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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fugue in A
Non classifié
347
Piano & claviers
Piano seul
222
Orgue
105
Piano Facile
19
Orgue, Piano (duo)
9
1 Piano, 4 mains
6
2 Pianos, 4 mains
6
Clavecin
4
Piano Trio: piano, violon, violoncelle
3
Piano, Voix
2
Accompagnement Piano
2
Piano, Voix et Guitare
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
2 Pianos, 8 mains
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Ukulele
1
Basse electrique
1
2 Mandolines (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
35
Chorale TTBB
6
Chorale 3 parties
4
Voix Tenor, Piano
1
Chorale SSAA
1
Voix seule
1
+ 1 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
63
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
Quatuor de Clarinettes: 4 clarinettes
52
Flûte, Hautbois, Clarinette, Basson
31
Quatuor de Flûtes : 4 flûtes
24
Quintette de Clarinettes: 5 clarinettes
19
Flûte traversière et Piano
18
3 Clarinettes (trio)
17
Quintette de Flûte : 5 flûtes
16
Clarinette et Piano
15
Hautbois, Piano (duo)
15
Saxophone Alto et Piano
12
3 Saxophones (trio)
10
Saxophone Tenor et Piano
9
Quintette de Saxophone: 5 saxophones
8
Saxophone Baryton, Piano
8
Clarinette
8
Ensemble de Clarinettes
7
Hautbois, Clarinette, Basson (trio d'anches)
5
Saxophone Soprano et Piano
5
Ensemble de Flûtes
5
Ensemble de saxophones
5
Trio de Flûtes: 3 flûtes
4
Clarinette Basse, Piano
4
Cor anglais, Piano
4
Flûte, Clarinette et Basson
4
Flûte à bec Soprano
3
Flûte traversière
3
Flûte, Hautbois, Basson
3
2 Flûtes traversières (duo)
2
Hautbois (partie séparée)
2
Saxophone Alto
2
Flute (partie séparée)
2
Ensemble De Flûte à bec
2
2 Clarinettes (duo)
2
Quatuor de Flûtes à bec
2
Cor anglais et Harpe (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Piccolo, Piano
1
+ 40 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Ensemble de Trombones
22
Trombone et Piano
11
Euphonium, Piano (duo)
8
Quatuor de cuivres: 4 trombones
8
Trompette, Piano
7
Cor et Piano
6
Trompette
5
2 Euphoniums et 2 Tubas
4
Tuba et Piano
4
Cor anglais, Piano
4
Ensemble de Trompettes
4
Quatuor de Cuivres
3
Trio de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Cor
2
Quatuor de cuivres: 4 cors
2
Trombone
2
Cor anglais et Harpe (duo)
1
Tuba et Orgue
1
Euphonium
1
Quatuor de cuivres: 4 trompettes
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
113
Trio à Cordes: violon, alto, violoncelle
24
Violon et Piano
16
Alto, Piano
13
Violoncelle, Piano
11
Violon
9
2 Violoncelles (duo)
7
Violon, Violoncelle (duo)
7
Violoncelle
6
Violon, Alto (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Violons (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violon (partie séparée)
3
Alto seul
3
4 Violoncelles
3
Violoncelle (partie séparée)
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Contrebasse (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
Harpe
1
Alto (partie séparée)
1
Contre Basse
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
61
Ensemble de cuivres
39
Orchestre d'harmonie
21
Orchestre
17
Orchestre de chambre
10
Ensemble Jazz
6
Marimba
5
Cloches
2
Ensemble de Percussions
2
Jazz combo
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Fugue in A
Chorale SATB
Partitions à imprimer
35 partitions trouvées
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1
26
Piano Accompaniment Exercice for a Choir
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Chorale SATB
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INTERMÉDIAIRE
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Helios D'Andrea
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Piano Accompaniment Exercice f
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D'Andrea Helios
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1199493 Composed by Helios D'Andrea. Baroque,Contemporary,Instructional. Octavo. 4 pages. D'Andrea Helios #79856...
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Choral Choir (SATB) - Level 3 - SKU: A0.1199493 Composed by Helios D'Andrea. Baroque,Contemporary,Instructional. Octavo. 4 pages. D'Andrea Helios #798562. Published by D'Andrea Helios (A0.1199493). The theme of the piece is the Fugue in A minor from the second book of the Well-Tempered Clavier by J. S. Bach.
$5.00
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Chorale SATB
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AVANCÉ
#
Classique
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
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Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
Toccata and Fugue in D minor, BWV 538 - Transcription for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Alessio Niccolai
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Toccata and Fugue in D minor,
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Alessio Niccolai
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 p...
