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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For One
Non classifié
42 037
Piano & claviers
Piano seul
14 242
Piano, Voix et Guitare
8 312
Piano, Voix
6 467
Piano Facile
4 338
Accompagnement Piano
1 761
Instruments en Do
1 239
Orgue
946
1 Piano, 4 mains
632
Piano grosses notes
337
Piano (partie séparée)
201
Piano Trio: piano, violon, violoncelle
194
Accordéon
184
2 Pianos, 4 mains
124
Piano Quatuor: piano, 2 violons, violoncelle
68
Orgue, Trompette (duo)
65
Piano Quatuor: piano, violon, alto, violoncelle
54
1 Piano, 6 mains
33
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Orgue, Piano (duo)
27
Clavecin
18
Ligne De Mélodie, Piano
17
2 Pianos, 8 mains
12
Clavier
11
Accordéon, Voix
5
Instrument seul et Orgue
3
2 Accordéons
2
Accordéon et Orchestre
2
3 Pianos
2
Concertina
2
Ensemble d'Accordéons
2
2 Orgues (duo)
1
Accordéon, Piano
1
Orgue et Orchestre
1
+ 28 instrumentations
Retracter
Guitares
Guitare notes et tablatures
4 110
Ligne De Mélodie, (Paroles) et Accords
2 074
Guitare
1 591
Basse electrique
961
Paroles et Accords
951
Ukulele
744
Guitare (partie séparée)
428
Ukulele Baryton
257
2 Guitares (duo)
146
4 Guitares (Quatuor)
70
Dulcimer
63
Mandoline
62
Piano, Guitare (duo)
54
Banjo
49
3 Guitares (trio)
34
Ensemble de guitares
32
2 Dulcimers (duo)
11
Mandoline, Piano (duo)
11
Partitions De Groupes
9
Mandoline, Guitare (duo)
7
Guitare Pedal Steel
7
Guitare, Violon, Violoncelle (trio)
7
Ensemble de Ukulélés
6
2 Ukuleles
6
2 Mandolines (duo)
3
Guitare, Orchestre
1
Basse électrique (partie séparée)
1
Orchestre à Plectres
1
+ 23 instrumentations
Retracter
Voix
Chorale SATB
6 500
Chorale 3 parties
2 231
Chorale 2 parties
1 732
Chorale TTBB
1 459
Chorale SSAA
789
Voix seule
741
Chorale Unison
727
Voix duo, Piano
535
Voix Baryton, Piano
428
Voix duo
306
Chorale
256
Pack Instrumental pour Chorale
248
Voix Soprano, Piano
196
Voix Tenor, Piano
121
Voix Alto, Piano
120
Voix haute
102
Voix basse, Piano
51
Voix moyenne, Piano
46
Voix, Guitare
20
Chorale SSAATTBB
19
Voix Tenor
18
Voix Baryton
17
Soli, choeur mixte et accompagnement
17
Voix basse
15
Voix Mezzo-Soprano, Piano
14
Voix Soprano
12
Chorale SSATB
11
Chorale SSAB a cappella
9
Chorale SSATTB
8
Chorale SSAB, Piano
6
Voix d'Enfants
4
Male Voice
2
Voix Soprano, Orchestre
1
Chorale SATTBB, Clavier
1
Chorale, Orgue
1
Chorale SSATBB
1
Chorale SATBB
1
Voix Moyenne
1
Chorale SAATB A Cappella
1
+ 34 instrumentations
Retracter
Vents
Saxophone
17 088
Saxophone (partie séparée)
14 851
Saxophone Alto
8 938
Quatuor de Saxophones: 4 saxophones
7 693
Saxophone Tenor
7 656
Saxophone Alto et Piano
5 759
2 Saxophones (duo)
5 396
Saxophone Tenor et Piano
4 289
Saxophone Soprano et Piano
2 564
Quintette de Saxophone: 5 saxophones
2 241
3 Saxophones (trio)
2 023
Flûte traversière et Piano
1 876
Flûte, Hautbois, Clarinette, Basson
1 527
Flûte traversière
1 335
Clarinette
1 253
Clarinette et Piano
1 237
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 170
Saxophone Soprano
1 159
Saxophone Baryton, Piano
1 112
Ensemble de saxophones
1 020
Hautbois, Piano (duo)
1 007
Quatuor de Clarinettes: 4 clarinettes
936
2 Flûtes traversières (duo)
840
2 Clarinettes (duo)
750
Saxophone, Clarinette (duo)
633
Hautbois (partie séparée)
396
Flûte, Clarinette (duo)
388
Quatuor de Flûtes : 4 flûtes
387
Clarinette (partie séparée)
381
Clarinette, Violon (duo)
347
Instruments en Mib
343
Ensemble de Clarinettes
303
Flûte à bec Soprano
293
Ocarina
289
Clarinette, Trompette (duo)
276
Flute (partie séparée)
269
Flûte, Saxophone (duo)
259
Hautbois, Basson (duo)
247
Hautbois
243
2 Hautbois (duo)
241
Saxophone Baryton
