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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Every Second
Non classifié
168
Piano & claviers
Piano seul
84
Piano Facile
25
Piano, Voix
18
1 Piano, 4 mains
12
Piano, Voix et Guitare
8
Accompagnement Piano
6
Instruments en Do
4
Orgue
3
Piano Trio: piano, violon, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
8
Guitare (partie séparée)
6
Ukulele
4
Paroles et Accords
2
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
44
Chorale 2 parties
12
Chorale 3 parties
11
Chorale SSAA
9
Chorale Unison
7
Chorale TTBB
7
Voix Tenor
1
Voix Soprano, Piano
1
Voix duo
1
Voix Baryton, Piano
1
+ 5 instrumentations
Retracter
Vents
Saxophone (partie séparée)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Saxophones (duo)
8
Clarinette et Piano
8
Quatuor de Clarinettes: 4 clarinettes
8
Flûte traversière et Piano
7
2 Flûtes traversières (duo)
5
Hautbois, Piano (duo)
4
2 Clarinettes (duo)
4
Clarinette
3
Saxophone Alto
3
Saxophone Alto et Piano
3
Flûte traversière
3
Flute (partie séparée)
3
Saxophone, Clarinette (duo)
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Tenor et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Soprano et Piano
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violon (duo)
2
Cor anglais, Piano
2
Saxophone Tenor
2
Clarinette, Harpe (duo)
2
Ensemble de saxophones
2
2 Hautbois (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois (partie séparée)
1
Flûte, Clarinette (duo)
1
Saxophone
1
Ensemble de Flûtes
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse, Piano
1
Saxophone et Piano
1
Ensemble De Flûte à bec
1
Flûte à bec Soprano, Piano
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Flûte, Clarinette et Basson
1
Clarinette (partie séparée)
1
Flûte, Saxophone (duo)
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Flûte
1
Hautbois, Harpe
1
Ensemble de Clarinettes
1
Hautbois, Clarinette (duo)
1
+ 44 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette (partie séparée)
9
Trompette
4
2 Trombones (duo)
4
Trombone
4
Trombone et Piano
3
Trompette, Piano
3
Cor (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor et Piano
3
Tuba (partie séparée)
3
2 Trompettes (duo)
3
Trompette, Saxophone (duo)
2
Cor
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Tuba et Piano
1
Tuba et Orgue
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Ensemble de Trombones
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres
1
Bass Clef Instruments
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violon et Piano
11
Violoncelle, Piano
11
Alto, Piano
7
Violon
6
Trio à Cordes: violon, alto, violoncelle
6
Contrebasse (partie séparée)
5
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violons (duo)
4
Violoncelle , Guitare (duo)
3
Violoncelle
3
Violon (partie séparée)
3
Harpe
3
2 Harpes (duo)
2
Alto (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle (partie séparée)
2
Contre Basse
2
Alto seul
2
Violon, Violoncelle (duo)
2
2 Altos (duo)
2
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
55
Orchestre à Cordes
16
Ensemble Jazz
14
Orchestre
13
Ensemble de cuivres
9
Orchestre de chambre
6
Cloches
5
Ensemble de Percussions
5
Batterie (partie séparée)
3
Jazz combo
2
Marimba, Piano (duo)
1
Batterie
1
Marimba
1
Xylophone
1
Fanfare
1
+ 10 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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GOSPEL - SPIRITUEL -…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Every Second
Chorale SATB
Partitions à imprimer
44 partitions trouvées
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Fantasia on the "Dargason" from Second Suite in F (for Double Reed Choir)
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.935531 Composed by Gustav…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.935531 Composed by Gustav Holst. Arranged by Matthew Fox. 20th Century,Romantic Period. Octavo. 31 pages. Matthew Fox #5022143. Published by Matthew Fox (A0.935531). Fantasia on the Dargason is the finale from Gustav Holst's Second Suite in F. Here, it has been arranged for double reed choir (2 oboes, English horn, 2 bassoons, contrabassoon). The arrangement contains minimal edits to the original score allowing for the performers to interpret the work as they choose.The opening solo is performed is the rich low register of the English horn followed by solo bassoon. Just as in the original work, the main theme is continuous, and the theme is passed around the ensemble to every part. The work concludes with a short and sweet duet between the contrabassoon and 1st oboe.This arrangement is an excellent way to close out a university double reed studio recital or Double Reed Day. If you have questions regarding the arrangement, feel free to contact the arranger on his website: www.mfoxwoodwinds.com
$14.99
13.8 €
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Chorale SATB
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Gustav Holst
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Matthew Fox
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Fantasia on the "Dargason" from Second Suite in F
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Matthew Fox
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SheetMusicPlus
Come Thou Fount of Every Blessing
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976640 Composed by Robert …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976640 Composed by Robert Robinson and RoZita Berry. Arranged by RoZita Berry. Christian,Praise & Worship,Sacred. Octavo. 21 pages. RoZita B #4611505. Published by RoZita B (A0.976640). This is an arrangement of an old and well-known hymn for SATB choir, flute, and piano. It is on an intermediate level, and is actually a mash-up of two different versions of the song. I took the chorus of the second version and wrote my own music to it, and altered the lyrics a tiny bit. The piece is suitable for adult and youth church choirs. Duration is about 3:53 minutes.
