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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In Two
Non classifié
6 388
Piano & claviers
Piano seul
3 278
Piano Facile
758
Piano, Voix
530
Orgue
407
Piano, Voix et Guitare
343
1 Piano, 4 mains
215
Instruments en Do
213
Accompagnement Piano
182
2 Pianos, 4 mains
171
Orgue, Trompette (duo)
58
Piano Trio: piano, violon, violoncelle
54
Piano grosses notes
36
Accordéon
31
Piano (partie séparée)
24
Orgue, Piano (duo)
23
Piano Quatuor: piano, violon, alto, violoncelle
16
Piano Quatuor: piano, 2 violons, violoncelle
14
Clavecin
10
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Clavier
7
2 Accordéons
6
2 Pianos, 8 mains
4
1 Piano, 6 mains
3
Ligne De Mélodie, Piano
2
Fake Book
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
434
Guitare
249
2 Guitares (duo)
144
Piano, Guitare (duo)
130
Dulcimer
70
Ligne De Mélodie, (Paroles) et Accords
68
Ukulele
60
Guitare (partie séparée)
54
Basse electrique
39
Mandoline
23
4 Guitares (Quatuor)
19
3 Guitares (trio)
13
2 Dulcimers (duo)
12
Paroles et Accords
10
Banjo
8
2 Ukuleles
6
Ensemble de guitares
4
2 Mandolines (duo)
3
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Guitare Pedal Steel
1
Luth
1
Ukulele Baryton
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 205
Chorale 2 parties
817
Chorale 3 parties
461
Chorale Unison
410
Chorale TTBB
145
Voix duo, Piano
109
Chorale SSAA
90
Voix duo
73
Voix Soprano, Piano
51
Voix Tenor, Piano
24
Voix haute
24
Voix moyenne, Piano
15
Voix Baryton, Piano
15
Voix Alto, Piano
13
Chorale
10
Voix Tenor
7
Voix seule
7
Voix basse, Piano
4
Voix Mezzo-Soprano, Piano
3
Voix Soprano
3
Voix basse
3
Chorale SSATTB
2
Chorale SSAATTBB
2
Soli, choeur mixte et accompagnement
1
Voix Soprano, Orchestre
1
+ 20 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
996
2 Saxophones (duo)
893
Flûte traversière et Piano
629
2 Clarinettes (duo)
540
Clarinette et Piano
397
Hautbois, Piano (duo)
390
Flûte traversière
347
Saxophone Alto et Piano
292
Saxophone Tenor et Piano
268
2 Hautbois (duo)
235
Quatuor de Saxophones: 4 saxophones
232
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
219
2 Flûte à bec (duo)
186
Saxophone (partie séparée)
177
Flûte, Hautbois, Clarinette, Basson
161
Flûte, Clarinette (duo)
152
Saxophone, Clarinette (duo)
146
3 Clarinettes (trio)
144
Quatuor de Clarinettes: 4 clarinettes
143
Clarinette
128
Saxophone Soprano et Piano
127
Clarinette, Violon (duo)
120
Quatuor de Flûtes : 4 flûtes
118
Hautbois, Basson (duo)
94
Quintette de Saxophone: 5 saxophones
89
Clarinette, Trompette (duo)
79
Hautbois, Clarinette (duo)
78
2 Flûtes traversières, Piano
76
3 Saxophones (trio)
76
Ensemble de Clarinettes
71
Flûte, Violon
70
Saxophone Alto
69
Hautbois (partie séparée)
67
Ensemble de saxophones
66
Trio de Flûtes: 3 flûtes
64
Clarinette et Alto
61
Saxophone Tenor
57
Hautbois, Flûte
55
Ensemble de Flûtes
51
Flûte, Violon, Piano
50
Flûte, Saxophone (duo)
46
Flûte, Alto (duo)
45
Flûte, Trompette (duo)
42
Cor anglais, Piano
39
Saxophone Baryton, Piano
37
Flûte et Guitare
33
Clarinette (partie séparée)
32
Clarinette, Violoncelle (duo)
30
Clarinette, Basson (duo)
30
Quintette de Clarinettes: 5 clarinettes
29
Flûte, Violoncelle
29
Flûte, Clarinette, Piano (trio)
27
Flute (partie séparée)
26
Hautbois, Violoncelle
24
Quintette de Flûte : 5 flûtes
24
Clarinette Basse, Piano
23
2 Clarinettes, Piano
21
Flûte, Violon et Violoncelle
21
Flûte, Hautbois, Clarinette (trio)
