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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des Folk
Sheetmusicplus
Non classifié
1 777
Piano & claviers
Piano Facile
536
Piano seul
529
Piano, Voix
257
Accompagnement Piano
95
Piano, Voix et Guitare
93
Instruments en Do
83
1 Piano, 4 mains
37
Piano Trio: piano, violon, violoncelle
31
Orgue
31
Accordéon
18
2 Pianos, 4 mains
17
1 Piano, 6 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano grosses notes
2
Orgue, Piano (duo)
2
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
363
Ukulele
210
Mandoline
147
Guitare
127
Ukulele Baryton
26
2 Guitares (duo)
22
Dulcimer
18
Ligne De Mélodie, (Paroles) et Accords
16
Banjo
12
Paroles et Accords
10
Basse electrique
10
Ensemble de guitares
7
4 Guitares (Quatuor)
7
Piano, Guitare (duo)
6
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
295
Chorale 3 parties
123
Chorale 2 parties
74
Chorale TTBB
61
Chorale Unison
60
Pack Instrumental pour Chorale
55
Chorale SSAA
36
Voix Alto, Piano
27
Voix Soprano, Piano
20
Voix Baryton, Piano
15
Voix Tenor, Piano
12
Voix duo
8
Voix haute
7
Voix duo, Piano
7
Voix moyenne, Piano
3
Chorale
2
Voix seule
2
Voix basse, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
227
Ocarina
201
2 Flûtes traversières (duo)
197
Flûte à bec Soprano
193
Harmonica
150
Flûte traversière
148
Flûte à bec Alto
145
Hautbois, Piano (duo)
117
Saxophone Alto et Piano
110
2 Saxophones (duo)
97
Clarinette et Piano
96
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
87
Quatuor de Saxophones: 4 saxophones
86
3 Clarinettes (trio)
69
2 Clarinettes (duo)
65
Clarinette
63
Flûte, Hautbois, Clarinette, Basson
61
Saxophone Tenor et Piano
59
Flûte et Guitare
56
Quatuor de Clarinettes: 4 clarinettes
54
Trio de Flûtes: 3 flûtes
42
Quintette de Saxophone: 5 saxophones
40
Quatuor de Flûtes : 4 flûtes
36
2 Flûte à bec (duo)
35
Saxophone Alto
35
Flûte à bec Alto, Piano
31
Clarinette, Violon (duo)
30
Hautbois
29
Flûte, Clarinette (duo)
27
3 Saxophones (trio)
25
Saxophone Soprano et Piano
24
Hautbois, Violoncelle
24
2 Hautbois (duo)
23
Hautbois, Basson (duo)
21
Ensemble de Clarinettes
21
Saxophone Baryton, Piano
20
Hautbois, Clarinette (duo)
20
Flûte, Trombone (duo)
15
Saxophone Tenor
15
Clarinette, Guitare (duo)
14
Flûte, Violon
14
Clarinette et Alto
14
Saxophone, Clarinette (duo)
13
Flûte, Violoncelle
13
Clarinette, Trompette (duo)
13
Flûte, Hautbois (duo)
13
Flûte à bec Soprano, Piano
12
Quintette de Clarinettes: 5 clarinettes
12
Flûte, Alto (duo)
11
Clarinette, Basson (duo)
11
Clarinette, Violoncelle (duo)
10
Cor anglais, Piano
9
Flûte à Bec
9
Saxophone (partie séparée)
9
Flûte, Saxophone (duo)
9
Hautbois (partie séparée)
9
Quintette de Flûte : 5 flûtes
9
Saxophone Soprano
8
Flûte, Clarinette, Piano (trio)
8
Hautbois, violon (duo)
7
Saxophone et Guitare
7
Hautbois, Flûte
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Clarinette et Basson
7
Flûte, Violon, Piano
7
Ensemble de Flûtes
7
Ensemble de saxophones
7
Flûte, Trompette (duo)
6
3 Flûtes à bec (trio)
6
2 Flûtes traversières, Piano
5
Saxophone Baryton
5
Quatuor de Flûtes à bec
5
Hautbois, Guitare (duo)
5
Clarinette Basse, Piano
5
Piccolo
4
Flûte à bec, Guitare (duo)
4
Flûte, Hautbois, Basson
4
Clarinette, Harpe (duo)
4
Clarinette, Trombone (duo)
4
Saxophone et Harpe
