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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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OCARINA
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SAXOPHONE
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TROMPETTE
TUBA
UKULELE
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XYLOPHONE
George-Allan
Non classifié
8
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9
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5
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1
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1
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3
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2
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2
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1
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1
Trombone (partie séparée)
1
+ 1 instrumentations
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6
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--INSTRUMENTS--
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BANJO
BASSE
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BATTERIE
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COR
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CORNET
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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Vous avez sélectionné:
George-Allan
Chorale SATB
Partitions à imprimer
3 partitions trouvées
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Where Is The Love
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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The Black Eyed Peas
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Deke Sharon
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Where Is The Love
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Deke Sharon
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Download SKU: A0.479577 By The Black Eyed Peas. By Allan Pineda, Ge...
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Download SKU: A0.479577 By The Black Eyed Peas. By Allan Pineda, George Pajon Jr., J. Curtis, Jaime Gomez, Justin Timberlake, Michael Fratantuno, Printz Board, and Will Adams. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 245. Deke Sharon #79AZtwkP83BSXgp58o5UoJ. Published by Deke Sharon (A0.479577). Key: F major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Let's Get It Started
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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The Black Eyed Peas
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Jetse Bremer
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Let's Get It Started
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Jetse Bremer
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.861168 By The Black Eyed Peas. By Allan Pineda, George Pajon Jr., Jaime Gomez, Michael Fratantuno, Terenc...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.861168 By The Black Eyed Peas. By Allan Pineda, George Pajon Jr., Jaime Gomez, Michael Fratantuno, Terence Yoshiaki Graves, and Will Adams. Arranged by Jetse Bremer. A Cappella,Hip-Hop,R & B. Octavo. 15 pages. Jetse Bremer #5794469. Published by Jetse Bremer (A0.861168).
$2.50
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