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Choral Choir (SATB) - Level 4 - SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 pages. Alessio Niccolai #5794845. Published by Alessio Niccolai (A0.1029541). The transcription for SATB Choir of the famous organ work of J.S. Bach, consists in a counterpoint explosion of the harmonies through a melodic construction that sometimes corresponds to one of the themes identifiable in the original piece and sometimes has been entirely reinvented; to facilitate the vocal performance of each of the four voices, Alessio Niccolai adapted a text to the musical sequences: it is made up of a set of ancient Latin proverbs.The execution is not the easiest: a casual pronunciation of Italian is certainly optimal for being able to correctly execute the Latin passages. Furthermore, the organ has its own native difficulty which could be significantly reduced with the performance on the piano (possibly in combination with an instrument that operates in the lower registers of the sound range) because the percussion of the hammers increases the auditory perception of the rhythm.However, the performance is not impossible even for an advanced amateur choir and guarantees an impact on the public.The idea of a transcription for choir of a purely organist work like this, was born in Alessio Niccolai's head from his first listening.
$10.00
Blessed Are the Pure in Heart
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Chorale SATB
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INTERMÉDIAIRE
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Daniel Ficarri
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Daniel Ficarri
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Blessed Are the Pure in Heart
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Daniel Ficarri
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1306407 Composed by Daniel Ficarri. Arranged by Daniel Ficarri. 21st Century,A Cappella,Christian,...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1306407 Composed by Daniel Ficarri. Arranged by Daniel Ficarri. 21st Century,A Cappella,Christian,Contemporary,Sacred. 18 pages. Daniel Ficarri #895774. Published by Daniel Ficarri (A0.1306407). Blessed are the pure in heart, for they shall see our God; the secret of the Lord is theirs, their soul is Christ's abode. (Text by John Keble, 1792–1866) This a cappella fugue builds from a simple statement of the theme by one voice to the rich harmonies and suspensions of eight independent voices, illustrating the majesty of the words for they shall see our God. In a contrasting middle section, the voices sing intimately of the secret of the Lord, expanding up and down the scale from a single drone. And in the concluding section, the original theme returns in stretto as the voicing thickens to a rich and sonorous amen..
$2.50
Toccata and Food in C minor
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Chorale SATB
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INTERMÉDIAIRE
#
Classique
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Johann Sebastian Bach
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Austin Ralphson
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Toccata and Food in C minor
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Austin Ralphson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1162929 Composed by Johann Sebastian Bach. Arranged by Austin Ralphson. A Cappella,Baroque,Comedy. Octavo. 8 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.1162929 Composed by Johann Sebastian Bach. Arranged by Austin Ralphson. A Cappella,Baroque,Comedy. Octavo. 8 pages. Austin Ralphson #763280. Published by Austin Ralphson (A0.1162929). This is a tongue-in-cheek, fun arrangement of Bach's famous organ work, Toccata and Fugue in D minor, arranged here for a cappella SATB choir. The unmistakeable ornament at the start of the piece, coupled with its short-and-sweet 2-minute duration, makes it an excellent and fun opening to any concert.If you are feeling creative, percussive rhythms could be provided by plates, cutlery, mugs etc. as desired by the choir!Have fun!
$1.99
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
Pet Love Fugue
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Chorale SATB
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INTERMÉDIAIRE
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Music by Deborah Wicks La Puma
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Pet Love Fugue
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Crunchynotes.com
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.992112 Composed by Music by Deborah Wicks La Puma, Lyrics by Andy Dodds. Concert,Contemporary,Musical/Show. Octa...
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Choral Choir (SATB) - Level 3 - SKU: A0.992112 Composed by Music by Deborah Wicks La Puma, Lyrics by Andy Dodds. Concert,Contemporary,Musical/Show. Octavo. 8 pages. Crunchynotes.com #6050185. Published by Crunchynotes.com (A0.992112). A quintet of love for our furry friends! This opening number from the musical review Petpourri celebrates the ways we talk to our pets in an intricate dance of vocal counterpoint. Originally written for a quintet, or easily modified for an SATB quartet. To find out more about Petpourri, go to: https://crunchynotes.com/show/petpourri/
$4.99
Fugue (from Sonata No. 1 in G minor for solo violin, BWV 1001)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Cesar Alejandro Carrillo
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Fugue
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Cesar Alejandro Carrillo
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Cesar Alejandro Carrillo. A Cappella, Baroque. 16 pages. Cesar Alejandro Carrillo #878588. ...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Cesar Alejandro Carrillo. A Cappella, Baroque. 16 pages. Cesar Alejandro Carrillo #878588. Published by Cesar Alejandro Carrillo
$5.00
The Breakfast Fugue
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Chorale SATB
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FACILE
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Stephen DeCesare
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The Breakfast Fugue
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Exultet Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.618553 Composed by Stephen DeCesare. Broadway,Children,Contemporary,Musical/Show. Octavo. 20 pages. Exultet Mus...
