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Strano il mio Destino for SATB + Piano (complete score + piano acc. + piano rehearsal + text and tra
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904849 Composed by Giorgia…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.
$9.99
9.06 €
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Chorale SATB
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Giorgia Todrani, Maurizio Fabrizio
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Marco Borsoi
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studio 95/96)
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Strano il mio Destino for SATB + Piano
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Marco Borsoi
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SheetMusicPlus
Festival of Christmas
Chorale SATB
SATB choir, Piano (With Optional Accompaniment MP3, Full Orchestra) - Digital Download …
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SATB choir, Piano (With Optional Accompaniment MP3, Full Orchestra) - Digital Download SKU: LX.10-5821MD Arranged by David Wise. Sacred Anthem, Advent, Christmas. Octavo. 20 pages. Medallion Music - Digital #e10/5821MD. Published by Medallion Music - Digital (LX.10-5821MD). This dazzling medley of traditional Christmas carols is a spectacle of creative arranging with an orchestration that exudes energy and brilliance! Perfect for Christmas concerts and celebrations, David Wise has given us a breathtaking and stunning work for the ages!
$2.95
2.67 €
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Chorale SATB
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David Wise
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Festival of Christmas
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Medallion Music - Digital
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SheetMusicPlus
Darkness as Light for SATB and pedal or lever harp or keyboard
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.953617 Composed by Adrienn…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/
$2.99
2.71 €
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Chorale SATB
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Adrienne Inglis
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Darkness as Light for SATB and pedal or lever harp or keyboard
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Adrienne Inglis
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SheetMusicPlus
Tu scendi dalle stelle (You come down from the stars)
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.936165 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.936165 Composed by Alfonso Maria de' Liguori. Arranged by Giuseppe Di Bianco. Christmas,Praise & Worship,Sacred,Spiritual. 25 pages. Giuseppe Di Bianco #6209613. Published by Giuseppe Di Bianco (A0.936165). Tu scendi dalle stelle / (You come down from the stars)Arr. by GIUSEPPE DI BIANCO for SATB choir, orchestra (Fl, Ob, E.Hn, Bsn, Vln. 1-2, Vla, Vc, Cb)Duration: 5'30'' Among all traditional Italian Christmas carols, this simple lullaby may be the best known. The author of the carols, Saint Alfonso Maria de Liguori (1696 - 1787), was a Neapolitan bishop. In December of 1744, Alfonso composed a song that began with the words Tu scendi dalle stelle (You come down from the stars) and consisted of seven strophes of sestine (six verses). The song was published in a collection of spiritual songs the following year under the title of Canzoncina a Gesù Bambino (Little Song to the Child Jesus).
$15.50
14.05 €
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Chorale SATB
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Alfonso Maria de' Liguori
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Giuseppe Di Bianco
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Tu scendi dalle stelle
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Giuseppe Di Bianco
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SheetMusicPlus
Over Hill and Over Dale
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1008777 Composed by JM Neale. Arrang…
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Choral Choir (SATB) - Digital Download SKU: A0.1008777 Composed by JM Neale. Arranged by Andrew Wyndham. 20th Century,Christian,Christmas. Octavo. 11 pages. Andrew Wyndham #6052487. Published by Andrew Wyndham (A0.1008777). A carol for satb and piano.The words describe the journey of the Magi to see the infant Jesus. The melody was found by JM Neale in Piae Cantiones. In this arrangement, the piano provides a gentle ostinato suggesting the motion of the camels. The music changes key in the third verse, to add variety, and again in the final verse. This would make an atmospheric and memorable addition to any Christmas Concert.
$1.99
1.8 €
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Chorale SATB
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JM Neale
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Andrew Wyndham
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Over Hill and Over Dale
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Andrew Wyndham
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SheetMusicPlus
GORDON DALE ST. LUKE'S ANTHEM OPUS 88 CHOIR PART
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.811667 Composed by GORDON …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.811667 Composed by GORDON DALE (1935 - 2001). 20th Century,Christian,Sacred,World. Octavo. 12 pages. Piper Publications #3436409. Published by Piper Publications (A0.811667). Commissioned by and first performed by Ross Choral Society for the Ross 700 Festival in 1984. The first performance was very well received on November 10th 1984. St. Luke's Anthem is scored for S.A.T.B choir, 2 trumpets, 2 trombones and organ. The full score and brass parts are available separately. The piece lasts for approximately 7.5 minutes. It was composed from sketches Gordon made when in Farnborough hospital in 1965. .