21
Quatuor de Flûtes à bec
20
Flûte, Clarinette et Basson
20
Ensemble De Flûte à bec
17
Flûte à bec Soprano
16
Clarinette, Violoncelle, Piano (trio)
16
Flûte, trombone et piano
16
Flûte, Hautbois (duo)
13
3 Flûtes à bec (trio)
13
Flûte, Violoncelle, Piano (trio)
13
Clarinette, Guitare (duo)
12
Flûte à bec Soprano, Piano
11
Flûte, Hautbois, Piano (trio)
11
Flûte, Alto et Piano
11
Saxophone Soprano
11
5 Flûtes à bec
10
Flûte à Bec
10
Hautbois, Clarinette, Basson (trio d'anches)
10
2 Cors Anglais Et Pianoforte
9
Clarinette, Harpe (duo)
9
Flûte, Hautbois, Basson
8
Hautbois et alto (duo)
8
Flûte à bec Alto, Piano
8
Hautbois, violon (duo)
8
Cor Anglais
8
2 Clarinettes, Basson
8
Flûte à bec Tenor
7
Flûte à bec Alto
7
Clarinette, trompette et piano
6
Hautbois, Harpe
6
Saxophone et Harpe
6
2 Saxophones, Piano
6
Flûte, Basson et Piano
6
Flute, harpe et violon
5
Clarinette, Trombone (duo)
5
Piccolo, Piano
4
Flûte, Violon, Violoncelle et Piano
4
Clarinette Basse
4
Flûte et Trio à cordes
4
Flûte, Violoncelle, Guitare
4
Piccolo
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
3 Hautbois
3
Instruments en Mib
3
Ensemble à vent
3
Saxophone et Guitare
3
Harmonica
2
Saxophone et Orgue
2
Cor anglais, Guitare (duo)
2
Flûte, Trombone (duo)
2
Clarinette, Tuba
2
Cornemuse
2
Flûte, Hautbois, Violon
2
Hautbois, Guitare (duo)
2
Flûte irlandaise
2
Flûte à Bec, Piano
2
Clarinette, Contrebasse (duo)
2
Saxophone
2
Flûte, Violon, Guitare
2
Hautbois, trombone (duo)
2
Clarinette, Alto et Piano (trio)
2
Flûte, Tuba (duo)
1
Flûte traversière, Orchestre
1
2 Flûtes, Basse continue
1
Hautbois
1
Ensemble de Hautbois
1
Saxophone, Basson (duo)
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Piano
1
Flûte à bec Alto, Basse continue
1
Saxophone et violoncelle
1
Clarinette, Basson, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
2 Flûtes traversières, Harpe
1
Flûte traversière, Basse continue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Quatuor à Cordes
1
Hautbois, Basson et Piano
1
2 Hautbois et Basson
1
Flute, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Clarinette, Saxophone, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 137 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
578
Trombone et Piano
352
2 Trompettes (duo)
332
2 Trombones (duo)
310
Trompette, Piano
213
Quatuor de Cuivres : 2 trompettes, trombone, tuba
202
Trompette
187
Trombone (partie séparée)
156
Trompette (partie séparée)
139
Trompette, Trombone (duo)
122
Quatuor de Cuivres: 2 trompettes, Cor, trombone
111
Trompette, Saxophone (duo)
105
Cor et Piano
93
2 Cors (duo)
75
Euphonium, Piano (duo)
65
Trombone
59
Quatuor de Cuivres
57
Ensemble de Trombones
51
Tuba et Piano
43
Cor anglais, Piano
39
Quatuor de cuivres: 4 trombones
37
Cor
35
Quatuor de cuivres: 4 cors
27
2 Tubas (duo)
24
Quatuor de cuivres: 2 trompettes, 2 trombones
24
Trompette, Cor (duo)
24
Cor (partie séparée)
23
Trombone, Tuba (duo)
22
Ensemble de Trompettes
22
2 Euphoniums (duo)
20
Tuba
19
Tuba (partie séparée)
19
3 Trombones (trio)
15
Quatuor de cuivres: 4 trompettes
15
Trio de Cuivres
13
2 Trompettes, Clavier (piano ou orgue)
13
Cor, Violoncelle (duo)
12
Trompette, Basson (duo)
11
Trompette, Violoncelle (duo)
11
Trompette, Violoncelle et Piano
11
2 Cors Anglais Et Pianoforte
9
Ensemble de Cors
9
2 Euphoniums et 2 Tubas
9
Cor Anglais
8
Cor et Harpe
8
Euphonium
7
Trompette, Tuba (duo)
6
Trompette, Harpe
6
Trombone basse
6
3 Trompettes (trio)
6
4 Tubas
6
