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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For No One
Non classifié
3 604
Piano & claviers
Piano seul
1 412
Piano, Voix
851
Piano, Voix et Guitare
325
Piano Facile
315
Instruments en Do
87
Orgue
67
Accompagnement Piano
56
1 Piano, 4 mains
39
Piano Trio: piano, violon, violoncelle
24
Piano (partie séparée)
17
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon
4
Piano grosses notes
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Clavier
1
Clavecin
1
+ 16 instrumentations
Retracter
Guitares
Guitare
195
Guitare notes et tablatures
171
Ligne De Mélodie, (Paroles) et Accords
64
Basse electrique
44
Guitare (partie séparée)
39
2 Guitares (duo)
27
Ukulele
24
Paroles et Accords
23
Piano, Guitare (duo)
16
4 Guitares (Quatuor)
10
Dulcimer
7
2 Dulcimers (duo)
6
Mandoline
6
Ensemble de guitares
5
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Banjo
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
416
Voix seule
191
Chorale 3 parties
133
Chorale TTBB
92
Chorale 2 parties
73
Chorale SSAA
39
Voix Baryton, Piano
35
Chorale Unison
29
Voix haute
16
Voix Soprano, Piano
16
Voix duo, Piano
13
Voix moyenne, Piano
9
Voix duo
7
Voix Alto, Piano
6
Voix Tenor, Piano
2
Voix basse, Piano
2
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Chorale
1
Chorale SSAATTBB
1
Voix Soprano
1
+ 16 instrumentations
Retracter
Vents
Saxophone
918
Quatuor de Saxophones: 4 saxophones
592
2 Saxophones (duo)
493
Saxophone (partie séparée)
444
Saxophone Alto
397
Saxophone Alto et Piano
348
Saxophone Tenor
309
Flûte traversière et Piano
279
Saxophone Tenor et Piano
232
3 Saxophones (trio)
202
Saxophone Soprano et Piano
189
Quintette de Saxophone: 5 saxophones
186
Clarinette et Piano
180
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
177
Hautbois, Piano (duo)
132
Clarinette
129
2 Flûtes traversières (duo)
127
Ensemble de saxophones
123
Flûte, Hautbois, Clarinette, Basson
115
Quatuor de Clarinettes: 4 clarinettes
111
2 Clarinettes (duo)
109
Saxophone Baryton, Piano
101
Flûte traversière
87
Hautbois
73
Quatuor de Flûtes : 4 flûtes
57
Saxophone Soprano
53
Cor anglais, Piano
50
Flûte, Clarinette (duo)
48
Ensemble de Clarinettes
44
Quintette de Clarinettes: 5 clarinettes
41
2 Hautbois (duo)
37
Saxophone, Clarinette (duo)
36
Hautbois, Basson (duo)
34
Hautbois (partie séparée)
34
Hautbois, Clarinette (duo)
31
3 Clarinettes (trio)
27
Clarinette, Violon (duo)
25
Clarinette Basse, Piano
24
Ensemble de Flûtes
23
Flûte à Bec
21
3 Flûtes à bec (trio)
21
Quatuor de Flûtes à bec
20
Flute (partie séparée)
19
Hautbois, Flûte
19
Quintette de Flûte : 5 flûtes
18
Clarinette et Alto
17
Clarinette (partie séparée)
17
Flûte, Hautbois, Clarinette (trio)
17
Trio de Flûtes: 3 flûtes
17
Clarinette, Trompette (duo)
17
Saxophone Baryton
16
2 Flûte à bec (duo)
16
Flûte, Alto (duo)
15
Flûte, Saxophone (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Violon
14
Flûte et Guitare
14
Flûte à bec Soprano
12
Clarinette, Guitare (duo)
10
Flûte, Trompette (duo)
9
Ensemble De Flûte à bec
9
Piccolo, Piano
9
5 Flûtes à bec
9
Flûte, Violoncelle
8
Clarinette, Basson (duo)
8
Cor Anglais
8
Piccolo
6
Flûte à bec Tenor
6
Flûte, Trombone (duo)
6
Flûte à bec Alto, Piano
5
Flûte, Hautbois, Basson
5
Saxophone et Piano
5
Flûte à Bec, Piano
5
Flûte à bec Alto
5
Flûte, Violon, Piano
5
Ocarina
5
Clarinette, Violoncelle (duo)
4
Flûte irlandaise
4
2 Saxophones, Piano
4
Instruments en Mib
4
Flute, harpe et violon
3
Flûte, Clarinette et Basson
3
Saxophone et Guitare
3
Flûte, Hautbois (duo)
3
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Harpe (duo)
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Soprano, Piano
2
Flûte, Violon et Violoncelle
2
Hautbois, Guitare (duo)
2
3 Hautbois
2
2 Clarinettes, Basson
2
2 Flûtes traversières, Piano
2
Harmonica
2
Saxophone et violoncelle
1
Ensemble de Hautbois
1
Saxophone et Orgue
1
Hautbois, Violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone, Violon (duo)
1
Cor anglais, Guitare (duo)
1
Hautbois et alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Clarinette Basse
1
4 Hautbois
1
