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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Have You Met Me
Non classifié
107
Piano & claviers
Piano seul
70
Piano Facile
31
Instruments en Do
23
Piano, Voix et Guitare
23
Piano, Voix
19
1 Piano, 4 mains
2
Orgue
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
5
Paroles et Accords
2
Basse electrique
2
Mandoline
1
2 Guitares (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
23
Chorale 3 parties
5
Voix Alto, Piano
1
Chorale 2 parties
1
Chorale TTBB
1
Voix duo, Piano
1
+ 1 instrumentations
Retracter
Vents
Saxophone Tenor et Piano
8
Clarinette et Piano
6
Flûte traversière et Piano
5
Saxophone Alto et Piano
4
Flûte traversière
3
Saxophone Soprano et Piano
3
Hautbois, Piano (duo)
3
Clarinette
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte à bec Tenor
1
Saxophone Baryton, Piano
1
Flûte à bec Soprano
1
Clarinette Basse, Piano
1
2 Cors Anglais Et Pianoforte
1
Saxophone et Orgue
1
Saxophone Alto
1
2 Saxophones (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone
1
Hautbois (partie séparée)
1
2 Flûtes traversières (duo)
1
+ 17 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
5
Trompette, Piano
4
Cor et Piano
3
Euphonium, Piano (duo)
2
Trombone et Piano
2
Trombone
1
Ensemble de Trompettes
1
2 Cors Anglais Et Pianoforte
1
Tuba et Piano
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor
1
+ 8 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
16
Harpe
7
Violon
5
Violon et Piano
5
Alto, Piano
4
Violoncelle, Piano
2
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
1
4 Violoncelles
1
Violon, Violoncelle (duo)
1
Violoncelle
1
Harpe, Voix
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
8
Orchestre à Cordes
7
Orchestre
6
Ensemble de cuivres
3
Ensemble Jazz
3
Orchestre de chambre
3
Fanfare
2
Cloches
2
Jazz combo
2
Ensemble de Percussions
1
Percussion
1
Xylophone, Piano
1
Batterie
1
+ 8 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
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BUGLE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Have You Met Me
Chorale SATB
Partitions à imprimer
23 partitions trouvées
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1
Hope of the World 15 Why Have You Forsaken Me? by Stephen R Dalrymple
Chorale SATB
Choral Choir,Choral (SATB) - Digital Download SKU: A0.818373 By Stephen R Dalrymple…
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Choral Choir,Choral (SATB) - Digital Download SKU: A0.818373 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 29 pages. Stephen R Dalrymple #6709753. Published by Stephen R Dalrymple (A0.818373). Hope of the World: 15 Why Have You Forsaken Me?original song arranged for SATB choir and piano by Stephen R Dalrymple (includes an optional tenor solo)♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on (Psalm 22, Matthew 27)♫ with At the Cross (public domain hymn by Isaac Watts and Ralph Hudson.)♫ In Psalm 22, David describes the pain he is feeling in the current controversy he was facing. Deliberate hyperbole was one of the figures of speech used in ancient Jewish culture (as it is used in our culture today.) Probably much of what David is describing is somewhat metaphoric. But for Jesus on the cross, this Psalm all too real. Jesus literally lived Psalm 22 on the cross.       ♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns
$2.00
1.84 €
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Chorale SATB
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Stephen R Dalrymple
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Hope of the World 15 Why Have You Forsaken Me? by Stephen R Dalrymple
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Stephen R Dalrymple
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SheetMusicPlus
Have You Met Miss Jones?
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1016696 Composed by Richar…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1016696 Composed by Richard Rodgers. Arranged by Wyatt Steinke. Contemporary. Octavo. 52 pages. Wyatt Steinke #6096261. Published by Wyatt Steinke (A0.1016696). A fun 4/4 medium swing chart written for SATB vocal jazz ensemble with combo. Crunchy harmonies, but definitely doable by high school and collegiate ensembles. Features a vocal solo and opportunities for improv in the middle. Once you purchase, you are free to make as many copies as you need for your ensemble! You will receive a full score (pgs. 1-19), vocals with a piano reduction (20-32), vocal parts plus bass (33-42), piano part (43-46), bass part (47-50), and drums (51-52). Bass part is written out, piano and drums are slash notation with hits indicated. This is my first published arrangement! If you end up doing the piece, or if you have feedback for it, I would love to hear! You can reach me at wsteinke@cord.edu.