3 Cors (trio)
5
Bass Clef Instruments
5
Trombone, Orgue
4
Trompette et Guitare
4
Cor et Basson (duo)
4
Euphonium, Tuba (duo)
4
Tuba et Orgue
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Tubas (trio)
3
Instruments en Fa
3
Trombone basse et Piano
3
Instruments en Sib
3
Cor anglais, Guitare (duo)
2
Trompette, Trombone, Piano
2
3 Euphoniums
2
Clarinette, Cor (duo)
2
2 Cors, Piano
2
Trombone, Cor (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trombone, Violon (duo)
1
Cor, Violoncelle et Piano
1
2 Trombones, Piano
1
Cor et Orgue
1
Cor anglais et Harpe (duo)
1
+ 71 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
877
Harpe
667
2 Violons (duo)
628
Violon et Piano
597
Violon
517
Violon, Violoncelle (duo)
497
2 Violoncelles (duo)
406
Alto, Piano
380
Trio à Cordes: violon, alto, violoncelle
376
Violoncelle, Piano
354
2 Altos (duo)
323
Trio à Cordes: 2 violons, violoncelle
273
Violon, Alto (duo)
176
Violoncelle
138
2 Harpes (duo)
136
Quintette à cordes: 2 violons, alto, violoncelle, basse
125
Alto seul
72
Alto, Violoncelle (duo)
64
Violon (partie séparée)
50
Contrebasse (partie séparée)
47
Violon, Guitare (duo)
40
Trio à Cordes: 2 violons, alto
37
Alto (partie séparée)
37
Contrebasse, Piano (duo)
34
2 Violons, Piano
34
2 Contrebasses (duo)
28
Trio à cordes: 3 violins
27
4 Violoncelles
27
Harpe, Violon (duo)
25
Harpe, Flûte (duo)
23
Violon, Basson (duo)
21
Piano Trio: Violon, Alto, Piano
18
Contre Basse
17
Quatuor à cordes: 4 violons
16
Alto et Basson
13
Trio à Cordes: 3 violoncelles
13
Harpe, Violoncelle (duo)
11
Ensemble de Violons
11
2 Violoncelles, Piano
11
Violoncelle, Contrebasse (duo)
11
Alto et Harpe
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Ensemble d'Altos
7
Violoncelle , Guitare (duo)
7
Trio à cordes
7
Alto, Guitare (duo)
6
Harpe, Voix
6
Violon, Clarinette, Piano (trio)
5
Violoncelle (partie séparée)
5
3 Harpes
3
5 Harpes
2
Violoncelle, Orchestre
2
Violoncelle, Basse continue
2
Trio à cordes: 3 altos
2
Harpe et Piano
2
Harpe, Trombone (duo)
2
Violon, Basse continue
2
Flûte, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
4 Contrebasses
1
Violon, Tuba (duo)
1
Alto et orchestre
1
Autoharp
1
Ensemble de Violoncelles
1
Violoncelle, Orgue
1
Violon, Trompette et Piano
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 563
Orchestre à Cordes
466
Cloches
362
Orchestre
338
Ensemble de cuivres
299
Ensemble Jazz
239
Orchestre de chambre
170
Jazz combo
52
Ensemble de Percussions
51
Batterie (partie séparée)
28
Batterie
19
Percussion (partie séparée)
18
Fanfare
14
Marimba
12
Vibraphone
6
Xylophone, Piano
5
Percussion
4
2 Marimbas
4
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
2 Xylophones
3
Quintette de Cuivres: autres combinaisons
2
Vibraphone et Marimba
2
Piano et Orchestre
2
Ensemble d'École
1
2 Caisses Claires (duo)
1
3 Percussions
1
Orchestre, Violon
1
Conga
1
+ 24 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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In Two
Chorale SATB
Partitions à imprimer
1 205 partitions trouvées
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26
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1201
Two Views of Scott Joplin
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Chorale SATB
#
INTERMÉDIAIRE
#
James Siddons
#
 
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Two Views of Scott Joplin
#
James Siddons Music and Writings
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings...