Saxophone, Basson (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Piano
1
+ 107 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
606
Trombone
515
Trombone (partie séparée)
372
Trombone et Piano
310
Quatuor de Cuivres : 2 trompettes, trombone, tuba
300
2 Trombones (duo)
149
Trompette
116
Quatuor de cuivres: 4 trombones
96
Cor et Piano
92
Trompette, Piano
90
Quatuor de Cuivres: 2 trompettes, Cor, trombone
84
Trompette, Trombone (duo)
74
Quatuor de Cuivres
71
Trompette (partie séparée)
66
Euphonium, Piano (duo)
61
Ensemble de Trombones
55
Cor anglais, Piano
50
2 Trompettes (duo)
44
Tuba et Piano
40
Cor
37
Trio de Cuivres
33
Tuba
31
Ensemble de Trompettes
27
Trompette, Saxophone (duo)
26
2 Cors (duo)
26
3 Trombones (trio)
24
Trombone basse et Piano
21
Trombone basse
20
Quatuor de cuivres: 4 cors
19
Trombone, Tuba (duo)
15
4 Tubas
14
Cor (partie séparée)
14
Trombone, Cor (duo)
14
Tuba (partie séparée)
13
Quatuor de cuivres: 4 trompettes
13
Euphonium
13
Trompette, Cor (duo)
13
2 Tubas (duo)
9
Cor Anglais
8
Ensemble de Cors
8
Instruments en Sib
7
Euphonium, Tuba (duo)
7
Tuba et Orgue
6
2 Euphoniums (duo)
5
Trompette, Trombone, Piano
5
3 Tubas (trio)
5
3 Trompettes (trio)
5
Bass Clef Instruments
4
Tuba ou Euphonium ou Saxhorn
4
Cornet A Pistons
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette et Guitare
3
3 Cors (trio)
3
Trombone, Orgue
3
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone, violoncelle (duo)
2
2 Cors Anglais Et Pianoforte
2
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
Trompette, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Violoncelle (duo)
1
Trombone, Violon (duo)
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
425
Harpe
304
Violon et Piano
257
Violon
219
Violoncelle, Piano
206
Alto, Piano
164
Violoncelle
116
Trio à Cordes: violon, alto, violoncelle
101
Violon, Violoncelle (duo)
100
Violon, Alto (duo)
65
2 Violons (duo)
64
Alto seul
58
2 Violoncelles (duo)
52
2 Altos (duo)
45
Trio à Cordes: 2 violons, violoncelle
35
4 Violoncelles
27
Contrebasse, Piano (duo)
25
Contrebasse (partie séparée)
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violoncelle, Contrebasse (duo)
18
Trio à cordes: 3 violins
18
Alto, Violoncelle (duo)
17
Trio à Cordes: 3 violoncelles
15
Harpe, Flûte (duo)
15
Violon (partie séparée)
14
Violon, Guitare (duo)
13
Contre Basse
11
Alto (partie séparée)
11
Trio à cordes: 3 altos
11
Quatuor à cordes: 4 violons
11
Quatuor à cordes : 4 altos
10
2 Harpes (duo)
10
Alto, Guitare (duo)
8
Violoncelle , Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
6
2 Contrebasses (duo)
6
Harpe, Voix
5
Flûte, Contrebasse (duo)
5
Ensemble de Violons
4
Violoncelle (partie séparée)
4
Trio à Cordes: 2 violons, alto
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
3
Ensemble d'Altos
2
5 Harpes
2
3 Harpes
2
4 Contrebasses
2
Violon, Basson (duo)
1
Alto et Harpe
1
Harpe, Quatuor à cordes
1
Violon, Basse continue
1
Ensemble de Violoncelles
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
582
Orchestre
326
Ensemble Jazz
248
Orchestre à Cordes
246
Ensemble de cuivres
197
Orchestre de chambre
86
Batterie
50
Cloches
49
Jazz combo
46
Percussion
36
Fanfare
28
Batterie (partie séparée)
21
Marimba
19
Ensemble de Percussions
11
Percussion (partie séparée)
7
2 Xylophones
7
Xylophone, Piano
5
Xylophone
3
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
1
Vibraphone
1
Vibraphone et Marimba
1
Instrumentation Flexible
1
Marimba et Orgue
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
Autres
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
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XYLOPHONE
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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METHODE : ETUDES
METHODE : TECHNIQUES
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For No One
Chorale SATB
Partitions à imprimer
416 partitions trouvées
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401
Calvary is Far Away, sacred music for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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whom the Lord was slain
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Kevin G