$1.99
1.83 €
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Chorale SATB
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Robert Robinson and RoZita Berry
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RoZita Berry
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Come Thou Fount of Every Blessing
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RoZita B
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SheetMusicPlus
Space Race (To Every Question)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510170 Composed by Glyn Le…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510170 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Pop,R & B. Octavo. 14 pages. Glyn Lehmann #3542455. Published by Glyn Lehmann (A0.510170). The second song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Other songs are: Gagarin (Beyond Blue Sky), The Children of the World (July 1969) and Apollo 11 (Homecoming).
$2.50
2.3 €
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Chorale SATB
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Glyn Lehmann
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Space Race
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Glyn Lehmann
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SheetMusicPlus
I Need Thee Every Hour (SATB)
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723242 Composed by Annie H…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723242 Composed by Annie Hawks, Robert Lowry. Arranged by Garrett Breeze. A Cappella,Easter,Holiday,Sacred. Octavo. 7 pages. Lagom Music #2027649. Published by Lagom Music (A0.723242). Based on the standard harmonization, this new arrangement from composer Garrett Breeze can be learned very quickly. The first verse is a capella, beginning with a single voice part and then layering in the others before the entrance of the flowing piano accompaniment, which transitions into a second verse in 4-part harmony.. The third verse features another a capella moment before a final unison fourth verse.Also available in:SSAA: http://bit.ly/3jUsnymTTBB: http://bit.ly/2NrKm31Visit https://garrettbreeze.com to read my blog and discover new music!
$2.25
2.07 €
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Chorale SATB
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Annie Hawks, Robert Lowry
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Garrett Breeze
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I Need Thee Every Hour
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Lagom Music
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SheetMusicPlus
Come, Thou Fount of Every Blessing (SATB)
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.839843 By Christoph…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.839843 By Christopher Alexander. By Robert Lowry. Arranged by Christopher Alexander. Religious,Sacred. 12 pages. Christopher Alexander #6057093. Published by Christopher Alexander (A0.839843). A new arrangement for the familiar Robert Robinson text. The second verse features a solo accompanied by only the choir. This new setting will be a welcomed feature in your church service performance.
$2.25
2.07 €
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Chorale SATB
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Christopher Alexander
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Christopher Alexander
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Come, Thou Fount of Every Blessing
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Christopher Alexander
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SheetMusicPlus
"Lift Every Voice And Sing" - SATB Choral
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.893896 Composed by James W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.893896 Composed by James Weldon Johnson, John Rosamond Johnson. Arranged by MistressPianist. 20th Century,Spiritual. Octavo. 11 pages. Leah Anteneh #5895423. Published by Leah Anteneh (A0.893896). Lift Every Voice And Sing SATB Choral, with a more classical feel. This piece is meant for mixed voices with divisi in the Alto and Tenor part (although divisi is optional).Comes with Piano Accompaniment as well, no additional charge!Perfect for school choirs/church choirs and other educational purposes. In honor of Black History Month as well as Juneteenth.Duration of the work is roughly 2 minutes and 40 seconds to 3 minutes.Vocal Ranges for each part: (low-high) Soprano: G#3-C#5Alto: G#3 - C#5Tenor: C#3 - E4Bass: E2 - C#4(Can be requested to be in a higher key!)