4
2 Clarinettes, Piano
4
Hautbois et alto (duo)
4
2 Saxophones, Piano
3
Flûte irlandaise
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Violoncelle, Piano (trio)
3
Flute, harpe et violon
3
Clarinette, Contrebasse (duo)
3
Clarinette, Tuba
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Hautbois, trombone (duo)
2
Flûte, trombone et piano
2
3 Hautbois
2
Cor anglais, Guitare (duo)
2
Flûte, Alto et Piano
2
Hautbois, Trompette (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Violon et Violoncelle
2
Hautbois, Harpe
2
Piccolo, Piano
1
Flûte, Harpe et Violoncelle
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
2 Clarinettes, Basson
1
Clarinette (partie séparée)
1
Flûte, Tuba (duo)
1
Flute (partie séparée)
1
5 Flûtes à bec
1
+ 107 instrumentations
Retracter
Cuivres
Trompette, Piano
87
Cor et Piano
66
Trombone et Piano
66
Trompette
61
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Quatuor de Cuivres
59
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trombone
36
Trompette, Trombone (duo)
32
Cor
31
2 Trompettes (duo)
26
Quatuor de cuivres: 4 trombones
26
2 Trombones (duo)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Tuba et Piano
18
Tuba
17
Quatuor de cuivres: 4 cors
15
2 Cors (duo)
13
Trompette, Saxophone (duo)
13
Euphonium, Piano (duo)
11
Cor anglais, Piano
9
Ensemble de Trombones
9
Ensemble de Trompettes
9
2 Tubas (duo)
7
Trompette, Cor (duo)
7
Cor, Violoncelle (duo)
6
Quatuor de cuivres: 4 trompettes
6
Trompette (partie séparée)
6
Trompette, Tuba (duo)
5
3 Trompettes (trio)
4
3 Cors (trio)
3
Trompette, Basson (duo)
3
3 Trombones (trio)
3
Trombone, Tuba (duo)
3
Trompette, Violoncelle (duo)
3
Ensemble de Cors
3
Trompette, Violoncelle et Piano
3
2 Trompettes, Clavier (piano ou orgue)
2
Cor, Tuba (duo)
2
Cor et Harpe
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
2
4 Tubas
2
Trompette, Harpe
2
Trombone (partie séparée)
1
Euphonium, Tuba (duo)
1
Cor (partie séparée)
1
Trombone, Violon (duo)
1
Trompette, violon (duo)
1
Cor et Basson (duo)
1
Trombone, Alto (duo)
1
Trio de Cuivres
1
Bass Clef Instruments
1
Trombone, Cor (duo)
1
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 791
Violon et Piano
323
Trio à Cordes: violon, alto, violoncelle
301
Quintette à cordes: 2 violons, alto, violoncelle, basse
161
Violoncelle, Piano
142
Trio à Cordes: 2 violons, violoncelle
134
Alto, Piano
122
Violon
117
Violon, Violoncelle (duo)
105
Trio à cordes: 3 violins
97
Harpe
86
2 Violons (duo)
76
Trio à Cordes: 3 violoncelles
69
Quatuor à cordes: 4 violons
47
Alto seul
44
Violon, Alto (duo)
43
2 Violoncelles (duo)
42
Violoncelle
37
Trio à cordes: 3 altos
35
2 Harpes (duo)
28
Quatuor à cordes : 4 altos
27
Violoncelle , Guitare (duo)
26
Contrebasse, Piano (duo)
23
2 Altos (duo)
22
Violon, Basson (duo)
21
Alto, Guitare (duo)
20
Trio à Cordes: 2 violons, alto
20
Violon, Guitare (duo)
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
14
Contre Basse
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
13
Alto, Violoncelle (duo)
13
Violon (partie séparée)
11
Alto (partie séparée)
9
4 Violoncelles
7
Alto et Basson
6
Piano Trio: Violon, Alto, Piano
6
2 Contrebasses (duo)
6
Harpe et Piano
5
Violoncelle, Contrebasse (duo)
5
Ensemble de Violons
5
Harpe, Flûte (duo)
4
Flûte, Contrebasse (duo)
3
Violon, Violoncelle, Clarinette