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Calvary is Far Away, sacred mu
#
Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1104757 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1104757 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #707994. Published by Kevin G. Pace (A0.1104757). Beautiful, sacred music for SATB choir. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Calvary is far away On a little hill, Where the Son was crucified To fulfill God's will. Rock and stone washed clean with time No longer bear the stain Of blood our Savior shed for man, By whom the Lord was slain. Nature wept to hide the deed. Wind would scour His pain, To leave behind a promise true That we shall live again. Far too is Gethsemane, Hidden 'midst the trees, Where he suffered for our sins, Fallen on His knees. There he drank the bitter cup, With none His pain to ease. The forest silent to HIs groans Dispersed upon the breeze. Ev'ry bough in reverence bent To His grief unseen, In honor of His sacrifice, That man could now be clean. Christ is not so far away, Nor His loving care. All creation sings His praise, Knowing He is there. See Him in each blooming flower, In rivers streaming by. Then feel Him in each mighty gale, Each snowflake in the sky. Glory Lord is thine alone. Earth still sings Thy fame, 'Til all shall bow before Thy throne, Remembering Thy name.
$1.99
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
#
AVANCÉ
#
Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
PLATFORM NINE an original stage musical
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dennis A
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PLATFORM NINE an original stag
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Tyne Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.999345 Composed by Dennis A. Westgate. Contemporary,Graduation,Musical/Show,World. Octavo. 134 pages. Tyne Musi...
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Choral Choir (Mixed) - Level 4 - SKU: A0.999345 Composed by Dennis A. Westgate. Contemporary,Graduation,Musical/Show,World. Octavo. 134 pages. Tyne Music #5866269. Published by Tyne Music (A0.999345). PLATFORM NINE : One of my full length ‘feel good’ family plays in the TYNE ONSTAGE series of original musicals. With Drama, Comedy and Song & Dance routines, they offer a new source of material to any Producer, Director or Teacher in the Performing Arts looking for original stories with great songs, covering a wide range of musical styles. Platform Nine is a 1 set musical and could be performed in any area, indoor or outdoor, with a minimal set-build. This is an ‘all-singing and dancing’ 2 hour+ show requiring very good dancers & singers.Each album title includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/platform-nineP.S. Sorry, but there are no band parts or orchestral scores as the costs involved would have made these musicals too expensive. So the price is reflective of this and leaves each of the numbers open to interpretation by your M.D. or Arranger I’ve uploaded a rough demo clip of * seven of the songs. SONG TITLES 1) Four in the Morning 2) Those Early Morning Blues * 3) Engine Driver * 4) Take a Train * 5) Platform Nine * 6) Start All Over Again * 7) Wanna Bet! 8) The Big Race 9) Sigh me a Sigh10) Why?11) Lonely Words *12) A Woman Is! *13) The Palais de Danse14) The Locomotion Rock15) A Face in the Crowd16) Take a Train (reprise)
$87.00
A Song With No Tune / Inisheer
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Chorale SATB
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FACILE
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Celtique/Irlandais
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Folklorique/Traditionel
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Alan Wagstaff
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Alan Wagstaff
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A Song With No Tune / Inisheer
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Alan Wagstaff
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octa...