231
Flûte à bec Alto
219
Ensemble de Flûtes
218
3 Clarinettes (trio)
217
Hautbois, Clarinette (duo)
210
Flûte et Guitare
207
2 Saxophones, Piano
192
Quintette de Clarinettes: 5 clarinettes
190
Flûte, Violon
181
Clarinette et Alto
178
2 Flûte à bec (duo)
162
Hautbois, Flûte
154
Trio de Flûtes: 3 flûtes
150
Cor anglais, Piano
148
Flûte, Trombone (duo)
147
Saxophone et Piano
146
Flûte, Alto (duo)
145
Flûte, Trompette (duo)
128
Saxophone et Guitare
117
Flûte à Bec
116
Flûte, Violon, Piano
105
Clarinette Basse, Piano
103
Quatuor de Flûtes à bec
102
Clarinette, Trombone (duo)
87
Saxophone, Violon (duo)
85
Clarinette, Guitare (duo)
79
Quintette de Flûte : 5 flûtes
74
Saxophone et Orgue
61
Clarinette, Basson (duo)
60
Flûte, Hautbois, Clarinette (trio)
57
3 Flûtes à bec (trio)
52
Flûte, Hautbois (duo)
50
Flûte, Violoncelle
49
Hautbois, Violoncelle
48
Hautbois, Clarinette, Basson (trio d'anches)
47
Clarinette, Violoncelle (duo)
46
Harmonica
44
Cor Anglais
44
Saxophone et Harpe
44
Flûte, Clarinette et Basson
43
Saxophone, Basson (duo)
43
Flûte à bec Alto, Piano
42
Ensemble De Flûte à bec
42
2 Flûtes traversières, Piano
38
Hautbois, trombone (duo)
36
5 Flûtes à bec
34
Hautbois, Guitare (duo)
26
Cor anglais, Guitare (duo)
25
Flûte, Hautbois, Basson
24
Ensemble à vent
22
Flûte, Violoncelle, Piano (trio)
22
Hautbois, violon (duo)
21
Piccolo, Piano
19
Saxophone et violoncelle
19
Flûte à bec Soprano, Piano
19
Piccolo
19
4 Hautbois
17
Flûte à bec Tenor
16
Flûte, Clarinette, Cor, Basson (Quartet)
16
Flûte, Clarinette, Piano (trio)
16
Flûte, Violon et Violoncelle
14
2 Clarinettes, Piano
13
Flûte, Hautbois, Piano (trio)
13
Clarinette, Violoncelle, Piano (trio)
13
3 Hautbois
13
Flûte, Basson et Piano
12
Clarinette Basse
10
Flute, harpe et violon
9
Saxophone, Tuba (duo)
9
Clarinette, Harpe (duo)
9
Hautbois et alto (duo)
8
2 Clarinettes, Basson
8
Clarinette, Orgue
7
Flûte à Bec, Piano
7
Clarinette, Basson, Piano (trio)
6
Flûte et Trio à cordes
6
Flûte, Alto et Piano
6
Flûte traversière, Orgue (duo)
5
Hautbois, Harpe
5
Flûte irlandaise
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
2 Cors Anglais Et Pianoforte
4
Flûte à bec, Guitare (duo)
4
Flûte, Violon, Violoncelle et Piano
4
Harmonica, Piano
3
Flûte, Clarinette, Violon (trio)
3
Flûte, Harpe et Violoncelle
3
Flûte, trombone et piano
3
Clarinette, trompette et piano
2
Flûte de Pan
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flûte traversière, Basse continue
2
Flûte, Hautbois, Violon
2
Clarinette, Tuba
2
Flûte, alto et harpe
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Violon, Piano
2
Cornemuse
2
2 Flûtes, Basse continue
1
Flute, Cor (duo)
1
Flûte à bec Alto, Basse continue
1
Clarinette, Saxophone, Piano
1
Hautbois, Violoncelle et Piano
1
Flûte, Tuba (duo)
1
Flûte, Violoncelle, Guitare
1
Melodica
1
Hautbois, Basson et Piano
1
2 Flûtes à bec, Guitare
1
2 Hautbois et Cor anglais
1
Clarinette, Orchestre
1
Ensemble de Hautbois
1
Clarinette, Contrebasse (duo)
1
+ 148 instrumentations
Retracter
Cuivres
Trombone
11 755
Trombone (partie séparée)
11 153
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7 602
Trombone et Piano
4 573
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3 148
2 Trombones (duo)
2 141
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 545
Trompette
1 418
Trompette, Trombone (duo)
1 230
Quatuor de Cuivres
1 152
Quatuor de cuivres: 4 trombones
1 047
Trompette (partie séparée)
974
Trompette, Piano
872
Cor et Piano
679
Trompette, Saxophone (duo)
598
Cor
510
Trio de Cuivres
467
Ensemble de Trombones
416
Bass Clef Instruments
394
Instruments en Sib
389
2 Trompettes (duo)
359
3 Trombones (trio)
357
Tuba et Piano