$30.00
27.66 €
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Chorale SATB
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Richard Rodgers
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Wyatt Steinke
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Have You Met Miss Jones?
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Wyatt Steinke
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SheetMusicPlus
Me!
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By Brendon Urie, Joel Little, and Taylor Swift. Arranged by G. M. Morley. A Cappella,Pop. Octavo. 13 pages. G. M. Morley #5296523. Published by G. M. Morley (A0.500706). This four part a cappella arrangement of Taylor Swift and Brendon Urie's song, Me! from Swift's 2019 album, Lover, requires a bit of vocal acrobatics. If your singers can handle octave leaps then this version of the song should be a welcome addition to the repertoire for weddings and pop or community choir performances.Given Swift and Urie’s stance on gender equality I have included some suggestions for alternative lyrics in places where either a gender neutral term or the opposite gender might be preferable to the one in the original lyrics depending on the social occasion the song is being performed in.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
2.77 €
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Chorale SATB
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Taylor Swift
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G
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Me!
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G. M. Morley
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SheetMusicPlus
A Brave Boy's Plea. Beautiful Song and Chorus
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.568 Composed by C…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.568 Composed by Charlie Baker. Fathers & children, Death, Families, Poor persons, Courage. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.568). A Brave Boy's Plea. Beautiful Song and Chorus. Words by L.C. West. Music by Charlie Baker. Published 1875 by F.W. Helmick, 278 W. 6th St. in Cincinnati. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Fathers & children, Death, Families, Poor persons, Courage. First line reads Please Mister! have you something, sir, a boy like me can do?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Chorale SATB
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Charlie Baker
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A Brave Boy's Plea. Beautiful Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Something's Got A Hold On Me (SATB a cappella)
Chorale SATB
SATB - Early Intermediate - Digital Download By Etta James. Arranged by Brandy Kay Ri…
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SATB - Early Intermediate - Digital Download By Etta James. Arranged by Brandy Kay Riha. Octavo. 6 pages. Published by Brandy Kay Riha
Feel free to adapt the arrangement in any way to accommodate the needs and strengths of your group. The bass part has a large range, but feel free to alter it in any way that will better suit your bass section. This song was covered by Christina Aguilera in the movie Burlesque. Alternate title: Something's Gotta Hold On Me.<br> <br> With a Master of Music in Choral Conducting and a Bachelor of Arts in Music Theory & Performance, Brandy Kay Riha is an a cappella educator, vocal coach, and arranger with a special interest in building treble repertoire. Her innovative yet accessible arrangements have been performed by middle school, high school, and collegiate singers around the world. Brandy Kay teaches at Tiffin University.Feel free to adapt the arrangement in any way to accommodate the needs and strengths of your group. The bass part has a large range, but feel free to alter it in any way that will better suit your bass section. This song was covered by Christina Aguilera in the movie Burlesque. Alternate title: Something's Gotta Hold On Me.<br> <br> With a Master of Music in Choral Conducting and a Bachelor of Arts in Music Theory & Performance, Brandy Kay Riha is an a cappella educator, vocal coach, and arranger with a special interest in building treble repertoire. Her innovative yet accessible arrangements have been performed by middle school, high school, and collegiate singers around the world. Brandy Kay teaches at Tiffin University.
$4.00
3.69 €
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Chorale SATB
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Etta James
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Brandy Kay Riha
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Something's Got A Hold On Me
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Brandy Kay Riha
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SheetMusicPlus
Radio/video
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1101579 By System of a Dow…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1101579 By System of a Down. By Daron Malakian and Serj Tankian. Arranged by Moshe Gordon Radian. A Cappella,Rock. Octavo. 83 pages. Moshe Gordon Radian #704933. Published by Moshe Gordon Radian (A0.1101579). An a cappella arrangement of System Of A Down's Radio/Video—a track from the album Mezmerize. I've been recording improvised a cappella arrangements of songs since high school as a hobby, originally dubbing them as demos to entice friends from my high school's choir to join and record the full parts. I originally recorded Radio/Video in 2012, years after high school, having the crazy idea of trying to arrange a metal song, without being able to scream. I did a decent job and uploaded it to YouTube and forgot about it for years (intense university and startup years). During one of the Covid lockdowns, I was browsing an a cappella Facebook group and came across Noa Gruman's YouTube video doc on choirs during Covid (https://www.youtube.com/watch?v=86IHL4FWUu8), and through it, I discovered the Hellscore choir (https://www.youtube.com/hellscoreacappella), an Israeli metal a cappella group. After starting a new job, I've decided to support various creators I've been following, including Noa - and discovered the option to have monthly sessions with her by supporting her through Patreon. After discussing some vocal techniques, I asked Noa if she would be willing to listen to and comment on my old metal arrangement, to which she agreed. Rather than just doing that, I rerecorded a new version of the arrangement, with new ideas and taking advantage of some improved vocal techniques. Noa gave me a very useful critique but suggested that it would be more efficient to also put the arrangement down in musical notation. And so, for the first time in my life, I sat down to actually write a musical arrangement. This piece is the result of this months-long process, which is itself born of a decade old project of mine. I would be excited to have you perform this arrangement with a full choir—I would love to hear the result! I will be re-recording it myself in the near future. I sincerely hope you'll enjoy this piece.