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Choral Choir (SATB divisi) - Level 2 - SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 37 pages. Alan Wagstaff #117526. Published by Alan Wagstaff (A0.507012). This is a new Irish song about the magic of Irish music. It's arranged for choir (SSAATB), harp, piano, flute, and fiddle. Elements of O'Carolan's 'Inisheer' are woven into the melody. Lyric A Song With No Tune The stories they tell in the Town of Athlone, would gladden the heart of a man made of stone. I joined in with them freely, until it was Spring, then I was off, like a hawk on the wing - searching for fortune - and something to sing. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The pipers are proud in Kildare and Athy; there's no better music found under the sky. But, one bright Summer's evening, I left them behind; put my feet to the road and I followed them blind - searching for fortune - and what I might find. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The fiddlers are famous from Bantry to Cork. The rake of their reels would make the lame walk. But still, at the close of a fine Autumn day, I packed up my bags and I went on my way - searching for fortune but finding low pay. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Far up the west coast, in Aran and Clare, there's harpers to bring you a magical aire. I listened, enthralled, till the Winter came on, then pulled up my boots - and soon I was gone - searching for fortune for still I had none. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. I rested, by chance, at the close of the day, by a small rounded hill, where I happened to stray. And there, as the drowsiness over me stole, I dreamed of a woman with eyes black as coal - And the fortune she held was the song of my soul. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Alan Wagstaff.
$100.00
We Are One!
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Chorale SATB
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INTERMÉDIAIRE
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Zack Richards
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We Are One!
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Zack Richards
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821...
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Choral Choir (SATB) - Level 3 - SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.
$1.99
There is Only One, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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There is Only One, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1102947 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1102947 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #706274. Published by Kevin G. Pace (A0.1102947). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: When life seems unsure, with no lasting cure, Questions come about turning faith to doubt. When you feel alone, and no care is shown, When it’s hard to stand, take God’s steady hand. Take his hand! Take his hand when life’s not what was planned. Take his hand; He’ll lend his strength—He can. Just take his hand. Oh, take his hand. When in dark despair, when no one is there, When belief is small and all trust is stalled, When cast down with shame, hear his holy Name. When life’s filled with fear, know He’s very near. He is near! He is near and to Him you are dear. He is near and He will dry your tears. Oh, He is near. Know He is near. When sore trials come, when shade covers sun, When all hope is past and belief won’t last, When God’s arm is bare and His voice seems rare, There is only One. Know that He will come. He will come! He will come when senses feel so numb. He will come when blessings seem undone. Oh, He will come. Know He will come. Take his hand! When it’s hard to stand, oh take his hand, for He is near! When life’s filled with fear, know He is near, and He will come! There is only One. Oh, He will come. There is only One and He will come.
