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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
He Was There All The Time
Non classifié
424
Piano & claviers
Piano seul
81
Piano, Voix
51
Piano, Voix et Guitare
38
Piano Trio: piano, violon, violoncelle
5
Orgue
4
2 Pianos, 4 mains
3
Piano Facile
3
Instruments en Do
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
15
Guitare notes et tablatures
6
Banjo
2
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline, Guitare (duo)
1
2 Guitares (duo)
1
Ukulele
1
+ 3 instrumentations
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Voix
Chorale SATB
31
Voix Alto, Piano
10
Chorale 3 parties
5
Chorale TTBB
5
Voix Soprano, Piano
2
Chorale 2 parties
2
Voix duo, Piano
1
Voix seule
1
Chorale Unison
1
Chorale SSAA
1
Voix Tenor, Piano
1
Voix Tenor
1
+ 7 instrumentations
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Vents
Quintette de Saxophone: 5 saxophones
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
2 Saxophones (duo)
56
Flûte traversière et Piano
45
Ensemble de saxophones
42
Saxophone, Clarinette (duo)
30
Saxophone Alto et Piano
29
Hautbois, Piano (duo)
28
Saxophone Tenor et Piano
28
Saxophone Soprano et Piano
27
Clarinette et Piano
26
Saxophone Baryton, Piano
24
Clarinette Basse, Piano
21
Clarinette, Violon (duo)
20
Cor anglais, Piano
19
Ensemble de Clarinettes
18
2 Flûtes traversières (duo)
15
2 Clarinettes (duo)
14
Clarinette
14
Clarinette, Trompette (duo)
13
Flûte, Clarinette (duo)
12
2 Hautbois (duo)
11
Flûte, Saxophone (duo)
10
Hautbois, Flûte
10
Clarinette et Alto
10
Hautbois, Clarinette (duo)
10
Ensemble de Flûtes
9
Flûte, Trompette (duo)
9
Flûte, Violon
9
Hautbois, Basson (duo)
9
Quatuor de Clarinettes: 4 clarinettes
8
Quintette de Flûte : 5 flûtes
7
Flûte, Hautbois, Clarinette, Basson
5
Hautbois (partie séparée)
5
Quatuor de Saxophones: 4 saxophones
5
Quatuor de Flûtes : 4 flûtes
4
Flûte, Alto (duo)
4
Saxophone Tenor
3
Saxophone (partie séparée)
3
Flûte traversière
2
Piccolo, Piano
2
Flute (partie séparée)
2
Saxophone Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Violoncelle (duo)
2
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto, Piano
1
3 Saxophones (trio)
1
Flûte à bec Soprano
1
+ 47 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Euphonium, Piano (duo)
29
Trombone et Piano
25
Trompette, Saxophone (duo)
22
Cor anglais, Piano
19
Cor et Piano
19
Ensemble de Trombones
15
Trompette
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
2 Trombones (duo)
12
Trompette, Trombone (duo)
12
Quatuor de Cuivres
11
Trompette, Piano
10
2 Trompettes (duo)
10
Ensemble de Trompettes
10
Tuba
4
Ensemble de Cors
3
Trombone
3
Cor
2
2 Tubas (duo)
1
Tuba et Piano
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 19 instrumentations
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Cordes
Violon et Piano
29
Alto, Piano
29
Violoncelle, Piano
24
Trio à Cordes: violon, alto, violoncelle
14
2 Altos (duo)
13
2 Violons (duo)
13
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
10
Ensemble d'Altos
8
Violon, Violoncelle (duo)
8
Ensemble de Violons
8
Violon
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle
5
Harpe
5
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contre Basse
1
4 Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
22
Orchestre à Cordes
15
Orchestre
13
Ensemble de cuivres
10
Ensemble Jazz
7
Jazz combo
6
Orchestre de chambre
5
Cloches
1
Orchestre, Violon
1
2 Marimbas
1
+ 5 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
He Was There All The Time
Chorale SATB
Partitions à imprimer
31 partitions trouvées
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1
26
The Old Palmer Song
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Chorale SATB
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FACILE
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the time the rush was over, th
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Traditional
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Sandra Milliken
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873...