$3.00
2.72 €
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Chorale SATB
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GORDON DALE
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minutes
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GORDON DALE ST. LUKE'S ANTHEM OPUS 88 CHOIR PART
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Piper Publications
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SheetMusicPlus
GORDON DALE ST. LUKE'S ANTHEM SCORE & PARTS
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.811666 Composed by GORDON …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.811666 Composed by GORDON DALE 1935 - 2001). 20th Century,Christian,Concert,Praise & Worship,World. Octavo. 30 pages. Piper Publications #3436431. Published by Piper Publications (A0.811666). Commissioned by Ross Choral Society for the Ross 700 Festival in 1984 and first performed by them on November 10th 1984, St. Luke's Anthem was very well received. It was composed from sketches Gordon made while in Farnborough Hospital in 1965. It is scored for S.A.T.B. choir with 2 trumpets, 2 trombones and organ and lasts for about 7.5 minutes. St. Luke's Anthem is well within the scope of most amateur choirs and the instrumental parts are not technically demanding.Choir parts are available separately.
$15.00
13.6 €
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Chorale SATB
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GORDON DALE 1935 - 2001)
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GORDON DALE ST. LUKE'S ANTHEM SCORE & PARTS
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Piper Publications
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SheetMusicPlus
Praying (arr. Rebecca Dale)
Chorale SATB
By Kesha and The King's Singers. Arranged by Rebecca Dale. A Cappella,Festival,Po…
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By Kesha and The King's Singers. Arranged by Rebecca Dale. A Cappella,Festival,Pop. Choral. 14 pages. Published by Hal Leonard - Digital
$2.50
2.27 €
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Chorale SATB
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Kesha and The King's Singers
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Rebecca Dale
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Praying
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Hal Leonard - Digital
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SheetMusicPlus
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovann…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
9.06 €
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Chorale SATB
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni Battista Bononcini
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Gli Uomini non Cambiano (SSATB + Piano)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904857 Composed by Giancar…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904857 Composed by Giancarlo Bigazzi, Giuseppe Beppe Dati, and Marco Falagiani. Arranged by Marco Borsoi. Pop. Octavo. 27 pages. Marco Borsoi #6167397. Published by Marco Borsoi (A0.904857). Gli uomini non cambiano è una canzone scritta da Giancarlo Bigazzi, Marco Falagiani e Giuseppe Beppe Dati. Fu presentata dalla stupenda voce di Mia Martini al 42o Festival di Sanremo, dove si piazzò al secondo posto nella classifica finale.Il brano racconta le delusioni di una donna nei rapporti con le figure maschili; a partire dal padre che, nonostante gli sforzi, non è mai riuscita a conquistare fino ai falsi e presunti amori. Storie nate dalla voglia di scappare da una famiglia divenuta ostile ma che evidenziano l'ingenuità di una ragazzina presa in giro e abbandonata dal playboy di turno. Sogni d’amore svaniti, lacrime versate e sensi colpa per aver stupidamente abboccato alle bugie di chi si diceva innamorato per poi andare a ridere di lei con gli amici del bar. Sconfitta da queste delusioni, la ragazza divenuta donna non riesce più a dare fiducia agli uomini; indurisce il proprio carattere diventando fredda e diffidente in ogni nuovo rapporto. Nel finale, però, rivolgendosi all’attuale compagno, la donna chiarisce che l'amore vero può esistere perché un uomo può davvero cambiare se innamorato.L’arrangiamento, per 5 voci miste (SMzATB) prende spunto dalla versione di Alessandro Cadario di Almeno tu nell’universo per coro femminile.Il brano parte dunque con un unisono di voci femminili che via via si aprono in 3 sezioni.Il piano regge l’armonia in queste prime 2 strofe.Gli uomini entrano solo nella battuta che precede il ritornello per sostenere il crescendo sulla dominante minore che risolve nella tonica maggiore.Nel ritornello l’armonizzazione è a 4 voci (SATB) con finale all’unisono con accordo vuoto del pianoforte per rendere la tristezza del testo (vanno a ridere di te).La seconda parte è pensata invece come un accompagnamento strumentale delle voci che alternandosi creano un arpeggio armonico. Al termine del secondo ritornello, un rallentato deciso e una modulazione secca che determina la revisione dell’andamento armonico delle parti centrali. Piccolo gioco con le parole a batt. 60 e finale classicheggiante.