$1.99
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Sanbutsuge: A Buddhist Motet f
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717). This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]Text (slightly abridged):Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:The shining face of the Buddha is glorious;Boundless is his magnificence.Radiant splendor such as hisIs beyond all comparison.The sun, the moon and the mani-jewel,Though shining with dazzling brightness,Are completely dimmed and obscuredAs if they were a pile of ink-sticksThe countenance of the TathagataIs beyond compare in the whole world.The great voice of the Enlightened OneResounds throughout the ten regions.His morality, learning, endeavor,Absorption in meditation, wisdomAnd magnificent virtues have no equal;They are wonderful and unsurpassed.I resolve to become a Buddha,Equal in attainment to you, O holy king of the Dharma,To save living beings from birth-and-death,And to lead them all to emancipation.I vow that, when I have become a Buddha,I shall carry out this promise everywhere;And to all fear-ridden beingsShall I give great peace.Even though there are Buddhas,A thousand million kotis in number,And multiudes of great sagesCountless as the sands of the Ganges,I shall make offeringsTo all those Buddhas.I shall seek the supreme WayResolutely and tirelessly.Even though the Buddha-lands are as innumerableAs the sands of the Ganges,And other regions and worldsAre also without number,My light shall shine everywhere,Pervading all those lands.Such being the result of my efforts,My glorious power shall be immeasurable.When I have become a Buddha,My land shall be most exquisite,And its people wonderful and unexcelled;The seat of Enlightenment shall be supreme.My land, being like Nirvana itself,Shall be beyond comparison.I take pity on living beingsAnd resolve to save them all.Those who come from the ten quartersShall find joy and serenity of heart;When they reach my land,They shall dwell in peace and happiness.I beg you, the Buddha, to become my witnessAnd to vouch for the truth of my aspiration.Having now made my vows to you,I will strive to fulfilll them.The World-Honored Ones in the ten quartersHave unimpeded wisdom;I call upon those Honored OnesTo bear witness to my intention.Even though I mu.
$10.99
He Comforts Me, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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He Comforts Me, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1043823 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1043823 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #648505. Published by Kevin G. Pace (A0.1043823). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Walk with me. When my trek through life seems barren, walk with me. When my soul is parched and arid, walk with me. When my drought has brought on thirst, when my God is not placed first, when I sense the very worst, Oh, walk with me. Weep with me. When all happiness escapes me, weep with me. When my peaceful heart forsakes me, weep with me. When I’m broken past repair, when no one is there to care, when a friend is very rare, Oh, weep with me. Mourn with me. When my heart is full of sorrow, mourn with me. When it’s hard to face tomorrow, mourn with me. When I’m crying all alone, when I feel less love is shown, when I doubt if I am known, Oh, mourn with me. Comfort me. Now I feel God coming closer. He comforts me When I feel I love Him most, He comforts me. When I trust his holy word, when I follow truths I’ve heard, when I feel so God-assured, He comforts me.
$1.99
I Did Not See Temple Spires - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Did Not See Temple Spires -
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G....
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Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
There is no rose
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Noël
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Robert A
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There is no rose
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Robert A. Howard
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.998890 Composed by Robert A. Howard. 21st Century,A Cappella,Advent,Christmas,Sacred. 6 pages. Robert A. ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.998890 Composed by Robert A. Howard. 21st Century,A Cappella,Advent,Christmas,Sacred. 6 pages. Robert A. Howard #6496055. Published by Robert A. Howard (A0.998890). This carol for unaccompanied SATB choir sets a well known but anonymous 15th Century text. The five verses pass through a sequence of keys, returning to the opening key for the final one. Each verse begins with a simple melody, initially stated alone, then appearing in various canonic forms on subsequent verses. This is then always followed by a rich chordal passage of 'added note' harmonies, in a reverential and meditative manner. The piece is designed for most good choirs to be able to perform unaccompanied, and parts invariably move by semitone or tone movement. It is appropriate for any size of 4-part choir, including school, student, community, church and cathedral choirs.
$3.99
Wilt Thou Forgive?
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Chorale SATB
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Ron Anderson
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Wilt Thou Forgive?
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Ron James Anderson
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.965556 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 9 pages. Ron James Anderson #5994791. P...
