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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Do You Love Me
Non classifié
117
Piano & claviers
Instruments en Do
197
Piano, Voix et Guitare
127
Piano seul
117
Piano, Voix
49
2 Pianos, 4 mains
18
Piano Facile
17
Piano grosses notes
8
Piano Trio: piano, violon, violoncelle
3
Orgue
2
1 Piano, 4 mains
1
Ligne De Mélodie, Piano
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
24
Guitare notes et tablatures
21
Paroles et Accords
9
Ukulele
9
Guitare
6
Guitare (partie séparée)
5
Mandoline
1
Dulcimer
1
Basse electrique
1
+ 4 instrumentations
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Voix
Chorale SATB
39
Chorale TTBB
16
Chorale 3 parties
8
Chorale 2 parties
5
Chorale SSAA
5
Voix Tenor, Piano
4
Chorale Unison
3
Voix seule
3
Voix duo, Piano
3
Pack Instrumental pour Chorale
2
Voix duo
2
Voix haute
1
Voix Alto, Piano
1
+ 8 instrumentations
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Vents
Saxophone (partie séparée)
14
Saxophone
12
Flûte traversière
11
2 Saxophones (duo)
10
Clarinette
7
Saxophone Alto
7
Ensemble de Flûtes
7
Saxophone Tenor
6
Saxophone Tenor et Piano
6
Saxophone, Clarinette (duo)
5
Clarinette (partie séparée)
5
Clarinette, Violon (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Hautbois, Piano (duo)
3
Flûte traversière et Piano
3
Saxophone Soprano
2
Flute (partie séparée)
2
2 Flûtes traversières (duo)
2
Flûte, Clarinette (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Hautbois, Basson (duo)
2
2 Hautbois (duo)
2
Hautbois (partie séparée)
2
Flûte, Violon
2
Clarinette et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
2 Clarinettes (duo)
1
3 Clarinettes (trio)
1
Cor anglais, Piano
1
Flûte et Guitare
1
Saxophone Soprano et Piano
1
Saxophone Alto et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Flûte
1
Quintette de Flûte : 5 flûtes
1
+ 35 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
14
Trombone (partie séparée)
13
Trompette
10
Trombone
7
Trompette, Saxophone (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
Tuba (partie séparée)
1
Cor anglais, Piano
1
Euphonium
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 cors
1
Cor
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon
22
Violoncelle
13
Alto seul
12
Harpe
10
Violon et Piano
9
Trio à Cordes: violon, alto, violoncelle
7
Violon, Violoncelle (duo)
7
Violoncelle, Piano
5
Contrebasse (partie séparée)
4
Alto, Piano
4
Trio à Cordes: 2 violons, violoncelle
4
Violon (partie séparée)
3
Violon, Alto (duo)
3
Alto (partie séparée)
2
2 Altos (duo)
2
2 Violoncelles (duo)
2
2 Violons (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
33
Ensemble Jazz
15
Orchestre
8
Orchestre à Cordes
5
Batterie
5
Orchestre de chambre
5
Ensemble de Percussions
4
Batterie (partie séparée)
3
Jazz combo
3
Percussion
1
Quintette de Cuivres: autres combinaisons
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : TECHNIQUES
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Vous avez sélectionné:
Do You Love Me
Chorale SATB
Partitions à imprimer
39 partitions trouvées
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26
Do You Love Me (John 21)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christy L'Esperance
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Do You Love Me
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Christy L'Esperance
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.918175 Composed by Christy L'Esperance. Christian,Easter,Praise & Worship,Sacred. Octavo. 7 pages. Christy L'Esp...
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Choral Choir (SATB) - Level 3 - SKU: A0.918175 Composed by Christy L'Esperance. Christian,Easter,Praise & Worship,Sacred. Octavo. 7 pages. Christy L'Esperance #6456933. Published by Christy L'Esperance (A0.918175). Do You Love Me? is a choral setting (SATB) of John 21:15 - 21 with optional alto and soprano solos. The piano accompaniment implies (with a cock's crow) the connection between Jesus's repeated question, Do you love me, Simon, son of John? with Simon Peter's three denials of Christ preceding his crucifixion. Thus, this work is appropriate for the Lenten season and Triduum and well as Ordinary time.