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Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
BEHOLD HE IS COMING (SATB) – Revelation 1:7
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
Hope of the World:13 Feed the Flock for Slaughter by Stephen R Dalrymple
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Hope of the World:13 Feed the
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 29 pages. Stephen R Dalrymple #6709747. Published by Stephen R Dalrymple (A0.818372). Hope of the World: 13 Feed the Flock for Slaughter original song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Zechariah 11, John 10, and Matthew 27♫ The Judah of Zechariah was marred by exiles who struggled greatly to obey God’s law. Ezra, Nehemiah, Haggai and Malachi contain many passages that point out the sin of the people. Joshua, the current high priest, is pictured in one of Zechariah’s visions as wearing filthy apparel, desperately needing cleansing. Sheep in Bible times are grown more for their wool and milk, not so much for the slaughterhouse. Zechariah likens the leadership of Judah to shepherds and flock owners who are primarily concerned with selling meat. But there is a good shepherd who intervenes to lead the flock. He is mistreated by the owners and the shepherds and paid the price of a slave for his efforts. The good shepherd, casts the price on the floor for the potter.♫ Zechariah is looking ahead to a time when the religious leaders of Judah were short on compassion and the needs of people. Jesus called Himself the Good Shepherd. We see several parallel’s here in John 10. He called the religious leaders of His day, thieves and robbers, and predators. Judas Iscariot was paid the price of a slave to betray Jesus, which he threw to the ground, but was scooped to purchase a Potter’s Field!♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
The Birth
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Chorale SATB
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FACILE
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Ian Calvert
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The Birth
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Ian Calvert
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1298965 Composed by Ian Calvert. 21st Century,A Cappella,Christmas,Contemporary,Holiday. 6 pages. Ian Cal...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1298965 Composed by Ian Calvert. 21st Century,A Cappella,Christmas,Contemporary,Holiday. 6 pages. Ian Calvert #888815. Published by Ian Calvert (A0.1298965). This is the first publication of a new Christmas song, set for SATB a cappella and ideal for community or professional choirs. The words are those of a poem by Leonard Clark (1905 – 1981). He was an English poet who was raised in The Forest of Dean, in the west of England. The Forest became his great passion and inspiration; much of his poetry reflects that upbringing and often relates to nature. In 1972 he published a slim little book of Christmas poems, of which ‘The Birth’ is one. What I like about this poem is its simplicity and clarity – and its narrative development through the verses. It starts with the poet waking in the pre-dawn. He then realizes that it is Christmas Day and in the stillness of that time his mind turns to the birth of Jesus, as traditionally told; tenors and basses start this verse. Then he steps out of time and space and looks through his bedroom window to contemplate the mystery of incarnation; sopranos and altos begin this third verse. And he finishes at the stable, offering devotion to the newborn Lord. This song is also available in a version for voice and piano. Drawn from the same book of poems there is available another new Christmas song, called Singing in the Streets; that one is set for baritone and piano. Ian Calvert.
