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INSPIRATIONAL HYMNS, SET I
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Vous avez sélectionné:
INSPIRATIONAL HYMNS, SET I
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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When I Survey the Wondrous Cross
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Chorale SATB
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Musique Sacrée
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Brian L
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Brian L
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When I Survey the Wondrous Cro
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGA1430 Composed by Brian L. Hanson. Arranged by Brian L. Hanson. General, Lent, Holy Week. Hymns of Faith. Sacred Anthem. Octavo....
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SATB chorus - SKU: C7.CGA1430 Composed by Brian L. Hanson. Arranged by Brian L. Hanson. General, Lent, Holy Week. Hymns of Faith. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1430. Published by Chorister's Guild - Digital (C7.CGA1430). UPC: 749193022405.Isaac Watts’ inspirational hymn is beautifully set by Brian Hanson. The emotive piano accompaniment creates a supportive foundation for voices and text to shine. Expert part-writing and text-painting throughout. This anthem makes a striking addition to Good Friday worship.
$1.95
I Sing the Mighty Power of God
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Chorale SATB
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Musique Sacrée
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Mark Edwards
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Mark Edwards
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I Sing the Mighty Power of God
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGA1471 Composed by Mark Edwards. Arranged by Mark Edwards. General. Hymns of Faith. Sacred Anthem. Octavo. 16 pages. Chorister's ...
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SATB chorus - SKU: C7.CGA1471 Composed by Mark Edwards. Arranged by Mark Edwards. General. Hymns of Faith. Sacred Anthem. Octavo. 16 pages. Chorister's Guild - Digital #CGA1471. Published by Chorister's Guild - Digital (C7.CGA1471). UPC: 749193023662.Mark Miller has done it again with this exciting and inspirational new Gospel anthem! The title track from his new songbook, Roll Down, Justice! is soulfully set for mixed voices, including an optional congregation part for use in worship. The call for justice is made with honesty, courage, and conviction - and the final chord will give you chills! Incorporates Come, Thou Fount of Every Blessing. Great for any service with a peace and justice focus, including MLK celebrations.
$2.25
The Gift to Sing - SATB choir
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Chorale SATB
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Gospel Spirituel
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Musique Sacrée
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Francis Kayali
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The Gift to Sing - SATB choir
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Francis Kayali
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Fran...
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Choral Choir (SATB) - SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
$1.99
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INSPIRATIONAL HYMNS, SET I
