Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian A Baroque
Non classifié
2 897
Piano & claviers
Piano seul
1 676
Piano, Voix
1 145
Piano Facile
534
Instruments en Do
240
Orgue
145
Piano, Voix et Guitare
91
Piano Trio: piano, violon, violoncelle
62
2 Pianos, 4 mains
54
Orgue, Piano (duo)
38
1 Piano, 4 mains
38
Clavecin
31
Accompagnement Piano
28
Piano Quatuor: piano, violon, alto, violoncelle
17
Orgue, Trompette (duo)
16
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano grosses notes
2
Accordéon
2
Fake Book
2
1 Piano, 6 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
158
Guitare
156
2 Guitares (duo)
76
Ukulele
21
3 Guitares (trio)
13
4 Guitares (Quatuor)
12
Piano, Guitare (duo)
11
Ligne De Mélodie, (Paroles) et Accords
7
Mandoline
7
Mandoline, Guitare (duo)
4
Basse electrique
2
2 Mandolines (duo)
1
2 Ukuleles
1
Mandoline, Piano (duo)
1
Ukulele Baryton
1
Banjo
1
Dulcimer
1
Ensemble de guitares
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
200
Chorale 3 parties
79
Voix haute
55
Voix Soprano, Piano
34
Voix duo, Piano
30
Chorale 2 parties
28
Chorale TTBB
27
Voix Alto, Piano
21
Chorale
14
Voix moyenne, Piano
13
Chorale SSAA
12
Voix seule
10
Voix basse, Piano
10
Voix Tenor, Piano
4
Chorale SSATBB
4
Voix Baryton, Piano
4
Chorale Unison
4
Voix duo
3
Chorale SATTB
3
Voix Tenor
2
Voix Soprano
1
Voix Soprano, Orchestre
1
Chorale SSAB, Piano
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière et Piano
332
Clarinette et Piano
259
Quatuor de Saxophones: 4 saxophones
250
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
243
Hautbois, Piano (duo)
195
Flûte, Hautbois, Clarinette, Basson
188
2 Saxophones (duo)
184
Saxophone Alto et Piano
165
2 Flûtes traversières (duo)
157
Quatuor de Clarinettes: 4 clarinettes
134
2 Clarinettes (duo)
129
Flûte et Guitare
126
Quintette de Saxophone: 5 saxophones
119
Saxophone Tenor et Piano
108
Saxophone Soprano et Piano
94
Flûte traversière
92
3 Saxophones (trio)
91
Clarinette
81
3 Clarinettes (trio)
79
Quatuor de Flûtes : 4 flûtes
71
Quintette de Clarinettes: 5 clarinettes
50
Saxophone Baryton, Piano
49
2 Hautbois (duo)
44
Cor anglais, Piano
40
Saxophone Alto
40
Quintette de Flûte : 5 flûtes
39
Ensemble de Clarinettes
38
2 Flûte à bec (duo)
37
Trio de Flûtes: 3 flûtes
36
Ensemble de saxophones
36
Flûte, Clarinette (duo)
35
Hautbois, Basson (duo)
32
Flûte, Hautbois, Clarinette (trio)
29
Hautbois
28
Clarinette, Basson (duo)
28
Hautbois (partie séparée)
27
Flûte, Clarinette et Basson
27
Saxophone Tenor
25
Ensemble de Flûtes
23
Clarinette Basse, Piano
20
Quatuor de Flûtes à bec
20
Flûte, Hautbois, Basson
19
Flûte à bec Soprano
19
Hautbois, Clarinette (duo)
18
Flûte, Violoncelle
18
Flûte, Violon et Violoncelle
18
Hautbois, Clarinette, Basson (trio d'anches)
18
Clarinette, Violoncelle (duo)
17
Hautbois, Violoncelle
16
Flûte, Violon, Piano
16
Flûte à bec Alto
14
Saxophone Soprano
13
Saxophone Baryton
12
Flûte à bec Soprano, Piano
12
Flûte, Violon
10
Saxophone (partie séparée)
9
Flûte, Basson et Piano
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette, Piano (trio)
9
5 Flûtes à bec
8
Saxophone, Clarinette (duo)
8
Flûte à Bec
8
2 Flûtes traversières, Piano
8
Clarinette, Harpe (duo)
8
Clarinette, Violon (duo)
8
2 Clarinettes, Piano
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte à bec Alto, Piano
6
Flûte irlandaise
6
Flûte à bec Tenor
6
4 Hautbois
6
3 Flûtes à bec (trio)
6
Ensemble De Flûte à bec
6
Hautbois, Harpe