$1.99
1.83 €
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Chorale SATB
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System of a Down
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Moshe Gordon Radian
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Radio/video
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Moshe Gordon Radian
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SheetMusicPlus
Hallelujah
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799676 By Lee DeWyze. By L…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC! THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright. Please do not use without purchase!
$1.99
1.83 €
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Chorale SATB
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Lee DeWyze
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D
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Hallelujah
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D. M. Gardner Music
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SheetMusicPlus
Funeral For A Tree
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874246 Composed by John P…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contemporary. Octavo. 31 pages. As do Ray meflute studio production #3885051. Published by as do Ray meflute studio production (A0.874246). Https://www.youtube.com/watch?v=PqIQfHGxLEg&feature=youtu.be With thoughts leaning and reflecting on the end on Fall, and November, I can’t help but notice the beauty of fall and the trees and foliage. This wonderous little musical piece , from the motion picture The Lorax from the Dr. Seuss movie, depicts of the main character the Lorax speaking for the trees and in many ways advocating for all things, people and groups that can not speak for themselves. And even in the times that we live in, this story still rings true today. And beauty can still be found in sadness, or endings whether the be falling leaves in the park, or even with the events that are said , we grow and learn, being grateful for what we have , and learn to find our voices to speak out for the things that truly matter in life. This music, which is much like a hymnal, especially in the beginning of the piece, is perfect for this message. A message of peace, reflectiveness and hope and courage. As a side note , this piece should be played with lots of thoughtful rubato, and when the meter changes for 4/4(5/4) to 12/8, the beat does not change from quarter to dotted quarter .In the middle, minor section, I really added and improvised my musical skills per chord and melody of the song which makes my arrangement very distinctive, individual and unique. This would be great for a movie themed concert, all by it's self, for a funeral, for Arbor Bay/ Tree ceremony , for fall or autumn music/ themed programs, recitals, etc. Sure to be a well used piece in your collection. Scored for piccolo, flute 1, 2, 3 4, alto and bass flute. This pieces suites smaller groups , such as 1 per part, or doubling up with discretion. please visit my website at doraymeflute.com , too!I hope you enjoy this as much as I do, thank you for your support.#movie music #arborday#holidaymusic #fallmusic #holiday #fall #autumn #season #flutechoir #movieflute #autumnmusic
$14.99
13.82 €
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Chorale SATB
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John Powell
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Funeral For A Tree
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as do Ray meflute studio production
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SheetMusicPlus
Now That the Son is Beaming Bright
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915680 Composed by Richard…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #3023247. Published by Barber Music Company (A0.915680). Words by St. Ambrose of Milan (c340–397), tr. by John Henry Newman.Set to music and arranged by Richard Joseph Barber for Rev. Jason Parker, High Country Baptist Church in Colorado Springs, CO.Composer's note:This is a joyous call to prayer (especially morning prayer). The music reminds me of little children skipping with glee under a bright blue morning sky. It needs to be sung with joy in the Lord, Who hears us when we call, forgives our sins, and gives us grace to love Him, keep his commands and do those things that are pleasing in His sight. It should be a wonder morning service anthem, but why not try it in the evening, too, in anticipation of meeting God at the beginning of the next day. The key to the style of this piece is rhythmic vitality. The 6/8 meter should be conducted in two, but singers (and the conductor) must feel the eighth note division of the beat as the composition's energizing rhythmic subtext. After the choir has learned the words, pitches and rhythms of the piece, have them let the text go for awhile, and replace it with the syllable doo for every eighth note value. That is, for every eighth note sing 'doo once; for every quarter note sing it twice; for every dotted quarter note sing it three times, and so on. You will hear some giggling from your singers. That is okay. They will have some fun, and you will hear definite improvement. RJB (barberpianoserv@gmail.com).
