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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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It Can Happen
Chorale SATB
Partitions à imprimer
12 partitions trouvées
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Angels On Your Pillow
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.596678 By Mi…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.596678 By Michael Feinstein. By Paul Horner. Arranged by Réjean Marois. A Cappella,Contemporary,Pop. 7 pages. Marois Music Publications #4777839. Published by Marois Music Publications (A0.596678). For Alto solo and SSAATBB a cappella. A beautiful melody by Paul Horner with lovely, touching lyrics by Peggy Lee. Peggy actually made a professionally recorded demo of this song. Over the decades, she expressed a desire to release it, but it never happened. I have made this arrangement for a workshop and concert with Carol Welsman. This interpretation is from one of my vocal ensemble at Capilano University, North Vancouver, Canada. Complete live recording at :https://maroismusic.com/arrangements/
$3.99
3.65 €
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Chorale SATB
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Michael Feinstein
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Réjean Marois
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Angels On Your Pillow
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Marois Music Publications
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SheetMusicPlus
We Have Circled This Mountain Long Enough (for Solo and SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.618548 Composed by Stephen…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.618548 Composed by Stephen DeCesare. Hip-Hop,Patriotic,R & B,Rock. Octavo. 13 pages. Exultet Music #11663. Published by Exultet Music (A0.618548). This anti-prejudicial/civil rights song was inspired from all the happenings that have been plaguing America. It starts off as a Gospel-type spiritual but then Rocks out as an anthem for no more prejudice, violence and hate. Scored for Woman Solo, SATB and Piano. Can be used in a church/school concert/Martin Luther King Jr. Day celebration/youth rally, protests, etc. An accompaniment track and a rehearsal track are also available.
$3.99
3.65 €
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Chorale SATB
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Stephen DeCesare
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We Have Circled This Mountain Long Enough
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Exultet Music
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SheetMusicPlus
We Have Circled This Mountain Long Enough (for SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.626838 Composed by Stephen…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.626838 Composed by Stephen DeCesare. Hip-Hop,Patriotic,R & B,Rock. Octavo. 13 pages. Exultet Music #5797157. Published by Exultet Music (A0.626838). This anti-prejudicial/civil rights song was inspired from all the happenings that have been plaguing America. It starts off as a Gospel-type spiritual but then Rocks out as an anthem for no more prejudice, violence and hate. Scored for SATB with Piano accompaniment. Can be used in a church/ school concert/Martin Luther King Jr. Day celebration/youth rally, protests, etc. An full instrumental accompaniment track is also available. .
$3.99
3.65 €
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Chorale SATB
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Stephen DeCesare
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We Have Circled This Mountain Long Enough
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Exultet Music
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SheetMusicPlus
Rewrite The Stars
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1217967 By Zac Efro…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1217967 By Zac Efron & Zendaya. By Benj Pasek and Justin Paul. Arranged by Carolyn Cannon. Chamber,Classical,Pop. Octavo. 22 pages. Carolyn Cannon #814488. Published by Carolyn Cannon (A0.1217967). This arrangement is great for any intermediate choir but was written for a mixed high school choir. With 6 vocal parts and a piano accompaniment, something exciting is always happening. This arrangement includes Pop themes while maintaining an overall choral sound, diversifying it from other more pop-oriented arrangements. While Rewrite The Stars is a love song, it isn't gushy or flat-out weird like some other love songs, making it a great choice for students to sing in a mixed choir.
$2.00
1.83 €
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Chorale SATB
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Zac Efron & Zendaya
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Carolyn Cannon
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Rewrite The Stars
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Carolyn Cannon
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SheetMusicPlus
Where Is Jesus
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1019372 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6550433. Published by Kevin Longley (A0.1019372). Where Is JesusInspiration January 1st, 2021 was the start of my official retirement from a wonderful company that I had been employed at for 40+ years, Cirtronics Corporation. Where Is Jesus was my first retirement music so to speak. A 2 measure musical idea came to me in early January. Several weeks later I had the overall structure completed and started inputting the score into my music program. At this point I had no lyrical ideas, however with Easter approaching it occurred to me that the musics dramatic content leaned heavily towards Good Friday, in spirit. As I pondered that, I couldn't help but wonder what the disciples thought when Jesus was taken. Certainly they would question where he was, question what had happened. Thus was born Where is Jesus with the lyrical content asking and then answering. The Music The music is comprised of an A section which begins with the Tenors and Altos singing Where Is Jesus. The choir then responds (in chronological order, as recorded in the Gospels ) with lyrics that describe the brutality that Jesus endured. Here the weight of what has occurred is felt with the lyrics and music evoking great emotion. The B section follows; a retrospective look back sung by the soloist, stating that all had transpired as foretold, or as stated, by Jesus and the prophets. A C section is then introduced which contains the hope then, and the crux now, of our faith deaths chain cannot have its reign, he will rise, he will rise. After a short piano interlude we are returned to the A section, now modulated to a higher key; here the most emotional section of the music is felt with the raw truth of what has happened. He is nailed to the cross, he has died, we are lost. The piece then ends as it started Where Is Jesus, to be answered three days later.