3
Harpe, Voix
3
Contrebasse (partie séparée)
3
Autoharp
3
Ensemble d'Altos
3
Violon, Tuba (duo)
2
2 Violons, Piano
2
Harpe, Violon (duo)
2
3 Contrebasses
2
Violoncelle (partie séparée)
2
Harpe et mandoline
2
Alto et Harpe
2
Harpe, Violon, Violoncelle
2
Violon, Clarinette, Piano (trio)
1
Alto et orchestre
1
4 Harpes
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
898
Orchestre d'harmonie
408
Orchestre
75
Ensemble de cuivres
49
Ensemble Jazz
37
Ensemble de Percussions
24
Cloches
23
Fanfare
19
Orchestre de chambre
15
Jazz combo
13
Batterie
8
2 Xylophones
6
Xylophone
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Marimba
2
Xylophone, Piano
1
Percussion (partie séparée)
1
Vibraphone
1
+ 13 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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TROMBONE
TROMPETTE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : TECHNIQUES
NOËL
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Vous avez sélectionné:
Des Folk
SheetMusicPlus
Partitions à imprimer
295 partitions trouvées
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276
I Will Arise from Three Folk Hymns (Downloadable)
#
Chorale SATB
#
FACILE
#
Contemporain
#
Gwyneth W
#
I Will Arise from Three Folk H
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
SATB choir, children's choir, and piano - Moderately Easy - SKU: MQ.8256-E Composed by Gwyneth W. Walker. 21st Century. 10 pages. Duration 4 minutes, 30...
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SATB choir, children's choir, and piano - Moderately Easy - SKU: MQ.8256-E Composed by Gwyneth W. Walker. 21st Century. 10 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8256-E. Published by E. C. Schirmer Music Company - Digital (MQ.8256-E). English.I Will Arise comprises vocal lines which may be divided among the chorus according to voice range—with melody, harmony and descant designations. It might be possible to perform this song with either just men or women’s voices, or in any combination, including adding the children. A roughhewn style of singing and playing would be appropriate. Duration: 4:30.
$2.65
Umbul-Umbul Belambangan - Banyuwangi Folksong
#
Chorale SATB
#
Aditiya Wiji Lestari
#
Umbul-Umbul Belambangan - Bany
#
Aditiya Wiji Lestari
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1033259 Arranged by Aditiya Wiji Lestari. Folk,World. Octavo. 21 pages. Aditiya Wiji Lestari #6247619. Published by Aditiy...
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Choral Choir (SATB) - SKU: A0.1033259 Arranged by Aditiya Wiji Lestari. Folk,World. Octavo. 21 pages. Aditiya Wiji Lestari #6247619. Published by Aditiya Wiji Lestari (A0.1033259). Umbul-Umbul Belambangan is an Indonesian folk song, or rather more specific from Banyuwangi, East Java. This song was created in 1974 by Andang Chatif Yusuf and used Osing Language. The lyrics of the song contains a description of the geographical location of the Banyuwangi region boundary and the recognition that Belambangan (Banyuwangi) was part of the archipelago (Indonesia). Besides, this song also tells about how rich the art in Banyuwangi. During the Regent Samsul Hadi, the song wasdeemed relevant as a spirit to build Banyuwangi
$7.99
Greek folk song: THALASAKI MOU, for SATB choir a cap.