$5.00
I Don't Think You Love Me Now. Song & Chorus
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Chorale SATB
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Thomas P
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I Don't Think You Love Me Now.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4789 Composed by Thomas P. Westendorf. Portraits, Unrequited love, Farewells. Lester S. Levy Collection...
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Piano and voice (solo and SATB chorus) - SKU: LV.4789 Composed by Thomas P. Westendorf. Portraits, Unrequited love, Farewells. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4789). I Don't Think You Love Me Now. Song & Chorus. Words and Music by Thos. P. Westendorf. Published 1883 by W.F. Shaw] in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Unrequited love, Farewells. First line reads Oh why do you frown my darling, today?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
O Lord, you have searched me out
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Le Bas
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O Lord, you have searched me o
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Philip Le Bas
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. Philip Le Bas #1072778. Published by Philip Le Bas (A0.1496253). A new setting of Psalm 139 by Philip Le Bas, which begins O Lord, you have searched me out and known me - text printed below. The psalm is a deeply personal reflection by the psalmist on the wonder of my being and on the inescapability of God's love, wherever we might try to hide, and whatever we might do ourselves or might experience - even death. This gentle setting for unaccompanied SATB choir uses the full range of all four choral voices, with just one divisi passage at the end of the composition in the tenor and bass parts. The piece should be sung meditatively, without too much drama, even in the fortissimo passages, aiming for a sense of wonder and inner peace. Psalm 139 O Lord, you have searched me out and known me; you know all my sitting down and rising; you discern my thoughts from afar. You mark all my journeys and my resting place and are acquainted with all my ways. For not a word is on my tongue but, Lord, you know it altogether. You encompass me, behind and before me, you lay you hand upon me. O where can I go from your spirit? Or where can I flee from your presence? If I climb up to heaven you are there; you are there if the grave is where I lie. If I take the wings of the morning, or dwell in the depths of the sea, even there your hand shall lead me, your right hand hold me fast. You created my innermost parts; you knit me together in my mother's womb. I thank you for the wonder of my being, I marvel at all your works. Amen.
$2.99
How Do You Sleep?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Sam Smith
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Aniket Mehrotra
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How Do You Sleep?
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Aniket Mehrotra
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.513539 By Sam Smith. By Ilya Salmanzadeh, Max Martin, Sam Smith, and Savan Kotecha. Arranged by Aniket Me...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.513539 By Sam Smith. By Ilya Salmanzadeh, Max Martin, Sam Smith, and Savan Kotecha. Arranged by Aniket Mehrotra. A Cappella,Contemporary,Hip-Hop,Pop,R & B. Octavo. 8 pages. Aniket Mehrotra #124288. Published by Aniket Mehrotra (A0.513539). How Do You Sleep - Sam Smith, SSSSATBB A Cappella Suited for collegiate and other intermediate/advanced a cappella groups. Usually, if you're not a soloist, many a cappella arrangements can become repetitive and stale. Not this arrangement! Your group will LOVE the independent melody lines and colorful harmonies in each voice part that will give all members a chance to shine. This song, How Do You Sleep, has incredible musical depth on its own, and this arrangement will allow your group to explore its emotional and harmonic intricacies. While complex, the arrangement is written with learning in mind; an intermediate/advanced group won't have much trouble getting comfortable with it. Buy How Do You Sleep today for a showstopper that will impress your audience at your next concert. Questions? Email me at aniket.meh@gmail.com.