$4.99
4.59 €
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Chorale SATB
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James Weldon Johnson, John Rosamond Johnson
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MistressPianist
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"Lift Every Voice And Sing" - SATB Choral
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Leah Anteneh
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SheetMusicPlus
Murder On The Dancefloor
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1370962 By Sophie E…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1370962 By Sophie Ellis-Bextor. By Gregg Alexander and Sophie Ellis-Bextor. Arranged by Katherine Burr. 21st Century,A Cappella,Contemporary,Halloween,Pop. 7 pages. Katherine Burr #955308. Published by Katherine Burr (A0.1370962). An SATB a cappella arrangement of the hit Sophie Ellis-Bexter song, re-made famous by Saltburn. Featuring goo-ey harmonies and melodies sung largely by the altos and tenors, your choir will enjoy every second of this early 2000s classic.There are optional splits in the bass parts, and some tricky rhythmic sections, so I'd suggest this for an immediate choir.
$4.99
4.59 €
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Chorale SATB
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Sophie Ellis-Bextor
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Katherine Burr
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Murder On The Dancefloor
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Katherine Burr
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SheetMusicPlus
Gospel Songs: Steal Away (Downloadable Piano/Choral Score)
Chorale SATB
SATB choir and Piano - Moderately Easy - Digital Download Composed by Gwyneth W. Walker …
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SATB choir and Piano - Moderately Easy - Digital Download Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Downloadable piano/choral score. 14 pages. Duration 3 minutes, 40 seconds. MorningStar Music Publishers - Digital Sheet Music #8228-E. Published by MorningStar Music Publishers - Digital Sheet Music
Steal Away interprets the traditional spiritual, "Steal Away to Jesus," as a song of alternating sorrow and strength. The refrains are presented quietly and mournfully: "Steal away to Jesus. I ain't got long to stay here." In contrast, the verses are sung with conviction: "My Lord calls me, calls me by the thunder." Similarly, the accompaniment varies from florid arpeggiations (for the refrains) to rhythmic chordal entrances (for the verses). Of special interest is the use of scale patterns. In the opening refrain, and on every occurrence of the words "steal away," the scales descend, marked as falling tears, or stealing away. At the conclusion of the song, the scales rise, as the soul ascending to heaven. "My Lord calls me, calls me home." Duration: 3:40.Steal Away interprets the traditional spiritual, "Steal Away to Jesus," as a song of alternating sorrow and strength. The refrains are presented quietly and mournfully: "Steal away to Jesus. I ain't got long to stay here." In contrast, the verses are sung with conviction: "My Lord calls me, calls me by the thunder." Similarly, the accompaniment varies from florid arpeggiations (for the refrains) to rhythmic chordal entrances (for the verses).
Of special interest is the use of scale patterns. In the opening refrain, and on every occurrence of the words "steal away," the scales descend, marked as falling tears, or stealing away. At the conclusion of the song, the scales rise, as the soul ascending to heaven. "My Lord calls me, calls me home." Duration: 3:40.
$2.85
2.62 €
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Chorale SATB
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Gwyneth W
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Gospel Songs: Steal Away
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
1.83 €
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Chorale SATB
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
And His Kingdom Will Have No End
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By K…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99
1.83 €
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Chorale SATB
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No End
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Kevin Longley
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SheetMusicPlus
Air on G String (A Cappella Rock)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.808929 Composed by Johann …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.808929 Composed by Johann Sebastian Bach, Alberto Schirò. Arranged by Alberto Schirò. A Cappella,Baroque,Contemporary,Rock. Octavo. 12 pages. Preludio s.r.l. #5213611. Published by Preludio s.r.l. (A0.808929). This is the famous Air on G String by Johann Sebastian Bach, but... surprise! The second time the 5 singers change the style and they sing Rock. This arrangement is for 5 voices and Soprano 1 imitates an electric guitar with is voice.while Soprano 1 it's the drum box. Every time the first part is philological, but every time the song will come Rock.
$9.99
9.19 €
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Chorale SATB
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Johann Sebastian Bach, Alberto Schirò
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Alberto Schirò
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Air on G String
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Preludio s.r.l.
