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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Quatuor à cordes: 2 violons, alto, violoncelle
29
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2 Altos (duo)
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2 Violons (duo)
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Trio à Cordes: violon, alto, violoncelle
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2
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2 Harpes (duo)
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Violoncelle, Contrebasse (duo)
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Violon, Guitare (duo)
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Quatuor à cordes : 4 altos
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Contre Basse
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Trio à Cordes: 3 violoncelles
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Orchestre d'harmonie
19
Orchestre
15
Cloches
8
Orchestre à Cordes
7
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5
Jazz combo
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Ensemble de Percussions
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Ensemble Jazz
4
Batterie
2
Orchestre de chambre
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Piano et Orchestre
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Xylophone, Piano
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Fanfare
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AUTRES
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Four On Six
Chorale SATB
Partitions à imprimer
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1
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.1 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
Chorale SATB
Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.782809 Composed by Nichol…
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Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
9.09 €
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Chorale SATB
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Nicholas Palmer
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Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Nicholas D Palmer
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SheetMusicPlus
Eight Hymns of Isaac Watts
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian J…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.
$2.50
2.27 €
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Chorale SATB
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Brian Joyce
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Eight Hymns of Isaac Watts
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Brian Joyce
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SheetMusicPlus
World O World
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1402916…
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1402916 By Jacob Collier. By Jacob Collier. Arranged by Kerry Marsh. 21st Century,A Cappella,Contemporary,Jazz,Pop. 13 pages. Kerry Marsh #986141. Published by Kerry Marsh (A0.1402916). Demo recording and a full suite of vocal part-learning tracks (All Tracks Pack) now available at KerryMarsh.com.Just in time for your advanced choir to learn for graduation ceremonies and year-end concerts!***Jacob Collier's glorious finale to his epic four-album Djesse collection is available for the first time for choirs everywhere to perform!This setting begins in four parts and builds over the course of six minutes to sixteen parts, carefully organized and laid out in open score (with rehearsal piano reduction), and with dynamic markings capturing the expression of the recorded performance on Djesse: Vol. 4 by The Aeolians from Oakwood University (conducted by Jason Max Ferdinand). The maximum is SSSSSAAAAATTTBBB, with the staves laid out as S1a/b, S2, S3a/b, A1a/b, A2a/b, A3, T1/2, T3/B1, B2/3. The use of a/b divisi is due to the fact that the those parts only go to divisi for a new chords at the end of the piece. There is also plenty of part-doubling throughout the arrangement, and this has been carefully considered to aid both balance and voice-leading, although the former is given priority. Collier pulls no punches emotionally or technically with this piece, which features Bass 3 singing C1 in a few places and Soprano 1 singing D6 in the final moments. Choirs without the lowest bass notes can safely omit them and sing the Bass 2 parts instead.
$1.99
1.81 €
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Chorale SATB
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Jacob Collier
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Kerry Marsh
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World O World
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Kerry Marsh
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SheetMusicPlus
When I'm Sixty-Four
Chorale SATB
Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1427956 By The Beatles. …
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Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1427956 By The Beatles. By John Lennon and Paul McCartney. Arranged by Moshe Jonathan Gordon Radian. A Cappella,Contemporary,Rock. 38 pages. Moshe Gordon Radian #1008699. Published by Moshe Gordon Radian (A0.1427956). An a cappella arrangement for The Beatle's When I'm 64, which I've originally improvised for my mom's 64th birthday, by recording it on my phone. I have since reworked the arrangement through the mentorship of Noa Gruman (Scardust, Hellscore). I hope you'll enjoy it :). Choir preview was generated using https://vehpus.github.io/singing-synthesis/ (a free tool I've developed for this purpose).
$1.99
1.81 €
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Chorale SATB
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The Beatles
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Moshe Jonathan Gordon Radian
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When I'm Sixty-Four
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Moshe Gordon Radian
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SheetMusicPlus
THE PEACE PRAYER
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1030723 Composed by ANDRE…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1030723 Composed by ANDRE VIDAL. Contemporary,Sacred. Octavo. 8 pages. Andre Vidal #2014877. Published by Andre Vidal (A0.1030723). This piece for six-part choir (SSATTB) is a neo-classic approach to a very well-known text attributed to Saint Francis of Assisi, which is one of the most beloved prayers for the roman catholics. It displays a rich sonority, suitable for medium/large choir, alternating moments of modern dissonant harmonies and almost jazzy/bossa-nova sections. It is based primarily on chords mounted on intervals of fifths for the lower voices and fourths for the upper ones.
