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Drama In C minor
Non classifié
24
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21
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9
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5
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5
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1
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1
+ 25 instrumentations
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2 Violons (duo)
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Violon, Violoncelle (duo)
1
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1
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1
2 Altos (duo)
1
Alto, Violoncelle (duo)
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1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
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Vous avez sélectionné:
Drama In C minor
Chorale SATB
Partitions à imprimer
3 partitions trouvées
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'Red Red Rose' Choral work for SATB with full Piano Accompaniment.
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Kerry Barnes --- British Femal
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'Red Red Rose' Choral work for
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kerry barnes
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.969726 Composed by Kerry Barnes --- British Female Composer 1962. Contemporary. Octavo. 10 pages. Kerry barnes #...
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Choral Choir (SATB) - Level 3 - SKU: A0.969726 Composed by Kerry Barnes --- British Female Composer 1962. Contemporary. Octavo. 10 pages. Kerry barnes #3066159. Published by kerry barnes (A0.969726). Red Red Rose! A Choral work for SATB and full Piano Accompaniment.A choral lament above 'Love Lost' in C Minor. Approx 3 mins duration and easy to learn and perform!Very dramatic in parts, and the piano has it's own beautiful solo entries.Moderate difficulty and suitable for all choirs and for adults from age 16 plus.Timeless for any concert programming. Original music and text by British Female Composer born 1962.
$7.70
Epitaphium Innocentum
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Chris LaBenne
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Epitaphium Innocentum
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C. LaBenne Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1027822 Composed by Chris LaBenne. A Cappella,Contemporary. Octavo. 4 pages. C. LaBenne Music #3010555. Publishe...
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Choral Choir (SATB) - Level 4 - SKU: A0.1027822 Composed by Chris LaBenne. A Cappella,Contemporary. Octavo. 4 pages. C. LaBenne Music #3010555. Published by C. LaBenne Music (A0.1027822). An acappella choral piece dedicated to the victims of the September 11, 2001 terrorist attacks in New York City. Scored for SSATB choir. A dramatic Latin text setting in F minor, composed in the tintinnabuli style made famous by Arvo Pärt. Pärt calls his vocal composition technique tintinnabuli, a Latin word meaning ‘the ringing of bells’. Pärt claims that the three notes of a triad ‘ring like bells’. In tintinnabuli, the tonic triad is always present somewhere within the piece; either the root, third, or fifth of the tonic triad will always be heard. This provides the unique ability to create striking dissonances that remain unified by the underlying tonality, and resolve satisfyingly back into the tonic. This is evident when listening to Epitaphium Innocentum; the way that one or more lines drift away stepwise from the tonal center while others remain on it is jarring in motion, but very pleasing upon resolution. We are the heroes -- we are the axis of the stars.
$9.99
Total Eclipse - SATB choir and piano
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Chorale SATB
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INTERMÉDIAIRE
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Phil Beaman
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Sop - middle C to C
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Total Eclipse - SATB choir and
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Phil Beaman
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Romantic Period. 10 p...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Romantic Period. 10 pages. Phil Beaman #957783. Published by Phil Beaman (A0.1373417). I originally wrote Total Eclipse as an expressive Art Song for solo voice and piano. Â I used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern, with a touch of Pop. Â The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light. Â When I adapted it for SATB I filled out the already rich harmony and added ethereal 'oo's under some of the melody. Â In a few brief measures, at different places, SAB each will have a divisi line where it splits to 2 parts. Â (The texture is never thicker than 5 parts at once.) Â This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for concert. Â And perfect for the upcoming April 8 total eclipse!(Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.) Â 10 pages, 2:00 minutesVocal Ranges: Â all 1 octave; Sop - middle C to C; Alto - low G to G; Tenor - D to C; Bass - G to Gattached recording is of the original solo voice version which SATB is closely based on. Â Be the first choir to record this and send me a link which I will post. Â plbeaman@gmail.comalso available on this site as a vocal solo in several keys, and as a Unison Choral hymn
$3.50
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