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SheetMusicPlus
Song of the Mountains
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.787250 Composed by Greg Ba…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.787250 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Patriotic,Standards. Octavo. 16 pages. Burke & Bagley #49747. Published by Burke & Bagley (A0.787250). SONG OF THE MOUNTAINS is a setting for mixed (SSAATB) choir with piano accompaniment of text adapted from prose by American naturalist John Muir (1838-1914). Commissioned for the Combined Choirs of St. Joseph's School, Seattle, directed by Rick Boyle, who premiered the piece at Benaroya Hall's Nordstrom Recital Hall on May 6, 2004, in the second annual New Works New Hope concert for the benefit of Gilda's Club Seattle. The piece was revised in 2007 and the premiere of the revised score was given on November 16, 2007, by the Queens College Chorus, Cindy Bell conducting, at the Aaron Copland School of Music in New York. It was selected by the Portland Vocal Consort for their 2013 Best of the Northwest program. Duration ca. 6 minutes. Conductor Cindy Bell says, Driven by a refreshing text of American naturalist John Muir, Bartholomew has created an accessible work that flows easily through both key and meter changes, and features expressive, lyric melodies contrasted by exciting rhythmic drive. Song of the Mountains is almost cantata-like, or through-composed, in that each line of Muir's text receives equal and interesting interpretation. Occasional use of the triplet rhythm creates both a relaxing effect (grasses cease waving) and driving sense of forward motion (Vibrating!). Effective use of dynamics and interweaving of choral parts make for each section having a musical life of its own. Follow along in the score as you listen to a performance in this video: https://www.youtube.com/watch?v=5VVW1Ah6kqE SONG OF THE MOUNTAINS Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their freshness into you, and the storms their energy, while cares drop off like autumn leaves. Here is calm so deep, grasses cease waving. Everything in wild nature fits into us, as if truly part and parent of us. The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, Making them glide and sing. The trees wave and the flowers bloom in our bodies as in our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountain, is our song, our very own, and sings our love.
$2.50
2.3 €
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Chorale SATB
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Greg Bartholomew
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Song of the Mountains
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Burke & Bagley
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SheetMusicPlus
Are You Ready For His Coming?
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.770846 Composed by Dennis …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.770846 Composed by Dennis Stremming. Arranged by Michael Hill Jr. Christian,Sacred,Spiritual. Octavo. 8 pages. Bible Truth Music #3435329. Published by Bible Truth Music (A0.770846). A challenge and comfort to every believer expecting the second coming of Christ!
$2.15
1.98 €
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Chorale SATB
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Dennis Stremming
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Michael Hill Jr
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Are You Ready For His Coming?
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Bible Truth Music
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.2 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Come, Holy Spirit, Dove Divine
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.976727 Composed by Robert …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.976727 Composed by Robert Myers. Christian,Praise & Worship,Sacred. Octavo. 2 pages. WheatMyer Music #5197337. Published by WheatMyer Music (A0.976727). It was one of those accidents where you find something useful when you’re looking for something else. While reading on the nature of worship, a particular blog article ended with Adoniram Judson’s early 19th Century baptismal poem, Come Holy Spirit, Dove Divine. The flowing text called out (at least to me!) for a musical setting. Accordingly, some melodic and harmonic ideas began to percolate in my thoughts. However, before getting very far along in writing a tune, there were two surprises in store. First many others had already set the text to music before (with a multitude of tunes) going back to at least 1833. Second, despite being a Baptist for over forty years, I discovered that this hymn has been in the Baptist Hymnal since 1956 yet I have no recollection of every singing it! Well, chagrined at my ignorance, I carried on writing a new melody and harmony for this deserving text. I sought to make it friendly to congregational singers while still containing rich and sing-able harmonies and so aimed for a four-part hymn-style form. However, as I suspect my ignorance of the hymn is a common condition, a fresh and modern tune which would be at home in varied musical styles and have popular appeal was also pursued. The result is a delightful and uplifting tune, easy to sing, with an optimistic and forward momentum, commensurate with the meaning of believers’ baptism, Buried with Him in baptism; raised to walk in new life. The music is flexible in application to many church music styles: praise team and band, choir and organ, congregation and piano, or mix and match to fit your needs. May you find Come, Holy Spirit, Dove Divine, singing a much needed text, a means for your congregation to joyfully join with new believers in celebration of their baptism!