$3.00
2.77 €
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Chorale SATB
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Richard Joseph Barber
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Now That the Son is Beaming Bright
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Barber Music Company
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SheetMusicPlus
To Us This Night Is Born a Child
Chorale SATB
SATB Chorus & Piano - Digital Download SKU: IZ.VMW227 Composed by Ernest Brandon. O…
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SATB Chorus & Piano - Digital Download SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital (IZ.VMW227). 9 x 12 inches.“Paris Without You is a piece for solo tenor saxophonist and orchestra with jazz quartet accompaniment. By way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned. I was going to visit family and Cindy was going back to Paris, a place she had visited many times. So it was that we were almost literally a world apart. Upon both our returns, Cindy shared her many photos of Paris with me, a place I have never been. These photos were but a few that really made an impression on me and made me feel almost as I were there, even though Cindy was there (in one of the most romantic places in the world) as musicians would say, “solo. So the title of this piece suggests a telling of the story in pictures from her perspective.In performing this piece, it is preferable to have a tenor saxophonist who is equally comfortable in an orchestral setting as in a jazz quintet setting. Though all the jazz quintet parts are very specifically written, with either chord voicings and suggested solos, there is room for improvisation in these parts, but using a keen ear and direction to know when to align properly with the orchestra.In my recording of this piece, Maynard Ferguson Band alumni, Andy Weinzler is the featured tenor saxophonist. Many Western New York musicians came together to record this piece, and I thank them all for their incredible musicianship and willingness to perform this piece.
$2.00
1.84 €
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Chorale SATB
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way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned
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Ernest Brandon
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To Us This Night Is Born a Child
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Imagine Music - Digital
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SheetMusicPlus
Festal Introit
Chorale SATB
SATB Chorus, Brass Quartet, and Percussion - Digital Download SKU: IZ.VMW228 Compos…
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SATB Chorus, Brass Quartet, and Percussion - Digital Download SKU: IZ.VMW228 Composed by William Bullock. Score and Parts. 13 pages. Imagine Music - Digital #VMW228. Published by Imagine Music - Digital (IZ.VMW228). 9 x 12 inches.“Paris Without You is a piece for solo tenor saxophonist and orchestra with jazz quartet accompaniment. By way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned. I was going to visit family and Cindy was going back to Paris, a place she had visited many times. So it was that we were almost literally a world apart. Upon both our returns, Cindy shared her many photos of Paris with me, a place I have never been. These photos were but a few that really made an impression on me and made me feel almost as I were there, even though Cindy was there (in one of the most romantic places in the world) as musicians would say, “solo. So the title of this piece suggests a telling of the story in pictures from her perspective.In performing this piece, it is preferable to have a tenor saxophonist who is equally comfortable in an orchestral setting as in a jazz quintet setting. Though all the jazz quintet parts are very specifically written, with either chord voicings and suggested solos, there is room for improvisation in these parts, but using a keen ear and direction to know when to align properly with the orchestra.In my recording of this piece, Maynard Ferguson Band alumni, Andy Weinzler is the featured tenor saxophonist. Many Western New York musicians came together to record this piece, and I thank them all for their incredible musicianship and willingness to perform this piece.
$16.00
14.75 €
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Chorale SATB
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way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned
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William Bullock
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Festal Introit
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Imagine Music - Digital
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SheetMusicPlus
A Place for Dreaming
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Mede…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Christian,Contemporary,Religious. 13 pages. Ken Medema Music #950379. Published by Ken Medema Music (A0.1366026). Is There a Place for DreamingIs there a place for dreamingIn the corners of your mind…In a world where dreams are broken,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free. Do you dream of another countryWhere there is no push and shove…where the rich don’t rule and the poor are fed,And the only law is love,And a neighbor is a neighbor, And there is trust and loyalty?Come dreaming with me, dreaming with me,Admission is free. When I was a boy, I used to daydream a lot,And they told me that it would not last;Wouldn’t have time for such a waste of my mind,When my life started moving fast.Now that I’m grown, I find that life with no dreamIs a hell I refuse to bear.If it’s alright, I want to open my mindAnd see if my dreams are still there. Is there a place for dreamingIn the corners of your mind…In a world where dreams are broken ,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free.