333
Tuba
317
Euphonium, Piano (duo)
269
Cor (partie séparée)
265
Tuba (partie séparée)
224
Tuba ou Euphonium ou Saxhorn
203
2 Cors (duo)
158
Cor anglais, Piano
148
Ensemble de Trompettes
147
Trompette, Cor (duo)
124
Euphonium
116
Quatuor de cuivres: 4 cors
111
Trombone basse
103
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trombone, violoncelle (duo)
97
Trombone, Tuba (duo)
81
Trombone, Cor (duo)
80
Trombone basse et Piano
79
Trombone, Violon (duo)
76
2 Tubas (duo)
69
Trompette, Basson (duo)
58
Trombone, Orgue
57
2 Euphoniums et 2 Tubas
56
Ensemble de Cors
50
Cor Anglais
44
4 Tubas
43
Quatuor de cuivres: 4 trompettes
40
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Trombone, Piano
36
3 Trompettes (trio)
34
2 Euphoniums (duo)
30
Euphonium, Tuba (duo)
30
Cor anglais, Guitare (duo)
25
Cor, Violoncelle (duo)
22
Cor, Trompette, Trombone (trio)
19
2 Trombones, Piano
15
Tuba et Orgue
15
Trompette, Violoncelle (duo)
14
Trombone, Alto (duo)
14
2 Trompettes, Clavier (piano ou orgue)
13
Cor et Basson (duo)
13
3 Tubas (trio)
12
3 Cors (trio)
12
Trompette, Tuba (duo)
11
Instruments en Fa
10
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
Cornet A Pistons
7
Trompette, Violoncelle et Piano
7
Cor et Orgue
6
Cor, Tuba (duo)
6
Trombone et orchestre
6
3 Euphoniums
5
Trompette, Euphonium (duo)
5
Trompette et Guitare
5
Trompette, Harpe
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Cor (duo)
3
Cor et Harpe
3
Ensemble de Tubas
2
Trompette, violon (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Euphonium Ou Saxhorn Et Piano
2
Cornet et Piano
1
Trompette, Orchestre
1
2 Cors, Piano
1
Cornet et orchestre
1
+ 83 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 557
Violon et Piano
1 770
Violon
1 753
Violoncelle, Piano
1 244
Alto, Piano
1 049
Violoncelle
1 035
Violon, Violoncelle (duo)
922
Harpe
872
Trio à Cordes: violon, alto, violoncelle
679
Alto seul
655
2 Violons (duo)
545
Violon, Alto (duo)
428
2 Violoncelles (duo)
425
Contrebasse (partie séparée)
365
Quintette à cordes: 2 violons, alto, violoncelle, basse
344
2 Altos (duo)
303
Violon (partie séparée)
281
Contrebasse, Piano (duo)
246
Contre Basse
242
Alto (partie séparée)
196
Trio à Cordes: 2 violons, violoncelle
193
Piano Trio: Violon, Alto, Piano
126
Alto, Violoncelle (duo)
122
4 Violoncelles
112
Violon, Guitare (duo)
106
Trio à cordes: 3 violins
80
Violoncelle (partie séparée)
73
2 Harpes (duo)
61
2 Contrebasses (duo)
58
Harpe, Flûte (duo)
57
Violoncelle , Guitare (duo)
55
Trio à Cordes: 3 violoncelles
49
Violoncelle, Contrebasse (duo)
43
Trio à cordes: 3 altos
42
Alto, Guitare (duo)
41
Quatuor à cordes: 4 violons
40
Quatuor à cordes : 4 altos
37
Violon, Basson (duo)
35
Harpe, Violon (duo)
34
Harpe, Voix
31
Ensemble de Violons
24
Trio à Cordes: 2 violons, alto
23
Alto et Harpe
21
Ensemble d'Altos
21
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Trio à cordes
20
Harpe, Violoncelle (duo)
19
Alto et Basson
19
Harpe, Trombone (duo)
14
Flûte, Contrebasse (duo)
10
Violoncelle, Orgue
10
Harpe et mandoline
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Orgue
7
Ensemble de Violoncelles
7
2 Violons, Piano
7
Violoncelle, Orchestre
6
Violon, Clarinette, Piano (trio)
6
Harpe, Violon, Violoncelle
6
4 Contrebasses
6
3 Harpes
4
Harpe et Piano
3
Autoharp
3
Alto et orchestre
2
5 Harpes
2
Violon, Basse continue
2
Harpe (partie séparée)
2
Violon, Trompette et Piano
2
2 Violoncelles, Piano
2
3 Contrebasses
2
Harpe, Orchestre
1
4 Harpes
1
Harpe, Quatuor à cordes
1
Violon, Tuba (duo)
1
Violoncelle, Basse continue
1
+ 70 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
11 242
Ensemble Jazz
3 257
Orchestre
2 425
