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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four on Six - Trombone 4
Non classifié
43
Piano & claviers
Piano seul
25
1 Piano, 4 mains
5
Orgue
4
Piano, Voix et Guitare
3
Instruments en Do
3
Accordéon
2
2 Pianos, 4 mains
1
Piano Facile
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano, Voix
1
+ 5 instrumentations
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Guitares
Guitare
7
Banjo
1
Ukulele
1
Guitare (partie séparée)
1
Voix
Chorale SATB
9
Chorale TTBB
3
Chorale 2 parties
1
Vents
Quatuor de Saxophones: 4 saxophones
13
2 Saxophones (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone (partie séparée)
8
Flûte traversière et Piano
8
2 Clarinettes (duo)
6
2 Flûtes traversières (duo)
6
3 Saxophones (trio)
5
Quintette de Saxophone: 5 saxophones
5
2 Hautbois (duo)
4
Hautbois, Piano (duo)
4
Saxophone, Clarinette (duo)
3
Flûte traversière
3
Saxophone Tenor et Piano
3
Saxophone Alto et Piano
3
Cor anglais, Piano
3
Saxophone Baryton, Piano
2
Clarinette, Trompette (duo)
2
Saxophone Alto
2
Clarinette et Piano
2
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano et Piano
2
Clarinette, Violon (duo)
2
Saxophone Tenor
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette (duo)
1
Ensemble de Flûtes
1
Hautbois, Clarinette (duo)
1
3 Clarinettes (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon
1
Hautbois, Flûte
1
Flûte, Alto (duo)
1
Hautbois, Basson (duo)
1
Flûte, Trompette (duo)
1
Trio de Flûtes: 3 flûtes
1
Ensemble de Hautbois
1
Flûte à bec Tenor
1
Clarinette et Alto
1
Flûte, Saxophone (duo)
1
3 Flûtes à bec (trio)
1
+ 41 instrumentations
Retracter
Cuivres
Trompette
3
2 Trompettes (duo)
3
Cor anglais, Piano
3
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 cors
2
Cor et Piano
2
2 Tubas (duo)
2
2 Cors (duo)
2
Tuba et Orgue
1
Tuba et Piano
1
Trompette, Piano
1
Trompette (partie séparée)
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
16
Harpe
4
Violon, Alto (duo)
4
Violoncelle
4
Violon et Piano
4
Violon
4
2 Violoncelles (duo)
3
Violoncelle, Piano
3
Alto seul
3
Alto, Piano
3
2 Altos (duo)
2
2 Violons (duo)
2
Violon, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon, Guitare (duo)
1
Violon, Tuba (duo)
1
Quatuor à cordes : 4 altos
1
Alto (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Contrebasse (partie séparée)
1
Quatuor à cordes: 4 violons
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
7
Cloches
5
Orchestre d'harmonie
4
Ensemble de Percussions
3
Orchestre
3
Orchestre de chambre
2
Ensemble Jazz
2
Fanfare
1
Ensemble de cuivres
1
Jazz combo
1
+ 5 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Four on Six - Trombone 4
Chorale SATB
Partitions à imprimer
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.22 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
World O World
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1402916…
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1402916 By Jacob Collier. By Jacob Collier. Arranged by Kerry Marsh. 21st Century,A Cappella,Contemporary,Jazz,Pop. 13 pages. Kerry Marsh #986141. Published by Kerry Marsh (A0.1402916). Demo recording and a full suite of vocal part-learning tracks (All Tracks Pack) now available at KerryMarsh.com.Just in time for your advanced choir to learn for graduation ceremonies and year-end concerts!***Jacob Collier's glorious finale to his epic four-album Djesse collection is available for the first time for choirs everywhere to perform!This setting begins in four parts and builds over the course of six minutes to sixteen parts, carefully organized and laid out in open score (with rehearsal piano reduction), and with dynamic markings capturing the expression of the recorded performance on Djesse: Vol. 4 by The Aeolians from Oakwood University (conducted by Jason Max Ferdinand). The maximum is SSSSSAAAAATTTBBB, with the staves laid out as S1a/b, S2, S3a/b, A1a/b, A2a/b, A3, T1/2, T3/B1, B2/3. The use of a/b divisi is due to the fact that the those parts only go to divisi for a new chords at the end of the piece. There is also plenty of part-doubling throughout the arrangement, and this has been carefully considered to aid both balance and voice-leading, although the former is given priority. Collier pulls no punches emotionally or technically with this piece, which features Bass 3 singing C1 in a few places and Soprano 1 singing D6 in the final moments. Choirs without the lowest bass notes can safely omit them and sing the Bass 2 parts instead.
$1.99
1.83 €
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Chorale SATB
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Jacob Collier
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Kerry Marsh
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World O World
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Kerry Marsh
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SheetMusicPlus
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
Chorale SATB
Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.782809 Composed by Nichol…
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Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
9.21 €
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Chorale SATB
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Nicholas Palmer
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Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Nicholas D Palmer
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SheetMusicPlus
THE PEACE PRAYER
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1030723 Composed by ANDRE…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1030723 Composed by ANDRE VIDAL. Contemporary,Sacred. Octavo. 8 pages. Andre Vidal #2014877. Published by Andre Vidal (A0.1030723). This piece for six-part choir (SSATTB) is a neo-classic approach to a very well-known text attributed to Saint Francis of Assisi, which is one of the most beloved prayers for the roman catholics. It displays a rich sonority, suitable for medium/large choir, alternating moments of modern dissonant harmonies and almost jazzy/bossa-nova sections. It is based primarily on chords mounted on intervals of fifths for the lower voices and fourths for the upper ones.
