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I Will Pray - Piano and Organ
Chorale SATB
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Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.83 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.32 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Sing As I Arise Today (Downloadable Choral Score)
Chorale SATB
SATB choir, organ, optional brass quintet and percussion - Medium - Digital Download SK…
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SATB choir, organ, optional brass quintet and percussion - Medium - Digital Download SKU: MQ.50-8121-E Composed by Kenneth Dake. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-8121-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-8121-E). English.This famous prayer referred to as Breastplate has long been attributed to St. Patrick. This version uses the tune SEED OF LIFE by William Rowan and creates a exciting setting of this great text. May be performed with keyboard alone or with optional brass and percussion.
$1.70
1.56 €
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Chorale SATB
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Kenneth Dake
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I Sing As I Arise Today
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Lead, Kindly Light : SATB Choir, Organ and Vocal Soloist
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.741926 Composed by John Bacchus Dyke…
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Choral Choir (SATB) - Digital Download SKU: A0.741926 Composed by John Bacchus Dykes. Arranged by M. Ryan Taylor. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 16 pages. Vocal Works #484805. Published by Vocal Works (A0.741926). Lead, kindly Light, amid th’encircling gloom, lead Thou me on! The night is dark, and I am far from home; lead Thou me on! Keep Thou my feet; I do not ask to see The distant scene; one step enough for me. I was not ever thus, nor prayed that Thou shouldst lead me on; I loved to choose and see my path; but now lead Thou me on! I loved the garish day, and, spite of fears, Pride ruled my will. Remember not past years! So long Thy power hath blest me, sure it still will lead me on. O’er moor and fen, o’er crag and torrent, till the night is gone, And with the morn those angel faces smile, which I Have loved long since, and lost awhile!
$1.99
1.83 €
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Chorale SATB
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John Bacchus Dykes
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M
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Lead, Kindly Light : SATB Choir, Organ and Vocal Soloist
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Vocal Works
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SheetMusicPlus
THE LORD'S PRAYER (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.917615 Composed by Will Ta…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.917615 Composed by Will Taylor. Christian,Concert,Praise & Worship,Sacred. Octavo. 4 pages. Will Taylor's Music #5290655. Published by Will Taylor's Music (A0.917615). This is a four part (SATB) arrangement of my setting of this much loved prayer originally written for solo voice. It is scored for organ accompaniment with pedals, but pianists will find it easy enough to adapt. I hope your choir will enjoy this version with its very singable melody and lush harmonies.
$3.00
2.75 €
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Chorale SATB
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Will Taylor
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THE LORD'S PRAYER
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Will Taylor's Music
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SheetMusicPlus
7. Spirituals From the from the cantata FEET OF JESUS by Judith Cloud (text by Langston Hughes) Sop
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.981235 Composed by Judith Cloud. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.981235 Composed by Judith Cloud. Contemporary. Octavo. 11 pages. Judith Cloud #6710263. Published by Judith Cloud (A0.981235). 1. Feet o' Jesus (From the cantata FEET OF JESUS by Judith Cloud (text by Langston Hughes)Feet of Jesus is a cantata for mixed chorus, soprano saxophone, soprano and baritone soloists and organ. It is made up of seven movements: 1) Feet of Jesus; 2) Prayer; 3) Shout; 4) Litany/Sinner; 5) Fire; 6) Angels Wings; 7) Spirituals. It is approximately eighteen minutes in length. It has been performed by church choirs, professional choirs and amateur choirs, as well as university choirs.I was very fortunate to have Anders Paulsson believe in the beauty and significance of Feet of Jesus. He promoted it in Sweden and returned to the United States to perform it in San Francisco. In May of 1997, the Saint Jacobs Chamber Choir under the direction of Gary Graden recorded Feet of Jesus, along with some other original works by Anders Paulsson and arrangements of spirituals. I requested that the soloists be African-Americans, Marymal Holmes and John Williams. The cross-cultural exchange was a vibrant one and proved to be enlightening. The very idea of what was truly considered spiritual in music was put to the question and answered admirably by Gary Graden and his marvelous Swedish choir. The BIS Northern Lights CD was released under the title Spirituals.
$2.99
2.75 €
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Chorale SATB
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Judith Cloud
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2) Prayer
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7. Spirituals From the from the cantata FEET OF JESUS by Judith Cloud
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Judith Cloud
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SheetMusicPlus
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