Ensemble de cuivres
2 164
Orchestre à Cordes
1 577
Fanfare
1 026
Cloches
701
Orchestre de chambre
666
Jazz combo
659
Batterie
539
Xylophone
365
Ensemble de Percussions
290
Batterie (partie séparée)
233
Percussion (partie séparée)
225
Percussion
162
Xylophone, Piano
114
Marimba
70
2 Xylophones
56
Vibraphone
35
Timbales (partie séparée)
31
Quintette de Cuivres: autres combinaisons
16
Piano et Orchestre
12
Ensemble d'École
11
Big band
11
Xylophone ou Marimba ou Vibraphone
10
Instrumentation Flexible
7
Timbales
6
Orchestre, Violon
5
Caisse Claire
5
Quintette à Vent
4
Vibraphone et Marimba
3
2 Marimbas
3
Quatuor à Vent : 4 instruments à vents
3
Marimba ou Xylophone et Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Bongos
2
Cajon
2
Marimba, Piano (duo)
2
3 Marimbas
2
Xylophone (partie séparée)
2
Marimba, Saxophone (duo)
1
3 Percussions
1
Marimba et Orgue
1
Bodhran
1
Orchestre Symphonique
1
+ 40 instrumentations
Retracter
Autres
Formation musicale - Solfège
12
Papeterie
5
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
VIELLE A RO…
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VIOLON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Shelter in Place for SSAATB chorus and nature soundtrack
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Shelter in Place for SSAATB ch
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
Wexford Carol
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Chorale SATB
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Noël
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John Rutter
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Wexford Carol
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Oxford University Press Digital
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SheetMusicPlus
Composed by John Rutter (1945-). Sheet music. 6 pages. Oxford University Press Digital #9780193556584. Published by Oxford University Press Digital...
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Composed by John Rutter (1945-). Sheet music. 6 pages. Oxford University Press Digital #9780193556584. Published by Oxford University Press Digital
ISBN 9780193556584.
For unaccompanied SATB and optional baritone solo. Also in Carols for Choirs 3, and 100 Carols for Choirs
$3.25
The Price He Paid, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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the love of Thy pure Son, all
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Kevin G
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The Price He Paid, sacred musi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1503453 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1503453 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 12 pages. Kevin G. Pace #1078902. Published by Kevin G. Pace (A0.1503453). Beautiful, sacred music for SATB choir with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.Falsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone. Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid.
$2.99
VOCALIZZI: Concone Panofka Seidler Tosti - volume 1
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Chorale SATB
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FACILE
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Concone Panofka Seidler Tosti
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Antonio Cericola
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VOCALIZZI: Concone Panofka Sei
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Antonio Cericola
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.934266 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 165 pages...