$1.99
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Richard St
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Sanbutsuge: A Buddhist Motet f
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717). This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]Text (slightly abridged):Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:The shining face of the Buddha is glorious;Boundless is his magnificence.Radiant splendor such as hisIs beyond all comparison.The sun, the moon and the mani-jewel,Though shining with dazzling brightness,Are completely dimmed and obscuredAs if they were a pile of ink-sticksThe countenance of the TathagataIs beyond compare in the whole world.The great voice of the Enlightened OneResounds throughout the ten regions.His morality, learning, endeavor,Absorption in meditation, wisdomAnd magnificent virtues have no equal;They are wonderful and unsurpassed.I resolve to become a Buddha,Equal in attainment to you, O holy king of the Dharma,To save living beings from birth-and-death,And to lead them all to emancipation.I vow that, when I have become a Buddha,I shall carry out this promise everywhere;And to all fear-ridden beingsShall I give great peace.Even though there are Buddhas,A thousand million kotis in number,And multiudes of great sagesCountless as the sands of the Ganges,I shall make offeringsTo all those Buddhas.I shall seek the supreme WayResolutely and tirelessly.Even though the Buddha-lands are as innumerableAs the sands of the Ganges,And other regions and worldsAre also without number,My light shall shine everywhere,Pervading all those lands.Such being the result of my efforts,My glorious power shall be immeasurable.When I have become a Buddha,My land shall be most exquisite,And its people wonderful and unexcelled;The seat of Enlightenment shall be supreme.My land, being like Nirvana itself,Shall be beyond comparison.I take pity on living beingsAnd resolve to save them all.Those who come from the ten quartersShall find joy and serenity of heart;When they reach my land,They shall dwell in peace and happiness.I beg you, the Buddha, to become my witnessAnd to vouch for the truth of my aspiration.Having now made my vows to you,I will strive to fulfilll them.The World-Honored Ones in the ten quartersHave unimpeded wisdom;I call upon those Honored OnesTo bear witness to my intention.Even though I mu.
$10.99
Hold The Line
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Chorale SATB
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INTERMÉDIAIRE
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Toto
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Jacob Klingsten
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Hold The Line
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1346604 By Toto. By David Paich. Arranged by Jacob Klingsten. 20th Century,A Cappella,Contemporary,Rock. ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1346604 By Toto. By David Paich. Arranged by Jacob Klingsten. 20th Century,A Cappella,Contemporary,Rock. 16 pages. Jacob Klingsten #931373. Published by Jacob Klingsten (A0.1346604). “Hold The Line†by Toto is a spectacular seventies rock song from their debut album, Toto. This arrangement is for SATB acapella groups, and sits at a medium-level difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features a driving beat, a care-free yet stunning solo line, and pulsing, grooving lines in the supporting parts. While the piece is in quadruple compound time (12/8), the repetitive mixed meter feel this piece features allows students to grasp with varying subdivisions throughout. Additional Details:Key: A Major14 PagesLength: 3m 10sRange (All Parts): D2-F#5This piece was commissioned for Jewop A Cappella at UW-Madison in Madison, Wisconsin. If you would like the score changed to fit your ensemble's needs or are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$1.99
Hymns from Childhood - Set 1 (SATB)
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Chorale SATB
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FACILE
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 1
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.719730 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4572983. Publish...
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Choral Choir (SATB) - Level 2 - SKU: A0.719730 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4572983. Published by Curtis Hanson (A0.719730). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include He Leadeth Me, Savior, Like a Shepherd Lead Us, and O Master, Let Me Walk with Thee.
$2.25
Two Views of Scott Joplin
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Chorale SATB
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INTERMÉDIAIRE
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings...
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Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99
Cantata No. 1 Psalm 139 The Lord Has Known Me
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Chorale SATB
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AVANCÉ
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Kevin Longley
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Kevin Longley
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Cantata No. 1 Psalm 139 The Lo
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Rel...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1441952 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. 21st Century,Contemporary,Religious,Spiritual. 38 pages. Kevin Longley #1021944. Published by Kevin Longley (A0.1441952). The InspirationIn 2023 I decided to review a piece I had composed in 1990 to honor a friend I was singing with in a choral group at that time; Charles Munion. He never heard the piece as I felt the classical contemporary style would be a bit much for his ears! Beyond that I don't have allot of recollection as to the inspiration or what my thoughts were at the time of the composition. In regards to the revision, I added additional music to the third movement in order to balance out the movements and reworked some of the choral voicing.The MusicWritten in a contemporary classical style it follows the classic structure of 3 movements: First movement – brisk, loud forceful in nature Second movement – slow and lyrical Third movement – light and quick but with a forceful ending While in a contemporary style, at heart it maintains tonal centers throughout. While there is a few brief moments where I can here a little Bartok, as a whole I would say this piece is unique in regards to its style.
$1.99
He is Risen!
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Chorale SATB
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FACILE
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Musique Sacrée
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C
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Rick Windley
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He is Risen!
