soundscape may sometimes accompany this piece, although the tongue click sounds create a bit of their own aural ecosystem. Drawing attention to the unfolding catastrophe of mass extinction, Extinction hopes to inspire humans to action to prevent further loss of species biodiversity.

Absalom
Chorale SATB

Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.854827 Composed by …(+)

Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.854827 Composed by Daniel Elder. 20th Century,Contemporary. 112 pages. Daniel Elder Music #4851907. Published by Daniel Elder Music (A0.854827). This stunningly incisive chamber choir oratorio tells the whole story of Absalom's rebellion against his father, King David, far beyond the common text When David Heard. Featured alongside the biblical narrative are original studies of other historical characters that illuminate the most vital lessons for achieving peace in today's society. Inspired by a crisis of polarization, Absalom shines a critical light on the tribalism and gridlock of modern social politics in hopes of bringing us closer together again. From the composer, Absalom is a call to listen; not to protest others, not to educate others, but to connect with them. The painful truth Iâ€™ve come to in the process of birthing this work is that no one is safe from criticism in this modern struggle, and no one is safely on the right side of history. Every individual, including myself, lies in the crosshairs of this musical statement. Only by stepping outside the borders of what we think is comfortable will we learn understanding. And by learning understanding, peace just might follow. This challenging 30-minute work is recommended for smaller, advanced chamber choirs.
$4.99 4.56 € #Chorale SATB #Daniel Elder #Absalom #Daniel Elder Music #SheetMusicPlus

When I Find God (Downloadable)
Chorale SATB

SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: …(+)

SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8475-E Composed by Stanley M. Hoffman. 8 pages. E. C. Schirmer Music Company - Digital #8475-E. Published by E. C. Schirmer Music Company - Digital (MQ.8475-E). English.This unusual setting uses a fresh text excerpted from the book, Back to the Ethic: Reclaiming Western Values by Diane Weber Bederman (Mantua Books, 2015). The music is very much a text painting, shifting in moods, melodic contours, harmonies, and rhythms, in direct reaction to the words. The doleful words of the opening passages give way to hope near the end. The music, which starts out with dissonant, chordal outbursts alternating with ambivalent scaler passages (crisis of faith/struggling with faith, seeking God), eventually gives way to more consonant, pleasant-sounding music (finding oneâ€™s place in the world, finding God as the divine spark within oneself). Duration: ca. 2:25.
$2.25 2.06 € #Chorale SATB #Stanley M #When I Find God #E. C. Schirmer Music Company - Digital #SheetMusicPlus

I Felt a Funeral in My Brain
Chorale SATB

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1343384 Composed by…(+)

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1343384 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. 14 pages. Jay Dougherty #928911. Published by Jay Dougherty (A0.1343384). With a text by Emily Dickinson, I Felt a Funeral in My Brain is a haunting and introspective exploration of the psychological and emotional turmoil experienced during moments of intense internal crisis. The poem, composed circa 1861, delves into the human psyche, employing vivid and metaphorical language to convey the unraveling of the speaker's mental stability.Striving to bring awareness to the mental health crises of our day, Jay Dougherty's setting of this text serves as a visceral exploration of the poem's profound emotional and psychological themes. Through a careful selection of musical elements, the composition endeavors to immerse the audience in the turbulent inner world of the speaker through various uses of word painting and sonic experiences.Please purchase one copy per singer.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$3.99 3.65 € #Chorale SATB #Jay Dougherty #I Felt a Funeral in My Brain #Jay Dougherty #SheetMusicPlus

This Time Again
Chorale SATB

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.972791 Composed by Anne Gr…(+)

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.972791 Composed by Anne Gregson. Arranged by John Sandford. Country,Folk. Octavo. 5 pages. John A Sandford #5361115. Published by John A Sandford (A0.972791). A song to lift our spirits in the midst of a world wide pandemic. Covid 19 may have required us to self isolate but this song reminds us that we will get through this crisis and see each other on the other side. I have arranged Anne's melody into an easy 4 part version with piano accompaniment that should be sung with joy and enthusiasm as we unite in song. .
$2.99 2.73 € #Chorale SATB #Anne Gregson #John Sandford #This Time Again #John A Sandford #SheetMusicPlus

As the Time Draws Nigh (SATB and Piano)
Chorale SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.793125 Composed by Christo…(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.793125 Composed by Christopher Kalstad. Contemporary. Octavo. 7 pages. Christopher Kalstad #4110795. Published by Christopher Kalstad (A0.793125). Walt Whitman's As the Time Draws Nigh is about existential crisis and positive acceptance. The choral setting moves from dark to light, ending with a serene, but not completely untroubled epilogue. It's a beautiful piece that would add depth to any choral program. The recording was made at the Zoellner Arts Center in Bethlehem, PA on 6/23/2108. Dr. Steven Sametz conducts the Princeton Singers. Sage Lutton, alto; Sohee Lee, piano. Copyright 2018 Christopher Kalstad.
$2.00 1.83 € #Chorale SATB #Christopher Kalstad # #As the Time Draws Nigh #Christopher Kalstad #SheetMusicPlus