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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It March
Non classifié
838
Piano & claviers
Piano seul
286
Piano Facile
95
Piano, Voix
49
Orgue
45
Piano, Voix et Guitare
39
Instruments en Do
39
1 Piano, 4 mains
21
Accompagnement Piano
9
Accordéon
9
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
Orgue, Trompette (duo)
1
Fake Book
1
+ 11 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
22
Basse électrique (partie séparée)
14
Ligne De Mélodie, (Paroles) et Accords
13
4 Guitares (Quatuor)
4
Guitare (partie séparée)
4
Basse electrique
3
Dulcimer
2
Mandoline
1
2 Guitares (duo)
1
Ensemble de guitares
1
Paroles et Accords
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
88
Chorale 3 parties
28
Chorale 2 parties
20
Chorale TTBB
11
Chorale SSAA
4
Chorale Unison
2
Voix duo, Piano
2
Voix moyenne, Piano
1
Voix duo
1
Voix haute
1
Voix Soprano, Piano
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
108
2 Saxophones (duo)
94
Quatuor de Saxophones: 4 saxophones
83
Quatuor de Clarinettes: 4 clarinettes
64
Quintette de Saxophone: 5 saxophones
60
Flûte traversière et Piano
60
Clarinette et Piano
59
Saxophone (partie séparée)
58
Flûte, Hautbois, Clarinette, Basson
58
Saxophone Alto et Piano
57
2 Clarinettes (duo)
48
Saxophone Alto
46
2 Flûtes traversières (duo)
41
Hautbois, Piano (duo)
39
Saxophone Tenor
35
Saxophone Soprano et Piano
33
Flûte traversière
32
Ensemble de saxophones
29
Ensemble de Clarinettes
29
3 Saxophones (trio)
27
Flute (partie séparée)
27
Clarinette
25
Clarinette (partie séparée)
22
Saxophone Tenor et Piano
21
Quatuor de Flûtes : 4 flûtes
19
Flûte, Clarinette (duo)
18
Quintette de Clarinettes: 5 clarinettes
15
Saxophone, Clarinette (duo)
15
Cor anglais, Piano
15
Saxophone Baryton, Piano
14
2 Hautbois (duo)
13
Quatuor de Flûtes à bec
13
3 Clarinettes (trio)
12
Clarinette, Violon (duo)
12
Ensemble de Flûtes
12
Quintette de Flûte : 5 flûtes
12
2 Flûte à bec (duo)
11
Clarinette, Trompette (duo)
10
Saxophone Soprano
8
Trio de Flûtes: 3 flûtes
8
Hautbois (partie séparée)
8
Clarinette, Basson (duo)
7
3 Flûtes à bec (trio)
7
Flûte, Violon
7
Flûte, Alto (duo)
6
Clarinette Basse, Piano
6
5 Flûtes à bec
6
Flûte, Saxophone (duo)
6
Hautbois, Basson (duo)
6
Flûte, Hautbois, Clarinette (trio)
5
Clarinette et Alto
5
Flûte, Trompette (duo)
5
Hautbois, Clarinette (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Hautbois, Basson
4
Flûte à bec Alto
4
Flûte à bec Soprano
4
Flûte à Bec
3
Hautbois, Flûte
3
Hautbois
3
Cor Anglais
2
Flûte, Hautbois (duo)
2
Hautbois, violon (duo)
2
Saxophone Baryton
2
Flûte à Bec, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violoncelle
1
Clarinette, Guitare (duo)
1
Flûte irlandaise
1
Hautbois, Harpe
1
Flûte à bec Soprano, Piano
1
Harmonica
1
Cornemuse
1
Flûte à bec Alto, Piano
1
Saxophone
1
Flûte à bec, Guitare (duo)
1
Clarinette, Orgue
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
216
Quatuor de Cuivres : 2 trompettes, trombone, tuba
101
Trompette (partie séparée)
60
Trompette
54
Trompette, Piano
49
Trombone et Piano
42
Trombone (partie séparée)
32
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Trombone
27
2 Trompettes (duo)
24
Cor et Piano
23
Cor
22
2 Trombones (duo)
20
Tuba et Piano
18
Trompette, Trombone (duo)
16
Quatuor de cuivres: 4 trombones
16
Quatuor de cuivres: 4 trompettes
16
Quatuor de cuivres: 4 cors
15
Ensemble de Trompettes
15
Cor anglais, Piano
15
Tuba
14
Tuba (partie séparée)
13
Ensemble de Trombones
12
Trompette, Saxophone (duo)
11
2 Cors (duo)
11
Cor (partie séparée)
10
Quatuor de Cuivres
9
Euphonium, Piano (duo)
9
4 Tubas
9
Ensemble de Cors
7
Tuba ou Euphonium ou Saxhorn
7
3 Tubas (trio)
5
Trompette, Cor (duo)
4
Euphonium, Tuba (duo)
