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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Doin' Time
Non classifié
81
Piano & claviers
Piano seul
68
Piano, Voix
23
Piano, Voix et Guitare
14
Piano Facile
3
1 Piano, 4 mains
2
Instruments en Do
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
9
Paroles et Accords
6
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
4
Ukulele
3
Banjo
2
3 Guitares (trio)
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
14
Voix Alto, Piano
10
Chorale 3 parties
5
Chorale TTBB
2
Chorale SSAA
2
Chorale 2 parties
2
Voix duo, Piano
1
Chorale Unison
1
Voix duo
1
+ 4 instrumentations
Retracter
Vents
2 Saxophones (duo)
7
Flûte traversière et Piano
4
Saxophone, Clarinette (duo)
3
Clarinette et Piano
3
Saxophone Soprano et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quatuor de Saxophones: 4 saxophones
3
Ensemble de Clarinettes
3
Clarinette, Violon (duo)
2
Saxophone Alto et Piano
2
Hautbois, Piano (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
2 Flûtes traversières (duo)
2
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Ensemble de Flûtes
1
Saxophone Alto
1
Ensemble de saxophones
1
3 Clarinettes (trio)
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Saxophone Baryton, Piano
1
Flûte, Saxophone (duo)
1
Clarinette Basse, Piano
1
Saxophone (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Flûte traversière
1
Trio de Flûtes: 3 flûtes
1
Clarinette et Alto
1
Clarinette Basse
1
2 Clarinettes (duo)
1
Saxophone Tenor et Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte et Guitare
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
+ 34 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor et Piano
2
Trompette
2
Cor
1
2 Trombones (duo)
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
4 Tubas
1
Trombone et Piano
1
Tuba et Piano
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle, Piano
3
Violon et Piano
2
Alto, Piano
2
4 Contrebasses
1
Violon (partie séparée)
1
Violon
1
Harpe
1
Violon, Alto (duo)
1
2 Altos (duo)
1
Violoncelle
1
Trio à cordes
1
2 Violoncelles (duo)
1
2 Violons (duo)
1
Violon, Violoncelle (duo)
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
28
Ensemble de cuivres
7
Orchestre à Cordes
5
Orchestre de chambre
4
Ensemble Jazz
3
Orchestre
3
Fanfare
2
Ensemble de Percussions
1
Batterie
1
Jazz combo
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
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Vous avez sélectionné:
Doin' Time
Chorale SATB
Partitions à imprimer
14 partitions trouvées
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1
Don't Do Anything (Unless You Know What You're Doing)
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Chorale SATB
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DÉBUTANT
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Judith Rounda
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Don't Do Anything
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Judith Rounda
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.827741 Composed by Judith Rounda. Ragtime,Traditional. Octavo. 3 pages. Judith Rounda #3111513. Published by Jud...
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Choral Choir (SATB) - Level 1 - SKU: A0.827741 Composed by Judith Rounda. Ragtime,Traditional. Octavo. 3 pages. Judith Rounda #3111513. Published by Judith Rounda (A0.827741). 2017 Choral Contest Entry: Secular Original Composition: Advice from a seasoned employee to the new hire inspired this short SATB ragtime piece with its tongue-in-cheek message.
$1.99
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
Beim Schlafengehen
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Chorale SATB
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INTERMÉDIAIRE
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Alwin Michael Schronen
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Beim Schlafengehen
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) a cappella - intermediate - SKU: S9.Q47746 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downl...
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Mixed choir (SATB) a cappella - intermediate - SKU: S9.Q47746 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, choral score. Duration 2' 10. Schott Music - Digital #Q47746. Published by Schott Music - Digital (S9.Q47746). German.Touching, warm-hearted and reassuring - Alwin Michael Schronen's choral composition At bedtime for four-part mixed choir (SATB) a cappella can hardly be better characterized. The only about 2-minute setting of the eponymous three-strophic poem by Hermann Hesse breathes a tremendous simplicity and intimacy through which finds the text content of the resting-to-come of doing and thinking after a long day adequate expression. The very catchy and tunable melody is largely reserved for the soprano (stanzas 1 and 3), which is sensitively accompanied by the other voices. Only in the second stanza does the tenor take on the (slightly modified) melody, giving it a vivacious tone color nuance for this secluded agelong choir of secular a cappella choral music.
$2.99
Vienna
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Billy Joel
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Jeffrey Bowen
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Vienna
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1485212 By Billy Joel. By Billy Joel. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 15 pages. Mus...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1485212 By Billy Joel. By Billy Joel. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 15 pages. Music Arrangement Services Inc. #1062276. Published by Music Arrangement Services Inc. (A0.1485212). Performed by Billy Joel. This song is about slowing down to enjoy life before it passes by. The song refers to slowing down, crazy child, ambition, being afraid, being in a hurry, burn out, so many hours in a day, truth being told, getting what you want or getting old, kicking off early, Vienna, doing fine, the life you lead, being ahead of yourself, forgetting what you need, being wrong, being right, passion, pride, only fools are satisfied, dreaming on, taking the phone off the hook, disappearing. This arrangement is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 3:40.