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Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99
Once in Royal David's City (SATB version)
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Chorale SATB
#
FACILE
#
Musique Sacrée
#
Robert A
#
Once in Royal David's City
#
Robert A. Howard
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.998712 Composed by Robert A. Howard. 20th Century,Christmas,Contemporary,Praise & Worship,Sacred. 7 pages...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.998712 Composed by Robert A. Howard. 20th Century,Christmas,Contemporary,Praise & Worship,Sacred. 7 pages. Robert A. Howard #4967049. Published by Robert A. Howard (A0.998712). This is an original setting of the well-known Advent text, for use in worship or concerts at Christmas. It is an accessible 7-verse modal carol, featuring various combinations of SATB voice parts, with solo opportunities and some simple two-part harmony. Each verse modulates and the work comes full-circle by returning to the opening key, and verse, at the end. The result is a set of choral variations, with texturally varied accompaniment figures in the piano part in each verse. The piece is appropriate for virtually any standard and size of 4-part choir, including school, student, community, church and cathedral choirs. The accompaniment is quite pianistic but can be played on the organ. The work is available in two further versions, for solo voice, and in a generic 'easy version', both via SMP.
$3.49
The Chain - Fleetwood Mac (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Rock
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Fleetwood Mac
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Greg Link
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The Chain - Fleetwood Mac
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Greg Link
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SheetMusicPlus
Choir, SATB, A Cappella - Intermediate - Digital Download By Fleetwood Mac. Arranged by Greg Link. Score. 8 pages. Published by Greg Link ...
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Choir, SATB, A Cappella - Intermediate - Digital Download By Fleetwood Mac. Arranged by Greg Link. Score. 8 pages. Published by Greg Link
Sing one of Fleetwood Mac's most popular hits in an engaging, entertaining and accessible choral version. This SATB arrangement of 'The Chain' is ideal for high school choirs, chamber choirs, university/college vocal ensembles or a cappella groups interested in exploring a song which is both fun to perform and great to listen to as an audience member. The song works equally well as an energised encore, a punchy opener, or as part of a pop set.
Arranged by Greg Link, a London-based professional singer, arranger and workshop leader
Duration - 3:00.
$3.50
So In Awe - choir
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Chorale SATB
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Musique Sacrée
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Kathleen Fowle
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So In Awe - choir
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Two by Two Express
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SheetMusicPlus
Composed by Kathleen Fowle. Contemporary Classical, Christian, Sacred, Praise & Worship, Christmas. Octavo. 11 pages. Published by Two by Two Expr...
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Composed by Kathleen Fowle. Contemporary Classical, Christian, Sacred, Praise & Worship, Christmas. Octavo. 11 pages. Published by Two by Two Express
SO IN AWE - for Choir - composed and arranged by Kathleen Fowle. (Radio version: as heard on Pandora Radio. For SATB choir, piano. Sacred Music. Worship. Advent. Christmas. Liturgy. Prayer. Praise. General. Choirs enjoy the 4 part harmony and the expressive bridge.
Composer Website: www.KathleenFowle.comhttps://songselect.ccli.com/Songs/5695498/so-in-awe
$1.99
Land of Promise, Two-Part With Descant
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Chorale SATB
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INTERMÉDIAIRE
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Judith Snowdon
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Land of Promise, Two-Part With
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Judith E. Snowdon
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.878059 Composed by Judith Snowdon. Children. Octavo. 7 pages. Judith E. Snowdon #27187. Published by Judith E. ...
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Choral Choir (Mixed) - Level 3 - SKU: A0.878059 Composed by Judith Snowdon. Children. Octavo. 7 pages. Judith E. Snowdon #27187. Published by Judith E. Snowdon (A0.878059). A lovely flowing melody harmonized in two-parts with descant, suitable for both church, community choir, mixed choir and children's choir. The theme of caring for creation is dominant and this piece would be useful for Earth Day, Earth Sunday, Civic and Community Celebrations of our land.