4
Trombone, Cor (duo)
4
3 Trombones (trio)
4
Euphonium
4
3 Cors (trio)
3
Cor Anglais
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Trombone, Orgue
2
2 Euphoniums (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette, Violoncelle (duo)
1
3 Euphoniums
1
Ensemble de Tubas
1
Cor, Violoncelle (duo)
1
Trombone basse
1
Cor et Basson (duo)
1
Trio de Cuivres
1
Tuba et Orgue
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
139
Violon et Piano
56
Alto, Piano
53
Violoncelle, Piano
46
Violon
45
2 Violons (duo)
35
Violoncelle
30
Violon, Violoncelle (duo)
30
Trio à Cordes: violon, alto, violoncelle
22
Violon, Alto (duo)
22
2 Violoncelles (duo)
22
2 Altos (duo)
19
Harpe
17
Trio à Cordes: 2 violons, violoncelle
15
Alto seul
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
4 Violoncelles
12
Quatuor à cordes : 4 altos
10
2 Harpes (duo)
9
Quatuor à cordes: 4 violons
8
Contrebasse, Piano (duo)
8
Alto, Violoncelle (duo)
8
Contre Basse
8
Trio à cordes: 3 altos
6
Trio à Cordes: 3 violoncelles
6
Trio à cordes: 3 violins
6
Violon, Guitare (duo)
4
Ensemble d'Altos
3
Alto (partie séparée)
3
Violon (partie séparée)
3
Ensemble de Violons
3
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
2
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
Alto et Basson
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
Violon, Basson (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Fanfare
1 214
Orchestre d'harmonie
834
Orchestre
86
Orchestre à Cordes
63
Ensemble de cuivres
58
Ensemble Jazz
26
Cloches
21
Percussion
21
Batterie (partie séparée)
20
Batterie
17
Orchestre de chambre
15
Jazz combo
12
Ensemble de Percussions
11
Percussion (partie séparée)
10
Xylophone
6
Marimba
2
Quintette de Cuivres: autres combinaisons
2
Xylophone (partie séparée)
1
+ 13 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
It March
Chorale SATB
Partitions à imprimer
88 partitions trouvées
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1
26
51
76
Marching Through Georgia
#
Chorale SATB
#
FACILE
#
Henry Clay Work
#
Noah Hoerth
#
Marching Through Georgia
#
Noah Hoerth
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1325247 Composed by Henry Clay Work. Arranged by Noah Hoerth. 19th Century,March,Patriotic. 4 pages. Noah...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1325247 Composed by Henry Clay Work. Arranged by Noah Hoerth. 19th Century,March,Patriotic. 4 pages. Noah Hoerth #913483. Published by Noah Hoerth (A0.1325247). Marching Through Georgia is about the March to the Sea, a campaign led by General William T. Sherman during the American Civil War. It became so popular that Sherman was very annoyed by it because it was played at every single event he attended, including his own funeral.
$3.99
We Are Marching on to Glory
#
Chorale SATB
#
Musique Sacrée
#
Richard Nathan Shorten
#
We Are Marching on to Glory
#
Shorten Studio Utah
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.980852 Composed by Richard Nathan Shorten. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Shorten Studio Utah #357059...
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Choral Choir (SATB) - SKU: A0.980852 Composed by Richard Nathan Shorten. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Shorten Studio Utah #3570593. Published by Shorten Studio Utah (A0.980852). SATB with piano. 2 min. + 30 sec. Lyrics by John M. Chamberlain, 1844-1928, with some changes and additions by the composer as noted in the sheet music. A very rousing piece, like a march, spurring us on to walk toward heaven. Even though the lyrics have been toned down by the composer, this song mentions work required to reach heaven so it is not for Christians who believe in a living faith without works.