$9.99
9.06 €
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Chorale SATB
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Giancarlo Bigazzi, Giuseppe Beppe Dati, and Marco Falagiani
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Marco Borsoi
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Gli Uomini non Cambiano
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Marco Borsoi
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SheetMusicPlus
This Is the Dream
Chorale SATB
SATB choir, Piano - Digital Download SKU: LX.10-5317MD Composed by Mary McDonald. A…
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SATB choir, Piano - Digital Download SKU: LX.10-5317MD Composed by Mary McDonald. Arranged by Mary McDonald. With Optional Full Orchestra. Sacred Anthem, Concert, Patriotic. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5317MD. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5317MD). ISBN 9780787766443.This original work with music by Mary McDonald and words by Rose Aspinall was inspired by Martin Luther King Jr.’s “I Have a Dream†speech from March 1963. With powerful vocal moments and a soaring orchestration by David Clydesdale, this festive anthem is a call for unity and a better tomorrow. A wonderful selection for patriotic-themed concerts and events!
$2.50
2.27 €
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Chorale SATB
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Mary McDonald
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Mary McDonald
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This Is the Dream
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
We Three Kings Medley
Chorale SATB
SATB choir, Piano - Digital Download SKU: LX.10-5318MD Arranged by Jay Rouse. Full …
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SATB choir, Piano - Digital Download SKU: LX.10-5318MD Arranged by Jay Rouse. Full Orchestra, Accompaniment MP3. Sacred Anthem, Christmas. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5318MD. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5318MD). ISBN 9780787766726.Jay Rouse combines “We Three King of Orient Are,†“Pat-a-Pan†and “Sing We Now of Christmas†in this refreshing, stand-out medley. The first two songs lead brilliantly to the latter and to a grand and glorious conclusion. Perfect for Christmas services and programs, this one will fill singers and listeners alike with festive joy and spirit!
$2.50
2.27 €
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Chorale SATB
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Jay Rouse
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We Three Kings Medley
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
O Worship the King
Chorale SATB
SATB choir, Piano - Digital Download SKU: LX.10-5129MD Arranged by Jay Rouse. With …
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SATB choir, Piano - Digital Download SKU: LX.10-5129MD Arranged by Jay Rouse. With Optional Orchestra. Sacred Anthem, General. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5129MD. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5129MD). ISBN 9780787760229.O Worship the King is a festive, high-energy arrangement of a beloved hymn of the church. A joy to sing, this worshipful selection would be a very fitting service opener. O worship the King, all glorious above, and gratefully sing His wonderful love..
$2.50
2.27 €
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Chorale SATB
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Jay Rouse
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O Worship the King
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Sing We Now of Christmas
Chorale SATB
SATB choir, Piano - Digital Download SKU: LX.10-5316MD Traditional French Carol
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SATB choir, Piano - Digital Download SKU: LX.10-5316MD Traditional French Carol. Arranged by Marty Parks. With Optional Accompaniment MP3, Full Orchestra. Sacred Anthem, Christmas. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5316MD. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5316MD). ISBN 9780787766719. Orchestrated by Marty Parks.Marty Parks gives us a high-energy arrangement of the always-popular traditional French carol “Sing We Now of Christmas.†Written in the style of Mannheim Steamroller, it is the perfect anthem to open worship. Fun and festive throughout, it will inspire your choir to sing of Christmas as they never have before!
$2.50
2.27 €
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Chorale SATB
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Marty Parks
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Sing We Now of Christmas
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
79.78 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Giuseppe Dogliani - Salve o Regina (1896)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani…
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Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730). SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età , come allievo falegname. Egli però, già cantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre città d'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.