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Choral Choir (SATB) - SKU: A0.965556 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 9 pages. Ron James Anderson #5994791. Published by Ron James Anderson (A0.965556). Wilt Thou Forgive? is a setting of the John Donne poem, A Hymn to God the Father. John Donne (1572 – 1631) was one of the greatest of the metaphysical poets in England, a group that included George Herbert, Andrew Marvell, and possibly John Milton. An Anglican priest with a less than perfect moral reputation, Donne expressed through his poetry (notably, the Holy Sonnets) the incongruities of human attempts at living the Christian life.In the present poem, the speaker reveals his struggles with sin-the sin he was born with, the sin he commits daily, the sin through which he influences others to sin, and the sin he has quit for a short while, only to take up again for many more years. He confesses yet another sin: the fear that he will perish on the shore, presumably to die with unforgiven sins, consigned to eternal damnation. His desperate plea is that God’s Son shall shine as he shines now and heretofore. If God answers this prayer, he will fear no more, and will know that all his sins, including the sin of fear, are finally forgiven.This musical setting uses subtle inflection of rhythm and meter to mirror the text, aiming for natural prosody of speech and expressive accentuation. Melodic contours emphasize important words, while harmonic placement projects the various moods throughout the poem. The key relationships involve mostly shifts of minor 3rds; starting in D minor, the piece moves through several keys, reaching its final statement in D major. A variety of textures maintains aural interest: clusters and close harmony, full divisi chords, and an imitative passage painting the words, won others to sin, and made my sin their door. A series of shimmering major chords brings the work to a close, declaiming the words, Thy Son shall shine as he shines now and heretofore, and, I fear no more.
$2.50
An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
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Chorale SATB
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INTERMÉDIAIRE
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James Nathaniel Holland
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An Adagio Suite, in Three Move
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holla...
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Choral Choir (SATB) - Level 3 - SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holland #3075871. Published by James Nathaniel Holland (A0.730393). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This extremely versatile publication of a score and set of parts is a great addition to any orchestral or choral music library: either school, church, or community orchestra. Excellent for young musicians or intermediate-level volunteers, for the beginning conductor, but full of meaning for the professional orchestra as well.YouTube video presentation:https://youtu.be/WonTmPLYP1gThese three beautiful Adagios are adapted from JN Holland's ballet, The Wind in the Willows Perform together for concert or as stand alone pieces. They are perfect for weddings, funerals, graduations, or any solemn occasions. Texts are non-religious, but express universal sentiments of one's helping others, healing, and impermanence. Complete, intended orchestration for: fl, ob, cl Bb, bsn, hrn, hrp, SATB choir, strings Use as optional accompaniment for solos, or SATB choir. (Vocal parts included.) Adagio No. 1 My Salvation (or if If I've done one bit of good, that is my salvation) text by JN HollandAdagio No. 2 The Healing Power (aka Forget) Text by Kenneth GrahameAdagio No. 3 All Are PassersbyMix, omit and match combinations of available instruments of your group. Such as:Strings, woodwind quintet, harp (or piano), soloists and/or chorus. (omissions and combinations thereof, except the essential string section) String orchestra onlyTripled Strings players with woodwind quintetStrings, woodwind quintetIncluded are substitution parts in key of C for the parts of Clarinet in Bb and Horn in F (if those instruments are not available).Add one trumpet, or trombone, etc. etc.(Complete duration: 20 minutes)Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$20.95
"There is a Balm in Gilead" for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Anthony Bannach
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"There is a Balm in Gilea
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Anthony Bannach Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.995182 Arranged by Anthony Bannach. Contemporary,Gospel,Praise & Worship,R & B,Spiritual. Octavo. 11 pages. Anth...
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Choral Choir (SATB) - Level 4 - SKU: A0.995182 Arranged by Anthony Bannach. Contemporary,Gospel,Praise & Worship,R & B,Spiritual. Octavo. 11 pages. Anthony Bannach Music #5371615. Published by Anthony Bannach Music (A0.995182). This piece is an arrangement of the traditional spiritual There is a Balm in Gilead. No one is precisely sure who first wrote the words to this song, but many people speculate it is the result of a combination of the efforts of Washington Glass's hymn The Sinner's Cure, and John Newton, whose original hymn most likely had an additional refrain added to it by Glass. The song's title refers to the biblical passage Jeremiah 8:22 : Is there no balm in Gilead? Is there no physician there? Why then is there no healing for the wounds of my [God's] people?