$1.99
1.83 €
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Chorale SATB
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Ken Medema
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Ken Medema
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A Place for Dreaming
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Ken Medema Music
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.66 €
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Come, Holy Spirit, Dove Divine
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.976727 Composed by Robert …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.976727 Composed by Robert Myers. Christian,Praise & Worship,Sacred. Octavo. 2 pages. WheatMyer Music #5197337. Published by WheatMyer Music (A0.976727). It was one of those accidents where you find something useful when you’re looking for something else. While reading on the nature of worship, a particular blog article ended with Adoniram Judson’s early 19th Century baptismal poem, Come Holy Spirit, Dove Divine. The flowing text called out (at least to me!) for a musical setting. Accordingly, some melodic and harmonic ideas began to percolate in my thoughts. However, before getting very far along in writing a tune, there were two surprises in store. First many others had already set the text to music before (with a multitude of tunes) going back to at least 1833. Second, despite being a Baptist for over forty years, I discovered that this hymn has been in the Baptist Hymnal since 1956 yet I have no recollection of every singing it! Well, chagrined at my ignorance, I carried on writing a new melody and harmony for this deserving text. I sought to make it friendly to congregational singers while still containing rich and sing-able harmonies and so aimed for a four-part hymn-style form. However, as I suspect my ignorance of the hymn is a common condition, a fresh and modern tune which would be at home in varied musical styles and have popular appeal was also pursued. The result is a delightful and uplifting tune, easy to sing, with an optimistic and forward momentum, commensurate with the meaning of believers’ baptism, Buried with Him in baptism; raised to walk in new life. The music is flexible in application to many church music styles: praise team and band, choir and organ, congregation and piano, or mix and match to fit your needs. May you find Come, Holy Spirit, Dove Divine, singing a much needed text, a means for your congregation to joyfully join with new believers in celebration of their baptism!
$1.99
1.83 €
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Chorale SATB
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Robert Myers
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raised to walk in new life
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Come, Holy Spirit, Dove Divine
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WheatMyer Music
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SheetMusicPlus
Ah, but shall I not long?
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.919010 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.919010 Composed by Karen E. Peace (KE Peace). Contemporary,Holiday,Love. Octavo. 8 pages. Pax Multimedia #2894557. Published by Pax Multimedia (A0.919010). Love poem by the composer. SSAATTBB with piano for rehearsal only.Text: Ah, but shall i not long for you? Shall I, in obeisance to your scruples , then banish my love to a dark cell and express not its insistent call? It is you who have loved me and made me love -- Now I am as Prometheus, who, seeing fire, could never after forget its light and for that, submitted to burning pain for love of fire and love of human kind. And, captive to its eternally mesmerizing call, consented his liver to be consumed. And so my heart for you. Each ray of the setting sun that lures my essence outside its boundaries Each sparkle reflected on my solitary walls, each note that calls the soul to absent itself from form each subtle intimation of immortality -- at each my soul cries out for you, who has captured and entranced, plundered and bound, myself, in love, to you.
$1.99
1.83 €
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Chorale SATB
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Karen E
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Ah, but shall I not long?
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Pax Multimedia
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SheetMusicPlus
Lesbia mi dicit semper male
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00
1.84 €
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Chorale SATB
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Hark! The Herald Angels Sing! for String Quartet
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix B…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098159. Published by Artistic Score Engraving di Galvagno Michele (A0.841363). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95
4.56 €
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Chorale SATB
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Felix Bartholdy Mendelssohn, Samuel Arnold, and William H
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Michele Galvagno
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Hark! The Herald Angels Sing! for String Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Li Bao Poem éœå¤œæ€ (Nostalgia) Song for Karaoke
Chorale SATB
Choral Choir (Mixed) - Digital Download SKU: A0.1007047 Composed by Johnson Gao. Co…
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Choral Choir (Mixed) - Digital Download SKU: A0.1007047 Composed by Johnson Gao. Concert,Contemporary,Film/TV,World. Octavo. 12 pages. Johnson Gao #6411899. Published by Johnson Gao (A0.1007047). Li Bai (A.D.701-762) of Tang Dynasty has written a poem of 20 Chinese characters called as éœå¤œæ€, or, Quiet Night Thoughts (Nostalgia) in English. The poem is very famous in China and in Japan. Up to date 1314 years have passed. But, very few composers had ever made the song for that poem. Then, Johnson Gao composed a song for it on May 16, 2016. He further enlarged it to 8 voices and made the Karaoke (å¡æ‹‰OK) for you to try. éœå¤œæ€ æŽç™½ (公元701~762) 床å‰æ˜Žæœˆå…‰, 疑是地上霜。 舉首望明月, (抬é 望明月,) 低é æ€æ•…鄉。 Quiet Night Thoughts by Li Bai (A. D. 701~762) Translated by Johnson Gao (English translation by Johnson K. Gao) The bright moonlight is casting over the floor before my bed. It seems to me as like as the frost spreading on the ground. When I raise my head and stare at the bright moon, Bowing my face, I couldn't help thinking of my hometown.