$4.99
Jesus Loves Me
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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William B
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Jeff Davis
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Jesus Loves Me
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Jeff Davis
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1495902 Composed by William B. Bradbury/Anna B. Warner/Jeff Davis. Arranged by Jeff Davis. Christian...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1495902 Composed by William B. Bradbury/Anna B. Warner/Jeff Davis. Arranged by Jeff Davis. Christian,Praise & Worship,Religious,Sacred,Traditional. 10 pages. Jeff Davis #1072427. Published by Jeff Davis (A0.1495902). Jesus Loves Me is probably the first Christian tune we remember from childhood and its meaning reaches the hearts and minds of people of all ages. I took this simple text and turned it into an enjoyable anthem that can be performed by most church choirs. This SATB version does have some optional A capella sections with modern harmony that can be a little challenging. I also have published a simpler version for children's choir or anyone who wishes not to sing harmony. It even includes a time to interact with the congregation. The flute part, which plays a counter melody and obligato, is included so you do not have to purchase a seperate piece of music. I hope you enjoy this gem!
$2.99
Do You Love Me (fr: Fiddler On The Roof)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Jerrold Lewis Bock and Sheldon
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Yuan-Teng Choke
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Do You Love Me
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C. Yuan Teng
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1027697 Composed by Jerrold Lewis Bock and Sheldon Harnick. Arranged by Yuan-Teng Choke. Contemporary. Octavo. 8...
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Choral Choir (SATB) - Level 3 - SKU: A0.1027697 Composed by Jerrold Lewis Bock and Sheldon Harnick. Arranged by Yuan-Teng Choke. Contemporary. Octavo. 8 pages. C. Yuan Teng #5320651. Published by C. Yuan Teng (A0.1027697).
$2.99
Do Lord, Remember Me
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Chorale SATB
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Mary McDonald
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Do Lord, Remember Me
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Hope Publishing - Digital
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SheetMusicPlus
SATB Chorus - SKU: H1.C6434DP Arranged by Mary McDonald. Piano Accompaniment. Octavo. 12 pages. Hope Publishing - Digital #C6434DP. Published by Hope Pu...
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SATB Chorus - SKU: H1.C6434DP Arranged by Mary McDonald. Piano Accompaniment. Octavo. 12 pages. Hope Publishing - Digital #C6434DP. Published by Hope Publishing - Digital (H1.C6434DP). This lively arrangement of the beloved spiritual is sure to uplift your choir and congregants alike.
$3.25
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
Listen, I love you
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Chorale SATB
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INTERMÉDIAIRE
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Stephen Chatman
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Listen, I love you
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.8801-E Composed by Stephen Chatman. 6 pages. E. C. Schirmer Music Company - Digital #8801-E. Published by E. C. ...
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SATB choir and Piano - Medium - SKU: MQ.8801-E Composed by Stephen Chatman. 6 pages. E. C. Schirmer Music Company - Digital #8801-E. Published by E. C. Schirmer Music Company - Digital (MQ.8801-E). English.The opening lines, “Listen, I love you. Do not turn your face / Nor touch me.â€, reflect the somber feelings encompassing Sara Teasdale’s poem. Paired voices initially express contrapuntal melodic lines enhanced by underlying harmony and slow syncopation in the piano accompaniment. The middle and final sections, imbued with sad words such as “let me ease my heart,†“with broken wing†and “Forget that I am speaking,†evolve beautifully within contrasting tonal regions, supported by undulating keyboard arpeggios. One of a set of six of Teasdale's love songs. Duration: 2:00.
$2.25
Almost Like Being In Love
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Chorale SATB
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FACILE
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David Brooks And Marion Bell
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Ruby Rhea
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Almost Like Being In Love
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Ken Potter
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1231339 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Ruby Rhea. Barbersh...
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Choral Choir (SATB) - Level 2 - SKU: A0.1231339 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Ruby Rhea. Barbershop,Broadway,Jazz,Musical/Show,Pop. Octavo. 4 pages. Ken Potter #827026. Published by Ken Potter (A0.1231339). This arrangement for mixed SATB was originally written by Ruby Rhea for SAI. Â I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. Â As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Â Please observe all copyright laws and contest rules for clearance. Â Ruby wanted her charts to be used by the public legally. Â Please note that I do not receive compensation for managing her charts. Â Contact me directly if you need to speak to me about Ruby Rhea's material. Â (310-702-5285).
$2.00
She Keeps Me Warm
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mary Lambert
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Ken Hare
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She Keeps Me Warm
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Ken Hare
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.984571 By Mary Lambert. By Ben Haggerty, Mary Lambert, and Ryan Lewis. Arranged by Ken Hare. Contemporary. Octav...