$10.00
O Fortuna
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Carl Orff
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O Fortuna
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and piano - intermediate - Digital Download No 1 of Carmina Burana. Composed by Carl Orff (1895- 1982). This edition: choral score....
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Mixed choir (SATB) and piano - intermediate - Digital Download No 1 of Carmina Burana. Composed by Carl Orff (1895- 1982). This edition: choral score. Downloadable. Duration 3 minutes. Schott Music - Digital #Q45842. Published by Schott Music - Digital
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Carl Orff's masterpiece Carmina Burana composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a separate edition of the opening chorus O Fortuna taken from the piano score (ED 2877) of the complete work. This new separate edition provides the opportunity to perform O Fortuna in a mixed concert.
$4.99
No One Cares For Me. Song and Chorus
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Chorale SATB
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James E
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No One Cares For Me. Song and
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4403 Composed by James E. Stewart. Poor persons, Homeless persons, Distress. Lester S. Levy Collection....
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Piano and voice (solo and SATB chorus) - SKU: LV.4403 Composed by James E. Stewart. Poor persons, Homeless persons, Distress. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4403). No One Cares For Me. Song and Chorus. Words and Music by James E. Stewart. Published 1870 by C.J. Whitney & Co., 197 Jefferson Avenue in Detroit, Mich. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Poor persons, Homeless persons, Distress. First line reads All alone the streets I wander no one cares for me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
No One Else Is Singing My Song
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Chorale SATB
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INTERMÉDIAIRE
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Adam Schlesinger, Jack Dolgen,
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Amanda Ong
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No One Else Is Singing My Song
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Amanda Ong
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.988229 Composed by Adam Schlesinger, Jack Dolgen, and Rachel Leah Bloom. Arranged by Amanda Ong. A Cappel...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.988229 Composed by Adam Schlesinger, Jack Dolgen, and Rachel Leah Bloom. Arranged by Amanda Ong. A Cappella. 25 pages. Amanda Ong #6520993. Published by Amanda Ong (A0.988229). Original composition by New Recording 47.Arranged for a 5-part a cappella (including lead vocals and vocal percussion)For more of my arrangements, please head over to https://bnd.link/musicianmandy.I'm @musicianmandy on social media and Amanda Ong on all streaming platforms.
$1.99
No Other Gift, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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No Other Gift, sacred music fo
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1211642 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1211642 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 8 pages. Kevin G. Pace #809256. Published by Kevin G. Pace (A0.1211642). A beautiful, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:No other gift than Christ’s perfect love; no other gift came down from above.No other gift gives guidance with grace. No other gift lends God’s pure embrace.No other gift, no other vowed gift guides all to Him and saves us from sin.No other gift than Jesus’ blessed course rescues a soul from cripp’ling remorse.No other life, no, no other man suffered to give us God’s perfect plan.No other eyes viewed what He foresaw. No other life can heal ev’ry flaw.No other life redeems all who fall; no other life was given for all.No other life can cure ev’ry pain. No other life has suffered for gain.No other gift, no, no other gift proves his great love; He came from above.No other gift can save us today; He is the One who’s shown us the way.All for our sakes He came from above, bearing great love. He gives us his love.No other gift, there’s no greater gift than Jesus Christ, our Savior . . . the Christ.
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No Other Gift, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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No Other Gift, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1201213 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1201213 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #799859. Published by Kevin G. Pace (A0.1201213). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:No other gift than Christ’s perfect love; no other gift came down from above.No other gift gives guidance with grace. No other gift lends God’s pure embrace.No other gift, no other vowed gift guides all to Him and saves us from sin.No other gift than Jesus’ blessed course rescues a soul from cripp’ling remorse.No other life, no, no other man suffered to give us God’s perfect plan.No other eyes viewed what He foresaw. No other life can heal ev’ry flaw.No other life redeems all who fall; no other life was given for all.No other life can cure ev’ry pain. No other life has suffered for gain.No other gift, no, no other gift proves his great love; He came from above.No other gift can save us today; He is the One who’s shown us the way.All for our sakes He came from above, bearing great love. He gives us his love.No other gift, there’s no greater gift than Jesus Christ, our Savior . . . the Christ.