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Choral Choir (Mixed) - Level 2 - SKU: A0.618553 Composed by Stephen DeCesare. Broadway,Children,Contemporary,Musical/Show. Octavo. 20 pages. Exultet Music #12073. Published by Exultet Music (A0.618553). Featured in: The Rock Bracelet: a Mother's Day musical which is available on this site. An accompaniment and rehearsal tracks are also available. Scored for 3 Boys, 1 Girl and Piano.
$3.99
ONYENWEANYI MEE EBERE [KYRIE IN IGBO]
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Chorale SATB
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AVANCÉ
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DON MARCELLINO
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MARCEL
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ONYENWEANYI MEE EBERE [KYRIE I
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DON MARCELLINO
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1300361 By DON MARCELLINO. By MARCEL. NWOLISA. Arranged by MARCEL. NWOLISA. A Cappella,Religious,Renaissa...
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Choral Choir,Choral (SATB) - Level 5 - SKU: A0.1300361 By DON MARCELLINO. By MARCEL. NWOLISA. Arranged by MARCEL. NWOLISA. A Cappella,Religious,Renaissance,Sacred,Spiritual. 2 pages. DON MARCELLINO #890085. Published by DON MARCELLINO (A0.1300361). ONYENWEANYI MEE EBERE is an Igbo liturgical kyrie, that follows the musical form of canon and fugue.
$2.00
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Offertory
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Stephanie K
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Offertory
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Stephanie K Andrews
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1272763 Composed by Stephanie K. Andrews. 21st Century,Chamber,Classical,Sacred,Traditional. Octavo. 20 pages. S...
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Choral Choir (SATB) - Level 4 - SKU: A0.1272763 Composed by Stephanie K. Andrews. 21st Century,Chamber,Classical,Sacred,Traditional. Octavo. 20 pages. Stephanie K Andrews #864958. Published by Stephanie K Andrews (A0.1272763). Written in December of 2020 for Be near me when my light is low, a collaborative Requiem by the composers of Inversion Ensemble (a conductor-composer collaborative based in Austin, Texas), the Offertory movement text is a modern English rendition of the Offertory (“Domine Jesu Christe†and “Hostias et preces tibi, Domineâ€) from the traditional Latin Requiem Mass. The Offertory is introduced by a light, flowing sixteenth note pattern in the righthand of the piano that is rhythmically repetitive and meditative. The voices then appear in unison at first, gradually beginning to divide into harmony as the piece progresses until at the word death they fall back into a stark, unaccompanied unison. The Archangel Michael appears in the section that follows, leading the souls of the faithful to eternal light as the music crescendos and moves through an accelerando, ending on a triumphant C major chord on the final repetition of eternal light. A motive of assurance that this light is promised to the faithful for all eternity is presented in E-flat major, a motive that will reappear in the finale of the piece. The flowing sixteenth notes and harmonic shifts of the first section return at Sacrifices and praises we offer you, O Lord. The movement concludes with a fugue in the victorious key of C major, once again offering comfort to Christ's faithful ones through the assurance of heavenly light for all eternity.
$3.50
How Beauteous Are Their Feet
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Chorale SATB
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INTERMÉDIAIRE
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Abraham Wood
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Ryan D
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How Beauteous Are Their Feet
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Ryan Neaveill
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.826776 Composed by Abraham Wood. Arranged by Ryan D. Neaveill. Classical,Folk,Instructional,Sacred,World. Octav...
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Choral Choir (Mixed) - Level 3 - SKU: A0.826776 Composed by Abraham Wood. Arranged by Ryan D. Neaveill. Classical,Folk,Instructional,Sacred,World. Octavo. 15 pages. Ryan Neaveill #2017989. Published by Ryan Neaveill (A0.826776). This is a marvelous piece from one of the United States’ earliest composers. How Beauteous Are Their Feet falls under the classification of fuging tune--a popular idiom in colonial New England in the late 18th century and used frequently by many early American composers including William Billings. Fuging tunes typically begin with all voices together in a homophonic hymn-like statement, followed by a section where each voice enters one after the other in an imitative manner similar to a fugue. Another striking characteristic of this genre is the use of open fifths, as well as the nontraditional use of parallel fifths. These features, in addition to the contrast between homophony and polyphony, give this style of music its unique flavor.