$3.99
3.63 €
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Chorale SATB
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ANDRE VIDAL
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THE PEACE PRAYER
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Andre Vidal
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SheetMusicPlus
Total Eclipse Of The Heart
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.944519 By Bonnie Tyler. By…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.944519 By Bonnie Tyler. By Jim Steinman. Arranged by Aldo Martinez. Film/TV. Octavo. 19 pages. Aldo Martinez #6135479. Published by Aldo Martinez (A0.944519). Total Eclipse of the Heart is a song recorded by Welsh singer Bonnie Tyler. It was written and produced by Jim Steinman, and released on Tyler's fifth studio album, Faster Than the Speed of Night (1983). The song was released as a single by Columbia Records on 11 February 1983 in the United Kingdom and on 31 May 1983 in the United States.The song became Tyler's biggest career hit, topping the UK Singles Chart, and becoming the fifth-best-selling single in 1983 in the United Kingdom. In the United States, the single spent four weeks at the top of the charts, and was Billboard's number-six song of the year for 1983. The song was nominated for the Grammy Award for Best Female Pop Vocal Performance.Worldwide, the single has sales in excess of 6 million copies[2] and was certified Gold by the Recording Industry Association of America (RIAA) for sales of over 1 million copies after its release, updated to Platinum in 2001 when the certification threshold changed.[3] In 2015, the song was voted by the British public as the nation's third favourite 1980s number one in a poll for ITV.[4]I wish you all a lot of fun with my version of Total eclipse of the Heart.
$3.45
3.14 €
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Chorale SATB
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Bonnie Tyler
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Aldo Martinez
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Total Eclipse Of The Heart
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Aldo Martinez
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SheetMusicPlus
Despondency
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394423 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394423 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. 4 pages. Jay Dougherty #977907. Published by Jay Dougherty (A0.1394423). Despondency by Jay Dougherty explores the depths of human emotion, expressing profound feelings of pain, anguish, and desolation. Through the utilization of the overtone series, “Despondency†portrays a haunting soundscape that gradually builds into a solemn tone cluster, evoking a sense of emptiness and sadness. The overtone series serves as the foundation upon which the composition unfolds, weaving together a tapestry of natural harmonies that resonate with an ethereal quality. Despite the simplicity of its text, consisting of only four sung words – Nothing. Aching. Empty. Broken. – these words reflect the raw and unfiltered experience of despair and sorrow. “Despondency†is movement 3 of Jay Dougherty’s Phoenix Cantata, which is a six-movement vocal and piano work that explores the themes of resilience and the transformative power of change. The music and lyrics are the creative work of Dr. Jay Dougherty, with a piano accompaniment by Justin La. Drawing inspiration from the mythical symbolism of the phoenix, this cantata narrates the journey through life's challenges and tribulations and explores how we can learn to comprehend, embrace, and grow from them. Although the Phoenix is not explicitly mentioned, the underlying message resonates with the tale of the phoenix: after facing adversity or transformation, we emerge stronger and more beautiful. Each of the 6 movements centers on a flower garden, the gardener's affection for the garden, the looming storm that could devastate it, and the gardener's eventual realization that, even after the storm, the garden remains beautiful and precious. Movement 3, Despondency, is performed a cappella and makes use of the overtone series and chord clusters to convey the gardener's torment and heartbreak as the garden has lost its innocence after a torrential storm. It is a heartbreaking lament that portrays the gardener's profound sorrow.About the ComposerDr. Jay Dougherty is the Performing Arts Department Chair and Director of Choral Activities at Drury University in Springfield, MO.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.comPlease purchase one copy for each performer.
$2.49
2.26 €
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Chorale SATB
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Jay Dougherty
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Despondency
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Jay Dougherty
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SheetMusicPlus
Emily
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.893242 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.893242 Composed by Johnny Mandel. Arranged by Gene Puerling. A Cappella. Octavo. 9 pages. University of North Texas - Gene Puerling Collection #6495673. Published by University of North Texas - Gene Puerling Collection (A0.893242). This stunning a cappella ballad arrangement of the Johnny Mandel/Johnny Mercer song Emily was penned in 1971 for The Singers Unlimited and still holds up as one of the most beautiful Gene Puerling charts ever written! It was recorded on their debut album, A Cappella (and contained in the Magic Voices box set). This is NOT a transcription, but an authentic edition created from the handwritten manuscript of Gene Puerling. The majority of this piece is divided into six parts, with some four- and five-part sections with lush harmonies in a variety of textures, making this a rubato ballad-lovers delight! (Level V) [Note: The YouTube link below takes you to someone else's post of this copyrighted recording. We do not own the rights to it, it's simply provided for reference, but obviously any serious musician or student will purchase the recording legally!]
