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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ERC Baroque
Non classifié
101
Piano & claviers
Piano seul
93
Piano, Voix
48
Orgue
16
Piano Facile
10
Orgue, Piano (duo)
3
Clavecin
2
Instruments en Do
2
Piano, Voix et Guitare
2
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare
19
2 Guitares (duo)
11
Guitare notes et tablatures
9
Mandoline
3
Ukulele Baryton
2
Ukulele
2
Basse electrique
1
2 Mandolines (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
13
Voix seule
4
Voix haute
4
Chorale 3 parties
2
Chorale 2 parties
2
Voix Alto, Piano
1
Voix Soprano, Piano
1
Voix duo, Piano
1
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Retracter
Vents
Quatuor de Saxophones: 4 saxophones
16
Quatuor de Clarinettes: 4 clarinettes
10
Clarinette
8
3 Flûtes à bec (trio)
8
Quatuor de Flûtes à bec
7
Flûte, Hautbois, Clarinette, Basson
6
Flûte traversière et Piano
6
3 Clarinettes (trio)
5
Flûte traversière
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Hautbois (partie séparée)
3
2 Flûtes traversières (duo)
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Flûte et Guitare
2
2 Hautbois (duo)
2
2 Clarinettes (duo)
2
Clarinette et Piano
2
Ocarina
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Clarinette, Harpe (duo)
1
Flûte à bec Alto, Piano
1
Cor anglais, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois
1
Hautbois, Piano (duo)
1
Ensemble De Flûte à bec
1
Hautbois, Harpe
1
Cor anglais, Piano
1
Flûte, Clarinette (duo)
1
Ensemble de Clarinettes
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Hautbois, Basson
1
+ 25 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres
3
Tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 trombones
2
Trompette
2
Trombone
1
Trombone, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Ensemble de Trompettes
1
Trombone basse
1
Cor
1
Quatuor de cuivres: 4 cors
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
Ensemble de Trombones
1
Cor anglais, Piano
1
Trompette, Piano
1
+ 13 instrumentations
Retracter
Cordes
Harpe
11
Violon
10
Quatuor à cordes: 2 violons, alto, violoncelle
9
Violoncelle
6
Trio à Cordes: violon, alto, violoncelle
5
Violon, Violoncelle (duo)
5
2 Violons (duo)
4
Violoncelle, Piano
4
Violon et Piano
4
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
Alto, Piano
2
Alto seul
1
Alto (partie séparée)
1
Alto, Guitare (duo)
1
Harpe, Violon (duo)
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Violoncelle (duo)
1
Violoncelle, Contrebasse (duo)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre
20
Orchestre à Cordes
9
Orchestre d'harmonie
8
Ensemble de cuivres
7
Orchestre de chambre
6
Ensemble de Percussions
1
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▽ INSTRUMENTS
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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Crtitères actifs :
ERC Baroque
Chorale SATB
Partitions à imprimer
13 partitions trouvées
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1
O God (of Love), Be Merciful (SATB & Organ)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Thomas R
#
O God
#
Thomas R. Vozzella
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.778334 Composed by Johann Sebastian Bach. Arranged by Thomas R. Vozzella. Baroque,Christian,Easter,Sacred. Octav...
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Choral Choir (SATB) - Level 3 - SKU: A0.778334 Composed by Johann Sebastian Bach. Arranged by Thomas R. Vozzella. Baroque,Christian,Easter,Sacred. Octavo. 4 pages. Thomas R. Vozzella #4758661. Published by Thomas R. Vozzella (A0.778334). O God (of love), be Merciful to Me is little know organ chorale prelude attributed to J. S. Bach, in the style of Jesus, Joy of Man’s Desiring. The text is attributed to John Brownlie and is appropriate for lent or general use. It can either be accompanied by piano or organ. This is the organ accompanied edition. Both editions can be found on Sheet Music Plus. This will be a nice addition for those seeking to add a Baroque anthem to their repertoire.
$1.99
O God (of Love), Be Merciful (SATB & Piano)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Thomas R
#
O God
#
Thomas R. Vozzella
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.778335 Composed by Johann Sebastian Bach. Arranged by Thomas R. Vozzella. Baroque,Christian,Easter,Sacred. Octav...