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Folk Song
#
Marilena Zlatanou
#
Greek folk song: THALASAKI MOU
#
Marilena Zlatanou
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.887055 Composed by Folk Song. Arranged by Marilena Zlatanou. A Cappella. 8 pages. Marilena Zlatanou #3033...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.887055 Composed by Folk Song. Arranged by Marilena Zlatanou. A Cappella. 8 pages. Marilena Zlatanou #3033145. Published by Marilena Zlatanou (A0.887055). GREEK FOLK SONG: THALASAKI MOU (Sea, my dearest) Traditional song from the Aegean Islands arranged for SATB choirIn a country surrounded by an often very stormy sea, and including hundreds of islands, this song is a prayer addressed to it, to spare the lives of loved ones. duration: just under 3' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page.The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.net The arrangement attempts to adher to the genuine Greek folk music style as well as allowing some sea waves through it.A piano part is not included but a piano may accompany the choir, dubling the parts, if this is desirable by the conductor. As a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times. Â
$15.00
Death shall not destroy my comfort
#
Chorale SATB
#
Musique Sacrée
#
Mack Wilberg
#
Death shall not destroy my com
#
Oxford University Press Digital
#
SheetMusicPlus
SATB chorus and piano (4 hands) or chamber or full orchestra - No. 2 of Four American Folk Hymns. Arranged by Mack Wilberg. Sheet music. Octavo. 12 ...
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SATB chorus and piano (4 hands) or chamber or full orchestra - No. 2 of Four American Folk Hymns. Arranged by Mack Wilberg. Sheet music. Octavo. 12 pages. Oxford University Press Digital #9780193542785. Published by Oxford University Press Digital
$4.00
Both Sides Now
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Joni Mitchell
#
Cay Outerbridge
#
Both Sides Now
#
Cay Outerbridge
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1474836 By Joni Mitchell. By Joni Mitchell. Arranged by Cay Outerbridge. A Cappella,Barbershop,Folk....
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1474836 By Joni Mitchell. By Joni Mitchell. Arranged by Cay Outerbridge. A Cappella,Barbershop,Folk. 8 pages. Cay Outerbridge #1052456. Published by Cay Outerbridge (A0.1474836). SATB Barbershop (Very Rangy).
$1.99
Both Sides Now
#
Chorale SATB
#
INTERMÉDIAIRE
#
Joni Mitchell
#
Ben Bram and Rob Dietz
#
Both Sides Now
#
Ben Bram Music
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1369039 By Joni Mitchell. By Joni Mitchell. Arranged by Ben Bram and Rob Dietz. 20th Century,A Cap...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1369039 By Joni Mitchell. By Joni Mitchell. Arranged by Ben Bram and Rob Dietz. 20th Century,A Cappella,Folk,Pop,Singer/Songwriter. 9 pages. Ben Bram Music #953382. Published by Ben Bram Music (A0.1369039). A Cappella Academy Choir 2022http://acappellacademy.orgPlease email thebenbram@gmail.com for learning tracks.
$5.00
Both Sides Now (arr. Roger Emerson)
#
Chorale SATB
#
Folk Rock
#
Joni Mitchell
#
Roger Emerson
#
Both Sides Now
#
Hal Leonard - Digital
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SheetMusicPlus
By Joni Mitchell. Arranged by Roger Emerson. This edition: scorch. Folk, Pop. Octavo. 11 pages. Duration 285. Hal Leonard - Digital #262462. Published...