$7.50
6.82 €
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Chorale SATB
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Johnny Mandel
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Gene Puerling
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Emily
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University of North Texas - Gene Puerling Collection
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SheetMusicPlus
Missa Brevis in D K.194
Chorale SATB
SATB choir, solo voices, bassoon, 3 trombones, 2 violins, double bass, and continuo (organ…
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SATB choir, solo voices, bassoon, 3 trombones, 2 violins, double bass, and continuo (organo and organo ripieno). - Digital Download SKU: OX.9780193702219 Composed by Wolfgang Amadeus Mozart. Edited by Richard Maunder. Classic Choral Works. Vocal score. 39 pages. Oxford University Press Digital #9780193702219. Published by Oxford University Press Digital (OX.9780193702219). ISBN 9780193702219.The piece is divided into six short movements corresponding to the standard sections of the Mass. This feature, coupled with the compactness of the work and its modest scoring makes it ideal for performance in a liturgical context as well as in the concert hall. This edition is not only authoritative and scholarly but also is clear and practical for performers - the vocal score is free of clutter and easy to read. The full score contains full scholarly apparatus including a detailed preface and critical commentary. Orchestral material is available on hire. About Classic Choral WorksThese truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal
$15.25
13.87 €
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Chorale SATB
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Wolfgang Amadeus Mozart
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Missa Brevis in D K.194
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Oxford University Press Digital
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SheetMusicPlus
Les Eléphants (The Elephants) for voice, clarinet, flute and string quartet
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576375 Composed by David …
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576375 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 67 pages. David Warin Solomons #18737. Published by David Warin Solomons (A0.576375). Les Eléphants (The Elephants) by Leconte de Lisle, set to music by David W Solomons. For spoken voice, clarinet, flute and string quartet. The clarinet accompanies the spoken voice (but, optionally, a choir or single voice can sing the words to the notes of the clarinet). The tonality shimmers like the desert sun as it vacillates between octatonic and major/minor; it stays in major, sometimes with added sixths and fourths, as the elephants recall the good times, when they could enjoy shade and pools of water, but resumes the octatonic shimmering as they continue to trudge, albeit hopefully and with happy memories, through the hot desert sun. The sound file is an electronic preview with poem spoken by the composer. The pdf file contains scores (with and without transposition of the clarinet/choir part) and parts. A video of my performance can be found on youtube at https://www.youtube.com/watch?v=Lfu2cKAtEfILe sable rouge est comme une mer sans limite,
$15.00
13.64 €
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Chorale SATB
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David Warin Solomons
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Les Eléphants
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David Warin Solomons
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SheetMusicPlus
BEHOLD HE IS COMING (SATB) – Revelation 1:7
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
1.81 €
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Chorale SATB
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Air for Chiara
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.954969 Composed by Jim Bos…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.954969 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary. Octavo. 9 pages. Jim Bosse #4579737. Published by Jim Bosse (A0.954969). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). I decided to write lyrics for each movement, creating a version for voice (male and/or female) and classical guitar, then expanding it to this version for SATB Choir with classical guitar and percussion. The percussion parts are easy and meant to be performed by members of the choir. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. This download is the score for the fourth movement, Air for Chiara. Performance time is 2 minutes and 20 seconds. Demand level is mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar
$2.99
2.72 €
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Chorale SATB
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Jim Bosse
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Jim Bosse with Charles Rann
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Air for Chiara
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Jim Bosse
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SheetMusicPlus
Air for Chiara
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.954971 Composed by Jim Bos…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.954971 Composed by Jim Bosse. Arranged by Jim Bosse with Charles Rann. Concert,Contemporary. Octavo. 10 pages. Jim Bosse #4579741. Published by Jim Bosse (A0.954971). Suite Grandkids contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). I decided to write lyrics for each movement, creating a version for voice (male and/or female) and classical guitar, then expanding it to this version for SATB Choir with classical guitar and percussion. The percussion parts are easy and meant to be performed by members of the choir. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. This download is all parts for the fourth movement, Air for Chiara. Performance time is 2 minutes and 20 seconds. Demand level is mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar
$1.99
1.81 €
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Chorale SATB
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Jim Bosse
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Jim Bosse with Charles Rann
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Air for Chiara
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Jim Bosse
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SheetMusicPlus