$4.99
4.56 €
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Chorale SATB
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Kevin Longley
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Where Is Jesus
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Kevin Longley
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SheetMusicPlus
365 (from Absalom)
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.854828 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.854828 Composed by Daniel Elder. Contemporary. 20 pages. Daniel Elder Music #4983459. Published by Daniel Elder Music (A0.854828). It is undeniable that we humans are, as a species, outgrowing our small planet. As populations boom and technologies diversify, we are increasingly unable to run away from our problems. As a result, violence in civilized society is increasing at an alarming rate. How do we combat those that do harm to others, and more importantly, how do we convince our race as a whole that the problem cannot long be ignored? This original poem and its musical setting seek to pay tribute to the victims of violence in the modern United States. In an age where it seems a new tragedy has occurred somewhere every day, this work is titled 365 to represent each day of the year. The poem is structured in seven stanzas for the days of the week, and there are twelve iterations of Three hundred and sixty-five for the twelve months in the year. The final, introspective stanza parallels the poignant Christian story of Christ's crucifixion at the hands of his brethren, and lends a darker side of thought with the chosen grouping of words (read either no more; God forgive us or no more God; forgive us). This text humbly seeks to draw attention to what exactly is happening among us, among our neighbors, our governors, and our legislators, and the importance of addressing this ever-growing crisis in our society.
$2.50
2.29 €
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Chorale SATB
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Daniel Elder
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God forgive us or no more God
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365
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Daniel Elder Music
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SheetMusicPlus
Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.74 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Extinction
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1215070 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienne Inglis (ASCAP) #811933. Published by Adrienne Inglis (ASCAP) (A0.1215070). Help fight the extinction crisis! Here's an important work for our times that's perfect for your nature/environmental program. It's an SATB (some divisi) a cappella choral piece with option soundscape, but stands alone with the singers making some nature sounds.Extinction by Adrienne Inglis (ASCAP)Soundscapes arranged by Seylon Stills in the audio sampleText : An Extinction by Kim Stafford (https://www.kimstaffordpoet.com) The poem “An Extinction†© 2022 Kim Stafford is unpublished and used with permission. An Extinction by Kim Stafford Not just the creature gone, not just the tattered feathers, dry leaf pressed thin. Not just the rendering from memory, not just the lost-list growing longer, a shape and hue from the field guide fled, not just a name that meant a life, a syllable that once was teeming glory, one bright flurry shimmering the sun. No. No. No. It’s one name gone from our happiness, one breath lost from our respiration, one thread frayed from our salvation, one plank gone from the ark that carried us. Be the songbird now and testify. Be the butterfly hinge of gold. Be the one with open hands these wonders to behold. Don’t let them fly. Be the songbird now and testify. Program note — Commissioned by Inversion Ensemble for its February 2023 Planet Home concert, Extinction sets the poem “An Extinction†(2022) by Kim Stafford for SATB mixed chorus. The three stanzas of the poem get distinct musical treatment: the first some text-painting and dissonance, the second rhythmic parts underpinning canonic melodic lines, the third a rich chorale. During my work on this piece, I happened to be traveling by train. The pitches of the train whistle snuck their way into the score as a dissonant chord. A nature soundscape may sometimes accompany this piece, although the tongue click sounds create a bit of their own aural ecosystem. Drawing attention to the unfolding catastrophe of mass extinction, Extinction hopes to inspire humans to action to prevent further loss of species biodiversity.
$1.99
1.82 €
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Chorale SATB
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Adrienne Inglis
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Extinction
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Adrienne Inglis
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SheetMusicPlus
October Dawn - Choral Song (SSAATB)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00
2.74 €
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Chorale SATB
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
And His Kingdom Will Have No End
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By K…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99
1.82 €
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Chorale SATB
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No End
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Kevin Longley
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SheetMusicPlus
Night Song
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023344 Composed by Kristi…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023344 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 8 pages. Kristian S. Rodriguez #5191605. Published by Kristian S. Rodriguez (A0.1023344). Night Song, the fifth of seven movements of my secular cantata Sueño-Vibrant (2019), is a reflection and meditation on the discovery of one’s self-identity. It reflects the period in which I wrote this piece, a summer I remember as one of new adventures and discoveries, a time in which I came closer than ever before to discovering my true sense of self. With this piece, I invite listeners and performers alike into an introspective space, one in which they themselves try to identify the something happening inside them.
$4.99
4.56 €
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Chorale SATB
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Kristian S Rodriguez
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Night Song
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Kristian S. Rodriguez
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SheetMusicPlus
Hope of the World 04: Bethlehem, Ephratha
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.847872 By Stephen R…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.847872 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 18 pages. Stephen R Dalrymple #454563. Published by Stephen R Dalrymple (A0.847872). Hope of the World 04: 04 Bethlehem, Ephrathaoriginal song for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymplebased on Micah 5 and Luke 2♫ The birthplace of Messiah is predicted some 500 years before it happened. About 5 miles from Jerusalem, Bethlehem was a small village. It’s main importance in the Hebrew scriptures is its connection to King David. Though small and seemingly unimportant, Bethlehem would become famous and significant at the birth of Messiah.♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion.♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
1.83 €
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Chorale SATB
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Stephen R Dalrymple
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Hope of the World 04: Bethlehem, Ephratha
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Stephen R Dalrymple
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