$1.99
March Of Three Kings - Choir SATB - W/Chords
#
Chorale SATB
#
DÉBUTANT
#
Musique Sacrée
#
Georges Bizet
#
César Madeira
#
March Of Three Kings - Choir S
#
Sheet Music To Play Editions
#
SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.1212963 Composed by Georges Bizet. Arranged by César Madeira. 19th Century,March,Praise & Worship,Religious,R...
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Choral Choir (SATB) - Level 1 - SKU: A0.1212963 Composed by Georges Bizet. Arranged by César Madeira. 19th Century,March,Praise & Worship,Religious,Romantic Period. Octavo. 2 pages. Sheet Music To Play Editions #810160. Published by Sheet Music To Play Editions (A0.1212963). March Of Three Kings. Arrangement for Choir SATB. With Full Score and Chords. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$2.49
March Of Three Kings - Choir SATB
#
Chorale SATB
#
DÉBUTANT
#
Classique
#
Georges Bizet
#
César Madeira
#
March Of Three Kings - Choir S
#
Sheet Music To Play Editions
#
SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.1212962 Composed by Georges Bizet. Arranged by César Madeira. 19th Century,A Cappella,Religious,Romantic Peri...
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Choral Choir (SATB) - Level 1 - SKU: A0.1212962 Composed by Georges Bizet. Arranged by César Madeira. 19th Century,A Cappella,Religious,Romantic Period,Sacred. Octavo. 2 pages. Sheet Music To Play Editions #810159. Published by Sheet Music To Play Editions (A0.1212962). March Of Three Kings. Arrangement for Choir SATB. With Full Score. Enjoy it!For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$1.99
Feel It Still
#
Chorale SATB
#
FACILE
#
Rock
#
Portugal
#
Jeff Tincher
#
Feel It Still
#
Jeff Tincher
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.583596 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, J...
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Choral Choir (SATB) - Level 2 - SKU: A0.583596 By Portugal. The Man. By Asa Taccone, Brian Holland, Eric Andrew Howk, Freddie Gorman, Georgia Dobbins, Jason Wade Sechrist, John Baldwin Gourley, John Hill, Kyle O'Quin, Robert Bateman, William Garrett, and Zachary Scott Carothers. Arranged by Jeff Tincher. Rock. Octavo. 22 pages. Jeff Tincher #4360243. Published by Jeff Tincher (A0.583596). If you wanna dance, here is the song. In the original key from Portugal. The Man's Woodstock project, this song will have you dancing in no time. This song has been featured in many television shows including the March 20, 2019 episode of The Village. Duration = 2:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$1.99
Ants Marching
#
Chorale SATB
#
INTERMÉDIAIRE
#
Dave Matthews Band
#
Corey Cerullo
#
Ants Marching
#
Cerullo Music LLC
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.540595 By Dave Matthews Band. By David Matthews. Arranged by Corey Cerullo. A Cappella,Pop. Octavo. 14 pages. Ce...
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Choral Choir (SATB) - Level 3 - SKU: A0.540595 By Dave Matthews Band. By David Matthews. Arranged by Corey Cerullo. A Cappella,Pop. Octavo. 14 pages. Cerullo Music LLC #4300543. Published by Cerullo Music LLC (A0.540595). This popular Dave Matthews Band song off of their first album still stands the test of time. The repetitive nature of the song makes it simple to learn yet really fun to master! The solo line offers an opportunity to showcase your star performer or performers to lead a group.SATB with Solo Voice. Arranged in the Collegiate A cappella style, a beatboxer is preferred to enhance the arrangement however it is not needed. Solo voice may be Male or Female and may be one person or split up into many solos.
$3.00
Pretty Goose Marching Song, with lyrics both in Chinese and English
#
Chorale SATB
#
DÉBUTANT
#
Johnson K
#
Pretty Goose Marching Song, wi
#
Johnson Gao
#
SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.1007034 Composed by Johnson K. Gao. Children,Concert,Instructional,World. Octavo. 4 pages. Johnson Gao #6026733...
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Choral Choir (Mixed) - Level 1 - SKU: A0.1007034 Composed by Johnson K. Gao. Children,Concert,Instructional,World. Octavo. 4 pages. Johnson Gao #6026733. Published by Johnson Gao (A0.1007034). This is a poem song. The lyrics in the original Chinese were written some 1336 years ago (calculated from 2020) by Luo Bin-wang. The melody was composed in the Covid-19 epidemic period in the early morning around 5:00 am. It is a very short song, good for children to sing. English version of the poem and the song were all made by the author himself. On August 25, 2020, the author added a new song based on back translation from the English translation. .