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Choral Choir (SATB) - Level 2 - SKU: A0.934266 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 165 pages. Antonio Cericola #6329505. Published by Antonio Cericola (A0.934266). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati e musicalmente più evoluti, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Questi vocalizzi del primo volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11. The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened and musically advanced students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 - G. Concone - Op. 9 n° 1 § 2 - G. Concone - Op. 9 n° 2 § 3 - G. Concone - Op. 9 n° 3 § 4 - H. Panofka - Op. 85 n° 2 § 5 - F. P. Tosti - Piccolo solfeggio n° 1 § 6 - G. Concone - Op. 9 n° 4 § 7 - F. P. Tosti - Piccolo solfeggio n° 2 § 8 - G. Concone - Op. 9 n° 5 § 9 - G. Concone - Op. 9 n° 27 § 10 - F. P. Tosti - Piccolo solfeggio n° 5 § 11 - F. P. Tosti - Piccolo solfeggio n° 3 § 12 - G. Seidler - Melodia n° 1 § 13 - H. Panofka - Op. 85 n° 3 § 14 - F. P. Tosti - Piccolo solfeggio n° 4 § 15 - H. Panofka - Op .85 n° 6 § 16 - H. Panofka - Op. 81 n° 9 § 17 - G. Seidler - Melodia n° 3 § 18 - H. Panofka - Op. 81 n° 8 § 19 - G. Concone - Op. 9 n° 6 § 20 - F. P. Tosti - Piccolo solfeggio n° 6 § 21 - F. P. Tosti - Piccolo solfeggio n° 8 § 22 - G. Concone - Op. 9 n° 11.
$14.99
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
We Are One!
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Chorale SATB
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INTERMÉDIAIRE
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Zack Richards
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We Are One!
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Zack Richards
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821...
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Choral Choir (SATB) - Level 3 - SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.
$1.99
Mis Errores: for SATB
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Chorale SATB
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AVANCÉ
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Classique
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Emiliano Brunetti
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Mis Errores: for SATB
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Songburd Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by So...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1449352 Composed by Emiliano Brunetti. Classical. 16 pages. Songburd Music #1029126. Published by Songburd Music (A0.1449352). Mis Errores celebrates the mistakes I have made, the ones I’m currently making, and the ones to come…I took a step outside of my comfort zone by embracing the adventure of twelve-tone theory, with a series which allowed me to maintain some tonal expressions in a serialist framework. Rhythmic patterns, signature changes, idioms and musical language used showcase the intersection between Western Classical Music and my Argentinian and Latin American culture and influence.
$12.80
Mis Errores (for SATB)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Emiliano Brunetti
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Mis Errores
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Emiliano Brunetti
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1371180 Composed by Emiliano Brunetti. Chamber,Contemporary. 14 pages. Emiliano Brunetti #955431. Publish...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1371180 Composed by Emiliano Brunetti. Chamber,Contemporary. 14 pages. Emiliano Brunetti #955431. Published by Emiliano Brunetti (A0.1371180). I took a step outside of my comfort zone by embracing the adventure of twelve-tone theory, with a series which allowed me to maintain some tonal expressions in a serialist framework. Rhythmic patterns, signature changes, idioms and musical language used showcase the intersection between Western Classical Music and my Argentinian and Latin American culture and influence. Mis Errores celebrates the mistakes I have made, the ones I’m currently making, and the ones to come….
$2.00
VOCALIZZI: Concone Panofka Seidler Tosti - volume 2
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Chorale SATB
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FACILE
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Concone Panofka Seidler Tosti
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Antonio Cericola
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VOCALIZZI: Concone Panofka Sei
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Antonio Cericola
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.934264 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 162 pages...
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Choral Choir (SATB) - Level 2 - SKU: A0.934264 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 162 pages. Antonio Cericola #6328883. Published by Antonio Cericola (A0.934264). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Vocalizzi presenti nel primo volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 F. P. Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melodia n 4 § 5 H. Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H.The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 FP Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melody n 4 § 5 H . Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1.
$14.99
What The Lord Has Done For Me (Anthem) - Vocal Score
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747217 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 7 pages. Christopher ...
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Choral Choir (SATB) - Level 3 - SKU: A0.747217 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 7 pages. Christopher Brown #4756811. Published by Christopher Brown (A0.747217). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only (available separately), OR with additional band members (rhythm chart included in orchestration), OR with full orchestra (orchestration available separately).Please Note:Performance of this music requires one copy of the vocal score purchased for each singer.Included in your Purchase:Vocal Score (Solo & SATB)Lyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$1.99
What The Lord Has Done For Me (Anthem) - Piano Accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher...