$1.99
1.8 €
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Chorale SATB
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Giuseppe Dogliani
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Guido Menestrina
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prof
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Giuseppe Dogliani - Salve o Regina
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Guido Menestrina
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SheetMusicPlus
ALLA SERA - Sonetto by Ugo Foscolo - For SATB Choir
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.724282 Composed by Renato Tagliabue.…
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Choral Choir (SATB) - Digital Download SKU: A0.724282 Composed by Renato Tagliabue. Contemporary. Octavo. 4 pages. Renato Tagliabue #3582721. Published by Renato Tagliabue (A0.724282). ALLA SERA - Sonet by Ugo Foscolo (1803) - Music by Renato TagliabueForse perché della fatal quïeteTu sei l'imago a me sì cara vieniO sera! E quando ti corteggian lieteLe nubi estive e i zeffiri sereni,E quando dal nevoso aere inquïeteTenebre e lunghe all'universo meniSempre scendi invocata, e le secreteVie del mio cor soavemente tieni.Vagar mi fai co' miei pensier su l'ormeche vanno al nulla eterno; e intanto fuggequesto reo tempo, e van con lui le tormeDelle cure onde meco egli si strugge;e mentre io guardo la tua pace, dormeQuello spirto guerrier ch'entro mi rugge.ENGLISH TRANSLATIONhttps://lyricstranslate.com/en/alla-sera-evening.htmlTo EveningPerhaps because you are the image of that fatal quiet
$2.19
1.99 €
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Chorale SATB
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Renato Tagliabue
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ALLA SERA - Sonetto by Ugo Foscolo - For SATB Choir
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Renato Tagliabue
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SheetMusicPlus
I Stand in the Darkness (from Songs of Hope and Creation)
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1314185 By E…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1314185 By Exeter Chamber Choir and orchestra (optional piano-only). By Andrew Daldorph. 21st Century,Classical,Jazz,Praise & Worship,Rock. 25 pages. Andrew Daldorph #902920. Published by Andrew Daldorph (A0.1314185). Starting with tenor and soprano solos, questioning the world and an individual's place in it, the choir response is an upbeat classical/rock/jazz fusion of hope.
$2.50
2.27 €
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Chorale SATB
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Exeter Chamber Choir and orchestra
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I Stand in the Darkness
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Andrew Daldorph
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SheetMusicPlus
Sure of the sky, sure of the sun/Des Himmels sicher, der Sonne sicher (Downloadable Choral Score)
Chorale SATB
SATB choir divisi and piano or brass quintet - Moderately Difficult - Digital Download …
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SATB choir divisi and piano or brass quintet - Moderately Difficult - Digital Download SKU: MQ.56-0017-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0017-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0017-E). English, German.Setting both English and German texts, Sure of the Sky, Sure of the Sun – Des Himmels sicher, der Sonne sicher is a haunting and moving reflection on the futility of war. The 5-minute piece for SATB choir and brass was premiered at one of the UK’s three main World War I centenary commemoration events on August 4, 2014. It was launched by the London Symphony Chorus, Schleswig-Holstein Festival Chor and Coldstream Guards, at a twilight event attended by the Duke and Duchess of Cambridge, Prince Harry, and a number of world leaders, all gathered together in the tiny woodland cemetery of St Symphorien near Mons, Belgium – the resting place for the first and last British, and the last Commonwealth, soldiers to die on the Western Front.The texts are “May, 1915†by Charlotte Mew (1869-1928) and “To a Missing Friend†by Goldfeld, a German Jewish soldier killed in action, the poem was discovered by Jewish military historian, Peter C Appelbaum. Duration: 5:00Instrumental Parts include: B-flat Cornet, B-flat Flugelhorn, E-flat Tenor Horn/French Horn in F, Euphonium, Tuba .