$1.99
O Canada (Vocal score)
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Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
Johann Strauss Sr
#
Samuel Labrecque
#
O Canada
#
Composer Lab Music
#
SheetMusicPlus
Choir, SATB - Intermediate - Composed by Johann Strauss Sr. (1804-1849). Arranged by Samuel Labrecque. Romantic Period. Score. 7 pages. Published by...
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Choir, SATB - Intermediate - Composed by Johann Strauss Sr. (1804-1849). Arranged by Samuel Labrecque. Romantic Period. Score. 7 pages. Published by Composer Lab Music
Your choir can now sing the joyful and well-known Radetzky March by Johann Strauss Sr. in a brand new arrangement for SATB mixed chorus a cappella by Samuel Labrecque. Perfect as a repertoire piece or as an encore, it is sure to leave your audience humming and singing along!
$4.50
Miserere Mei
#
Chorale SATB
#
FACILE
#
César Zumel
#
Miserere Mei
#
César Zumel
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.939977 Composed by César Zumel. Christian,Easter,Gospel,Spiritual. Octavo. 3 pages. César Zumel #3067073. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.939977 Composed by César Zumel. Christian,Easter,Gospel,Spiritual. Octavo. 3 pages. César Zumel #3067073. Published by César Zumel (A0.939977). Great way to start a concert! Miserere (psalm 50) is a processional march for SATB choir. First bars are really a processional march, while chorus is a poliphonic song generating an atmosphere of round. Verses are gregorian imitation. Effective and easy for creating an atmosphere in line with Easter sorrow. It could be performed marching the choir, and an small group singing the gregorian imitation.Tesiture not so demanding makes it afordable for all type of choirs. The highest tesiture has a short durationg going back to relaxed one soon. It is usefull for conductors to start to work the Easter season, using it as warming up exercise (progresivity, mantric, self voice control,...).It is really interesting for starting a concert marching the choir to the stage, or at least to start the concert.At services it could be used at communio.For aditional info, please contact czmorago@gmail.com
$3.00
Pomp and Circumstance No.1 - SATB and Piano
#
Chorale SATB
#
FACILE
#
Classique
#
Edward Elgar
#
César Madeira
#
Pomp and Circumstance No.1 - S
#
Sheet Music To Play Editions
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1179215 Composed by Edward Elgar. Arranged by César Madeira. Children,Film/TV,March,Multicultural,Romantic Pe...
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Choral Choir (SATB) - Level 2 - SKU: A0.1179215 Composed by Edward Elgar. Arranged by César Madeira. Children,Film/TV,March,Multicultural,Romantic Period,World. Octavo. 6 pages. Sheet Music To Play Editions #779188. Published by Sheet Music To Play Editions (A0.1179215). Pomp and Circumstance (Military March No.1 in D major). Arrangement for SATB and Piano. With Full Score. Enjoy it!Sir Edward William Elgar (1857 - 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$2.99
Pennsylvania Polka
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lester Lee and Zeke Manners
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Pennsylvania Polka
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.874254 Composed by Lester Lee and Zeke Manners. Arranged by Ray-Michael Kauffman - a do Ray me flute studio pro...