6
Clarinette, Guitare (duo)
6
Flûte, Trombone (duo)
6
Cor Anglais
5
Flûte, Saxophone (duo)
5
Ocarina
5
Flûte, Alto (duo)
5
2 Clarinettes, Basson
4
Flûte, Violoncelle, Guitare
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Trompette (duo)
4
Piccolo, Piano
4
2 Saxophones, Piano
4
Clarinette et Alto
4
Flûte et Trio à cordes
4
2 Hautbois et Basson
3
Flûte, Hautbois (duo)
3
Clarinette, Trombone (duo)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Trompette (duo)
3
Ensemble de Hautbois
3
Flûte, Violon, Violoncelle et Piano
3
Flûte à bec, Guitare (duo)
3
Hautbois, violon (duo)
3
Flûte, Tuba (duo)
2
3 Hautbois
2
Clarinette Basse
2
Clarinette, Basson, Piano (trio)
2
Hautbois, Flûte
2
Cor anglais, Guitare (duo)
2
Saxophone et Piano
2
Harmonica
2
Flute (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûtes à bec, Guitare
1
Flûte à bec Alto, Basse continue
1
Clarinette (partie séparée)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte à Bec, Piano
1
Flûte, Alto et Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone, Violon (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Orgue (duo)
1
Hautbois et alto (duo)
1
Flute, harpe et violon
1
Clarinette, Tuba
1
Flûte, Clarinette, Violon (trio)
1
2 Hautbois, Piano
1
Saxophone et Harpe
1
Flûte, Hautbois, Violon
1
Hautbois, trombone (duo)
1
Clarinette, trompette et piano
1
Flûte, trombone et piano
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Piccolo
1
+ 125 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
230
Trompette, Piano
173
Trombone et Piano
146
Quatuor de Cuivres : 2 trompettes, trombone, tuba
112
Cor et Piano
109
Trompette
88
Tuba et Piano
70
2 Trompettes (duo)
69
Ensemble de Trompettes
56
Trombone
52
2 Trombones (duo)
50
Ensemble de Trombones
49
Quatuor de Cuivres: 2 trompettes, Cor, trombone
47
Cor
45
Tuba
43
2 Cors (duo)
40
Cor anglais, Piano
40
Quatuor de cuivres: 4 trombones
34
Euphonium, Piano (duo)
34
Trompette, Trombone (duo)
25
Quatuor de cuivres: 4 cors
24
Quatuor de Cuivres
22
2 Tubas (duo)
20
Quatuor de cuivres: 4 trompettes
14
3 Trombones (trio)
13
Ensemble de Cors
10
Cor, Violoncelle (duo)
10
Trompette, Cor (duo)
9
Trompette, Violoncelle (duo)
8
Trompette, Basson (duo)
8
4 Tubas
7
Cor, Tuba (duo)
7
3 Tubas (trio)
7
2 Euphoniums (duo)
6
3 Trompettes (trio)
6
Trompette, Saxophone (duo)
6
Cor Anglais
5
Trompette (partie séparée)
5
Cor et Basson (duo)
5
2 Cors Anglais Et Pianoforte
4
3 Cors (trio)
4
Trio de Cuivres
4
Tuba et Orgue
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Euphoniums
3
Trombone basse et Piano
3
Trombone, Cor (duo)
3
Trompette, Tuba (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Euphonium
2
Cor, Violoncelle et Piano
2
Trompette, Trombone, Piano
2
Trompette, Harpe
2
Trombone, Orgue
2
Cor anglais, Guitare (duo)
2
Euphonium, Tuba (duo)
2
Cor et Harpe
2
2 Cors, Piano
1
Trombone basse
1
Trompette, violon (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone, Tuba (duo)
1
Trompette, Orchestre
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Violon (duo)
1
+ 62 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
449
Violon et Piano
351
Violoncelle, Piano
237
Alto, Piano
225
Violon, Violoncelle (duo)
172
Violon
145
Trio à Cordes: violon, alto, violoncelle
139
2 Violons (duo)
121
Violoncelle
101
2 Violoncelles (duo)
98
Violon, Alto (duo)
70
Contrebasse, Piano (duo)
60
Alto seul
57
Quintette à cordes: 2 violons, alto, violoncelle, basse
54
2 Altos (duo)