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Choral Choir (SATB) - Level 3 - SKU: A0.984571 By Mary Lambert. By Ben Haggerty, Mary Lambert, and Ryan Lewis. Arranged by Ken Hare. Contemporary. Octavo. 11 pages. Ken Hare #4777461. Published by Ken Hare (A0.984571). This is an SATB a cappella arrangement of Mary Lambert's lovely song, She Keeps Me Warm for choir or smallish group (12 perhaps)If you decide to perform this, do let me know. Email me on southfieldcowboy@mac.com
$1.99
Find Me
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Chorale SATB
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FACILE
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Contemporain
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Sigma Feat
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Jeff Tincher
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Find Me
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Jeff Tincher
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.586229 By Sigma Feat. Birdy. By Benjamin Alexander Kohn, Cameron Edwards, Camille Angelina Purcell, Jasmine Van ...
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Choral Choir (SATB) - Level 2 - SKU: A0.586229 By Sigma Feat. Birdy. By Benjamin Alexander Kohn, Cameron Edwards, Camille Angelina Purcell, Jasmine Van Den Bogarde, Joseph Lenzie, Pete Kelleher, Peter Norman Cullen Kelleher, Tom Andrew Searle Barnes, and Tom Barnes. Arranged by Jeff Tincher. Contemporary. Octavo. 17 pages. Jeff Tincher #6658165. Published by Jeff Tincher (A0.586229). I ran across this song playing for a perfume advertisement. I pulled it up on youtube and decided to do the arrangement. It's a beautiful, uptempo, pop love song. In the original key from their single. Duration = 3:31. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$1.99
The Shepherd Motets: 2. I Am the Good Shepherd (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Leo Nestor
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The Shepherd Motets: 2. I Am t
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, organ - Medium - SKU: MQ.7924-E Composed by Leo Nestor. Easter Season, Good Shepherd Sunday. 9 pages. E. C. Schirmer Music Company - Digital...
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SATB choir, organ - Medium - SKU: MQ.7924-E Composed by Leo Nestor. Easter Season, Good Shepherd Sunday. 9 pages. E. C. Schirmer Music Company - Digital #7924-E. Published by E. C. Schirmer Music Company - Digital (MQ.7924-E). John 10:14-16.I Am the Good Shepherd was first performed at the Cathedral of Our Lady of the Angels, Los Angeles, California, on April 29, 2012, Frank Brownstead conducting the cathedral choir, Samuel Soria, organist. Simon, Son of John, Do You Love Me? received its premi? performance at St. Peter's Church on Capitol Hill, Washington, District of Columbia on June 29, 2012, Kevin O'Brien, organist-choirmaster. These two lush works feature words from John 21:1519 and 10:1416, respectively. Each edition features substantial program notes by the composer and the texts as printed matter. c. 4:00.
$1.95
The Voice of the Shepherd - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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The Voice of the Shepherd - an
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701460 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G....
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Choral Choir (SATB) - Level 4 - SKU: A0.701460 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125381. Published by Kevin G. Pace (A0.701460). An original hymn based on Alma chapter 5 from the Book of Mormon. See text by Kathryn Hales below.YouTube video: https://youtu.be/mDD-eZJ8PcIDo you hear the voice of the Shepherd Calling Come unto me, Partake of the fruit of the Tree of Life And drink living waters freely. Come unto me and bring forth works Of righteousness built on faith; Remember the deliverance of your fathers And the words the prophets saith. Strip yourselves of all pride and envy; Persecute not your brother; Be ready to help the needy and poor, Showing love to one another. Receive my image in your countenance; Sing the song of redeeming love; Humble yourselves and trust in my voice, That comes from the heavens above. Wash your garments in the blood of the Lamb; Steadfastly believe on my name; Have clean hands and a pure heart, Standing firm without guilt or shame. Come to the fold of the Good Shepherd, Repent, overcome every sin; I’m calling with a voice so gentle, Come to my fold and enter in.