$1.99
1.83 €
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Chorale SATB
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Johnson Gao
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Li Bao Poem éœå¤œæ€
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Johnson Gao
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SheetMusicPlus
Love Is Forever
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.500711 Composed by Emil Ro…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.500711 Composed by Emil Rosendal, Emil Rosendal Lei, Lise Cabble, and Melanie Hayrapetian. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 11 pages. G. M. Morley #5896495. Published by G. M. Morley (A0.500711). Love Is Forever is a song by Danish singer Leonora that was Denmark's entry at the Eurovision Song Contest 2019 in Tel Aviv. It is the first multilingual entry from Denmark in Eurovision and also the first Danish entry with Danish lyrics since the removal of the language rule in 1999. It was performed at the second semi-final on 16 May 2019, and qualified for the final, where it placed 12th with 120 points.It's a fun little number that will round off any pop or wedding choir repertoire. Phonetic lyric pronunciation of the multilingual sections have been provided to support those who wish to sing the final verse.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
2.77 €
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Chorale SATB
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Emil Rosendal, Emil Rosendal Lei, Lise Cabble, and Melanie Hayrapetian
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G
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Love Is Forever
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G. M. Morley
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SheetMusicPlus
Illumine le tenebre
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sa…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99
3.68 €
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Chorale SATB
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Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Eitz Chayim and Hashiveinu
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.872560 Composed by Philip …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.872560 Composed by Philip Orem. Contemporary,Jewish,Sacred. Octavo. 7 pages. Philip Orem #3103529. Published by Philip Orem (A0.872560). My setting of the Eitz Chayim and Hashiveinu. The Eitz Chayim can be performed alone. A subtle jazz harmony and a gentle waltz feel makes this very accessible and popular with both choirs and congregations. For soprano solo and choir. Something special for the High Holidays! Approximately three minutes for both prayers.We're on the honor system here, please buy as many copies as you have performers. Printing more copies than you purchase is a violation of the copyright.Contact me for further information at po4musik@aol.com or https://po4musik.wixsite.com/website.
$2.80
2.58 €
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Chorale SATB
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Philip Orem
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Eitz Chayim and Hashiveinu
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Philip Orem
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SheetMusicPlus
Prayer of Saint Francis
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.991908 Composed by Sebasti…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.991908 Composed by Sebastian Temple. Arranged by Kelvyn Koning. Gospel,Sacred,Spiritual. Octavo. 12 pages. Kelvyn Koning #3556857. Published by Kelvyn Koning (A0.991908). Prayer of Saint Francis is based on the hymn Make Me a Channel of Your Peace by Sebastian Temple, which uses text from a prayer written by Saint Francis of Assisi. Part of the inspiration for the piece comes from Madison CRC, a church I belonged to and worked in for about five years, which was focused on interracial development and combating racism. It is often clear to a person who has belonged to any group of people (for example, a multi-racial church or a choir), that it takes a lot of effort for different people to unite harmoniously to achieve something greater than what any lone person could accomplish. This song is a prayer about unity, about peace between people who are different from each other. Different, in this case, refers to every sort of difference, whether in race, ethnicity, background, social class, gender, sexuality, age, religion, politics, personality, preferences, musical ability, etc. This piece includes different musical styles working in tandem, thus illustrating that differences can work together to create beauty and harmony. Though written by Christians, this is not just a prayer for Christians, but for all of us, that we may treat those around us with love, care, and respect, thus bringing peace to our communities, both locally and globally. I am honored to have had this piece premiered by the Berkshire Choral Apprentices of 2018 at Skidmore College in Saratoga Springs, NY.
$1.99
1.83 €
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Chorale SATB
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Sebastian Temple
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Kelvyn Koning
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Prayer of Saint Francis
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Kelvyn Koning
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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Chorale SATB
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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