48
Harpe
45
Trio à Cordes: 2 violons, violoncelle
43
Contre Basse
36
Alto, Violoncelle (duo)
28
Trio à Cordes: 3 violoncelles
20
Trio à cordes: 3 violins
19
Harpe, Flûte (duo)
17
4 Violoncelles
17
Quatuor à cordes: 4 violons
14
2 Contrebasses (duo)
14
Alto (partie séparée)
12
Piano Trio: Violon, Alto, Piano
11
Violon, Guitare (duo)
11
Trio à cordes: 3 altos
10
Violon, Basson (duo)
10
Alto et Basson
10
Harpe, Violon (duo)
9
Trio à Cordes: 2 violons, alto
8
Alto, Guitare (duo)
8
Quatuor à cordes : 4 altos
7
Ensemble d'Altos
7
Ensemble de Violons
7
Violoncelle , Guitare (duo)
7
Trio à cordes
6
Violoncelle, Contrebasse (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
2 Violons, Piano
5
4 Contrebasses
4
Violon, Orgue
3
Harpe, Violon, Violoncelle
3
Violon (partie séparée)
3
2 Harpes (duo)
3
Violoncelle, Orchestre
3
2 Altos, Piano
2
Alto et Harpe
2
Violon, Basse continue
2
Violoncelle, Orgue
2
Ensemble de Violoncelles
2
3 Contrebasses
2
Violoncelle (partie séparée)
2
Violon, Violoncelle, Clarinette
2
2 Violoncelles, Piano
1
Flûte, Contrebasse (duo)
1
2 Violons et Basse continue
1
Harpe, Violoncelle (duo)
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
209
Ensemble de cuivres
116
Orchestre de chambre
98
Orchestre
52
Orchestre d'harmonie
47
Piano et Orchestre
33
Ensemble Jazz
10
Cloches
9
Xylophone, Piano
8
Ensemble de Percussions
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Marimba
5
Vibraphone
3
2 Xylophones
2
Vibraphone et Marimba
1
Quintette à Vent
1
Orchestre, Violon
1
Batterie
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
200
Librairie Musicale
75
Matériel de Musique
17
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Ian A Baroque
Chorale SATB
Partitions à imprimer
200 partitions trouvées
<
1
26
51
....
176
Handel Lascia Ch'io Pianga - SATB choir and piano (or organ)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Adrian Connell
#
Handel Lascia Ch'io Pianga - S
#
Adrian Connell
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.823501 Composed by George Frideric Handel. Arranged by Adrian Connell. Baroque. Octavo. 6 pages. Adrian Connell ...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.823501 Composed by George Frideric Handel. Arranged by Adrian Connell. Baroque. Octavo. 6 pages. Adrian Connell #3867031. Published by Adrian Connell (A0.823501). An arrangement of a solo sacred song by Handel for SATB choir and piano (or organ)
$3.50
O God (of Love), Be Merciful (SATB & Piano)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Thomas R
#
O God
#
Thomas R. Vozzella
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.778335 Composed by Johann Sebastian Bach. Arranged by Thomas R. Vozzella. Baroque,Christian,Easter,Sacred. Octav...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.778335 Composed by Johann Sebastian Bach. Arranged by Thomas R. Vozzella. Baroque,Christian,Easter,Sacred. Octavo. 4 pages. Thomas R. Vozzella #4758663. Published by Thomas R. Vozzella (A0.778335). O God (of love), be Merciful to Me is little know organ chorale prelude attributed to J. S. Bach, in the style of Jesus, Joy of Man’s Desiring. The text is attributed to John Brownlie and is appropriate for lent or general use. It can either be accompanied by piano or organ. This is the piano accompanied edition. Both editions can be found on Sheet Music Plus. This will be a nice addition for those seeking to add a Baroque anthem to their repertoire.
