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Dies irae, full score
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Vous avez sélectionné:
Dies irae, full score
Chorale SATB
Partitions à imprimer
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Dies irae, full score
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.942870 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.942870 Composed by James W. Knox. Contemporary,Sacred. Octavo. 30 pages. Knox Music #4846647. Published by Knox Music (A0.942870). Dies irae, is one of the most famous melodies of the Gregorian Chant, and was traditionally ascribed to Thomas of Celano (d 1260), but now is usually attributed to an unknown Franciscan of that period. The piece is based upon the prophet, Zephaniah 1:14-16, a reflection upon the final judgment.Many have caviled about the depressing nature of the opening verses, but while the piece is certainly sobering, there is a note of hope as well later in the text. Judgment, which is eternal, is indeed a fearsome prospect for all who have fallen short of the Glory of God. For those who believe in the Christian faith, as sinners, there is grace to be found through Jesus Christ as our Savior of all mankind.Dies irae, written for SSAATTBB, piano and bass drums, is a powerful and gripping rendition of the day of wrath! Your choir and audience will be transformed after hearing this dramatic work.
$3.50
3.23 €
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Chorale SATB
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James W
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Dies irae, full score
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Knox Music
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SheetMusicPlus
Dies Irae (from "Requiem Mass" - Full Score)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.612025 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.612025 Composed by Stephen DeCesare. Contemporary,Film/TV,Sacred. Octavo. 25 pages. Exultet Music #3417525. Published by Exultet Music (A0.612025). Forceful, driving setting that is featured in Requiem Mass that is scored for SSAATTBB, Piccolo, Oboe, Bb-Clarinet, English Horn, Bassoon, Bb-Trumpet, French Horn, Trombone, Xylophone, Timpani, Violin (2), Viola, Cello, Contrabass, Keyboard (2). A piano/vocal score as well as a rehearsal and accompaniment track are also available. .
$12.99
11.98 €
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Chorale SATB
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Stephen DeCesare
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Dies Irae
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Exultet Music
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SheetMusicPlus
MOZART - REQUIEM K. 626 - Dies Irae - Full Orchestra - SCORE & PARTS
Chorale SATB
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Marc GARETTO. Classical Perio…
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Marc GARETTO. Classical Period, Christian, Sacred, Funeral. Score, Set of Parts. 60 pages. Published by Marc GARETTO - Harmonie Editions (S0.269943). - Score,Set of Parts - Classical Period,Christian,Sacred,Funeral - Marc GARETTO - Harmonie Editions
$60.00
55.31 €
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Chorale SATB
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Wolfgang Amadeus Mozart
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Marc GARETTO
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MOZART - REQUIEM K. 626 - Dies Irae - Full Orchestra - SCORE & PARTS
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Missa Pro Defunctis (2018) piano-vocal score
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869579 Composed by Thomas …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869579 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Octavo. 1 pages. Thomas Oboe Lee #3582755. Published by Thomas Oboe Lee (A0.869579). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 29 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.
$1.99
1.83 €
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Chorale SATB
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.12 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Day of Wrath (SATB, Cello Solo, Narrator, Piano, Perc)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.799653 Composed by D. M. Gardner. 20…
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Choral Choir (SATB) - Digital Download SKU: A0.799653 Composed by D. M. Gardner. 20th Century,Contemporary,Sacred. Octavo. 62 pages. D. M. Gardner Music #481037. Published by D. M. Gardner Music (A0.799653). An intense hell-fire blazes throughout Day of Wrath. Though it begins quietly and mysteriously with the haunting Dies Irae chant, the audience is swept into a picture of hell painted by light and sound as the piano viciously churns-out its relentless melody against the turmoil of the choir... Driving to the ultimate end: Understanding whom we are to fear.But I will forewarn you whom ye shall fear: Fear him, which after he hath killed hath power to cast into hell; yea, I say unto you, Fear him. Luke 12:5 (King James Version)Day of Wrath is a performance not soon forgotten. Choreographed lights and sound add to the illusion of hell-fire and brimstone, while cello harmonics sail above the choir with an eerie crystalline presence. An opener, a closer... A crowd-pleaser for sure. If you want to break-up the praise and worship a bit, Day of Wrath will certainly wake up the audience!PURCHASE INCLUDES FULL SCORE AND ALL PARTS - Priced as a choral score (so, please purchase one copy per performer...Thank you!)Instrumentation: Cello, Narrator, SATB, Piano, Timpani, Cymbals, Bass DrumPremiere: University of Nebraska at Omaha - University ChorusDifficulty: Intermediate/AdvancedText from KJV version of the Bible and Dies Irae (Tomaso de Celano)To learn more about the composer, please visit https://www.dmgardner.com
$2.99
2.76 €
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Chorale SATB
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D
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yea, I say unto you, Fear him
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Day of Wrath
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D. M. Gardner Music
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SheetMusicPlus
Pie Jesu (Requiem)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1138405 By voces 8. By Gab…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1138405 By voces 8. By Gabriel Faure. Arranged by Marcus Martin. 19th Century,A Cappella,Classical,Praise & Worship,Religious. Octavo. 8 pages. Cornelius Edition (uk) #738742. Published by Cornelius Edition (uk) (A0.1138405). Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. In seven movements, the work is scored for soprano and baritone soloists, mixed choir, orchestra and organ. Different from typical Requiem settings, the full sequence Dies irae is omitted, replaced by its section Pie Jesu which is often used as a 'stand alone' movement for religious occasions, notably funerals and memorial services. The original single soprano line is retained and the ATB voices provide an accompaniment. Effective as a solo quartet but also suitable for larger choral forces.
$1.99
1.83 €
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Chorale SATB
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voces 8
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Marcus Martin
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Pie Jesu
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Cornelius Edition
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SheetMusicPlus
Missa Pro Defunctis (2018) for SATB (single voices) and chamber ensemble.
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869578 Composed by Thomas …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869578 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Octavo. 145 pages. Thomas Oboe Lee #3581845. Published by Thomas Oboe Lee (A0.869578). The inspiration for my Missa Pro Defunctis (2018) was Fauré's Requiem in which he ignored the fire and brimstone text of the Dies irae and Tuba mirum in the Sequence of the Requiem Mass. And consequently he created a work that is peaceful, tranquil and uplifting. I'd like to think of death in that way.So, I proceeded by taking the exact text that Fauré used in his work, and instead of a large chorus and full orchestra I decided to do a chamber version. It is scored for SATB (single voices), flute, clarinet, string quartet, double bass and harp.The movements, as in the Fauré, are:1. Introit and Requiem2. Offertory3. Santus 4. Pie Jesu5. Agnus Dei6. Libera me7. In paradisumThe entire work has a duration of ca. 29 minutes.Missa Pro Defunctis (2018) is dedicated to the residents in the Protestant Cemetery in Rome.Audio link: https://thomasoboelee.bandcamp.com/album/missa-pro-defunctis-2018YouTube link: https://youtu.be/E5b3Ud2tV_4
$9.99
9.21 €
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Chorale SATB
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Thomas Oboe Lee
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Missa Pro Defunctis
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Thomas Oboe Lee
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SheetMusicPlus
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