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Choral Choir (Mixed) - Level 4 - SKU: A0.874254 Composed by Lester Lee and Zeke Manners. Arranged by Ray-Michael Kauffman - a do Ray me flute studio production. Contemporary. Octavo. 39 pages. As do Ray meflute studio production #4360225. Published by as do Ray meflute studio production (A0.874254). Https://youtu.be/guvb5Jb31rU Written by Lester Lee & Zeke Manners in 1942, and made popular by the Andrew sisters, The Pennsylvania over years has been celebrated as one of the most popular polkas of all times and obviously the most famous State titled polka. A polka is a vivacious couple dance of Bohemian origin in duple time; was a basic pattern of hop-step-close-step; a lively Bohemian dance tune in 2/4 time. The polka was originally a Czech peasant dance, developed in Eastern Bohemia (now part of Czechoslovakia).Growing up in Pennsylvania, nd playing for various local community bands, VFW bands ,Lion's Band , etc we played the Pa Polka for many functions, churches, Seniors, Cake Walks, 4th of July programs, summer and spring concerts, marching bands, parades, and many more events.The Pennsylvania Polka is such a fun, happy song, in a march tempo beat. However, I am so proud of this arrangement as I am of the state I live in. , Another interesting fact is that people not familiar with the song informed me this sounds like a carousel music at an amusement park This arrangement would be great for holidays, church functions, Seniors, July 4th concerts, kid's programs, parades, community concerts, or just any other fun concert. It's a great song for playing and breaking up the typical monotonous flute choir music. A sure flute players favorite as well as your audiences for years to come.Smartly scored for 2 piccolos, 4 c flutes , 2 altos in G , bass flute , and contra bass flute .** however, a 5th c flute made be played for alto flute 1 . Arranged in an intermediate to advanced intermediate style ( considering the top / high instrumentation)Also, please visit my website @ www.doRaymeflute.com
$15.50
The Battle of Kresvia
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Chorale SATB
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INTERMÉDIAIRE
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Lydia J
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The Battle of Kresvia
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Lydia J. Wede
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1028613 Composed by Lydia J. Wede. A Cappella. Octavo. 12 pages. Lydia J. Wede #3591703. Published by Lydia J. W...
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Choral Choir (SATB) - Level 3 - SKU: A0.1028613 Composed by Lydia J. Wede. A Cappella. Octavo. 12 pages. Lydia J. Wede #3591703. Published by Lydia J. Wede (A0.1028613). The Battle of Kresvia is an a capella choral piece that tells the story of several knights going to fight in a mythical battle. There are several phases throughout this song. It starts out with a recurring melody of the soldiers marching, then the knights pause to dream about what they will encounter. However, all of their dreams turn to nightmares when they realize the mortal terror they will encounter. The warriors drearily march until their commander riles the troops and raises their morale. We continue the journey with the troop until the battle begins. The knights fight on to victory! Sorry for the bad audio, email me at lydiawede@gmail.com for any questions or assistance.
$4.50
Moonlight Sonata by Beethoven for Choral and Piano
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Chorale SATB
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period,We...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period,Wedding. 23 pages. Woods Only, Arrangements #751125. Published by Woods Only, Arrangements (A0.1150939). This arrangement adapted for choir SATB and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
Let All the World in Ev'ry Corner Sing — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Todd Marchand
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Let All the World in Ev'ry Cor
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
Ride On! Ride On in Majesty! — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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English ballad
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Todd Marchand
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Ride On! Ride On in Majesty! &
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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the 19th century, the carol wa
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 1...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
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The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
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Chorale SATB
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FACILE
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David Warin Solomons
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The Centipede - der Hundertf&u
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solo...
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Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
$2.99
The Christ Child's Lullaby — SATB voices and organ
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Chorale SATB
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FACILE
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Hebridean folk melody
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Todd Marchand
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The Christ Child's Lullaby &md
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
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Jesus Christ the Apple Tree — SATB voices
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Jesus Christ the Apple Tree &m
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196). Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.Above the poem in the publication are words of its author:Gentlemen,Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. Voices realized by Cantamus (https://cantamus.app/)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
Countless Stars; Endless Roads (Chinese lyrics)
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Chorale SATB
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INTERMÉDIAIRE
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Johnson K
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Countless Stars; Endless Roads
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1006999 Composed by Johnson K. Gao. Contemporary,Holiday,World. Octavo. 1 pages. Johnson Gao #3467614. Publishe...