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By Joni Mitchell. Arranged by Roger Emerson. This edition: scorch. Folk, Pop. Octavo. 11 pages. Duration 285. Hal Leonard - Digital #262462. Published by Hal Leonard - Digital
$2.50
Greek folk song: ARHONDES AGRIKISATE
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Chorale SATB
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INTERMÉDIAIRE
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Jean Paul Martini
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Marilena Zlatanou
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Greek folk song: ARHONDES AGRI
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343428 Composed by Jean Paul Martini. Arranged by Marilena Zlatanou. A Cappella. 10 pages. Marilena Zlat...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343428 Composed by Jean Paul Martini. Arranged by Marilena Zlatanou. A Cappella. 10 pages. Marilena Zlatanou #928954. Published by Marilena Zlatanou (A0.1343428). (GREEK) CYPRIOT FOLK SONG: ARHONDES AGRIKISATE (Your Lordships, listen...) Traditional Easter song from Cyprus arranged for SATB a cappella choir. Sung from door to door in exchange for money and sweets during Easter time: An age-old custom!duration: 2'20'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.net As a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$15.00
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Dandelion Music Press
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I Would Rock My Child to Sleep
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104...
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Choral Choir (SATB) - Level 3 - SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Traditional Irish
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Laurie Betts Hughes
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Old Beggarman from "Lost
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Chorale SATB
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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Laurie Betts Hughes
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Lost Songs of Ancient Ireland
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
Sussex Carol (with 'Adeste fideles')
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Chorale SATB
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DÉBUTANT
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English Carol
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Gay Anderson
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Sussex Carol
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Gay Anderson
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.1012510 Composed by English Carol. Arranged by Gay Anderson. Christian,Christmas,Folk,Sacred. Octavo. 9 pages. G...
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Choral Choir (SATB) - Level 1 - SKU: A0.1012510 Composed by English Carol. Arranged by Gay Anderson. Christian,Christmas,Folk,Sacred. Octavo. 9 pages. Gay Anderson #4356697. Published by Gay Anderson (A0.1012510). This is a very accessible SATB anthem of the lovely 'Sussex Carol' that is suitable for small choirs with a minimum of rehearsal. The keyboard accompaniment adds luscious harmonies and interest. .
$1.99
Daddy Fox (English folk song - a cappella choir)
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Chorale SATB
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INTERMÉDIAIRE
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Trad arr Cat McGill
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Cat McGill
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Daddy Fox
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Cat McGill
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887689 Composed by Trad arr Cat McGill. Arranged by Cat McGill. A Cappella,Folk,World. Octavo. 3 pages. Cat McGi...
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Choral Choir (SATB) - Level 3 - SKU: A0.887689 Composed by Trad arr Cat McGill. Arranged by Cat McGill. A Cappella,Folk,World. Octavo. 3 pages. Cat McGill #4594595. Published by Cat McGill (A0.887689). This is a really fun song to sing, that tells the story of a naughty fox who steals geese from the farmer. It's got a hearty refrain after every verse which you can really belt out and enjoy! If you're looking for something a bit different for your community choir this could be just the thing.There are no minimum order quantities with any of the songs I arrange, as they are all designed to be taught by ear.
$4.60
Arirang (Korean Folk Song)
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Chorale SATB
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Arirang
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0002182 Arirang (Korean Folk Song) - SATB. Arranged by Jonathan Lim and Sonja Poorman. Secular Choral. 10 pages. Alfred Mu...
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Chorus - SKU: AX.00-PO-0002182 Arirang (Korean Folk Song) - SATB. Arranged by Jonathan Lim and Sonja Poorman. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0002182. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002182). UPC: 038081186979.The music of Asia needs to be a part of your cross-cultural musical experiences, and this Korean folk song is an excellent choice. The melody is one of the most popular of all Asian folk songs and for good reason: it's beautiful. Sonja Poorman's arrangement includes an easy, flowing piano part and an optional flute. The first verse may be sung in Korean (pronunciation guide included).Inst. Parts Available (choral).