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I Was a Stranger - an original hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Was a Stranger - an original
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701764 Composed by Kevin G. Pace, Angie Killian. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.701764 Composed by Kevin G. Pace, Angie Killian. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3409835. Published by Kevin G. Pace (A0.701764). An original hymn with text by Angie Killian below.YouTube video: https://youtu.be/65jOsnpfYxY He taught us how to live He showed us how to give He opened up his arms and let the lepers in With poor men he walked With children he talked He took upon our pain and saved us from our sin I was hungry, you gave me meat I was thirsty, you gave me drink I was a stranger, you took me in I was a stranger, you took me in As we do unto men We're doing unto him So follow in the footsteps of the perfect one Help others on their way Spread light to bright their day And open up your heart to live like God's own Son I was hungry, you gave me meat I was thirsty, you gave me drink I was a stranger, you took me in I was a stranger, you took me in Give love and soon you'll see Though different we may be We're family, all children of a Heav'nly Father We're all around the world Some far and some near home Reach out your hand and lift the burden of your brother I was hungry, you gave me meat I was thirsty, you gave me drink I was a stranger, you took me in I was a stranger, you took me in
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Love Me Like You Do
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Chorale SATB
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AVANCÉ
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Pop musique
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Ellie Goulding
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Nicholas Wright
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Love Me Like You Do
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Nicholas Wright
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.827376 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Nicholas Wrig...
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Choral Choir (SATB) - Level 5 - SKU: A0.827376 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Nicholas Wright. Pop. Octavo. 14 pages. Nicholas Wright #6318227. Published by Nicholas Wright (A0.827376). Voicing: SATB (mixed)Parts: 9 (includes solos/divisi)Pages: 13Range: Eb2 - Eb5Key: Ab major
$3.99
Love Me Like You Do
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ellie Goulding
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Bryan Sharpe
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Love Me Like You Do
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Bsharpe Music
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SheetMusicPlus
By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Bryan Sharpe. A Cappella, Pop. Octavo. 12 pages. Bsharpe M...
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By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Bryan Sharpe. A Cappella, Pop. Octavo. 12 pages. Bsharpe Music #3550677. Published by Bsharpe Music
$2.50
Little Old Cottage Gate
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Chorale SATB
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Gus
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Henry P
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Little Old Cottage Gate
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4332 Composed by Gus. Phillips. Arranged by Henry P. Keens. Portraits, Courtship. Lester S. Levy Collec...
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Piano and voice (solo and SATB chorus) - SKU: LV.4332 Composed by Gus. Phillips. Arranged by Henry P. Keens. Portraits, Courtship. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4332). New Songs of Gus Phillips. No. 1. Little Old Cottage Gate. Words and Music by Gus. Phillips (Oofty Gooft). Arr. by Henry P. Keens. Published 1876 by C.H. Ditson & Co., 711 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Courtship. First line reads Tell me, darling, tell me truly, do you love but me alone.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Lesbia mi dicit semper male
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #...
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Choral Choir (SATB) - Level 3 - SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
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A Place for Dreaming
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Chorale SATB
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INTERMÉDIAIRE
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Ken Medema
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Ken Medema
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A Place for Dreaming
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Ken Medema Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1366026 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Christian,Contemporary,Religious. 13 pages....
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1366026 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Christian,Contemporary,Religious. 13 pages. Ken Medema Music #950379. Published by Ken Medema Music (A0.1366026). Is There a Place for DreamingIs there a place for dreamingIn the corners of your mind…In a world where dreams are broken,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free. Do you dream of another countryWhere there is no push and shove…where the rich don’t rule and the poor are fed,And the only law is love,And a neighbor is a neighbor, And there is trust and loyalty?Come dreaming with me, dreaming with me,Admission is free. When I was a boy, I used to daydream a lot,And they told me that it would not last;Wouldn’t have time for such a waste of my mind,When my life started moving fast.Now that I’m grown, I find that life with no dreamIs a hell I refuse to bear.If it’s alright, I want to open my mindAnd see if my dreams are still there. Is there a place for dreamingIn the corners of your mind…In a world where dreams are broken ,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free.