$5.00
Spring from "The Seasons" (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Frank Ferko
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Spring from "The Seasons&
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part...
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SATB choir and string quartet - Medium - SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65
Vampire
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Olivia Rodrigo
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Lia Wiese
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Vampire
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Lia Wiese
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1431858 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Lia Wiese. A Cappe...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1431858 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Lia Wiese. A Cappella,Pop,Rock. 13 pages. Lia Wiese #1012326. Published by Lia Wiese (A0.1431858). Olivia Rodrigo's 2023 pop hit is a powerful anthem expressing heartbreak and anger in the aftermath of an abusive relationship. Now arranged for a mixed contemporary a cappella ensemble, this arrangement captures the longing piano chords and stark tempo changes of the original, while also bringing its own unique twists through reharmonization, text painting, and melodic quotes from Bach's Tocatta and Fugue in D minor. Perfect for an intermediate to advanced ensemble, both soloists and ensemble singers will find opportunities for deep emotional expression in this piece.
$2.99
What Child is This?
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Chorale SATB
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English Traditional
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Michael A
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What Child is This?
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Michael A. McKay
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1014328 Composed by English Traditional. Arranged by Michael A. McKay. 20th Century,Christian,Christmas,Romantic Period. O...
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Choral Choir (SATB) - SKU: A0.1014328 Composed by English Traditional. Arranged by Michael A. McKay. 20th Century,Christian,Christmas,Romantic Period. Octavo. 8 pages. Michael A. McKay #6080949. Published by Michael A. McKay (A0.1014328). What Child is This? is a smorgasbord of text painting: the first verse paints the picture of a gentle lullaby, but one where one can hear soaring angels and rustic shepherds; the second verse begins with a subtle depiction of lowing cattle and braying donkeys before dramatically declaiming the Crucifixion; and the last verse represents the Magi in a stately fugue before bringing back the soaring angels in a triumphant close. .
$1.99
The Wellerman
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Traditional Sea Shanty
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Oscar Alcantara
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The Wellerman
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Oscar Alcantara
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1474903 Composed by Traditional Sea Shanty. Arranged by Oscar Alcantara. A Cappella,Folk,Historic,Tr...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1474903 Composed by Traditional Sea Shanty. Arranged by Oscar Alcantara. A Cappella,Folk,Historic,Traditional. 9 pages. Oscar Alcantara #1052524. Published by Oscar Alcantara (A0.1474903). This rousing arrangement of the now-famous sea shanty pulses with the story of the hunt told in the piece's colorful text. The unaccompanied SATB arrangement presents opportunities to feature four soloists, and culminates in a fugue portraying the chase that unfolds in the final stanzas of the tale.
$1.99
Crucifixus (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Michael Larkin
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Crucifixus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, keyboard - Medium - SKU: MQ.50-3503-E Composed by Michael Larkin. Ash Wednesday, Holy Week, Lent, Reformation, Triduum/Three Days. 5 pages. ...
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SATB choir, keyboard - Medium - SKU: MQ.50-3503-E Composed by Michael Larkin. Ash Wednesday, Holy Week, Lent, Reformation, Triduum/Three Days. 5 pages. MorningStar Music Publishers - Digital Sheet Music #50-3503-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3503-E). A poignant Lenten anthem especially appropriate for Holy Week. Utilizing the text fragment Crucifixus etiam pro nobis from the Credo of the Mass, and passages from Isaiah 53, this composition is composed in a Baroque style fugue that beautifully captures the events and emotions of the Passion.
$2.15
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Breathe Low
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Cody Weinmann
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Breathe Low
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Cody Weinmann
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Publishe...
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Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Published by Cody Weinmann (A0.835039). An epic piece for SATB choir and optional solo soprano part on the last page of the piece. This piece represents close and even clustered harmony, almost like a beautiful orchestra, but with voices. The piano player is more of a piano reduction of the choral parts. This is the perfect score for harmony practice within the choir, especially with ensembles that have trouble finding pitch in closer quarters. The text of Breathe Low is a meditation for those who are in tough times. The original text speaks peace and restoration. Breathe Low and Speak soft refer to a calming effect that will sooth audiences. There is also what I call the Football Section where a fugue like subject, Let us find peace, tosses itself between all voices starting in the bass section, moving to tenor, alto and soprano. Sometimes this section shares harmony (SA and TB together). It does have multiple meters from 4/4 to 2/4 time and back again. This peace encompasses a wide use of dynamics from piano to double forte. Print this piece on 8.5 x 11 in. paper. It is around 4 1/2 minutes and is 8 pages long in print.