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Choral Choir (SATB) - Level 3 - SKU: A0.778335 Composed by Johann Sebastian Bach. Arranged by Thomas R. Vozzella. Baroque,Christian,Easter,Sacred. Octavo. 4 pages. Thomas R. Vozzella #4758663. Published by Thomas R. Vozzella (A0.778335). O God (of love), be Merciful to Me is little know organ chorale prelude attributed to J. S. Bach, in the style of Jesus, Joy of Man’s Desiring. The text is attributed to John Brownlie and is appropriate for lent or general use. It can either be accompanied by piano or organ. This is the piano accompanied edition. Both editions can be found on Sheet Music Plus. This will be a nice addition for those seeking to add a Baroque anthem to their repertoire.
$1.99
Piano Accompaniment Exercice for a Choir
#
Chorale SATB
#
INTERMÉDIAIRE
#
Helios D'Andrea
#
Piano Accompaniment Exercice f
#
D'Andrea Helios
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1199493 Composed by Helios D'Andrea. Baroque,Contemporary,Instructional. Octavo. 4 pages. D'Andrea Helios #79856...
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Choral Choir (SATB) - Level 3 - SKU: A0.1199493 Composed by Helios D'Andrea. Baroque,Contemporary,Instructional. Octavo. 4 pages. D'Andrea Helios #798562. Published by D'Andrea Helios (A0.1199493). The theme of the piece is the Fugue in A minor from the second book of the Well-Tempered Clavier by J. S. Bach.
$5.00
God of Mercy and Compassion
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Chorale SATB
#
Classique
#
Musique Sacrée
#
Attributed to Pergolesi
#
Mario Pearson
#
God of Mercy and Compassion
#
empee music
#
SheetMusicPlus
Composed by Attributed to Pergolesi. Arranged by Mario Pearson. Baroque Period, Christian, Sacred, General Worship. Octavo, Score. 8 pages. Published by empee m...
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Composed by Attributed to Pergolesi. Arranged by Mario Pearson. Baroque Period, Christian, Sacred, General Worship. Octavo, Score. 8 pages. Published by empee music (S0.193469). - Octavo,Score - Baroque Period,Christian,Sacred,General Worship - empee music
$3.50
Lux Aeterna V (2000-2010) for SATB a cappella chorus
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Lux Aeterna V
#
Thomas Oboe Lee
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.869202 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Octa...
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Choral Choir (SATB) - Level 4 - SKU: A0.869202 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Octavo. With (May light eternal shine upon her, O Lord.) Cum Sanctis tuis in aeternum,. 6 pages. Thomas Oboe Lee #50917. Published by Thomas Oboe Lee (A0.869202). In memoriam: Jane Marrinan, 1959-2000 ...Lux aeterna luceat eae, Domine. (May light eternal shine upon her, O Lord.) Cum Sanctis tuis in aeternum, (With Thy Saints for ever,) quia pius es. (For Thou art merciful.) Requiem aeternam dona eae, Domine, (Eternal rest grant unto her, O Lord.) et lux perpetua luceat eae. (And let perpetual light shine upon her.) Cum Sanctis tuis in aeternum, (With Thy Saints for ever,) quia pius es. (For Thou art merciful.) Requiescat in pace, (May she rest in peace,) Amen. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/lux-aeterna-i-ii-iii-iv-v-2000-rev-2010Video link: https://youtu.be/_fJjD7PK5M0
$9.99
Lux Aeterna IV (2000-2010) for SATB a cappella chorus
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Lux Aeterna IV
#
Thomas Oboe Lee
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.869200 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Octa...
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Choral Choir (SATB) - Level 4 - SKU: A0.869200 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Octavo. With (May light eternal shine upon her, O Lord.) Cum Sanctis tuis in aeternum,. 4 pages. Thomas Oboe Lee #50919. Published by Thomas Oboe Lee (A0.869200). In memoriam: Jane Marrinan, 1959-2000 ...Lux aeterna luceat eae, Domine. (May light eternal shine upon her, O Lord.) Cum Sanctis tuis in aeternum, (With Thy Saints for ever,) quia pius es. (For Thou art merciful.) Requiem aeternam dona eae, Domine, (Eternal rest grant unto her, O Lord.) et lux perpetua luceat eae. (And let perpetual light shine upon her.) Cum Sanctis tuis in aeternum, (With Thy Saints for ever,) quia pius es. (For Thou art merciful.) Requiescat in pace, (May she rest in peace,) Amen. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/lux-aeterna-i-ii-iii-iv-v-2000-rev-2010Video link: https://youtu.be/MfzTpxGLbRk
$9.99
Lux Aeterna III (2000-2010) for SATB a cappella chorus
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Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Lux Aeterna III
#
Thomas Oboe Lee
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.869201 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Octa...