$3.35
3.04 €
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Chorale SATB
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Howard Goodall
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Sure of the sky, sure of the sun/Des Himmels sicher, der Sonne sicher
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Ascension, Salute the Everlasting Day
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.879630 Composed by Stephanie Martin.…
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Choral Choir (SATB) - Digital Download SKU: A0.879630 Composed by Stephanie Martin. Christian,Contemporary,Sacred. Octavo. 8 pages. Biretta Books #3518615. Published by Biretta Books (A0.879630). Stephanie Martin’s Ascension, Salute the Everlasting Day is written in a festive anthem for SATB choir (div.) and organ for the Feast of the Ascension. The anthem was commissioned by Dr. David and Ann Stinchcomb as part of the 2014-15 Friends of Cathedral Music program at the Cathedral of St. John, Albuquerque, New Mexico, USA.Text: John Donne (1572-1631)STEPHANIE MARTINCanadian composer and conductor Stephanie Martin is associate professor of music at York University’s School of the Arts, Media,Performance and Design; artistic director of Pax Christi Chorale; director of Schola Magdalena (a women’s ensemble specializing in chant and medieval polyphony) and past director of music at the historic church of Saint Mary Magdalene in Toronto.Martin holds degrees from the University of Toronto and Wilfrid Laurier University, and is an Associate of the Royal Canadian College of Organists. In York University’s School of Arts,Media,Performance and Design she teaches music history, composition, harpsichord and organ, and coaches historical ensembles.ReviewsWhen someone says new music, most people imagine something abstract or conceptual, probably dissonant and experimental...Martin is a great tone painter who serves her texts with great attention to detail while also drawing the us along in a broader musical narrative...Martin, who was director of music at Toronto’s Church of St Mary Magdalene for several years, is particularly effective in setting texts with a devotional bent.John Terauds Musical Toronto & Toronto Star
$3.90
3.54 €
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Chorale SATB
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Stephanie Martin
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Ascension, Salute the Everlasting Day
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Biretta Books
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SheetMusicPlus
The Mystery (Downloadable)
Chorale SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.8804-E Composed by Stephen…
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SATB choir and Piano - Medium - Digital Download SKU: MQ.8804-E Composed by Stephen Chatman. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8804-E. Published by E. C. Schirmer Music Company - Digital (MQ.8804-E). English.Sara Teasdale’s poem, The Mystery, depicts deep lasting love - “Your eyes drink of me†and “We have long been loversâ€. It also raises a question - “Can I ever know you / Or you know me?†Stephen Chatman’s expressive setting begins with a unison melody, supported by modulating harmonies in the piano accompaniment, and evolves toward four-part voices. The middle section, featuring rising vocal lines in imitative counterpoint, precedes a return to the initial melody. One of a set of six of Teasdale's love songs.
$2.65
2.4 €
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Chorale SATB
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Stephen Chatman
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The Mystery
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Northwest Passage (Downloadable Piano/Choral Score)
Chorale SATB
SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: M…
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SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
2.9 €
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Chorale SATB
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
I Don't Want Christmas To End
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1143197 By Zach Williams. …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1143197 By Zach Williams. By Dallas Davidson, Jonathan Smith, Natalia Davidson, Tony Wood, and Zach Williams. Arranged by Jeff Tincher. Blues,Christmas,Contemporary,Holiday. Octavo. 13 pages. Jeff Tincher #743557. Published by Jeff Tincher (A0.1143197). Here is a great Christmas song from one of the top Christian artists. Title cut in the original key, this song is destined to be a Christmas classic. Duration = 3:56. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$1.99
1.8 €
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Chorale SATB
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Zach Williams
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Jeff Tincher
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I Don't Want Christmas To End
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Jeff Tincher
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SheetMusicPlus
A Prayer
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1012178 Composed by Duncan…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1012178 Composed by Duncan Krummel. 20th Century,Contemporary. Octavo. 5 pages. Krummel Music Publishing #3629849. Published by Krummel Music Publishing (A0.1012178). A Prayer is for SSAATTBB. The text, by Sara Teasdale, is a triumphant pledge to love unabashedly until your dying day. The work frames this theme within a question. Is it right to love this way? Is it safe? Appropriate for any concert, the work represents moderately challenging harmonic content, and an opportunity for choirs to discuss text setting and the deeper meaning music can supply text. Run time is between 3.5-4 minutes. Duncan Krummel is a member of ASCAP. Additional music can be found through his website at www.duncankrummel.com, with recordings hosted on SoundCloud, Bandcamp, and YouTube.
$2.50
2.27 €
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Chorale SATB
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Duncan Krummel
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A Prayer
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Krummel Music Publishing
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SheetMusicPlus
In This Moment of Remembrance
Chorale SATB
SATB choir SKU: LO.S480 Composed by Dale Wood. Choral. SC Series. Sacred Anthem, Ho…
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SATB choir SKU: LO.S480 Composed by Dale Wood. Choral. SC Series. Sacred Anthem, Holy Communion. Octavo. Sacred Music Press #S480. Published by Sacred Music Press (LO.S480). UPC: 000308002980.This 1990 top-selling anthem sounds resplendent in the new SAB voicing! Truly unforgettable text and music... and destined to become a standard in the choral repertory. S480 SATB.
Song List: In This Moment Of Remembrance
Song List
: In This Moment Of Remembrance
$2.75
2.49 €
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Chorale SATB
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Dale Wood
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In This Moment of Remembrance
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Sacred Music Press
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SheetMusicPlus
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