$1.99
1.83 €
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Chorale SATB
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Robert Myers
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raised to walk in new life
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Come, Holy Spirit, Dove Divine
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WheatMyer Music
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SheetMusicPlus
The Star-Spangled Banner
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John St…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779348 Composed by John Stafford Smith. Arranged by Shelton Ridge Love. Folk,Holiday,Patriotic. Octavo. 14 pages. Shelton Ridge Love #3096887. Published by Shelton Ridge Love (A0.779348). Arranged for SATB choir with piano duet (one piano, four hand) accompaniment, this majestic arrangement of The Star-Spangled Banner is perfect for every American patriotic concert or celebration. After a fanfare opening, the audience is invited to participate in the pledge to the flag and the first stanza. The choir then sings the lesser-known second stanza, concluding with a triumphant coda.At this time, the companion recording includes only digitized voices, so the lyrics for the entire arrangement are included below. (Lyrics by Francis Scott Key)America! America!God shed his grace on thee!O say, can you see, by the dawn's early light,What so proudly we hailed at the twilight's last gleaming?Whose broad stripes and bright stars, through the perilous fight,O'er the ramparts we watched were so gallantly streaming?And the rocket's red glare, the bombs bursting in air,Gave proof through the night that our flag was still there.O say, does that star-spangled banner yet waveO'er the land of the free and the home of the brave?O thus be it ever when free men shall standBetween their loved homes and the war's desolation!Blest with vict'ry and peace, may the head'n-rescued landPraise the pow'r that hath made and preserved us a nation!Then conquer we must when our cause it is just,And this be our motto: In God is our trust!And the star-spangled banner in triumph shall waveO'er the land of the free and the home of the brave!Ah! America!
$1.99
1.83 €
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Chorale SATB
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John Stafford Smith
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Shelton Ridge Love
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The Star-Spangled Banner
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Shelton Ridge Love
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SheetMusicPlus
O Come, O Come, Emmanuel (arr.)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.904605 Composed by 15th-ce…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.904605 Composed by 15th-century hymn tune. Arranged by Paul Pisano. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 8 pages. PWP Enterprises #2956791. Published by PWP Enterprises (A0.904605). Freely imitative, tonally/harmonically fluid treatment of this ancient Christmas melody. Lush harmonic textures alternate with (or in some cases result from) contrapuntal combination of disparate segments or motives of the melody. SATB a cappella with occasional divisi, almost entirely in the tenor and bass parts; piano reduction included for rehearsal purposes. Appropriate for university or advanced church choirs, including small ensembles. Low D-flat required of second basses, optional low C. Duration ca. 3:30.Other Titles by Paul Pisano on sheetmusicplus.com:--Have Yourself a Merry Little Christmas (SSAATTBB a cappella): jazz arrangement a la Manhattan Transfer of this holiday classic from the movie Meet Me in St. Louis, starring Judy Garland;--Carol of the Bells...and Friends: a Christmas Fantasietta of this and several other Christmas classics in stylistic parody of Chopin, Liszt, Brahms, Balakirev, and Ginastera;--Seven Limerick Songs for voice and piano, English and Italian lyrics by the composer (available in soprano and mezzo soprano/tenor keys);--Nearer, My God, to Thee/I Need Thee Every Hour (arr. SSAATTBB a cappella);--Come, Thou Glorious Day of Promise (arr. SATB divisi a cappella);--Come unto Me (SATB divisi), original setting of Matthew 11:28-29;--Joseph Smith Said WHAT?! Two songs for tenor and piano: 1) You don't have to bray like a jackass 2) Josiah Butterfield
$3.49
3.21 €
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Chorale SATB
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15th-century hymn tune
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Paul Pisano
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O Come, O Come, Emmanuel
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PWP Enterprises
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SheetMusicPlus
Love Can Build A Bridge
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.566032 By The Judds. By Jo…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.566032 By The Judds. By John Jarvis, Naomi Judd, and Paul Overstreet. Arranged by Timothy Allen. Pop. Octavo. 9 pages. Timothy Allen Music Ltd #175433. Published by Timothy Allen Music Ltd (A0.566032). With a powerful message about how people can support each other to achieve great things, this is an instant choir anthem. Every voice part gets a moment to shine, and there are some lovely sections in the second verse and bridge where the tune is passed from part to part seamlessly. The crescendo into the key change is a real lift off moment, and in a refreshing twist, the song winds down to end gently, with a thought-provoking question. The backing track and learning tracks are available - contact the arranger via www.timothyallenmusic.co.uk.
$2.49
2.29 €
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Chorale SATB
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The Judds
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Timothy Allen
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Love Can Build A Bridge
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Timothy Allen Music Ltd
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SheetMusicPlus
At This Table
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1156270 By Idina Menzel. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1156270 By Idina Menzel. By Idina Menzel and Jonas Myrin. Arranged by Christopher Wormald. Christmas,Holiday,Singer/Songwriter,Wedding. Octavo. 8 pages. Christopher Wormald #756586. Published by Christopher Wormald (A0.1156270). An entirely faithful and highly effective transcription for SATB choir and piano accompaniment of this stunning 2019 original song about inclusion and diversity composed by Idina Menzel and Jonas Myrin, complete with all of the original harmonies and nuances. Set in B Flat Major, one tone higher than the original key of A Flat Major to accommodate SATB ranges, this beautiful song says everything about inclusion of every kind, from racial to gender and orientation, and can be used to great effect in rehearsal and concerts all year round although originally composed for Miss Menzel's second Christmas holidays album release.