$2.25
EL DESEMBRE CONGELAT
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Chorale SATB
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JOSÉ RAMÓN CALPE SAERA
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EL DESEMBRE CONGELAT
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José R. Calpe
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1014143 Composed by JOSÉ RAMÓN CALPE SAERA. Christmas,Folk,World. Octavo. 2 pages. José R. Calpe #4355737. Publ...
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Choral Choir (SATB) - SKU: A0.1014143 Composed by JOSÉ RAMÓN CALPE SAERA. Christmas,Folk,World. Octavo. 2 pages. José R. Calpe #4355737. Published by José R. Calpe (A0.1014143). TRADITIONAL CATALAN CHRISTMAS CAROL (SPAIN)
$2.00
Three Irish Folk Songs
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Chorale SATB
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FACILE
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Celtique/Irlandais
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Traditional
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Jay Jordan
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Three Irish Folk Songs
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Pro Creations Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1184315 By Traditional. By Traditional. Arranged by Jay Jordan. Celtic,Folk,Irish,Multicultural,Traditional,Worl...
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Choral Choir (SATB) - Level 2 - SKU: A0.1184315 By Traditional. By Traditional. Arranged by Jay Jordan. Celtic,Folk,Irish,Multicultural,Traditional,World. Octavo. 29 pages. Pro Creations Music #784034. Published by Pro Creations Music (A0.1184315). Irish folk singing is a wonderful tradition spanning hundreds of years and includes subjects ranging from romance to resistance. Many songs were created and subsequently preserved in pubs and other informal gatherings. The three traditional songs included in this medley, Whisky in the Jar, Will You Go, Lassie, Go (Wild Mountain Thyme), and Wild Rover (No Nay Never) are popular to this day and have made their way beyond the pub to the concert stage, and even the big screen. Scored for SATB choir and a female solo in the middle song, this arrangement is easy and fun. Your choir will love singing these sure crowd-pleasers and your audience will enjoy joining in the fun when your singers encourage them to clap along in the appropriate spots.
$2.99
Les effets du jour
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Chorale SATB
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AVANCÉ
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Thierry Pecou
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Les effets du jour
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and Bell - difficult - SKU: S9.Q44805 For mixed choir a cappella and a bell. Composed by Thierry Pecou. This edition: choral s...
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Mixed choir (SATB) and Bell - difficult - SKU: S9.Q44805 For mixed choir a cappella and a bell. Composed by Thierry Pecou. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 7 minutes. Schott Music - Digital #Q44805. Published by Schott Music - Digital (S9.Q44805). French.This work was commissioned by the Latvian choir KamÄ“r within the framework of a large-scale project centered round the topic “the sunâ€. A poem by Paul de Brancion is interspersed with expressions and sayings taken from French folklore. The poetic text describing the contemporary anxiety that everything will be scorched by the sun as a result of global warming provides a response to popular opinion and cheerful idioms. The score is constructed like a descent into great depths, from the sunlight into darkness. The composition can also be combined with its sequel composition Au dessous des étoiles (Under the Stars) for mixed choir.Thierry Pécou.
$7.99
¿Donde vas por agua? y Por el agua del río, traditional songs of Asturias (Spain) for Mixed Choir
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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Gustavo Fuentes
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¿Donde vas por agua? y
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Gustavo Fuentes
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.900396 Composed by Traditional. Arranged by Gustavo Fuentes. A Cappella,Celtic,Folk,World. Octavo. 4 pages. Gust...