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RockWind Music, LLC
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1164029 Composed by C.F. Alexander, Joachim Neander. Arranged by Rick Windley. Easter,Praise & Worship,Sa...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1164029 Composed by C.F. Alexander, Joachim Neander. Arranged by Rick Windley. Easter,Praise & Worship,Sacred. 6 pages. RockWind Music, LLC #764374. Published by RockWind Music, LLC (A0.1164029). This is the traditional He is Risen often sung at Easter time - yet with an updated accompaniment and voicing for SATB choir. It is sung with rejoicing and triumphant. It was written with amateur groups in mind and so it can be prepared with minimal rehearsal for your program, whether school, church, or community choirs. There is also an SAB version available. Please keep in mind that the MP3 sound file was electronically produced and so it's somewhat mechanical sounding but it will give you an idea of the piece.
$1.99
Bring His Love
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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the first of the year I had th
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Kevin Longley
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Bring His Love
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.
$1.99
Calvary is Far Away, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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whom the Lord was slain
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Kevin G
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Calvary is Far Away, a sacred
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1096104 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 3 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1096104 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #700054. Published by Kevin G. Pace (A0.1096104). A beautiful sacred hymn of the Savior. Music by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Calvary is far away On a little hill, Where the Son was crucified To fulfill God's will. Rock and stone washed clean with time No longer bear the stain Of blood our Savior shed for man, By whom the Lord was slain. Nature wept to hide the deed. Wind would scour His pain, To leave behind a promise true That we shall live again. Far too is Gethsemane, Hidden 'midst the trees, Where he suffered for our sins, Fallen on His knees. There he drank the bitter cup, With none His pain to ease. The garden mutely heard His groans Dispersed upon the breeze. Ev'ry bough in reverence bent To His grief unseen, In honor of His sacrifice, That man could now be clean. Christ is not so far away, Nor His loving care. All creation sings His praise, Knowing He is there. See Him in each blooming flower, In rivers streaming by. Then feel Him in each mighty gale, Each snowflake in the sky. Glory Lord is thine alone. Earth still sings Thy fame, 'Til all shall bow before Thy throne, Remembering Thy name.
$1.99
Calvary is Far Away, sacred music for SATB Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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whom the Lord was slain
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Kevin G
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Calvary is Far Away, sacred mu
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1104757 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1104757 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #707994. Published by Kevin G. Pace (A0.1104757). Beautiful, sacred music for SATB choir. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham. Text: Calvary is far away On a little hill, Where the Son was crucified To fulfill God's will. Rock and stone washed clean with time No longer bear the stain Of blood our Savior shed for man, By whom the Lord was slain. Nature wept to hide the deed. Wind would scour His pain, To leave behind a promise true That we shall live again. Far too is Gethsemane, Hidden 'midst the trees, Where he suffered for our sins, Fallen on His knees. There he drank the bitter cup, With none His pain to ease. The forest silent to HIs groans Dispersed upon the breeze. Ev'ry bough in reverence bent To His grief unseen, In honor of His sacrifice, That man could now be clean. Christ is not so far away, Nor His loving care. All creation sings His praise, Knowing He is there. See Him in each blooming flower, In rivers streaming by. Then feel Him in each mighty gale, Each snowflake in the sky. Glory Lord is thine alone. Earth still sings Thy fame, 'Til all shall bow before Thy throne, Remembering Thy name.
