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TRI ET FILTRES
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Tri et filtres :
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Vous avez sélectionné:
G Train
Chorale SATB
Partitions à imprimer
8 partitions trouvées
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Cease Not Yet Sweet Bard Thy Strain
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.1016 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.1016 Composed by Sir John Stevenson. Courtship, Love, Sadness. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1016). Cease Not Yet Sweet Bard Thy Strain. An Answer to Here's the Bower. Composed by Sir John Stevenson, Mus. Doc. Published [n.d.] by G.E. Blake in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love, Sadness. First line reads Cease not yet, sweet Bard, thy strain, Tender sorrows pouring.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Chorale SATB
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Sir John Stevenson
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Cease Not Yet Sweet Bard Thy Strain
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
G Train
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1073143 Composed by Ben Lu…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1073143 Composed by Ben Lusher, Elliott Skinner, James Ryan Wuihun Ho, Jon Levine, Richard Saunders, Ruth Anne Cunningham, and Terrace Thornton. Arranged by Stephen Lanza. A Cappella,Contemporary,Pop. Octavo. 15 pages. Stephen Lanza #677404. Published by Stephen Lanza (A0.1073143). A down-tempo driving number written in SSAATB format. This piece is a welcome addition for any group looking to make an impactful opening statement or a solid set filler.
$1.99
1.82 €
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Chorale SATB
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Ben Lusher, Elliott Skinner, James Ryan Wuihun Ho, Jon Levine, Richard Saunders, Ruth Anne Cunningham, and Terrace Thornton
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Stephen Lanza
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G Train
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Stephen Lanza
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SheetMusicPlus
G Train
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1088076 Composed by Ben Lu…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1088076 Composed by Ben Lusher. Arranged by Leo V Harmon. Hip-Hop,Pop,R & B. Octavo. 9 pages. Leo Harmon #692314. Published by Leo Harmon (A0.1088076).
$7.99
7.3 €
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Chorale SATB
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Ben Lusher
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Leo V Harmon
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G Train
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Leo Harmon
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SheetMusicPlus
Hear the Angels Sing, a sacred Christmas hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1143878 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1143878 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 3 pages. Kevin G. Pace #744185. Published by Kevin G. Pace (A0.1143878). A joyful Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Listen to the angels sing; listen as they share Long-awaited anthems of a Baby’s birth, so rare. Tidings of great joy ring out . . . Jesus Christ is born! Born to save mankind from sin, and with His love adorn. Glory! Alleluia! Holy voices ring. As new strains of joy arise, hear the angels sing. Listen as the heav’ns and earth join in harmony; Echoes and vibrations offer promised unity. Messages with melodies share the (this) happy truth: All the world will celebrate God’s Son, so very new. Glory! Alleluia! Holy voices ring. As new strains of joy arise, hear the angels sing. Listen as the holy words herald Jesus’ birth: Unto you is born this day a Savior brought to earth. This shall be a sign to you: He’ll be swaddled tight, Cradled in a manger stall, and born this very night. Glory! Alleluia! Holy voices ring. As new strains of joy arise, hear the angels sing.
$1.99
1.82 €
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Chorale SATB
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Kevin G
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Hear the Angels Sing, a sacred Christmas hymn
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Kevin G. Pace
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SheetMusicPlus
Let All Creation Praise His Coming, sacred music for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1107927 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1107927 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #710541. Published by Kevin G. Pace (A0.1107927). An epic, exciting, sacred composition for SATB choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: Let all creation praise His coming, Sending triumph through the sky! When Jesus Christ steps from the Father All the heavens will supply Grand hallelujahs to all list’ning. And those long-awaited sounds Will announce the Second Coming When His glory will abound. So, let the earth burst forth revering; Let the waters cheer with praise. Let the mountains shout for gladness All because our Lord was raised. Let all valleys hear rejoicing And the seas and dry lands bring Grandest strains to all formation Because He is Christ, our King. Let the stars and morning sunbeams Sing together, all as one. Let the woods and trees and meadows Voice their joy because He comes. Then let the animals speak jointly, And the sun and moon share light; Let the whole world join in worship Because He is in our sight. Let his creations call for oneness To declare his name with love, To proclaim the voice of Jesus When He visits from above. Let all creation praise His coming For his light will be our sun; Let us shout with hymns of singing Because Christ, our Savior comes!
$1.99
1.82 €
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Chorale SATB
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Kevin G
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Let All Creation Praise His Coming, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
Take My Yoke Upon You, a sacred hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #757743. Published by Kevin G. Pace (A0.1157412). A delightful sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: My God, my very God, where is thy face today? All I see are clouds through rain; I cannot find my way. My vision is obscured, but my will I give to Thee. Now I sense thy sacred song lending sight to me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy tender voice? Thou has promised answering; help me to make each choice. I feel I’ve waited long, but my will I give to Thee. Now I hear thy sacred strains serenading me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy whisp’ring aid? Doubting faith and unbelief cause me to feel afraid. I cannot sense thy thoughts, but my will I give to Thee. Now I feel thy chords of trust reassuring me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole.
$1.99
1.82 €
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Chorale SATB
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Kevin G
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I cannot find my way
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Take My Yoke Upon You, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
The Angel's Are Coming For Me. Song & Chorus
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3780 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3780 Composed by C.F. Shattuck. Deathbeds, Heaven, Comfort, Religion. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3780). The Angel's Are Coming For Me. Song & Chorus. Written by A.G. Chase. Composed by C.F. Shattuck. Published 1869 by Wm. Hall & Son, 543 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Deathbeds, Heaven, Comfort, Religion. First line reads Hark hear them calling, list to the strain.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Chorale SATB
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C
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The Angel's Are Coming For Me. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.44 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
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