$4.50
Gaudeamus
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David W
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Gaudeamus
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 pages. David W. B...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 pages. David W. Barber #920028. Published by David W. Barber (A0.1333731). I wrote this piece in 2018 to mark the 50th anniversaryof the Toronto Chamber Choir, a fine early music choir I have sung with since 1998.Using the  opening of the well-known Gregorian chant Gaudeamus omnes (and changingthe text to let us rejoice in music, Gaudeamus is a five- minute musical history tourthrough the various time periods the TCC sings. It begins with plainchant, then two-voiceorganum of the 11th-century Notre Dame school of Leonin and Perotin, followed bythree-voice hocket of a slightly later period. Then a nod to the 15th-century Dufay motetNuper rosarum flores (which the TCC has performed.) Next comes some 16th-centuryTudor music -- Byrd, say -- including some false relations and a typical English cadence.Then comes an allusion to Purcell, specifically the pleasing dissonance of the “voice of theTurtle†from My Beloved Spake. Then comes a little Bach-like fugue (or fughetta) based onthe Gaudeamus motif. Since the TCC rarely performs Classic/Romantic repertoire, wejump immediately to a jazzy ending in compound meter -- imagine Byrd meets Brubeck,based on one of my own earlier pieces for solo piano, but with elements of the Gaudeamusmelody. And all that in five minutes. Phew!
$3.99
Ubi Caritas
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jay Dougherty
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Ubi Caritas
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Jay Dougherty
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1401582 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Christian,Contest,Festival...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1401582 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Christian,Contest,Festival. 17 pages. Jay Dougherty #984765. Published by Jay Dougherty (A0.1401582). The timeless text of the Liber Usualis, Ubi Caritas, has been a source of inspiration for composers for centuries. Dating back to the 10th century AD, this poem conveys a profound message of love and unity, resonating through the ages. In Jay Dougherty's original setting, Ubi Caritas takes on a new dimension, crafted for double choir in an antiphonal style. Drawing from a rich palette of musical elements, Dougherty blends modern pandiatonic chord clusters with echoes of Renaissance polyphony, fugue, and cadences. A noteworthy touch lies in the incorporation of the original chant melody, delicately interwoven within the fabric of the piece. Dougherty's setting breathes fresh life into this timeless text, offering a captivating synthesis of tradition and innovation.Please purchase one copy per singer.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$2.99
Wachet auf, ruft uns die Stimme
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Chorale SATB
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Carl Friedrich Zelter
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Wachet auf, ruft uns die Stimm
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Schott Music - Digital
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SheetMusicPlus
Double Bass, Cello, Bassoon - SKU: S9.Q20512 Sleepers Wake. Composed by Carl Friedrich Zelter. This edition: separate part. Choral Treasury. Down...
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Double Bass, Cello, Bassoon - SKU: S9.Q20512 Sleepers Wake. Composed by Carl Friedrich Zelter. This edition: separate part. Choral Treasury. Downloadable, Individual part. Schott Music - Digital #Q20512. Published by Schott Music - Digital (S9.Q20512). German.With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!
$4.99
Wachet auf, ruft uns die Stimme
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Chorale SATB
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Carl Friedrich Zelter
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Wachet auf, ruft uns die Stimm
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) - SKU: S9.Q19106 Sleepers Wake. Composed by Carl Friedrich Zelter. Thi...
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Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) - SKU: S9.Q19106 Sleepers Wake. Composed by Carl Friedrich Zelter. This edition: choral score. Choral Treasury. Downloadable, Choral score. Schott Music - Digital #Q19106. Published by Schott Music - Digital (S9.Q19106). German.With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!
$4.99
Wachet auf, ruft uns die Stimme
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Chorale SATB
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Carl Friedrich Zelter
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Wachet auf, ruft uns die Stimm
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) - SKU: S9.Q19101 Sleepers Wake. Composed by Carl Friedrich Zelter. Thi...
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Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) - SKU: S9.Q19101 Sleepers Wake. Composed by Carl Friedrich Zelter. This edition: score. Choral Treasury. Downloadable, Score. Schott Music - Digital #Q19101. Published by Schott Music - Digital (S9.Q19101). German.With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!
$21.99
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