$1.99
Tondu' Majâng
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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R
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Otniel Simangunsong
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Tondu' Majâng
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Otniel Simangunsong
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1247408 Composed by R. Amiruddin Tjitraprawira. Arranged by Otniel Simangunsong. 19th Century,A Cappella,...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1247408 Composed by R. Amiruddin Tjitraprawira. Arranged by Otniel Simangunsong. 19th Century,A Cappella,Contest,Festival,Folk,Traditional. 14 pages. Otniel Simangunsong #842045. Published by Otniel Simangunsong (A0.1247408). Tondu' Majâng is a Madurese song composed by R. Amiruddin Tjitraprawira. R. Amiruddin Tjitraprawira, a figure who hails from Bangkalan Madura, is not widely known in his current condition. He was born on May 18, 1920 and died on December 17, 1975. A number of songs created by R. Amiruddin Tjitraprawira, circulated a lot like the song; Pangèran Trunodjojo, Madhurâ O Madhurâ, Asta Aermata, Kerrabhân Sape, Djoko Tole, Tera' Bulân, È Pasèsèr, Kè' Lèsap, Kembhângnga Naghârâ, Tondu' Majâng, Aèng Tantja 'Torowan, Orèng Matrol and others. This song is a regional Madurese song because it really describes the lives of the coastal communities of Madura who work as fishermen. The song Tondu' Majâng tells the life of a Madurese fisherman. Their life is described as very hard because they have to deal with many dangers at sea (atemmo bhâbhâjâ). They also have to risk their lives (abhândhâ nyabâ) to support their families who are left at home. Sometimes to catch a lot of fish they have to stay for days on the boat so they become used to the sea and rely on the waves as a pillow and the wind as their blanket (abhântal ombâ' sapo' angèn salanjhânga). Many write this song from Madura with Tanduk Majeng, even though the word tanduk or tandu' means horn in Indonesian. Meanwhile, when paired with the context and lyrics of this song, it is true that there is tondu' which means arrived. So it is appropriate to use tondu' instead of horns because what is told in this song is the arrival of the fishermen when they are looking for fish. Otniel Simangunsong is a conductor and composer from Indonesia. He was born in Tanjungbalai, North Sumatra on August 19, 1996. Currently he is a conductor of Benedicamus Chante Choir - Darma Cendika Catholic University Student Choir, Surabaya. He has also got some supports from another professional conductors and composers. Tondu' Majâng is arranged a capella with soprano, alto, tenor, baritone and bass voices. This arrangement shows the accompaniment of acoustic musical instruments such as guitar, bass and drums.
$4.20
When I Land
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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When I Land
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Burke & Bagley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #4972...
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Choral Choir (SATB) - Level 4 - SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25
God's Been Good To Me
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Chorale SATB
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Country
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Keith Urban
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Sandra Milliken
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God's Been Good To Me
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.774757 By Keith Urban. By Keith Urban. Arranged by Sandra Milliken. Country. Octavo. 16 pages. Sandra Milliken #5324923. P...
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Choral Choir (SATB) - SKU: A0.774757 By Keith Urban. By Keith Urban. Arranged by Sandra Milliken. Country. Octavo. 16 pages. Sandra Milliken #5324923. Published by Sandra Milliken (A0.774757). God's Been Good to Me is a song by New Zealand-Australian singer-songwriter Keith Urban. Keith was born in New Zealand in 1967 and later moved, with his parents, to live in Queensland, Australia. There he took guitar lessons and entered local talent competitions. In 1983 he was a contestant on the Australian TV talent show New Faces. A few years later, he began making inroads into the Australian country music scene.In 1990, Urban signed with record label EMI in Australia and released his first self-titled album. Then in 1992 he moved to Nashville, Tennessee, in the hope of furthering his career and seven years later released a self-titled American debut album. A single from this album, Your Everything, made him the first male Australian performer to reach the Top 10 on the US country charts. Several more successful albums followed.Whilst living in Nashville, Keith often used cocaine, but after reaching a low point in 1998, he became determined to stop using the drug. In January 2005 Keith met Australian actress Nicole Kidman. They began dating six months later and married in 2006.God's Been Good to Me is a reflection of the dark times that Keith encountered in Nashville and his thankfulness that those times were now behind him.This arrangement is available for SATB and SSA choirs as well as for High and Low solo voices. All versions feature piano, violin and guitar accompaniment.
