Joyful Gospel Songs! Revival music!

This is the third book in the Gospel Favorites Series. Your singers will enjoy using these books and singing the four part harmonies! This resource contains 21 songs that are rich in doctrine and heritage. Sure to become a treasured songbook in your collection!

Joyful Gospel Songs! Revival music!

Your singers will enjoy using these books and singing the four part harmonies! This resource contains 22 songs that are rich in doctrine and heritage. Sure to become a treasured songbook in your collection!

German.

Georg Kreisler equals scathing, dark black humour on the piano!
The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for mixed choir SATB with piano accompaniment. The topics range from the poisoning of pigeons to the love of a wonderful woman .to a tribute to the triangle. These pleasant arrangements for mixed choir SATB and piano with Kreisler's humorous texts most certainly create an exuberant atmosphere in the concert.
All pieces contained in this volume are also available in separate editions.

Latin.

Andreas Pieper, born in 1958, studied church music at the Staatliche Hochschule fur Musik Westfalen-Lippe and composition with Roland Ploeger at the Lubeck Music Academy. In 2002, he was among the prize-winners of the composition competition of the European music festival 'Windrose' as part of the Ruhr Festival.
From meditative simplicity to the brilliant 'Alleluja', the atmospherically dense motet 'Justorum animae' interprets a famous text from the 'Book of Wisdom' about the hope of men beyond their transitoriness.

I Have Been Redeemed energetically expresses the joy of having salvation in Christ by utilizing a familiar hymn text with a newly composed tune. It could be used as a call to worship or service opener. This choral setting is appropriate for any time of year.
YouTube Video: https://www.youtube.com/watch?v=V_9kEe78FCQ
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English.

A new choral series that sets a new standard: Familiar traditionals are replaced by legendary pop and jazz classics, the arrangers - among them Jens Johansen, Bertrand Groger, Oliver Gies, Thierry Lalo, Dylan Bell - rank among the great figures of the European choral scene, and the book comes along in an absolutely ".choir-friendly". format: as a handy, modern separate edition at an affordable price - a valuable addition for all jazz, pop and gospel ensembles looking to add new pieces to their repertoire.
further editions: Straighten up and Fly right / Smells Like Teen Spirit / Washing of the Water / Blues on Sunday / As

From the 2005 Cadence album Twenty For One

A new choral series that sets a new standard: Familiar traditionals are replaced by legendary pop and jazz classics, the arrangers - among them Jens Johansen, Bertrand Groger, Oliver Gies, Thierry Lalo, Dylan Bell - rank among the great figures of the European choral scene, and the book comes along in an absolutely choir-friendly format: as a handy, modern separate edition at an affordable price - a valuable addition for all jazz, pop and gospel ensembles looking to add new pieces to their repertoire.
further editions: Straighten up and Fly right / Smells Like Teen Spirit / African Call / Washing of the Water / As

An beautiful, original hymn with text by Kathryn Hales below. Veryuseful for church choirs as a short, easy-to-learn piece for church services.Could be used by youth groups as well for musical numbers. Supports the LDS youth theme for 2018.

YouTube video: https://youtu.be/GiWwq2pC1io

Duration: 4 to 5 minutes

Find more original hymns at: https://www.youtube.com/playlist?list=PLM3W3k9Sv6zFcTMR7sXl97qA82XiUpAiU

Facebook page: https://www.facebook.com/pg/KevinPaceMusic/posts/?ref=page_internal

This a cappella SATB w/ divisi + solo arrangement of ?Royals? by Lorde sticks closely to the original form but adds subtle changes to stand out from more traditional versions of the tune. Most notably, certain sections are fully reharmonized and will provide a fresh take for ears who heard the song on repeat during the summer of 2013. Additionally, the bass line follows a simple pattern that can be picked up by singers of all levels. Finally, vocal percussion can be utilized but it is not required. This arrangement would be great for both high school and college ensembles, and it would fit well as an opener in a competition set.

Ranges
Solo: F#3 - A4
Soprano: F#3 - D5
Alto: F#3 - G4
Tenor: D3 - F4
Bass: (D2 opt.) F#2 - A3

Performance time approx. 4:00

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