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Crtitères actifs :
George-Wither
Chorale SATB
Partitions à imprimer
3 partitions trouvées
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As On the Night — SATB voices, organ
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Chorale SATB
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FACILE
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Orlando Gibbons
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Todd Marchand
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As On the Night — SATB v
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1492434 Composed by Orlando Gibbons. Arranged by Todd Marchand. Christian,Christmas,Renaissance,Sacr...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1492434 Composed by Orlando Gibbons. Arranged by Todd Marchand. Christian,Christmas,Renaissance,Sacred. 5 pages. Con Spirito Music #1069110. Published by Con Spirito Music (A0.1492434). As On The Night is a song text for Christmas Day by English poet, satirist, pamphleteer, and hymn-writer George Wither (1588-1667), whose life spanned the tumultuous period in English history that included the reigns of Elizabeth I, James I, and Charles I and the continuous tension between Catholic and Protestant faith and practice. Desiring to counter the practice of exclusively using psalms as texts for congregational singing in worship, Wither published in 1623 The Hymnes and Songs of the Church, with The First Part comprehend[ing] Hymns, and such parcels of Holy Scripture, as may properly be sung, with some other ancient Songs and Creeds, and The Second Part consist[ing] of Spiritual Songs, appropriated to the several Times and Occasions observable in the Church of England. As On The Night appears in part two as a song to commemorate Christmas Day. Its first stanza is a retelling of elements of the Nativity story as found in Luke 2:7-20; its second stanza is a consideration of the Incarnation and work of Christ (Our flesh he wore, our sin to wear away; Our curse he bore, that we escape it may; And wept for us that we might sing for aye.).The music accompanying As On the Night is Song 46, one of many tunes written for Wither's collection by English composer and keyboardist Orlando Gibbons (1583-1625). As Gibbons notated only the melody and bass lines of his tunes, the harmonization in this arrangement for SATB choir and organ is largely that of The English Hymnal (1906). ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.comVoices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com).
$2.99
And All the Town Be Merry!
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Chorale SATB
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Linda Spevacek
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And All the Town Be Merry!
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Heritage Music Press
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SheetMusicPlus
SATB choir, Piano (With Optional Recorder, Continuo, Tambourine) - SKU: LX.15-2025H A Christmas Madrigal. Composed by Linda Spevacek. Educational...
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SATB choir, Piano (With Optional Recorder, Continuo, Tambourine) - SKU: LX.15-2025H A Christmas Madrigal. Composed by Linda Spevacek. Educational, Secular Christmas. Octavo. 11 pages. Heritage Music Press #e15/2025H. Published by Heritage Music Press (LX.15-2025H). UPC: 000308102529.Set to a text from the poem, A Christmas Carol, by George Wither, this new Christmas madrigal just sparkles with merriment and cheer! And the additional instrumentation will contribute to the festivities and holiday mood of any concert!
$2.50
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
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