$2.30
YOU ARE MY HOLY LORD, A 16 Minute Worship Service for Choir & Congregation (Score & Parts included)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Various
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Gary Lanier
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Orchestra.Â
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YOU ARE MY HOLY LORD, A 16 Min
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The Lanier Company
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1171042 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,S...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1171042 Composed by Various. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,Spiritual. 52 pages. The Lanier Company #771379. Published by The Lanier Company (A0.1171042). YOU ARE MY HOLY LORD is a 16 minute non-stop worship servicefor choir and congregation, compiled by world-renowned Composer, Gary Lanier.SUGGESTED USE1. NON-STOP WORSHIP SERVICE: This musical was designed tobe used as one complete work, allowing the choir to be spotlighted withsegments, and the congregation joining the choir, expanding the worshipexperience for everyone. The Worship Leader knits the work together withnarration throughout, guiding all participants.2. WORSHIP SEGMENTS: This work can also be used in segments.Consider adding some of the following to your worship service:1. HOLY, HOLY, HOLY / SPIRIT OF THE LIVING GOD2. THERE IS NONE LIKE YOU / GOD OF MANY WONDERS3. TURN YOUR EYES UPON JESUS / I LONG TO WORSHIP YOU4. HE IS LORD / HOLY, HOLY, HOLY / YOU ARE MY HOLY LORDADDITIONAL RESOURCESIn preparation for presenting YOU ARE MY HOLY LORD, considerintroducing these new worship songs to the congregation,several weeks in advance:GOD OF MANY WONDERSI LONG TO WORSHIP YOUYOU ARE MY HOLY LORDYou can find WORSHIP LEAD SHEETS at the end of the socreand production notes.PERFORMANCE NOTEOn page 37 you will find a SUGGESTED WORSHIP GUIDE for theperformance of YOU ARE MY HOLY LORD. In additon, it is effective touse projection of words during the worship service. Consider projecting allthe words, even those that the choir is singing, without the congregation.This will allow everyone to experience the text of each song, andencourage the congregation to sing, at the right times. Also available is a MP3 Orchestra Accompaniment Track and MP3 Performance Track with Worship Leader, Gary Lanier, Choir & Orchestra.Â
$2.99
October Dawn - Choral Song (SSAATB)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Publis...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00
Against Hope, Believe in Hope, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Against Hope, Believe in Hope,
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1082289 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1082289 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #686439. Published by Kevin G. Pace (A0.1082289). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text is inspired by the verse in the book of Romans 4:18- Who against hope believed in hope, that he might become the father of many nations, according to that which was spoken. Text: Against hope, believe in hope. Hold God’s sturdy hand. Act on heavn’ly promises like the way He planned. Against hope, believe in hope. God is still alive. When clear vision perishes, hope lets sight survive. When our God resided where space seemed null and void, Miracles remained delayed ‘til hope was employed. Acting on what can’t be seen, mid pure chaos there, He created order then, with concerning care. In our God’s provision to part all dark and light, He engaged his perfect will and his honest might. Acting on an unseen view, new days came to be. Hope brought intervals with time, verity to see. Against hope, believe in hope. With our God be yoked. Act on his sure promises, blessings to invoke. Against hope, believe in hope. God is filled with love. When clear vision perishes, God is still above. Act with hope; believe in hope. He will surely hear. Act with hope; believe in hope ‘til our God draws near.
$1.99
Crown Him King
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Chorale SATB
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John Innes
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Crown Him King
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir - SKU: LX.CE74 Composed by John Innes. Choral Cantatas. Easter. 68 pages. Lorenz Publishing - Digital Sheet Music #eCE74. Published by Lorenz...
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SATB choir - SKU: LX.CE74 Composed by John Innes. Choral Cantatas. Easter. 68 pages. Lorenz Publishing - Digital Sheet Music #eCE74. Published by Lorenz Publishing - Digital Sheet Music (LX.CE74). UPC: 000308009965.With alto soloist and narrator. From the pen of this well-known composer and lyricist comes a glorious new cantata which includes some colorful settings of appropriate Easter hymns. The accompaniment in this 64 page work is scored for piano. Performance time is approx 35 min.
Song List
: Crown Him King Crown Him King Finale Gethsemane He Was Despised And Rejected Hosanna In The Highest Sing Alleluia The Last Supper The Old Rugged Cross Were You There When I Survey the Wondrous Cross
$8.95
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He Was There All The Time