$1.99
1.83 €
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Chorale SATB
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Idina Menzel
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Christopher Wormald
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At This Table
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Christopher Wormald
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SheetMusicPlus
We Bare Bears
Chorale SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.924896 Composed by Charle…
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.924896 Composed by Charlene Yi. Arranged by Lianna Pfister. Contemporary. Octavo. 3 pages. Lianna Pfister #4295785. Published by Lianna Pfister (A0.924896). We'll Be There is the theme song of the Cartoon Network show We Bare Bears. It was composed by Ivan Barias and performed by Estelle, first airing in 2015. This 20-second song begins every episode of the show. It is here arranged to replicate the original song's instrumentation, using five voices and a tambourine. Several outside sounds are heard when the song begins the show, such as the bouncing of a basketball. Such sounds have not been included in this transcription. This piece was here arranged to accurately dictate what the original performers did in their recording of the song itself. .
$12.99
11.95 €
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Chorale SATB
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Charlene Yi
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Lianna Pfister
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We Bare Bears
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Lianna Pfister
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SheetMusicPlus
O Come, O Come Emmanuel
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394981 By J…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394981 By Julie Hinton. By Traditional. Arranged by Julie Hinton. A Cappella,Advent,Christian,Christmas,Sacred. 5 pages. Red Tape Productions #978468. Published by Red Tape Productions (A0.1394981). SSAATTBB acapella. Â This haunting arrangement of the familiar Advent tune will show off the voices as modified chord structures draw attention from the audience. Â The 2nd soprano takes the melody in the first verse over a choral drone. Â The second verse highlights a T2/B2 repetitive chant. Â The 1st soprano floats a descant in the third verse as AATTBB reprise the first-verse drone, with everyone coming together in the end, culminating in a unison final tone. Â Great for church choirs, acapella choruses and caroling octets!This setting is also available in SSAA, SATB and SSATBB acapella, as well as SATB, SAB and SSA with piano accompaniment. Â The audio sample is the second verse.
$2.25
2.07 €
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Chorale SATB
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Julie Hinton
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Julie Hinton
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O Come, O Come Emmanuel
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Red Tape Productions
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SheetMusicPlus
Nadie Te Ama Como Yo
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1508642 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1508642 Composed by Martin Valverde. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 8 pages. Hope Ram #1083907. Published by Hope Ram (A0.1508642). Arreglo para coros con partes para solista y duetos bajo/tenor y tenor/soprano.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista y duetos primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas facil de juntar. - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo. - Practica con la solista y los duetos por separado. - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos. Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 4:52 a velocidad 78 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soloist and bass/tenor y tenor/soprano duets.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way. Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 4:52 at tempo 78 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
2.75 €
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Chorale SATB
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Martin Valverde
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Antonio Ramirez
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Nadie Te Ama Como Yo
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Hope Ram
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SheetMusicPlus
Cara a Cara
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1508625 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1508625 Composed by Marcos Vidal. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 8 pages. Hope Ram #1083889. Published by Hope Ram (A0.1508625). Arreglo para coros con partes para solista y dueto soprano/alto.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista y dueto primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas facil de juntar. - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo. - Practica con la solista y el dueto por separado. - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos. Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 4:52 a velocidad 100 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soloist and soprano/alto duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way. Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 4:52 at tempo 100 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
2.75 €
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Chorale SATB
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Marcos Vidal
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Antonio Ramirez
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Cara a Cara
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Hope Ram
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SheetMusicPlus
Hambre de Ti
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1509162 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1509162 Composed by Jesus Adrian Romero. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 9 pages. Hope Ram #1084414. Published by Hope Ram (A0.1509162). Arreglo para coros con partes para solista tenor y dueto tenor/soprano.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista y dueto primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas facil de juntar. - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo. - Practica con la solista y dueto por separado. - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos. Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 5:28 a velocidad 65 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with tenor soloist and tenor/soprano duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way. Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 5:28 at tempo 65 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
2.75 €
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Chorale SATB
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Jesus Adrian Romero
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Antonio Ramirez
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Hambre de Ti
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Hope Ram
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SheetMusicPlus
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