$1.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
#
Chorale SATB
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
(+)
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
Come, Christians, Join to Sing!
#
Chorale SATB
#
Musique Sacrée
#
Susan Naylor Callaway
#
Come, Christians, Join to Sing
#
Monarch Music
#
SheetMusicPlus
SATB choir - Moderately easy - SKU: LX.10-2153M Composed by Susan Naylor Callaway. Sacred Anthem. Octavo. 8 pages. Monarch Music #e10/2153M. Published b...
(+)
SATB choir - Moderately easy - SKU: LX.10-2153M Composed by Susan Naylor Callaway. Sacred Anthem. Octavo. 8 pages. Monarch Music #e10/2153M. Published by Monarch Music (LX.10-2153M). UPC: 000308045550.Quoting a text by Christian H. Bateman, this creative setting blends the familiar hymn tune with an original melody in a baroque style. Harpsichord accompaniment adds a special touch to the easy-to-learn choral parts.
$2.40
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( SATB Voices and Piano)
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Raymond Fenech
#
Lascia Ch'io Pianga - From Ope
#
Raymond Fenech
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.759986 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Praise & Wor...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.759986 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Easter,Instructional,Praise & Worship,Standards. Octavo. 21 pages. Raymond Fenech #3478569. Published by Raymond Fenech (A0.759986). Lascia ch’io pianga, originally Lascia la spina, cogli la rosa, is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. Its melody is first found in Act III of Handel’s 1705 opera Almira as a sarabande. This aria is arranged for SATB Voices and Piano . The Duration is approx. 4 minutes and the level is Advanced Intermediate.
$2.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Chorale SATB
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Lascia ch'io pianga (for SATB choir - with piano accompaniment)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Rodrigo Faleiros
#
Lascia ch'io pianga
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1449248 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber...
(+)
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1449248 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028392. Published by Rodrigo Faleiros (A0.1449248). Explore the enchanting beauty of Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate SATB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of soprano, alto, tenor, and bass to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. SATB Choir: Each voice part—soprano, alto, tenor, and bass—has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any SATB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
Lascia ch'io pianga (for SATB choir - with piano accompaniment)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Rodrigo Faleiros
#
Lascia ch'io pianga
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1449249 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber...
(+)
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1449249 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028394. Published by Rodrigo Faleiros (A0.1449249). Explore the enchanting beauty of Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate SATB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of soprano, alto, tenor, and bass to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. SATB Choir: Each voice part—soprano, alto, tenor, and bass—has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any SATB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
Lascia ch'io pianga (for SATB choir)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Rodrigo Faleiros
#
Lascia ch'io pianga
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1449246 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber...
(+)
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1449246 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028389. Published by Rodrigo Faleiros (A0.1449246). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate SATB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of soprano, alto, tenor, and bass to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. SATB Choir: Each voice part—soprano, alto, tenor, and bass—has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any SATB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
Lascia ch'io pianga (for SATB choir)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Rodrigo Faleiros
#
Lascia ch'io pianga
#
Rodrigo Faleiros
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1449247 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber...
(+)
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1449247 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028391. Published by Rodrigo Faleiros (A0.1449247). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate SATB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of soprano, alto, tenor, and bass to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. SATB Choir: Each voice part—soprano, alto, tenor, and bass—has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any SATB ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
Lascia ch´io Pianga
#
Chorale SATB
#
FACILE
#
Georg Friederich Haendel
#
João Pedro Delgado
#
Lascia ch´io Pianga
#
João Pedro Delgado
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1362119 By Georg Friederich Haendel. By Georg Friederich Händel. Arranged by João Pedro Delgado. A ...