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Choral Choir (SATB) - Level 4 - SKU: A0.869201 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Octavo. With (May light eternal shine upon her, O Lord.) Cum Sanctis tuis in aeternum,. 3 pages. Thomas Oboe Lee #50921. Published by Thomas Oboe Lee (A0.869201). In memoriam: Jane Marrinan, 1959-2000 ...Lux aeterna luceat eae, Domine. (May light eternal shine upon her, O Lord.) Cum Sanctis tuis in aeternum, (With Thy Saints for ever,) quia pius es. (For Thou art merciful.) Requiem aeternam dona eae, Domine, (Eternal rest grant unto her, O Lord.)et lux perpetua luceat eae. (And let perpetual light shine upon her.) Amen. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/lux-aeterna-i-ii-iii-iv-v-2000-rev-2010Video link: https://youtu.be/qafAQfEU98g
$9.99
Lux Aeterna I (2000-2010) for SATB a cappella chorus
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Lux Aeterna I
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Thomas Oboe Lee
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.869198 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Octa...
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Choral Choir (SATB) - Level 4 - SKU: A0.869198 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Octavo. With (May light eternal shine upon her, O Lord.) Cum Sanctis tuis in aeternum,. 3 pages. Thomas Oboe Lee #50925. Published by Thomas Oboe Lee (A0.869198). In memoriam: Jane Marrinan, 1959-2000 ... Lux aeterna luceat eae, Domine. (May light eternal shine upon her, O Lord.) Cum Sanctis tuis in aeternum, (With Thy Saints for ever,) quia pius es. (For Thou art merciful.) Requiem aeternam dona eae, Domine, (Eternal rest grant unto her, O Lord.) et lux perpetua luceat eae. (And let perpetual light shine upon her.) Amen. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/lux-aeterna-i-ii-iii-iv-v-2000-rev-2010Video link: https://youtu.be/C9HJre9ZgqU
$9.99
Cantata 'Ein feste Burg', op. 42 (full score and vocal score)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Adrian Gagiu
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Cantata 'Ein feste Burg', op.
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1236835 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 96 pages. Adria...
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Choral Choir (SATB) - Level 4 - SKU: A0.1236835 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 96 pages. Adrian Gagiu #832359. Published by Adrian Gagiu (A0.1236835). Full score and vocal score of the revision (2023) of an exercise in Baroque style: a cantata for mixed choir, 4 vocal soloists, 2 oboes, 2 trumpets, 3 trombones, timpani and organ, based upon Martin Luther's famous chorale and composed in 2011 for the music associations ('Musikräte’) of Saxonyâ€Anhalt, Saxony, and Thuringia, and for the project office of the Evangelical Church in Germany (EKD) 'Luther 2017 – 500 Years of Reformation’. Mostly festive and grandiose, inspired by Handel's great choruses from his oratorios, and fit for Christian celebrations, especially for the Lutheran church. Set in four movements, with Luther's lyrics (in German). Total duration: 26 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement.
$21.99
O Praise the Lord
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Andrew Schneider
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O Praise the Lord
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Andrew Schneider
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.930752 Composed by Andrew Schneider. Baroque,Christian,Classical,Contemporary,Sacred. Octavo. 18 pages. Andrew S...
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Choral Choir (SATB) - Level 3 - SKU: A0.930752 Composed by Andrew Schneider. Baroque,Christian,Classical,Contemporary,Sacred. Octavo. 18 pages. Andrew Schneider #3584607. Published by Andrew Schneider (A0.930752). This is a choral anthem setting of Psalm 117 designed for either church or concert use. In its effortless use of various elements of Baroque practice, I have written a piece which will hopefully be useful for high schools and community colleges with smaller choirs to get students to sing works which can prep them for repertoire. Churches will also find this a work appropriate for any festive occasion and also useful in telling people that composers actually exist today who like the bygone way of doing things. And also with a rather exciting piano part! I certainly enjoy raising the bar.To that end, the A section can be sung on its own as a separate piece, as it is deliberately easier than the B section, which has more chromatic and polyphonic passages. This is the perfect piece to convey to high school students the impression that Baroque music can be exciting, spontaneous, and not old-fashioned, and in a matter which will be immediately perceived to be authentic.The ad libitum trumpet parts are available directly from the composer. Though they are not strictly necessary for a successful performance, they do give a special spice and festive aura that can only be beneficial.
$2.99
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contem...
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Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
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