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In Olden Days
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Vous avez sélectionné:
In Olden Days
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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Golden Days, The Student Prince
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Chorale SATB
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INTERMÉDIAIRE
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Sigmund Romberg
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Scott S
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Golden Days, The Student Princ
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955871 Composed by Sigmund Romberg. Arranged by Scott S. Stewart. 20th Century,Broadway,Folk,Musical/Show...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955871 Composed by Sigmund Romberg. Arranged by Scott S. Stewart. 20th Century,Broadway,Folk,Musical/Show. 11 pages. Scott S. Stewart #6527827. Published by Scott S. Stewart (A0.955871). Golden Days, from The Student Prince (!924) by Hungarian-born American composer Sigmund Romberg is a sentimental remembrance by Doctor Engel as he relives his youth while instructing the young Prince. In the mind of the audience, Golden Days stands alone, for it harkens back to wistful days of earlier times. It is a perfect ensemble piece for a program of music from the Golden Age of Operetta, or a retrospective of nostalgic tunes, an out-door concert, or a community engagement run-out program. This arrangement is for a 4-part SATB ensemble with piano accompaniment. Performance time: 3:15+-
$2.99
O How Fast the Days are Passing. Song and Chorus
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Chorale SATB
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A
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O How Fast the Days are Passin
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3977 Composed by A. Weaver. Human life cycle, Time, Death, Friendship, Love, Youth. Lester S. Levy Coll...
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Piano and voice (solo and SATB chorus) - SKU: LV.3977 Composed by A. Weaver. Human life cycle, Time, Death, Friendship, Love, Youth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3977). O How Fast the Days are Passing. Song and Chorus. Words by E.B. Dewing. Music by A. Weaver. Published 1867 by lyon & Healy, Clark & Washington St. in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Human life cycle, Time, Death, Friendship, Love, Youth. First line reads O, how fast the days are passing! How the golden moments fly.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
The Advent
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Chorale SATB
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FACILE
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Gail M
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The Advent
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Gail M Luley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1488102 Composed by Gail M. Luley. A Cappella,Advent,Christian,Classical,Traditional. 8 pages. Gail ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1488102 Composed by Gail M. Luley. A Cappella,Advent,Christian,Classical,Traditional. 8 pages. Gail M Luley #1064981. Published by Gail M Luley (A0.1488102). Music and Performance NotesThe Advent sets a poem by Rabindranath Tagore (1861-1941) to music. The poet asks us to recognize that God comes to us and is present in everything around us, in the things we see, experience and feel. God ever comes and touches us with joy. We recognize God in our songs, in our moods, in sorrow, in joy, in our daily lives.This music is scored for SATB choir and viola. If a violist is not available, a violin can substitute. A piano reduction of the choral parts can be used just for rehearsal, or also in the performance if necessary. If no string player is available, the pipe organ can be used for the string part.Note on the textRabindranath Tagore was a Bengali poet, writer, playwright, composer, philosopher, social reformer, and painter during the age of Bengal Renaissance. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the profoundly sensitive, fresh and beautiful poetry of Gitanjali, he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature.Song Offering/Gitanjali 45Have you not heard his silent steps?He comes, comes, ever comes.Every moment and every age, every day and everynight he comes, comes, ever comes.Many a song have I sung in many a mood of mind,but all their notes have always proclaimed,He comes, comes, ever comes.In the fragrant days of sunny April through the forestpath he comes, comes, ever comes.In the rainy gloom of July nights on the thunderingchariot of clouds he comes, comes, ever comes.In sorrow after sorrow, it is his steps that press upon my heart,and it is the golden touch of his feet that makes my joy to shine.Rabindranath Tagore.
$5.00
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In Olden Days