$1.99
Lost In The Stars
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Chorale SATB
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INTERMÉDIAIRE
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Kurt Weill
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Beth Mueller
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Lost In The Stars
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Beth Mueller
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.941176 Composed by Kurt Weill. Arranged by Beth Mueller. A Cappella. Octavo. 6 pages. Beth Mueller #5205881. Pub...
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Choral Choir (SATB) - Level 3 - SKU: A0.941176 Composed by Kurt Weill. Arranged by Beth Mueller. A Cappella. Octavo. 6 pages. Beth Mueller #5205881. Published by Beth Mueller (A0.941176). Looking for a beautiful jazz ballad for your vocal jazz ensemble?This a cappella SATB arrangement of Kurt Weill’s song Lost In The Stars has no divisi and is available in two keys. Dynamics have not been written into the score in order to encourage groups to explore and make interpretive decisions that will enhance and make their performance more personal.
$2.75
Huron Carol SATB ('Twas in the Moon of Wintertime)
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Chorale SATB
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DÉBUTANT
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French Canadian Christmas hymn
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Ellen Foncannon Stephenson
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Huron Carol SATB
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Ellen Foncannon Stephenson
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.864519 Composed by French Canadian Christmas hymn. Arranged by Ellen Foncannon Stephenson. Christian,Christmas,F...
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Choral Choir (SATB) - Level 1 - SKU: A0.864519 Composed by French Canadian Christmas hymn. Arranged by Ellen Foncannon Stephenson. Christian,Christmas,Folk,Sacred,World. Octavo. 8 pages. Ellen Foncannon Stephenson #3225561. Published by Ellen Foncannon Stephenson (A0.864519). Lovely SATB setting of the Christmas carol The Huron Carol ('Twas in the Moon of Wintertime) with flute. Keys of G minor and G major with meter shifts. Add hand drums to celebrate the flavor of this native French Canadian Christmas hymn. Separate flute part included. 8 pages. Available also in two-part.
$1.99
In a Blaze (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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GENTRI
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Garrett Breeze
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In a Blaze
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Lagom Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1447130 By GENTRI. By Anjanette Mickelsen and Stephen Nelson. Arranged by Garrett Breeze. Broadway,C...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1447130 By GENTRI. By Anjanette Mickelsen and Stephen Nelson. Arranged by Garrett Breeze. Broadway,Classical,Musical/Show,Singer/Songwriter. 7 pages. Lagom Music #1026909. Published by Lagom Music (A0.1447130). This majestic and inspiring anthem about living life to the fullest was originally written and performed by trio of super tenors GENTRI and transfers seamlessly to show choir. It is available in two different settings, one for SATB choir and one for SSA choir, both with piano or showband accompaniment.
$2.50
THE MUSIC OF DRIFTWOOD. For choir SATB and piano accompaniment
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Chorale SATB
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FACILE
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Contemporain
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Gabriel Ruiz-Bernal
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THE MUSIC OF DRIFTWOOD. For ch
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.893969 Composed by Gabriel Ruiz-Bernal. Contemporary. Octavo. 12 pages. Gabriel Ruiz-Bernal #6331867. Published ...
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Choral Choir (SATB) - Level 2 - SKU: A0.893969 Composed by Gabriel Ruiz-Bernal. Contemporary. Octavo. 12 pages. Gabriel Ruiz-Bernal #6331867. Published by Gabriel Ruiz-Bernal (A0.893969). THE MUSIC OF DRIFTWOOD. For choir SATB and piano accompanimentSet to the poem of the same title, by Reed WhittemoreCommissioned by the College Park Arts Exchange. ​Allison Hughes, Music DirectorPREMIERED DECEMBER 17, 2019.POEM: THE MUSIC OF DRIFTWOOD. by Reed WhittemoreThe music of driftwood? Yes. It comes from deep water And floats with the wind in the foam and is beached and bleached,Lying still for a movement or two, then floating fartherTo enter the mind’s many chambers, as Mozart perhaps,Or Bach, or whatever -it changes,But always I like it.I think that it could beThe music of poetry, true to the temper and pulseOf each flutelike, bassoonlike image that pads or fluttersWithin in the midnight recesses, yet true tooTo its own poor selfless self, bare yet bearingFrom way, way over yonder its theme of old blossomings:Temples in orchards, rites, supplications, art.Information about how it was composed at:https://www.gabrielruizbernal.com/the-music-of-driftwood.html
$2.00
Two Sleepy People
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Chorale SATB
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INTERMÉDIAIRE
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Frank Loesser and Hoagy Carmic
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Mark Jennings
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Two Sleepy People
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Mark Jennings
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SheetMusicPlus
SATB Chorus,Voice - Level 3 - SKU: A0.1506542 Composed by Frank Loesser and Hoagy Carmichael. Arranged by Mark Jennings. A Cappella,Barbershop,Film/TV,J...