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Hard Times Come Again No More
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Chorale SATB
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Stephen Foster
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Aaron Robinson
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Hard Times Come Again No More
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Music at Immanuel
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.876606 Composed by Stephen Foster. Arranged by Aaron Robinson. A Cappella,Blues,Folk,Gospel,Jazz,Spiritual. Octavo. 16 pag...
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Choral Choir (SATB) - SKU: A0.876606 Composed by Stephen Foster. Arranged by Aaron Robinson. A Cappella,Blues,Folk,Gospel,Jazz,Spiritual. Octavo. 16 pages. Music at Immanuel #5802349. Published by Music at Immanuel (A0.876606). One of Stephen Fosters more pathos evoking parlor songs, American composer Aaron Robinson has transformed this beloved work into a phenomenal piece for SATB a cappella choir with piano accompaniment and a Gospel soloist. This arrangement proves to be the highlight of any Gospel concert or recording - the audience will surely join in on the chorus for this one.
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Ain't No Mountain High Enough
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Chorale SATB
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Soul/R&B
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Diana Ross
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Leonhard Stampler
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Valerie Simpson
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Ain't No Mountain High Enough
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Leonhard Stampler
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1025838 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Leonhard Stampler. Soul. Octavo. 3 pages. Leon...
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Choral Choir (SATB) - SKU: A0.1025838 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Leonhard Stampler. Soul. Octavo. 3 pages. Leonhard Stampler #5309971. Published by Leonhard Stampler (A0.1025838). Ain't No Mountain High Enough is an pop/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for a Grammy Award.Leonhard Stampler arranged it beautifully for SATB-choirs. Easy to perform, easy to listen and great to enjoy!
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Even For His Prodigal One, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Even For His Prodigal One, a s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1042917. Published by Kevin G. Pace (A0.1464196). A beautiful, sacred hymn referencing the Parable of the Prodigal Son. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:During a drought there’s faithful hope of a rescuing rain.A distant cloud may seem afar, but God our life sustains.All temples built must show great strength when erecting to God.The earth’s great gift of severed stones shows a final façade.Arid ground can be made whole; broken rocks can be strong.God’s love is a Father’s love . . . even for the prodigal one. Abraham’s age, and Sarah’s too, halted one promised heirUntil, with time, a miracle brought forth Isaac so fair.Witnesses from within a crowd, begged a stoning one day,But Jesus stooped and said with love, “Sin no more, go thy way.”Waiting long can claim God’s will; He can bless to belong.God’s love is a Father’s love . . . even for the prodigal one. A prodigal left home too soon . . . riches squandered, abused,Until at last all pride was gone; father’s kiss showing truth.Some sin may come, or mortal pain; earthly choices are made.Temptations soar, but Father, God, loves with grandeur displayed.Coming home to Father’s love brings a brand-new song.God’s love is a Father’s love . . . even for his prodigal one. God’s pure love means coming home . . . especially for His prodigal one.
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No One Knows Who I Am
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Frank Wildhorn and Leslie Bric
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Jeffrey Bowen
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No One Knows Who I Am
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1211637 Composed by Frank Wildhorn and Leslie Bricusse. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Mus...
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Choral Choir (SATB) - Level 4 - SKU: A0.1211637 Composed by Frank Wildhorn and Leslie Bricusse. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show. Octavo. 7 pages. Music Arrangement Services Inc. #809249. Published by Music Arrangement Services Inc. (A0.1211637). Performed by Linda Eder from the Musical “Jekyll & Hydeâ€.  This song is about not knowing themselves.  The song refers to questioning their identity, being a shame, a sham, the future, the past.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available.  Performance time is approximately 2:20.
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