(+)
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1362119 By Georg Friederich Haendel. By Georg Friederich Händel. Arranged by João Pedro Delgado. A Cappella,Baroque,Classical,Early Music,Opera. 3 pages. João Pedro Delgado #946593. Published by João Pedro Delgado (A0.1362119). Lascia ch´io Pianga, the famous aria from Haendel´s opera Rinaldo, is presented in a version for SATB Choir, in a confortable setting for all choirs.It can be used by amateur, school or professional choirs.
$2.00
Lascia Ch'io Pianga (from Rinaldo)
#
Chorale SATB
#
Classique
#
George Frideric Handel
#
Russell L
#
Lascia Ch'io Pianga
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0002033 Lascia Ch'io Pianga (from Rinaldo) - SATB. Composed by George Frideric Handel. Arranged by Russell L. Robin...
(+)
Chorus - SKU: AX.00-PO-0002033 Lascia Ch'io Pianga (from Rinaldo) - SATB. Composed by George Frideric Handel. Arranged by Russell L. Robinson. Secular Choral. 6 pages. Alfred Music - Digital Sheet Music #00-PO-0002033. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002033). UPC: 038081466446.Singers have long cherished this staple of the solo repertoire, and now it is beautifully set for choral groups of any size. Teach all of the same lessons you learned from your favorite vocal instructor as you share this baroque aria with a new generation. Not difficult, but rewarding.Concert/Contest.
$1.85
Hallelujah from Handel's Messiah - SATB Choir and Piano (Full Score)
#
Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
César Madeira
#
Hallelujah from Handel's Messi
#
Sheet Music To Play Editions
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1216802 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Early Music,Praise & Worship,R...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.1216802 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Early Music,Praise & Worship,Religious,Sacred. Octavo. 17 pages. Sheet Music To Play Editions #813318. Published by Sheet Music To Play Editions (A0.1216802). Hallelujah Chorus from Handel's Messiah. Arrangement for Choir SATB and Piano. With Full Score. Enjoy it!Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$2.49
O Jesulein süss by Bach for Choir SATB and Piano
#
Chorale SATB
#
DÉBUTANT
#
Classique
#
Johann Sebastian Bach
#
Ander
#
O Jesulein süss by Bach f
#
Woods Only, Arrangements
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - SKU: A0.957371 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Multicultural,Sacred,Stand...
(+)
Choral Choir,Choral (SATB) - Level 1 - SKU: A0.957371 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Multicultural,Sacred,Standards,World. 4 pages. Woods Only, Arrangements #6858619. Published by Woods Only, Arrangements (A0.957371). This easy arrangement for choir satb quartet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song.
$7.99
22 Sacred Songs for Mixed choir a cappella and with organ Volume 2
#
Chorale SATB
#
INTERMÉDIAIRE
#
Santino Cara
#
22 Sacred Songs for Mixed choi
#
Santino Cara
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.516601 Composed by Santino Cara. A Cappella,Christian,Classical,Sacred. Octavo. 99 pages. Santino Cara #32783. P...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.516601 Composed by Santino Cara. A Cappella,Christian,Classical,Sacred. Octavo. 99 pages. Santino Cara #32783. Published by Santino Cara (A0.516601). In this second volume of sacred songs for mixed choir, they are included 22 songs written over the last 20 years. They are written in a classical way by following the steps of the ancient Latin texts, and other text in Italian of authors of the Renaissance and Baroque. Are songs for chorus a cappella and some accompanied by the organ. They cater to various religious holidays and the sequences of the Eucharistic Mass. Single pdf file for the download, with preview audio mp3 of the 22 sacred songs generated digitally to give an idea.