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Choral Choir (SATB) - Level 3 - SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4756805. Published by Christopher Brown (A0.747215). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$4.99
Let All Creation Praise His Coming, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Let All Creation Praise His Co
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1107927 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1107927 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #710541. Published by Kevin G. Pace (A0.1107927). An epic, exciting, sacred composition for SATB choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: Let all creation praise His coming, Sending triumph through the sky! When Jesus Christ steps from the Father All the heavens will supply Grand hallelujahs to all list’ning. And those long-awaited sounds Will announce the Second Coming When His glory will abound. So, let the earth burst forth revering; Let the waters cheer with praise. Let the mountains shout for gladness All because our Lord was raised. Let all valleys hear rejoicing And the seas and dry lands bring Grandest strains to all formation Because He is Christ, our King. Let the stars and morning sunbeams Sing together, all as one. Let the woods and trees and meadows Voice their joy because He comes. Then let the animals speak jointly, And the sun and moon share light; Let the whole world join in worship Because He is in our sight. Let his creations call for oneness To declare his name with love, To proclaim the voice of Jesus When He visits from above. Let all creation praise His coming For his light will be our sun; Let us shout with hymns of singing Because Christ, our Savior comes!
$1.99
YOU ARE MY HOLY LORD, A 16 Minute Worship Service for Choir & Congregation (Score & Parts included)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Various
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Gary Lanier
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Orchestra.Â
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YOU ARE MY HOLY LORD, A 16 Min
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The Lanier Company
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1171042 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,S...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1171042 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,Spiritual. 52 pages. The Lanier Company #771379. Published by The Lanier Company (A0.1171042). YOU ARE MY HOLY LORD is a 16 minute non-stop worship servicefor choir and congregation, compiled by world-renowned Composer, Gary Lanier.SUGGESTED USE1. NON-STOP WORSHIP SERVICE: This musical was designed tobe used as one complete work, allowing the choir to be spotlighted withsegments, and the congregation joining the choir, expanding the worshipexperience for everyone. The Worship Leader knits the work together withnarration throughout, guiding all participants.2. WORSHIP SEGMENTS: This work can also be used in segments.Consider adding some of the following to your worship service:1. HOLY, HOLY, HOLY / SPIRIT OF THE LIVING GOD2. THERE IS NONE LIKE YOU / GOD OF MANY WONDERS3. TURN YOUR EYES UPON JESUS / I LONG TO WORSHIP YOU4. HE IS LORD / HOLY, HOLY, HOLY / YOU ARE MY HOLY LORDADDITIONAL RESOURCESIn preparation for presenting YOU ARE MY HOLY LORD, considerintroducing these new worship songs to the congregation,several weeks in advance:GOD OF MANY WONDERSI LONG TO WORSHIP YOUYOU ARE MY HOLY LORDYou can find WORSHIP LEAD SHEETS at the end of the socreand production notes.PERFORMANCE NOTEOn page 37 you will find a SUGGESTED WORSHIP GUIDE for theperformance of YOU ARE MY HOLY LORD. In additon, it is effective touse projection of words during the worship service. Consider projecting allthe words, even those that the choir is singing, without the congregation.This will allow everyone to experience the text of each song, andencourage the congregation to sing, at the right times. Also available is a MP3 Orchestra Accompaniment Track and MP3 Performance Track with Worship Leader, Gary Lanier, Choir & Orchestra.Â
$2.99
Amazing Grace (my Chains Are Gone)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Chris Tomlin
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Dan Garrett
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Amazing Grace
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Daniel Garrett
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1225384 By Chris Tomlin. By Chris Tomlin, John Newton, Louie Giglio, and Traditional American Melody. Arranged b...
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Choral Choir (SATB) - Level 4 - SKU: A0.1225384 By Chris Tomlin. By Chris Tomlin, John Newton, Louie Giglio, and Traditional American Melody. Arranged by Dan Garrett. Christian,Contemporary,Sacred,Spiritual. Octavo. 11 pages. Daniel Garrett #821460. Published by Daniel Garrett (A0.1225384). This contemporary SATB divisi with piano arrangement provides much of the sound of today's professional a cappella renditions, but in a more approachable format for moderately advanced to advanced high school, church and community choirs. Written 250 years ago, the poetry and music of Amazing Grace make it one of the most recognizable and beloved hymns of all time. In 2006, Chris Tomlin was asked to provide the title composition for the movie, Amazing Grace, a docudrama about William Wilberforce's efforts in Parliament to end the British transatlantic slave trade. Inspired by the movie's subject, Tomlin added a powerful refrain, My Chains Are Gone, and a transcendent new verse. Refrain: My chains are gone, I've been set free, My God, my Savior has ransomed me. And like a flood, His mercy reigns. Unending love, Amazing Grace. Verse: The Earth shall soon dissolve like snow, The sun forbear to shine, But God, Who called me here below, Will be forever mine.