$3.99
3.68 €
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Chorale SATB
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ANDRE VIDAL
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THE PEACE PRAYER
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Andre Vidal
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SheetMusicPlus
Total Eclipse Of The Heart
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.944519 By Bonnie Tyler. By…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.944519 By Bonnie Tyler. By Jim Steinman. Arranged by Aldo Martinez. Film/TV. Octavo. 19 pages. Aldo Martinez #6135479. Published by Aldo Martinez (A0.944519). Total Eclipse of the Heart is a song recorded by Welsh singer Bonnie Tyler. It was written and produced by Jim Steinman, and released on Tyler's fifth studio album, Faster Than the Speed of Night (1983). The song was released as a single by Columbia Records on 11 February 1983 in the United Kingdom and on 31 May 1983 in the United States.The song became Tyler's biggest career hit, topping the UK Singles Chart, and becoming the fifth-best-selling single in 1983 in the United Kingdom. In the United States, the single spent four weeks at the top of the charts, and was Billboard's number-six song of the year for 1983. The song was nominated for the Grammy Award for Best Female Pop Vocal Performance.Worldwide, the single has sales in excess of 6 million copies[2] and was certified Gold by the Recording Industry Association of America (RIAA) for sales of over 1 million copies after its release, updated to Platinum in 2001 when the certification threshold changed.[3] In 2015, the song was voted by the British public as the nation's third favourite 1980s number one in a poll for ITV.[4]I wish you all a lot of fun with my version of Total eclipse of the Heart.
$3.45
3.18 €
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Chorale SATB
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Bonnie Tyler
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Aldo Martinez
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Total Eclipse Of The Heart
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Aldo Martinez
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SheetMusicPlus
Despondency
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394423 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1394423 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. 4 pages. Jay Dougherty #977907. Published by Jay Dougherty (A0.1394423). Despondency by Jay Dougherty explores the depths of human emotion, expressing profound feelings of pain, anguish, and desolation. Through the utilization of the overtone series, “Despondency†portrays a haunting soundscape that gradually builds into a solemn tone cluster, evoking a sense of emptiness and sadness. The overtone series serves as the foundation upon which the composition unfolds, weaving together a tapestry of natural harmonies that resonate with an ethereal quality. Despite the simplicity of its text, consisting of only four sung words – Nothing. Aching. Empty. Broken. – these words reflect the raw and unfiltered experience of despair and sorrow. “Despondency†is movement 3 of Jay Dougherty’s Phoenix Cantata, which is a six-movement vocal and piano work that explores the themes of resilience and the transformative power of change. The music and lyrics are the creative work of Dr. Jay Dougherty, with a piano accompaniment by Justin La. Drawing inspiration from the mythical symbolism of the phoenix, this cantata narrates the journey through life's challenges and tribulations and explores how we can learn to comprehend, embrace, and grow from them. Although the Phoenix is not explicitly mentioned, the underlying message resonates with the tale of the phoenix: after facing adversity or transformation, we emerge stronger and more beautiful. Each of the 6 movements centers on a flower garden, the gardener's affection for the garden, the looming storm that could devastate it, and the gardener's eventual realization that, even after the storm, the garden remains beautiful and precious. Movement 3, Despondency, is performed a cappella and makes use of the overtone series and chord clusters to convey the gardener's torment and heartbreak as the garden has lost its innocence after a torrential storm. It is a heartbreaking lament that portrays the gardener's profound sorrow.About the ComposerDr. Jay Dougherty is the Performing Arts Department Chair and Director of Choral Activities at Drury University in Springfield, MO.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.comPlease purchase one copy for each performer.
$2.49
2.3 €
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Chorale SATB
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Jay Dougherty
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Despondency
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Jay Dougherty
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SheetMusicPlus
Les Eléphants (The Elephants) for voice, clarinet, flute and string quartet
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576375 Composed by David …
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576375 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 67 pages. David Warin Solomons #18737. Published by David Warin Solomons (A0.576375). Les Eléphants (The Elephants) by Leconte de Lisle, set to music by David W Solomons. For spoken voice, clarinet, flute and string quartet. The clarinet accompanies the spoken voice (but, optionally, a choir or single voice can sing the words to the notes of the clarinet). The tonality shimmers like the desert sun as it vacillates between octatonic and major/minor; it stays in major, sometimes with added sixths and fourths, as the elephants recall the good times, when they could enjoy shade and pools of water, but resumes the octatonic shimmering as they continue to trudge, albeit hopefully and with happy memories, through the hot desert sun. The sound file is an electronic preview with poem spoken by the composer. The pdf file contains scores (with and without transposition of the clarinet/choir part) and parts. A video of my performance can be found on youtube at https://www.youtube.com/watch?v=Lfu2cKAtEfILe sable rouge est comme une mer sans limite,
$15.00
13.83 €
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Chorale SATB
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David Warin Solomons
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Les Eléphants
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David Warin Solomons
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SheetMusicPlus
BEHOLD HE IS COMING (SATB) – Revelation 1:7
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
1.83 €
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Chorale SATB
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
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Four on Six - Trombone 4