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SATB Chorus,Voice - Level 3 - SKU: A0.1506542 Composed by Frank Loesser and Hoagy Carmichael. Arranged by Mark Jennings. A Cappella,Barbershop,Film/TV,Jazz,Standards. Barbershop Quartet. 8 pages. Mark Jennings #1081906. Published by Mark Jennings (A0.1506542). A light-hearted easy swing Hoagy Carmichael tune that is normally presented as a conversation between a married couple. For a barbershop quartet, it would ideally be sung by a 2 + 2 male/female configuration, although other configurations could possibly be made to work. In this arrangement,the verse and the first chorus have the melody in the lead line, but the melody could be divided between lead and baritone as desired, so positioning those two in the center of the quartet would make sense. In the second chorus, the first A section hasbass melody and the second A section has tenor melody, so it would make sense for all to switch places to position those two in the center spots. From the second B section to the end of the song, use any convenient configuration.
$12.99
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
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Chorale SATB
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FACILE
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David Warin Solomons
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The Centipede - der Hundertf&u
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solo...
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Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
$2.99
So In Awe ( choir -bilingual )
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Kathleen Fowle
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Kathleen Fowle
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So In Awe
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Two by Two Express
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.851712 Composed by Kathleen Fowle. Arranged by Kathleen Fowle. Christmas,Praise & Worship,Sacred. Octavo. 12 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.851712 Composed by Kathleen Fowle. Arranged by Kathleen Fowle. Christmas,Praise & Worship,Sacred. Octavo. 12 pages. Two by Two Express #3405447. Published by Two by Two Express (A0.851712). SO IN AWE - for Choir - BILINGUAL TRANSLATION written directly into score.  Composed and arranged by Kathleen Fowle. (Radio version: as heard on Pandora Radio.  For SATB choir, piano. Sacred Music. Worship. Advent. Christmas. Liturgy. Prayer. Praise. General.  Choirs enjoy the 4 part harmony and the expressive bridge. This can be performed with a quartet or orchestra. The full score is available directly through the publisher - contact composer below. (Solo verson is available here on this platform.)
$1.99
In Whom All Things (Downloadable) from Two Pickthall Songs
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Chorale SATB
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INTERMÉDIAIRE
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Matthew Emery
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Love, in whom all things nest
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In Whom All Things
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - SKU: MQ.1.3534-E Composed by Matthew Emery. Instrument part. 6 pages. Duration 2 minutes, 30 seconds. Galaxy Music C...
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SATB choir unaccompanied - Medium - SKU: MQ.1.3534-E Composed by Matthew Emery. Instrument part. 6 pages. Duration 2 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3534-E. Published by Galaxy Music Corporation - Digital (MQ.1.3534-E). English.The second piece of Two Pickthall Songs' suggests that whatever is in our hearts may remain there so that we are never truly parted. The music has three main sections which correspond to the three main images of the poem: Love, in whom all things are; Love, in whom all things nest; and Love, in whom all things hide. The main melodic idea is sustained while the harmonies meander. This is to represent the notion that events in life can be unexpected; things change, and we must forge a new path. The opening line of the text, Love, in whom all things are, is repeated to act as a cleansing phrase to end the piece, and to return us to the idea that we can find love and compassion in everything. All we have to do is to look. Duration: 2:30.
$2.05
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Chorale SATB
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DÉBUTANT
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by N...