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Choral Choir (SATB) - Level 3 - SKU: A0.900396 Composed by Traditional. Arranged by Gustavo Fuentes. A Cappella,Celtic,Folk,World. Octavo. 4 pages. Gustavo Fuentes #3532735. Published by Gustavo Fuentes (A0.900396). ¿Dónde vas por agua? and El agua del rÃo (Where are you going for water? and The water of the river) they are traditional songs from Asturias (Spain), arranged for Mixed Choir (SATB) a capella with chords for piano or guitar. His folkloric lyrics talk about the divinatory power of water. This arrangement belongs to the repertory of Avalon Choir (Coro Avalon) of Buenos Aires, Argentina, of which I am its director and arranger. The audio is from our CD Celtic Journey that you can listen to on Spotify. https://youtu.be/Mk6iN_0pdz4 ¿Dónde vas por agua? y El agua del rÃo son canciones tradicionales de Asturias (España), arregladas para Coro Mixto (SATB) a capella, con acordes para piano o guitarra. Su letra folklórica habla sobre el poder adivinatorio del agua. Este arreglo forma parte del repertorio del Coro Avalon de Buenos Aires, Argentina, del cual soy el director y arreglador. El audio es de nuestro CD Celtic Journey que puedes escuchar completo en Spotify.
$2.00
Wenn alle Brunnlein swingen
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Chorale SATB
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Renaissance
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Burkhard Kinzler
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Wenn alle Brunnlein swingen
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Schott Music - Digital
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SheetMusicPlus
Mixed choir - easy to difficult - German folksongs between Jazz, Latin and Modern Art. Arranged by Burkhard Kinzler. This edition: choir book. Jazz,...
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Mixed choir - easy to difficult - German folksongs between Jazz, Latin and Modern Art. Arranged by Burkhard Kinzler. This edition: choir book. Jazz, Latin, Moderne, Volkslieder. Downloadable. Schott Music - Digital #Q25879. Published by Schott Music - Digital
Volklieder erleben derzeit eine wahre Renaissance. Diese Arrangements von Burkhard Kinzler erscheinen zeitgemass frisch, mal im Boogie-, mal im Swing-Stil. Traditionelles Liedgut wird neu verpackt zum Ohrenschmaus und bringt auch der jungen Generation das Kulturgut des deutschsprachigen Raumes naher. So konnen im Konzert beispielsweise traditionelle Satze den neuen gegenubergestellt werden und auch das Publikum wird den Wandel der Zeit lieben.
$15.99
Poor Wayfarin' Stranger SATB and piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Americana
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Traditional
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Jennifer Durham
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Poor Wayfarin' Stranger SATB a
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Jennifer Durham
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SheetMusicPlus
Piano, SATB, Voice Ensemble, Voice Quartet, - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Jennifer Durham. Christia...
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Piano, SATB, Voice Ensemble, Voice Quartet, - Advanced Intermediate - Digital Download Composed by Traditional. Arranged by Jennifer Durham. Christian, Spiritual, Folk, Old-time, Americana. Octavo, Score. 10 pages. Published by Jennifer Durham
Another fresh arrangement from Jennifer Durham, this time with piano accompaniment. The tasteful accompaniment provides a few harmonic surprises while supporting your chorus (and not overwhelming it!). Soloists have opportunities to shine if desired. The final verse moves to a stirring climax, after which an optional solo brings the piece to a satisfying close.
$2.99
Everywhere You Look - Opening And Closing Theme
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Chorale SATB
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INTERMÉDIAIRE
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Bennet Salvay, Jeffrey S
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Peter Hazzard
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Everywhere You Look - Opening
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BKJ Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1116682 Composed by Bennet Salvay, Jeffrey S. Franklin, and Jesse Frederick. Arranged by Peter Hazzard. A Cappel...
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Choral Choir (SATB) - Level 3 - SKU: A0.1116682 Composed by Bennet Salvay, Jeffrey S. Franklin, and Jesse Frederick. Arranged by Peter Hazzard. A Cappella,Film/TV,Pop. Octavo. 4 pages. BKJ Publications #718337. Published by BKJ Publications (A0.1116682). Arranged for a high school a cappella group with the name Full House, this high energy piece has an open vamp ad-lib section in the middle which can be used to introduce the singers, make concert announcements or it may be left out completely if desired. Folks who know the old and new TV shows will enjoy this bit of nostalgia.