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Choral Choir (Mixed) - Level 3 - SKU: A0.1006999 Composed by Johnson K. Gao. Contemporary,Holiday,World. Octavo. 1 pages. Johnson Gao #3467614. Published by Johnson Gao (A0.1006999). 說來奇怪。 有時當我清晨醒來,我的大腦會自動產生æŸç¨®æ—‹å¾‹ã€‚ 這是我在 2018 å¹´ 3 月 1 æ—¥ä¸Šåˆ 5 點 30 分錄製的一段經éŽæ練的五å¥æ—‹å¾‹ã€‚ 第二天更早 3 月 2 日凌晨 2 點,æˆ‘çµ¦éŸ³æ¨‚æ·»åŠ äº†ä¸€äº›ä¸æ–‡æŒè©ž,å½¢æˆäº† 一首完整的æŒæ›²,我想作為一張特殊的生日賀å¡çµ¦æˆ‘çš„é•·å阿爾文, 他的生日是 3 月 3 æ—¥, ä»–ç¾åœ¨çœŸå·§åœ¨æ„› 爾è˜å·¡å³¶æ—…éŠã€‚ 我希望這首æŒçš„æ„義能é©åˆä»–的處境。 It is strange. Sometimes when I wake up in the early morning, my brain will automatically produce certain kind of melody. This is a refined piece of five lines melody that I recorded on the March 1, 2018 at 5:30am. The next day even more early at 2:00 am on March 2, I added some Chinese lyrics to the music to form a complete song, which I would like to give as a special birthday card to my eldest son Alvin, whose birthday is March 3, and he is now just on a tour along the Ireland. I hope that the meaning of the song can fit to his situation. ç‰ˆæ¬Šæ‰€æœ‰ã€‚æœ¬æŒ æ›² å… è¨± éž åˆ© 潤 複 制 。但任何想è¦å°‡æ¤æŒæ›²ç”¨æ–¼ç›ˆåˆ©æˆ–商æ¥ç”¨é€”çš„äººå£«å¿…é ˆäº‹å…ˆèˆ‡æŒæ›²ä½œè€… è¯ç¹«ã€‚ jkxgao@gmail.com All rights reserved. Copying of the song is permitted for none profit purpose. Anyone who wants to use this song for profit or commercial purpose must contact the songwriter in advance at: jkxgao@gmail.com
$1.99
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
Even In The Quietest Moments
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Chorale SATB
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AVANCÉ
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Supertramp
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Kirstie Smith
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Even In The Quietest Moments
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Kirstie Smith
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie Smith. 20th Cent...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Rock,Spiritual. 17 pages. Kirstie Smith #1067132. Published by Kirstie Smith (A0.1490292). A wholly unique choral arrangement of Supertramp's 'Even In the Quietest Moments', from the album of the same name.A beautiful song lovingly crafted for SATB divisi and piano, featuring advanced vocal techniques and improvisational elements with an uplifting Gospel style coda. Composer Roger Hodgson stated on his Facebook page [24 March 2020] Even in the Quietest Moments was written during a very powerful time of Spiritual searching and discovery for me. I used to spend time alone in nature, camping, and one night while playing my guitar and looking up at the stars, the song came to me; it just flowed out of me. It’s a love song to God but it could also be to a woman. I’ve left it ambiguous so that people can take it how they wish. Basically, it’s just about a guy who’s searching. I’m a seeker. I think I’ll always be a seeker. The change of wording from 'Come on, let the sun' to 'The morning sun' is deliberate, based on singing wrong words to the album track as a child!
$3.25
Jubilee of Thanks - 2 part choir, keyboard, 2 trumpets
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Chorale SATB
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FACILE
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Musique Sacrée
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Phil Beaman
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Jubilee of Thanks - 2 part cho
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Phil Beaman
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.844486 Composed by Phil Beaman. Christian,Holiday,Sacred,World. Octavo. 43 pages. Phil Beaman #3428683. Publish...
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Choral Choir (Mixed) - Level 2 - SKU: A0.844486 Composed by Phil Beaman. Christian,Holiday,Sacred,World. Octavo. 43 pages. Phil Beaman #3428683. Published by Phil Beaman (A0.844486). Jubilee of Thanks was commissioned for the Grenada National Service of Thanksgiving to celebrate the Diamond Jubilee of the Coronation of Queen Elizabeth II of Great Britain. Although heavily based on traditional coronation music it is generic enough to be suitable for any service of Thanksgiving or Celebration.Here is the description found inside the cover of the conductor's score:In order to gain inspiration and insight into this commission I researched British Coronations past and present. One of the oldest traditions is the use of Handel's oratorio Zadok the Priest. This 144-page composition was written for the coronation of King George II in 1727 and has been used at every coronation since. Thus I began my composition with a Handelian style section, borrowing a phrase from Zadok the Priest and developing it into a fanfare opening. Into this section I interjected the traditional cry of Long live the Queen, but set it in the old church Latin.The middle section arranges the hymn Now Thank We All Our God, originally written in 1663. This hymn is regarded all across Europe as the official anthem for services of National Thanksgiving. I created different settings for all three verses. Another tradition of British coronations is the use of Psalms 100 and 120. I have taken just one line from each Psalm and woven it into the hymn as a descant or antiphon.The final section is a Hallelujah Chorus fusing tradition with local flavour by using soca rhythms. In a sly nod to the opening section the very last choral Alleluia is straight from Handel's Messiah.Phil BeamanMarch 2012The choir is in 2 part but much of it unison since it was intended for a massed choir with little rehearsal. Interest comes from the changing styles of each section, 7 key changes, 3 meter changes, and the 2 Trumpets accompanying. A 4 minute easy piece of thanks and celebration.This entry contains 30 pages of Conductors Score, 7 pages Keyboard Part, and 2 pages @ Trumpet Parts. For convenience a separate entry at SO.309227 contains the 10 pages of Choral Parts in a Lead Sheet format with just lyrics and melody of the Choir Parts.