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Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
Sight-singing exercises for two part choirs vol. 1B - eighth and sixteenth notes
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Chorale SATB
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DÉBUTANT
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.782805 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3490147. Published by N...
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Choral Choir (Mixed) - Level 1 - SKU: A0.782805 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3490147. Published by Nicholas D Palmer (A0.782805). SIGHT-SINGING EXERCISES - SA/TB - Volume 1BDiatonic seconds and repeated notes; eighth notes and sixteenth notesThe purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers. These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. In general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.Volume 1 series - Diatonic secondsVolume 1 - mixed rhythms and meters reviewVolume 1A - Quarter, half, whole, dotted half note rhythmsVolume 1B - Eighth and sixteenth notesVolume 1C - Compound and mixed metersVolume 1D - melodic minor
$9.99
The Resurrection: Two Handel Choruses
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel/Carlo S
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William J
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The Resurrection: Two Handel C
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Sigma Squared Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1289401 Composed by George Frideric Handel/Carlo Sigismondo Capece. Arranged by William J. Bullock. Chris...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1289401 Composed by George Frideric Handel/Carlo Sigismondo Capece. Arranged by William J. Bullock. Christian,Classical,Easter,Religious,Sacred. 14 pages. Sigma Squared Music #880144. Published by Sigma Squared Music (A0.1289401). This work consists of the two short choruses from Handel’s second Italian oratorio, La Resurrezione (“The Resurrectionâ€), and will make an ideal selection for your next Easter service. The first chorus, “Now Christ Reigns Forever†(Il Nume vincitor), concludes the first of the oratorio’s two parts. The second chorus, “Praises Reach Up to Heav’n†(Diasi lode in cielo), concludes the second part of the oratorio.This product listing is for the SATB vocal score with piano reduction, and is suitable for performance in this format. An orchestral accompaniment is also available from Sheet Music Plus here.
$3.99
The City In the Sea: Choral Tone Poem
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Chorale SATB
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AVANCÉ
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Contemporain
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Pu...
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Choral Choir (SATB) - Level 5 - SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Two Sisters and a Funeral - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Tim Jones
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Annie Routley
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Two Sisters and a Funeral - a
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927468 Composed by Roger Jones, Tim Jones. Arranged by Annie Routley. Christian,Musical/Show,Praise & Worship,Sa...
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Choral Choir (SATB) - Level 3 - SKU: A0.927468 Composed by Roger Jones, Tim Jones. Arranged by Annie Routley. Christian,Musical/Show,Praise & Worship,Sacred,Spiritual. Octavo. 90 pages. Christian Music Ministries #6266401. Published by Christian Music Ministries (A0.927468). Lord, Martha said to Jesus, if you had been here, my brother would not have died ... Jesus said to her, I am the resurrection and the life. He who believes in me will live, even though he dies; and whoever lives and believes in me will never die. Do you believe this?(John 11:21-26)(NIV)Jesus is a welcome guest and friend at the home of Martha, Mary and their brother Lazarus in the village of Bethany. So when Lazarus falls gravely ill, the sisters send a message to Jesus: Lord, the one you love is sick. But by the time Jesus arrives, Lazarus has already been in the tomb for four days. Two Sisters and a Funeral tells the exciting story of a family transformed first of all by seeing their brother Lazarus raised from the tomb, and then the death and resurrection of Jesus Christ, Saviour of the world.Full piano score, SATB choir, solo parts, guitar chords and narration.
$9.99
Two Short Anthems
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Chorale SATB
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FACILE
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Musique Sacrée
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Noël
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Tim Attride
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Two Short Anthems
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Tim Attride
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.851263 Composed by Tim Attride. Christian,Christmas,Sacred. Octavo. 7 pages. Tim Attride #12549. Published by Ti...
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Choral Choir (SATB) - Level 2 - SKU: A0.851263 Composed by Tim Attride. Christian,Christmas,Sacred. Octavo. 7 pages. Tim Attride #12549. Published by Tim Attride (A0.851263). Cantate Domino uses words from the start of Psalm 96. Sung cheerfully - mostly in 6/8, but with occasional 5/8 bars - the music reflects the joy of the Psalmist. Gloria in Excelsis joyously proclaims the angels' words at Christmas, firstly on the organ alone, then with the organ accompanying the same theme in the voices ending on an added 2nd chord. Now fully re-set in Musescore. NB, following the title page are two sample pages - the first page of each anthem. To save paper, print page 1, then 4-7. (To save even more paper, omit the first page as well.).