$22.80
22 Sacred Songs for Mixed Choir a cappella and with organ
#
Chorale SATB
#
INTERMÉDIAIRE
#
Santino Cara
#
22 Sacred Songs for Mixed Choi
#
Santino Cara
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.516618 Composed by Santino Cara. A Cappella,Christian,Classical. Octavo. 94 pages. Santino Cara #36023. Publishe...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.516618 Composed by Santino Cara. A Cappella,Christian,Classical. Octavo. 94 pages. Santino Cara #36023. Published by Santino Cara (A0.516618). In this first volume of sacred songs for mixed choir, they are included 22 songs written over the last 20 years. They are written in a classical way by following the steps of the ancient Latin texts, and other texts in Italian of authors of the Renaissance and Baroque. Are songs for chorus a cappella and some accompanied by the organ. They cater to various religious holidays and the sequences of the Eucharistic Mass. Advance that the second volume with Sacred songs ever for mixed choir and composed in the classical way, is in the process of digitization, and will soon be published always on the my page of Sheet Music Plus.
$16.20
AVE MARIA - Bach/Gounod. For S.A.T.B Choir and Piano/Organ Accompaniment
#
Chorale SATB
#
Charles Francois Gounod and Jo
#
L
#
AVE MARIA - Bach/Gounod. For S
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1455390 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by L. Müller. Baroque,Christi...
(+)
Choral Choir,Choral,SATB Chorus - SKU: A0.1455390 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by L. Müller. Baroque,Christian,Classical,Religious,Sacred. 14 pages. Müller Publishing company #1034477. Published by Müller Publishing company (A0.1455390). AVE MARIA - Bach/Gounod. For S.A.T.B Choir and Piano/Organ Accompaniment Elevate your choir's performance with the exquisite Ave Maria from BWV 846 by J. S. Bach and Charles Gounod, arranged by L. Müller for SATB choir. This high-resolution digital sheet music includes a version with chords, providing flexibility for different performance settings. The file features both the full conductor's score and a separate choral part to facilitate rehearsals. Perfect for enhancing your choir's repertoire.
$1.99
AVE MARIA - Bach/Gounod. For S.A.T.B Choir and Piano/Organ Accompaniment
#
Chorale SATB
#
Charles Francois Gounod and Jo
#
L
#
AVE MARIA - Bach/Gounod. For S
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1455385 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by L. Müller. Baroque,Christi...
(+)
Choral Choir,Choral,SATB Chorus - SKU: A0.1455385 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by L. Müller. Baroque,Christian,Classical,Religious,Sacred. 18 pages. Müller Publishing company #1034478. Published by Müller Publishing company (A0.1455385). AVE MARIA - Bach/Gounod. For S.A.T.B Choir and Piano/Organ Accompaniment Elevate your choir's performance with the exquisite Ave Maria from BWV 846 by J. S. Bach and Charles Gounod, arranged by L. Müller for SATB choir. This high-resolution digital sheet music includes the full conductor's score and a separate choral part to facilitate rehearsals. Perfect for enhancing your choir's repertoire.
$1.99
M. A. Charpentier, intro TE DEUM, for SATB choir a cappella
#
Chorale SATB
#
INTERMÉDIAIRE
#
Marc Antoine Charpentier
#
Marilena Zlatanou
#
M. A. Charpentier, intro TE DE
#
Marilena Zlatanou
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.887060 Composed by Marc Antoine Charpentier. Arranged by Marilena Zlatanou. A Cappella,Baroque. 3 pages. ...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.887060 Composed by Marc Antoine Charpentier. Arranged by Marilena Zlatanou. A Cappella,Baroque. 3 pages. Marilena Zlatanou #3033165. Published by Marilena Zlatanou (A0.887060). A SATB choir a cappella arrangement of the famous instrumental introduction of Charpentier's TE DEUM.Nothing of the original music has been changed - it has simply been transcribed to make it possible for singers to perform it.Duration one and a half minutes. A great success with choir members and audiences alike! The attached mp3 file is a converted sibelius file.For more information on the arranger (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.net
