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How Soon Is Now?
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Vous avez sélectionné:
How Soon Is Now?
Chorale SATB
Partitions à imprimer
6 partitions trouvées
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My Lord and Savior, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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He came to Joseph
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My Lord and Savior, a sacred h
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1398934 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1398934 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #982209. Published by Kevin G. Pace (A0.1398934). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:He came to Mary; He came to Joseph.He came from Father up above.He was a Baby who grew to manhood.He came to show the world his great love.He was a teacher for ev’ry person.He showed me how to live in peace.With his forgiveness I can be like Him,Then kindness on the earth will increase.His name is Jesus, my Lord and Savior.He healed the sick and raised the dead.But then He suffered because He loves me,And soon He died from blood that was shed.Chorus:He is my Savior and I can thank HimFor ev’ry selfless gift He gives. He gives!He is my Savior, and I will love HimBecause He came to earth. Now He lives!
$1.99
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Even For His Prodigal One, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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broken rocks can be strong
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Even For His Prodigal One, a s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1042917. Published by Kevin G. Pace (A0.1464196). A beautiful, sacred hymn referencing the Parable of the Prodigal Son. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:During a drought there’s faithful hope of a rescuing rain.A distant cloud may seem afar, but God our life sustains.All temples built must show great strength when erecting to God.The earth’s great gift of severed stones shows a final façade.Arid ground can be made whole; broken rocks can be strong.God’s love is a Father’s love . . . even for the prodigal one. Abraham’s age, and Sarah’s too, halted one promised heirUntil, with time, a miracle brought forth Isaac so fair.Witnesses from within a crowd, begged a stoning one day,But Jesus stooped and said with love, “Sin no more, go thy way.”Waiting long can claim God’s will; He can bless to belong.God’s love is a Father’s love . . . even for the prodigal one. A prodigal left home too soon . . . riches squandered, abused,Until at last all pride was gone; father’s kiss showing truth.Some sin may come, or mortal pain; earthly choices are made.Temptations soar, but Father, God, loves with grandeur displayed.Coming home to Father’s love brings a brand-new song.God’s love is a Father’s love . . . even for his prodigal one. God’s pure love means coming home . . . especially for His prodigal one.
$1.99
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
Three Poems of W B Yeats (mixed choir with solo soprano, unaccompanied)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Alan Bullard
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Three Poems of W B Yeats
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1106987 Composed by Alan Bullard. 20th Century,A Cappella. Octavo. 15 pages. Colne Edition / BullardMusic...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1106987 Composed by Alan Bullard. 20th Century,A Cappella. Octavo. 15 pages. Colne Edition / BullardMusic #709854. Published by Colne Edition / BullardMusic (A0.1106987). Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. Three Poems of W. B. Yeats is one of the earliest works of Alan Bullard to enter the choral repertoire. Originally written for a college choir in 1973, it was soon taken up elsewhere, and later broadcast by the BBC Northern Singers. It sets three of Yeats’ best-known poems and shows a rich and colourful response to their heady and allusive character. The three poems are (1) The Wild Swans at Coole, (2) Running to Paradise, and (3) Sweet Dancer. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
Too Splendid for Speech, but Ripe for a Song
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Chorale SATB
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Musique Sacrée
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Thomas H Troeger
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Too Splendid for Speech, but R
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus, Unison chorus - SKU: C7.CGA939 Composed by Thomas H Troeger. General. With Organ, handbells (4 octaves), 2 Bb trumpets, 2 trombones, and Fr...
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SATB chorus, Unison chorus - SKU: C7.CGA939 Composed by Thomas H Troeger. General. With Organ, handbells (4 octaves), 2 Bb trumpets, 2 trombones, and French horn. Sacred Anthem. Octavo. 20 pages. Chorister's Guild - Digital #CGA939. Published by Chorister's Guild - Digital (C7.CGA939). UPC: 749193007655.This piece, using the well-known text from Ecclesiastes 3 opens with a quiet, reflective clarinet solo (piano optional). The choir joins in a soft, slow version of the melody that soon gives way to a lively 7/8 meter that supports a text celebrating joy, singing, and worshiping God. The anthem returns to the quiet, melancholy mood near the end of the work. It is the clarinet, however, that closes the piece with a shortened rendition of its opening material. Perfect for advanced children's choirs as well as two-part women's choirs.
$2.25
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