$2.99
Let All the World in Ev'ry Corner Sing — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Todd Marchand
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Let All the World in Ev'ry Cor
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
Two Tagore Songs
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Chorale SATB
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Enrico Miaroma
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Two Tagore Songs
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus divisi - SKU: BJ.1231 Composed by Enrico Miaroma. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1231. Published by Bo Ejeby Forlag -...
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SATB chorus divisi - SKU: BJ.1231 Composed by Enrico Miaroma. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1231. Published by Bo Ejeby Forlag - Digital (BJ.1231). 8.27 x 11.7 inches.Contents:My song FarewellTwo compositions to lyrics by Indian Nobel Laureate Rabindranath Tagore: My Song and Farewell. Enrico Miaroma, Italian composer and choral conductor, writes about the pieces: Farewell was composed in 2011 for a youth choir of 45 young adults, working and having fun together in Arco (Trentino), for one marvellous week together with Gary Graden and myself. My aim was to compose a piece that young choristers would appreciate after intense and joyful days together. Through my music I wanted to share the range of emotions and the hardship of parting when they were to go home to their native countries again. The choice of such a beautiful and evocative text helped me a great deal to achieve this. Farewell is recorded by S:t Jacobs Chamber Choir and Gary Graden on the cd To the Field of Stars (Footprint Records FRCD 083). My Song is like a little brother to Farewell. From the very beginning, I had a strong feeling that the assonance between the words of the title, 'my song', and 'my son', was intended by the poet. Throughout the composing process, this kept coming back to me, bringing my little son, Giovanni, who is four years old, to mind. I would like My song to be a gift from a father to his son, for his future life: 'This song of mine, my child, will wind its music around you'.John Quinn, MusicWeb International on Enrico Miaroma and Farewell: The choral writing is rich and he harnesses the emotions in the text most effectively. It's an eloquent piece, very well written for voices and it conveys well, I think, some of the emotions of valediction, including dignity..
$4.80
He makes men pure from their sins - for two voice parts and guitar chords
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Chorale SATB
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FACILE
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Musique Sacrée
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Gospel Spirituel
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David Warin Solomons
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He makes men pure from their s
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.575991 Composed by David Warin Solomons. 20th Century,Christian,Gospel,Sacred. Octavo. 6 pages. David Warin Sol...
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Choral Choir (Mixed) - Level 2 - SKU: A0.575991 Composed by David Warin Solomons. 20th Century,Christian,Gospel,Sacred. Octavo. 6 pages. David Warin Solomons #2029265. Published by David Warin Solomons (A0.575991). Words taken from St Paul's letter to the Hebrews. Set for two voice parts and guitar. The guitar part is very simple - just chord names (I play them arpeggio style in the sound sample but you can play them any way that suits). The pdf file contains the music in various keys to suit any voice types (A, B flat, C, D, F and G) The style is folksy and it could be used in an evangelical style church service. The sound sample is performed by the composer. I also made a video of this piece, which can be seen on YouTube here: http://www.youtube.com/watch?v=-xhKylLWzA4.
$2.99
Two Choral Openings for Worship
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Gene Roberson
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Two Choral Openings for Worshi
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Gene Roberson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.848448 Arranged by Gene Roberson. A Cappella,Christian,Sacred. Octavo. 8 pages. Gene Roberson #1924263. Publishe...
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Choral Choir (SATB) - Level 3 - SKU: A0.848448 Arranged by Gene Roberson. A Cappella,Christian,Sacred. Octavo. 8 pages. Gene Roberson #1924263. Published by Gene Roberson (A0.848448). Here are two choral openings for Worship Services. They can also be used for short anthems. Praise God is based on the Doxology (Praise God from whom all blessings flow) with the tune of All Creatures of our God and King! Interesting key modulations, and rhythmical style. O For a Thousand Tongues to Sing is set in 6/8 meter with a round in the 3rd verse. All easily sung acapella. The organ (or piano) plays a brief key change up a half step for the final 4th verse in full chorus. These are a must for your choral library.
$1.99
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