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How Can I Be Like Jesus? - sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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go where He leads
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How Can I Be Like Jesus? - sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1352071 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1352071 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 13 pages. Kevin G. Pace #936900. Published by Kevin G. Pace (A0.1352071). An epically beautiful, sacred choral composition for SATB choir.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:How Can I Be Like Christ?“Come, follow Me . . .†(Luke 18:22)How can I be like Christ while on the earth?How can I live His ways and heed His words?How can I love the same as He loves me?How can I be aware and help those who plead?Follow His ev’ry step; go where He leads.Love ev’ry friend alike, or enemy.Lighten each burden shown from suff’ring souls.Shepherd them to His side; He will make each whole.How can my walk through life show God I care?Will others know to trust so I can share?How do I reach each one when in a crowd?Can I still help these souls ev’n though sin abounds?Follow His ev’ry step; go where He leads.Give of your meager store when one’s in need.Search for the lonely heart with eyes attuned.Loving each child of God can diminish wounds.How can I be like Christ, ev’n as I am?He gives sure promises; I am His lamb.As I go where He leads, gath’ring His souls,My love will shepherd them where Christ makes each whole.
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How Can I Be Like Jesus? - a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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go where He leads
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How Can I Be Like Jesus? - a s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1311956 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1311956 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #900848. Published by Kevin G. Pace (A0.1311956). An attractive, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:How Can I Be Like Christ?“Come, follow Me . . .†(Luke 18:22)How can I be like Christ while on the earth?How can I live His ways and heed His words?How can I love the same as He loves me?How can I be aware and help those who plead?Follow His ev’ry step; go where He leads.Love ev’ry friend alike, or enemy.Lighten each burden shown from suff’ring souls.Shepherd them to His side; He will make each whole.How can my walk through life show God I care?Will others know to trust so I can share?How do I reach each one when in a crowd?Can I still help these souls ev’n though sin abounds?Follow His ev’ry step; go where He leads.Give of your meager store when one’s in need.Search for the lonely heart with eyes attuned.Loving each child of God can diminish wounds.How can I be like Christ, ev’n as I am?He gives sure promises; I am His lamb.As I go where He leads, gath’ring His souls,My love will shepherd them where Christ makes each whole.
$1.99
SATB - Remember
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Chorale SATB
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Contemporain
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Connor Hopkins
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SATB - Remember
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Connor Hopkins
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1029439 Composed by Connor Hopkins. Contemporary. Octavo. 5 pages. Connor Hopkins #4896931. Published by Connor Hopkins (A...
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Choral Choir (SATB) - SKU: A0.1029439 Composed by Connor Hopkins. Contemporary. Octavo. 5 pages. Connor Hopkins #4896931. Published by Connor Hopkins (A0.1029439). This is a SATB choral piece written for my grandmother, who is on her final stretch of life. She has been extremely supportive of my efforts in composing and has provided love and support every time I even mention that I am trying to compose something new. I wanted to write a piece for her to hear so that she can know that even when she passes away from this life that she will be remembered and loved.If you do decide to perform or even rehearse this, I ask that you send me a link or file with a recording of it to conhop30@gmail.com so that I may share it with her. Thank you. I hope you enjoy this piece.
$1.99
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Annunciation
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Chorale SATB
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INTERMÉDIAIRE
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Jamey Aston
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Jamey Aston
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Scored for SATB choir.
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Annunciation
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Montana Knites Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1025356 Composed by Jamey Aston. Arranged by Jamey Aston. 20th Century,Contemporary,Renaissance,Sacred. Octavo. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1025356 Composed by Jamey Aston. Arranged by Jamey Aston. 20th Century,Contemporary,Renaissance,Sacred. Octavo. 9 pages. Montana Knites Publishing #6342795. Published by Montana Knites Publishing (A0.1025356). AnnunciationSATB Choir (TTBB Choir)Optimized for 8 1/2 by 11 paperA setting of Julie Julianna Paine's poem, Annunciation. Scored for SATB choir. Audio sample is TTBB quartet. Duration: ~4 minutesFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you perform this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$7.99
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Do You Love Me