$19.00
Serving for Thee (The United States Marine Corps Hymn)
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Chorale SATB
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DÉBUTANT
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the 1970s, the Marines were se
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James F
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Serving for Thee
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacre...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465866 Composed by James F. Linzey and Lowell Mason. 21st Century,Chamber,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044463. Published by Military Bible Association (A0.1465866). The History of the United States Marine Corps and the Marine Corps HymnOn November 10, 1775, the Second Continental Congress passed a resolution to establish the Continental Marines. is marked the formation of the United States Marine Corps. The Marine Corps was provided two battalions with a fleet. But the Treaty of Paris in April 1783 ended the Marine Corps along with the Revolutionary War. It was later permanently re-established on July 11, 1798. Since then the United States Marine Corps has been involved in the War of 1812, defending Washington in Bladensburg, Maryland, fighting for Andrew Jackson against the British in New Orleans, and fighting in the Mexican War (1846-1848) in which US Marines fought all the way to the Halls of Montezuma, Mexico City. The Marines served in the Civil War (1861-1865), the Spanish-American War (1898), the Philippine Insurrection (1899-1902), the Boxer Rebellion in China (1900), and World War I. The Marines were later involved in World War II, the Korean conflict beginning in 1950, and the Vietnam conflict, beginning in 1965. By the 1970s, the Marines were securing NATO, and later were involved in Operation Desert Shield and Operation Desert Storm (1990s), Somalia (1992), Operation Enduring Freedom (2001), the Global War on Terrorism and Operation Iraqi Freedom (2002), and in various conflicts since then. Since the inception of the Marine Corps in 1775,about 70,000 Marines have been killed in action. James Linzey served as a chaplain for the Marines in training at Fort Lee, Virginia, and as a contract chaplain at the Airman-Marine Memorial Chapel at MCAS Miramar from 2016-2019. While at Miramar, he gave leadership seminars to the Marines on the Battle of Midway. He is one of ten children of World War II hero, the late Navy Captain Stanford E. Linzey, Jr., CHC, USN (Ret.), who survived the sinking of the USS Yorktown (CV-5) in the Battle of Midway as a sailor, and later served with the Marines in Okinawa as a chaplain. Since the Marine Corps is part of the Department of the Navy, it has used the Navy hymn in chapel services. What is called “The Marine’s Hymn” cannot be sung in chapel services, because it is not a song of praise. As a fighting march, its author called it a hymn in name only. So, in commemoration of the United States Marine Corps, hymn writer James F. Linzey wrote the United States Marine Corps Hymn, “Serving for Thee.” He set it to the tune of Bethany, which was written by Lowell Mason in 1841. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
Melody for a Poem by HW Longfellow The Arrow and The Song
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Chorale SATB
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INTERMÉDIAIRE
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Johnson Gao
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Melody for a Poem by HW Longfe
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Johnson Gao
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1007057 Composed by Johnson Gao. Concert,Contemporary,Praise & Worship,World. Octavo. 7 pages. Johnson Gao #6645...
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Choral Choir (SATB) - Level 3 - SKU: A0.1007057 Composed by Johnson Gao. Concert,Contemporary,Praise & Worship,World. Octavo. 7 pages. Johnson Gao #6645107. Published by Johnson Gao (A0.1007057). The Arrow and the Song Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) I shot an arrow into the air,It fell to earth, I knew not where; For, so swiftly it flew, the sight Could not follow it in its flight. I breathed a song into the air,It fell to earth, I knew not where; For who has sight so keen and strong, That it can follow the flight of song? Long, long afterward, in an oak I found the arrow, still unbroke; And the song, from beginning to end, I found again in the heart of a friend.
$1.99
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