$15.00
J. Ph. Rameau: TAMBOURINE, for SATB choir a cap.
#
Chorale SATB
#
INTERMÉDIAIRE
#
Jean-Philippe Rameau
#
Marilena Zlatanou
#
J. Ph. Rameau: TAMBOURINE, for
#
Marilena Zlatanou
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.887059 Composed by Jean-Philippe Rameau. Arranged by Marilena Zlatanou. A Cappella,Baroque. 3 pages. Mari...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.887059 Composed by Jean-Philippe Rameau. Arranged by Marilena Zlatanou. A Cappella,Baroque. 3 pages. Marilena Zlatanou #3033163. Published by Marilena Zlatanou (A0.887059). A SATB choir a cappella arrangement of the famous instrumental piece by Jean Philippe Rameau (1683-1764).Nothing of the original music has been changed, simply transcribed and the chords filled in. Duration ca 2 and a half minutes. A great succees with choir members and audiences alike! The attached mp3 file is a converted sibelius file. For more information on the arranger (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netÂ
$4.50
M. Praetorius: Five Dances from TERPSICHORE, for SATB choir a cap.
#
Chorale SATB
#
INTERMÉDIAIRE
#
Michael Praetorius
#
Marilena Zlatanou
#
M. Praetorius: Five Dances fro
#
Marilena Zlatanou
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.887058 Composed by Michael Praetorius. Arranged by Marilena Zlatanou. A Cappella,Baroque. 7 pages. Marile...
(+)
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.887058 Composed by Michael Praetorius. Arranged by Marilena Zlatanou. A Cappella,Baroque. 7 pages. Marilena Zlatanou #3033159. Published by Marilena Zlatanou (A0.887058). A SATB choir a cappella arrangement of 5 of the original instrumental dance movements of M. Praetorius (1571-1621) famous collection of Dances TERPSICHORE. The Dances are:GavotteCourante CXVILa Rosette CIXCourante CXXXVILa Bouree XXXIIDuration just over 8 minutes for all five of them but they may be used individually, each being about 1 to 2 minutes long.Nothing of the original music has been changed, just transcribed for voices. A great success with choir members and audiences alike! The attached mp3 file is a converted sibelius file.For more inforamtion on the arranger (Member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.net Â
$25.00
AVE MARIA - Bach/Gounod. For S.A.T.B A Capella
#
Chorale SATB
#
Charles Francois Gounod and Jo
#
L
#
AVE MARIA - Bach/Gounod. For S
#
Müller Publishing company
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - SKU: A0.1455386 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by L. Müller. Baroque,Christi...
(+)
Choral Choir,Choral,SATB Chorus - SKU: A0.1455386 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by L. Müller. Baroque,Christian,Classical,Religious,Sacred. 5 pages. Müller Publishing company #1034479. Published by Müller Publishing company (A0.1455386). AVE MARIA - Bach/Gounod. For S.A.T.B A Capella Enhance your a cappella choir's repertoire with the beautiful Ave Maria from BWV 846 by J. S. Bach and Charles Gounod, arranged by L. Müller for SATB choir. This high-resolution digital sheet music includes a version with chords, providing flexibility for different performance settings. Ideal for showcasing the vocal talents of your choir.
$1.99
Hush, Hush-a-by, Don't Cry
#
Chorale SATB
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Hush, Hush-a-by, Don't Cry
#
Maury Franklin
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.983470 Composed by Johann Sebastian Bach. Arranged by Maury Franklin transcription, arrangement and lyrics. A Ca...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.983470 Composed by Johann Sebastian Bach. Arranged by Maury Franklin transcription, arrangement and lyrics. A Cappella,Baroque,Christian,Christmas,Sacred. Octavo. 8 pages. Maury Franklin #4362381. Published by Maury Franklin (A0.983470). Hush, Hush-a-by is a transcription of J. S. Bach's Sinfonia #11. Mr. Franklin arranged it for SATB quartet as a hauntingly beautiful lullaby to be sung a cappella. It works especially well for Christmas or general worship.
$4.75
<
1
26
51
....
176
Ian A Baroque