$3.99
Mean Green Mother From Outer Space
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Various
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Jeffrey Bowen
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Mean Green Mother From Outer S
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1453187 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Fe...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1453187 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 18 pages. Music Arrangement Services Inc. #1032413. Published by Music Arrangement Services Inc. (A0.1453187). From the Musical Production and Film “Little Shop Of Horrors”. This song is about the plant “Audrey 2” responding to being threatened because he is mean. The song refers to waiting, minding manners, changing tone, doing things their way, not knowing what they are messing with or what they are up against, being bad, being had, being mean and green, saving one’s self, good advice, being fighting mad, King Kong, Frankenstein, the Black Lagoon, The Thing, It, the Creature, can’t beat trouble. This arrangement is shorter than the original, thus avoiding harsh language. There are also cues for shortening this piece. This arrangement is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 3:50.
$3.99
Rawhide
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Chorale SATB
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FACILE
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The Blues Brothers
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Emma Palmer
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Rawhide
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Emma Palmer
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1432707 By The Blues Brothers. By Dimitri Tiomkin and Ned Washington. Arranged by Emma Palmer...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1432707 By The Blues Brothers. By Dimitri Tiomkin and Ned Washington. Arranged by Emma Palmer. 20th Century,A Cappella,Country,Film/TV. 8 pages. Emma Palmer #1013131. Published by Emma Palmer (A0.1432707). A fun A Cappella arrangement of this great song. Best sung in Blues Brothers-esque fashion and enhanced by shades and Fedora hats for those doing the shouting.Enough challenges to make it worth spending time on, while enjoying the vibe.
$1.99
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
AVE MARIA - J. Arcadelt - Harmonization by Renato Tagliabue
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Chorale SATB
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FACILE
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Renato Tagliabue
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Renato Tagliabue
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AVE MARIA - J. Arcadelt - Harm
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1086189 Composed by Renato Tagliabue. Arranged by Renato Tagliabue. A Cappella,Renaissance. Octavo. 2 pages. Ren...
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Choral Choir (SATB) - Level 2 - SKU: A0.1086189 Composed by Renato Tagliabue. Arranged by Renato Tagliabue. A Cappella,Renaissance. Octavo. 2 pages. Renato Tagliabue #690381. Published by Renato Tagliabue (A0.1086189). Changing the harmonies of classical authors is always a gamble, but, this time, I enjoyed doing it. Happy singing!
$1.99
Radio/video
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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System of a Down
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Moshe Gordon Radian
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Radio/video
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Moshe Gordon Radian
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1101579 By System of a Down. By Daron Malakian and Serj Tankian. Arranged by Moshe Gordon Radian. A Cappella,Roc...
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Choral Choir (SATB) - Level 4 - SKU: A0.1101579 By System of a Down. By Daron Malakian and Serj Tankian. Arranged by Moshe Gordon Radian. A Cappella,Rock. Octavo. 83 pages. Moshe Gordon Radian #704933. Published by Moshe Gordon Radian (A0.1101579). An a cappella arrangement of System Of A Down's Radio/Video—a track from the album Mezmerize. I've been recording improvised a cappella arrangements of songs since high school as a hobby, originally dubbing them as demos to entice friends from my high school's choir to join and record the full parts. I originally recorded Radio/Video in 2012, years after high school, having the crazy idea of trying to arrange a metal song, without being able to scream. I did a decent job and uploaded it to YouTube and forgot about it for years (intense university and startup years). During one of the Covid lockdowns, I was browsing an a cappella Facebook group and came across Noa Gruman's YouTube video doc on choirs during Covid (https://www.youtube.com/watch?v=86IHL4FWUu8), and through it, I discovered the Hellscore choir (https://www.youtube.com/hellscoreacappella), an Israeli metal a cappella group. After starting a new job, I've decided to support various creators I've been following, including Noa - and discovered the option to have monthly sessions with her by supporting her through Patreon. After discussing some vocal techniques, I asked Noa if she would be willing to listen to and comment on my old metal arrangement, to which she agreed. Rather than just doing that, I rerecorded a new version of the arrangement, with new ideas and taking advantage of some improved vocal techniques. Noa gave me a very useful critique but suggested that it would be more efficient to also put the arrangement down in musical notation. And so, for the first time in my life, I sat down to actually write a musical arrangement. This piece is the result of this months-long process, which is itself born of a decade old project of mine. I would be excited to have you perform this arrangement with a full choir—I would love to hear the result! I will be re-recording it myself in the near future. I sincerely hope you'll enjoy this piece.
$1.99
The Betrayal
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Michelle Kraak
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The Betrayal
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Michelle Kraak
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Pu...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
$16.95
He Cries (Solo and SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Stephen DeCesare
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He Cries
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.618027 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 13 pages. Exultet Music #2005703...
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Choral Choir (SATB) - Level 2 - SKU: A0.618027 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 13 pages. Exultet Music #2005703. Published by Exultet Music (A0.618027). Contemporary Christian / Praise and Worship type hymn of self-examination that sings about it's all the little things that we could be doing and how we treat our neighbor, but sometimes we don't. The comments we make that really we shouldn't, etc. and how all of this and more must make God cry. Appropriate and accessible for any church or concert setting. Scored for Solo, SATB, Cello, and Piano. A rehearsal and an accompaniment track are also available.CCLI Song Number: 7119078Video Review: https://www.youtube.com/watch?v=mcyqny0mj0E.
$3.99
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
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