$2.00
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Da Natinitip Sanggar
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Nahum Situmorang
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Otniel Simangunsong
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Da Natinitip Sanggar
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Otniel Simangunsong
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1247407 Composed by Nahum Situmorang. Arranged by Otniel Simangunsong. A Cappella,Contest,Festival,Folk,R...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1247407 Composed by Nahum Situmorang. Arranged by Otniel Simangunsong. A Cappella,Contest,Festival,Folk,Romantic Period,Traditional. 17 pages. Otniel Simangunsong #842044. Published by Otniel Simangunsong (A0.1247407). Da Natinitip Sanggar is a folksong originated from North Sumatra, Indonesia. This song was composed by Nahum Situmorang (1908 - 1969). He is a composer and musician. In his entire life, Nahum never worked as an employee of the Dutch colonial government. During his youth, he had won many song competitions, including Sumatra Keroncong Concours in Medan (1936). Nahum's skill in creating his own songs as well as singing them made many people admire him. Nahum is able to play a variety of musical instruments and has his own band. Nahum also often creates songs when in the middle of a crowd. Nahum was most prolific in composing songs from 1950 to 1960. Historically, Nahum has never married in his entire life. However, from several sources, Nahum stated that he once loved a woman but he did not reveal it. This song tells about the romantic story of a man who seduces the woman he loves. He fell in love at the first sight and tried to find out about the woman's family. This song is a collection of rhymes called Umpasa in Batak language. The lyrics of this song are closely related to the culture of the Batak tribe, especially about the family tree known as Tarombo. Men and women are not allowed to marry if both are of them are from the same descendant ( one surname / one family tree). Based on this culture, the song Da Natinitip Sanggar shows a man's curiosity about a woman's surname and her biological mother's surname to find out whether they came from the same family tree because if a woman's family name is the same as the man's biological mother's name, it is considered a mate. Otniel Simangunsong is a conductor and composer from Indonesia. He was born in Tanjungbalai, North Sumatra on August 19, 1996. Currently he is a conductor of Benedicamus Chante Choir - Darma Cendika Catholic University Student Choir, Surabaya. He has also got some supports from another professional conductors and composers. This Da Natinitip Sanggar song is packaged as a A Capella choral score which is Soprano, Mezosoprano, Alto, Tenor, Bariton, and Bass. This arrangement features the style of Batak musical instruments such as Taganing, Ogung, and Sarune.
$4.20
Agora Non, lullaby of Asturias (Spain) for Mixed Choir
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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Gustavo Fuentes
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Agora Non, lullaby of Asturias
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Gustavo Fuentes
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.900395 Composed by Traditional. Arranged by Gustavo Fuentes. A Cappella,Celtic,Folk,World. Octavo. 4 pages. Gust...
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Choral Choir (SATB) - Level 3 - SKU: A0.900395 Composed by Traditional. Arranged by Gustavo Fuentes. A Cappella,Celtic,Folk,World. Octavo. 4 pages. Gustavo Fuentes #3532713. Published by Gustavo Fuentes (A0.900395). Agora non (Not Now) is a traditional lullaby from Asturias (Spain), arranged for Mixed Choir (SATB) a capella with chords for piano or guitar. His folkloric lyrics talk about adulterous relationships, surprising in a lullaby. This arrangement belongs to the repertory of Avalon Choir (Coro Avalon) of Buenos Aires, Argentina, of which I am its director and arranger. The audio is from a live concert. Agora non (Ahora no) es una canción de cuna tradicional de Asturias (España), arreglada para Coro Mixto (SATB) a capella, con acordes para piano o guitarra. Su letra folklórica habla sobre las relaciones adúlteras, algo sorprendente en una canción de cuna. Este arreglo forma parte del repertorio del Coro Avalon de Buenos Aires, Argentina, del cual soy el director y arreglador. El audio es de un concierto en vivo.
$2.00
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