English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
8
Librairie
Musicale
14
Matériel
de Musique
12
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
109
PIANO & CLAVIERS
Piano seul
20
Piano Facile
6
Piano, Voix
4
Piano, Voix et Guitare
4
Orgue
1
GUITARES
Guitare notes et tablatures
4
Guitare
3
Ensemble de guitares
2
4 Guitares (Quatuor)
1
Mandoline
1
VOIX
Voix duo, Piano
12
Chorale SATB
8
Chorale SSAA
3
Chorale TTBB
2
Chorale 3 parties
2
Chorale 2 parties
1
Chorale Unison
1
Instrumentations suivantes
Retracter
VENTS
Ensemble de saxophones
33
Quintette de Saxophone: 5 saxophones
16
Ensemble de Clarinettes
6
Quintette de Clarinettes: 5 clarinettes
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette et Piano
2
Quintette de Flûte : 5 flûtes
2
Ensemble de Flûtes
2
Trio de Flûtes: 3 flûtes
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte à bec Tenor
1
Hautbois (partie séparée)
1
Clarinette, Basson (duo)
1
2 Clarinettes (duo)
1
Flûte à bec Soprano
1
Saxophone Tenor et Piano
1
Flûte traversière et Piano
1
Saxophone
1
Saxophone Soprano et Piano
1
Saxophone Alto et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trombones
6
Ensemble de Trompettes
5
Ensemble de Cors
3
Trompette
2
Cor et Piano
1
Trompette, Piano
1
2 Trompettes (duo)
1
Tuba et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
14
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
4
Violon
3
Alto, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Harpe, Voix
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
Violoncelle, Piano
1
Alto et Harpe
1
Violon et Piano
1
Harpe
1
Contrebasse, Piano (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
4
Orchestre
2
Orchestre d'harmonie
2
Ensemble Jazz
1
Xylophone, Piano
1
Ensemble de cuivres
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
I Will Give You Rest
Chorale SATB
Partitions à imprimer
8 partitions trouvées
<
1
Take My Yoke Upon You, a sacred hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin …
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #757743. Published by Kevin G. Pace (A0.1157412). A delightful sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: My God, my very God, where is thy face today? All I see are clouds through rain; I cannot find my way. My vision is obscured, but my will I give to Thee. Now I sense thy sacred song lending sight to me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy tender voice? Thou has promised answering; help me to make each choice. I feel I’ve waited long, but my will I give to Thee. Now I hear thy sacred strains serenading me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy whisp’ring aid? Doubting faith and unbelief cause me to feel afraid. I cannot sense thy thoughts, but my will I give to Thee. Now I feel thy chords of trust reassuring me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole.
$1.99
1.8 €
#
Chorale SATB
#
Kevin G
#
I cannot find my way
#
Take My Yoke Upon You, a sacred hymn
#
Kevin G. Pace
#
SheetMusicPlus
Come Unto Me
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.915931 Composed by Nathan …
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.915931 Composed by Nathan Groenendyk. Sacred,Standards. Octavo. 5 pages. Nathan Groenendyk #2853315. Published by Nathan Groenendyk (A0.915931). A new work for SATB unaccompanied chorus, based on the words of Jesus from Matthew 11:28-30. Come to me, all you who are weary and burdened, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light.
$1.99
1.8 €
#
Chorale SATB
#
Nathan Groenendyk
#
Come Unto Me
#
Nathan Groenendyk
#
SheetMusicPlus
Come to Me
Chorale SATB
SATB choir with optional Full Orchestra (With Optional Full Orchestra) - Digital Download …
(+)
SATB choir with optional Full Orchestra (With Optional Full Orchestra) - Digital Download SKU: LX.10-1797RA Composed by Connie Fowler. Arranged by J. Daniel Smith. Sacred Anthem. Octavo. 12 pages. Radiant Music #e10/1797RA. Published by Radiant Music (LX.10-1797RA). UPC: 000308040227.This piece gently calls, Come to me, all who are weary and burdened, and I will give you rest. Hearts will be lifted through its message of assurance and of God's tender care.
$2.50
2.27 €
#
Chorale SATB
#
Connie Fowler
#
J
#
Come to Me
#
Radiant Music
#
SheetMusicPlus
I Will Give You Rest
Chorale SATB
Composed by Larry Shackley. For SATB choir, piano accompaniment. Te Deum Choral Series. Sa…
(+)
Composed by Larry Shackley. For SATB choir, piano accompaniment. Te Deum Choral Series. Sacred Anthem. Octavo. Published by Lorenz Publishing - Digital Sheet Music
$2.40
2.18 €
#
Chorale SATB
#
Larry Shackley
#
I Will Give You Rest
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
My Savior Lives for SATB CHOIR (EASTER)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1170246 Composed by KATHLE…
(+)
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1170246 Composed by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Kathleen Holyoak #770610. Published by Kathleen Holyoak (A0.1170246). Gary Croxall's lyrics, My Savior Lives forever more. He is my lord, oh come adore, combined with Kathleen Holyoak's memorable melody is truly a winner! It will leave you humming the rest of the day as it bears witness of the Savior in your heart.Key: Bb; CVoicing: SATBDuration: 3:30A few Lyrics to follow:My Savior lives forever more.He is my Lord, O come adore.Whene'er I thirst, He gives me drink.My hungry soul He feeds. And in my hour of gretest need,He hasten to this sheep.Jesus Lives. My Savior Lives. Â
$2.49
2.26 €
#
Chorale SATB
#
KATHLEEN HOLYOAK
#
My Savior Lives for SATB CHOIR
#
Kathleen Holyoak
#
SheetMusicPlus
Lesbia mi dicit semper male
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D.…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00
1.81 €
#
Chorale SATB
#
Mark D
#
Lesbia mi dicit semper male
#
Mark Templeton Choral Music
#
SheetMusicPlus
Down by the Riverside - SATB and Piano
Chorale SATB
Composed by Tradicional Spiritual. Arranged by Flávio Régis Cunha. Chris…
(+)
Composed by Tradicional Spiritual. Arranged by Flávio Régis Cunha. Christian, Contemporary Christian, Gospel, Spiritual, Easter. Octavo, Score. 24 pages. Published by Flavio Regis Cunha
Vigorous and uplifting music! This is a new arrangement and have an interesting piano acompainment with an "old style" Saloon Pianola figures and ornaments. The SATB vocal part was modified and in this piece gained very rich but at the same time, an intuiticious harmony. There´s also a mouth and hand percussion part with will give an important rithmic feel to the style.I´m sure that your choir will adore to sing this piece.Vigorous and uplifting music! This is a new arrangement and have an interesting piano acompainment with an "old style" Saloon Pianola figures and ornaments. The SATB vocal part was modified and in this piece gained very rich but at the same time, an intuiticious harmony. There´s also a mouth and hand percussion part with will give an important rithmic feel to the style.I´m sure that your choir will adore to sing this piece.
$2.69
2.44 €
#
Chorale SATB
#
Tradicional Spiritual
#
Down by the Riverside - SATB and Piano
#
Flavio Regis Cunha
#
SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
(+)
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.52 €
#
Chorale SATB
#
Mark D
#
Three Latin Elegies to Lesbia
#
Mark Templeton Choral Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