A Feast for Christmas (a seasonal entertainment for SATB & optional youth choir)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1084615 Composed by Alan B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1084615 Composed by Alan Bullard. Children,Christmas,Classical. Octavo. 36 pages. Colne Edition / BullardMusic #688801. Published by Colne Edition / BullardMusic (A0.1084615). A seasonable celebration for SATB choir, optional youth choir and narrator, with piano (or brass quintet, or string quintet, score and parts available from www.colneedition.co.uk). Duration c. 25-30 minutes. This 8-movement cantata contrasts the cooking of the Christmas dinner with more reflective Christmas themes, with an opportunity for the audience to join in at the end. Ideal for Christmas concerts. We welcome you to our ‘Feast for Christmas’. In the first movement, Christmas Welcome, the scene is set: but the key to a successful Christmas dinner is forward planning and in the second movement the Christmas Pudding is prepared in November, on ‘Stir-up Sunday’. In the third movement, Christmas Eve, the early twentieth century poet Robert Bridges looks back, on a frosty evening, from his own time to the very distant past, and considers what Christmas means to him. Then in the fourth movement, our Christmas Feast is prepared, and the Christmas Grace (fifth movement) is not forgotten. It is of course impolite to sing during the actual Christmas Dinner itself, but towards the end of the meal the peace is rudely interrupted by the sixth movement, Christmas Crackers. The seventh movement, Christmas Spirit, reminds us, in seventeenth-century words, of how we should share our good fortune with those who have need of it, and in the last movement, Christmas Celebration, the audience is invited to join in, with the last verse of the well known ‘We wish you a merry Christmas’ Some separate movements are also available: Christmas Recipe, Festival (Christmas) Grace, and Christmas Celebration. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.63 €
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Chorale SATB
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Alan Bullard
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A Feast for Christmas
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Colne Edition / BullardMusic
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SheetMusicPlus
Let All Creation Dance
Chorale SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.50-6197-E Composed by Jame…
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SATB choir and Piano - Medium - Digital Download SKU: MQ.50-6197-E Composed by James Biery. 15 pages. Duration 3 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #50-6197-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6197-E). English.A joyous text in which we are all called to dance with the energies found around us. The music matches this energy, with the piano accompaniment swirling through sixteenth note patterns within the 6/8 meter. The second stanza, God's breath, is quieter. The piano calms a bit on the third stanza, Our own amazing earth, and the fourth stanza echoes the exuberance of the first. Fun and different! Duration 3:30.
$2.50
2.27 €
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Chorale SATB
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James Biery
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Let All Creation Dance
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Rorate Coeli
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818159 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818159 Composed by Traditional plainchant. Arranged by Philip Le Bas. Christian,Sacred. Octavo. 3 pages. Philip Le Bas #3491311. Published by Philip Le Bas (A0.818159). This setting of the traditional Advent plainchant is based around a harmonized refrain using the original Latin words: Rorate coeli de super et nubes pluant justum (Drop down, O heavens, from above and let the skies pour down *justice.) The music and the words express the Advent theme of a cry for justice and salvation in the midst of despair. The traditional verses making up the Advent Prose, based on various parts of scripture, are sung in English unison plainchant, and they express the feelings of one living through a disaster (specifically the fall of Jerusalem in the sixth century BC.) The third and fourth stanzas become more hopeful in their words, especially the famous words (from Isaiah 40) Comfort, O comfort my people, Here the setting introduces some gentle harmonization, leading to a final return of the Rorate chorus in unison and a harmonized hope-filled coda.
$1.99
1.81 €
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Chorale SATB
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Traditional plainchant
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Philip Le Bas
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Rorate Coeli
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Philip Le Bas
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SheetMusicPlus
Now Is Christ Risen - Easter Cantata
Chorale SATB
Composed by Glenn and Jan Christianson & Byron Foxx. Christian, Sacred, Easter. …
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Composed by Glenn and Jan Christianson & Byron Foxx. Christian, Sacred, Easter. Score. 83 pages. Published by Bible Truth Music
View A Trailer for the Cantata Here https://www.youtube.com/watch?v=_qPCuWDc294<br> <br> Meet Abner, Dinah, and Hezbah-each of them are captives in a Roman jail. Listen to them discuss their lives of crime and the hopelessness it has brought. However, everything changes when Paul & Silas are put in the jail. Despite their recent beatings, Paul and Silas speak and sing of the joy that can only be found through Jesus Christ. Experience the earthquake, the prison bars and chains disintegrating, and the huge door miraculously opening on its own! Once the jailer realizes that the prisoners are all there, his heart is opened to the saving grace of Jesus Christ.<br> <br> This program has eleven songs, including ten songs for the choir and one song for choir or duet. One song features a duet as well as the choir. This musical is written for a four-part SATB choir. It has six speaking parts with some optional parts for extra “prisoners.” It can be done as a full-length drama or adapted for readers’ theater. The program is approximately fifty minutes in length.
$8.99
8.18 €
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Chorale SATB
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Glenn and Jan Christianson & Byron Foxx
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Byron Foxx
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Now Is Christ Risen - Easter Cantata
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Bible Truth Music
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SheetMusicPlus
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