$2.99
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Sanbutsuge: A Buddhist Motet f
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717). This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]Text (slightly abridged):Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:The shining face of the Buddha is glorious;Boundless is his magnificence.Radiant splendor such as hisIs beyond all comparison.The sun, the moon and the mani-jewel,Though shining with dazzling brightness,Are completely dimmed and obscuredAs if they were a pile of ink-sticksThe countenance of the TathagataIs beyond compare in the whole world.The great voice of the Enlightened OneResounds throughout the ten regions.His morality, learning, endeavor,Absorption in meditation, wisdomAnd magnificent virtues have no equal;They are wonderful and unsurpassed.I resolve to become a Buddha,Equal in attainment to you, O holy king of the Dharma,To save living beings from birth-and-death,And to lead them all to emancipation.I vow that, when I have become a Buddha,I shall carry out this promise everywhere;And to all fear-ridden beingsShall I give great peace.Even though there are Buddhas,A thousand million kotis in number,And multiudes of great sagesCountless as the sands of the Ganges,I shall make offeringsTo all those Buddhas.I shall seek the supreme WayResolutely and tirelessly.Even though the Buddha-lands are as innumerableAs the sands of the Ganges,And other regions and worldsAre also without number,My light shall shine everywhere,Pervading all those lands.Such being the result of my efforts,My glorious power shall be immeasurable.When I have become a Buddha,My land shall be most exquisite,And its people wonderful and unexcelled;The seat of Enlightenment shall be supreme.My land, being like Nirvana itself,Shall be beyond comparison.I take pity on living beingsAnd resolve to save them all.Those who come from the ten quartersShall find joy and serenity of heart;When they reach my land,They shall dwell in peace and happiness.I beg you, the Buddha, to become my witnessAnd to vouch for the truth of my aspiration.Having now made my vows to you,I will strive to fulfilll them.The World-Honored Ones in the ten quartersHave unimpeded wisdom;I call upon those Honored OnesTo bear witness to my intention.Even though I mu.
$10.99
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Calvary is Far Away, sacred music for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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whom the Lord was slain
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Kevin G
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Calvary is Far Away, sacred mu
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1104757 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1104757 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #707994. Published by Kevin G. Pace (A0.1104757). Beautiful, sacred music for SATB choir. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Calvary is far away On a little hill, Where the Son was crucified To fulfill God's will. Rock and stone washed clean with time No longer bear the stain Of blood our Savior shed for man, By whom the Lord was slain. Nature wept to hide the deed. Wind would scour His pain, To leave behind a promise true That we shall live again. Far too is Gethsemane, Hidden 'midst the trees, Where he suffered for our sins, Fallen on His knees. There he drank the bitter cup, With none His pain to ease. The forest silent to HIs groans Dispersed upon the breeze. Ev'ry bough in reverence bent To His grief unseen, In honor of His sacrifice, That man could now be clean. Christ is not so far away, Nor His loving care. All creation sings His praise, Knowing He is there. See Him in each blooming flower, In rivers streaming by. Then feel Him in each mighty gale, Each snowflake in the sky. Glory Lord is thine alone. Earth still sings Thy fame, 'Til all shall bow before Thy throne, Remembering Thy name.
$1.99
What If I Seek for Love (1601 - SATB)
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Chorale SATB
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FACILE
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Robert Jones
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Scott S
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What If I Seek for Love
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1211960 Composed by Robert Jones. Arranged by Scott S. Stewart. Classical,Historic,Instructional,Renaissance. Oc...
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Choral Choir (SATB) - Level 2 - SKU: A0.1211960 Composed by Robert Jones. Arranged by Scott S. Stewart. Classical,Historic,Instructional,Renaissance. Octavo. 7 pages. Scott S. Stewart #809508. Published by Scott S. Stewart (A0.1211960). “What If I Seek for Love†(1601), by English composer Robert Jones (c.1577-1617), who was one of the most prolific composers and lutenists of his day.  Of the more popular musical forms of English Renaissance (the late 15th century to the early 1600’s) was the lute song: a piece for single voice accompanied by the lute.  Most lute songs are about love and tended to be a rather melancholy affair with disdainful ladies refusing to acknowledge the ardent advances of hopeful lovers – as is “What If I Seek for Loveâ€.  This 2023 setting is scored for 4-part SATB ensemble and keyboard accompaniment.  It can be performed either a cappella or with accompaniment, the SATB voicings will stand alone  The simple melody and poetry of Jones is retained and embellished with the piano accompaniment.  This is an excellent piece for young singers, introducing them to style, form and technique.  Performance time: 1:30+-.
$2.99
Toner och tankar från roten
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Chorale SATB
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Tina Ahlin
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Toner och tankar från ro
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus and accompaniment - SKU: BJ.1464 Composed by Tina Ahlin. Octavo. 32 pages. Bo Ejeby Forlag - Digital #1464. Published by Bo Ejeby Forlag - D...
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SATB chorus and accompaniment - SKU: BJ.1464 Composed by Tina Ahlin. Octavo. 32 pages. Bo Ejeby Forlag - Digital #1464. Published by Bo Ejeby Forlag - Digital (BJ.1464). 8.27 x 11.7 inches.Eight compositions on poems by one of Sweden's greatest humanists and wittiest word artists. In a jazzy ballad style, the texts take on everything from Swedish summer to humorous everyday realism. With Swedish lyrics, pieces include: Ett kök är vackrast, Tänk inte bara på just nu,En sång om skärgården,Inte alltid,Lätta uppmjukningstankar, Mitt lilla fejs och jag, De heliga kornas söndag, Nu kläder sig tanken.
$9.00
Apostle - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones
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Annie Routley
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Apostle - a Roger Jones musica
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927462 Composed by Roger Jones. Arranged by Annie Routley. Children,Musical/Show,Praise & Worship,Sacred,Spiritu...
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Choral Choir (SATB) - Level 3 - SKU: A0.927462 Composed by Roger Jones. Arranged by Annie Routley. Children,Musical/Show,Praise & Worship,Sacred,Spiritual. Octavo. 82 pages. Christian Music Ministries #6232899. Published by Christian Music Ministries (A0.927462). Apostle tells the exciting story of the conversion of St. Paul on the road to Damascus (Acts chapter 9). Suitable for singers of all ages – in school, church and Sunday School – Apostle may be used in concerts, evangelism and worship. The musical may be adapted to suit unison, two-part or SATB choirs. A number of solo singing parts are possible, though not essential. The musical takes approximately 45 minutes to perform.This new edition of Apostle includes a hymn with words by Timothy Dudley-Smith to be used as a response at the end of the musical. The links between the songs, written by Alison Fuggle, feature Barnabas, who introduces the former persecutor Saul to the church in Jerusalem.Full piano score, guitar chords, SATB choir, solo parts and narration. Therefore, if anyone is in Christ, the new creation has come; the old has gone, the new is here! (2 Cor 5:17 NIV)
$9.99
I Did Not See Temple Spires - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Did Not See Temple Spires -
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G....
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Choral Choir (SATB) - Level 4 - SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
Through a Child's Eyes - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Through a Child's Eyes - an or
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3395631. Published by Kevin G. Pace (A0.701759). An original hymn with text by Kathryn W. Hales below.YouTube video: https://youtu.be/fxh5D3JYM_o When I see the world through a child’s eyes, I see mountains and bluebirds and bright butterflies; I feel sand through my toes when at the beach And the apples on the tree just out of reach. When I see the world through a child’s eyes, It’s easy to believe in a Heavenly Father so wise, That He created this earth and all its beauty untold; I still hope to see it that way when I’m old. When I see a family through the eyes of a child, I see a father who provides and a mother who smiles; I have brothers and sisters who are kind to me And we all play together in harmony. When I see a family through the eyes of a child, I can believe in Heavenly Parents, loving and mild, I can view each person as someone of worth And accept them as God’s family here on the earth. When I see others through the eyes of a child, I can learn compassion, to speak without guile; I can be teachable, forgiving, honest, and true, When I see the kind things others may do. It’s easy to believe in a God who is just, When I learn from others to show mercy and trust. I can learn patience while waiting a while, For God’s blessings to come to an obedient child. (Optional for the Christmas season) When I see Christmas through a child’s eyes, I feel laughter and magic and wondrous surprise; I love lights and music and cookies and songs, I want to serve others and never do wrong. It’s easy to believe when Baby Jesus was born Though ‘twas long ago on that Christmas morn, That Love had come down to redeem and glorify, When I see our Savior through a child’s eyes.
$1.99
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