Written for the James Bond film Spectre, ?Writing?s on the Wall? is a powerful anthem sung by Sam Smith. It won the Academy Award and Golden Globe for Best Original Song, reaching No. 1 in the UK Singles Chart. This arrangement is written for a cappella SATTB (or SAATB depending on preference) and encourages smooth singing, solid breath control and sustained lines. The popular melody is shared across choral parts, giving each voice line an opportunity to utilise a cappella accompaniment skills as well as a moment to deliver the catchy tune itself. This arrangement is ideal for high school choirs, chamber choirs, or a cappella groups interested in exploring a song which is both fun to perform and great to listen to as an audience member. The song works equally well as a bold opener, encore or as part of a film music set or theme.

Arranged by Greg Link, a London-based professional singer, arranger and workshop leader

Duration: 3:05

Written in 1991 by James Hetfield as a love song today "Nothing else matters" is propably one of the most famous rock ballads ever. This version arranged for mixed choir SATB and piano.

This timeless James Taylor original has been artfully arranged in its original key for SATB choir and piano by Roger Emerson. Perfect for any concert but especially for retirements and farewells. The arrangement includes a moving piano part that emulates Taylor's iconic guitar part. Chord symbols are included for guitar. Capo III and transpose chord symbols to A in order to recreate the original sound. .

This signature song from The Backstreet Boys was a massive hit in the summer of 1999, and it was considered the pop ballad of the year.

Performance Notes:
This arrangement features options for multiple soloists, an opening trio, and compelling, but easy to sing harmonies for SAB choir. Chords have been provided to allow for guitar accompaniment alone or with the written piano accompaniment.

The following parts are included in this package:
PV, Voices

Difficulty Level:
Intermediate

Song List: Blessed Are Those Who Have Not Seen Eternal Life Eternal Life SATB For This He Was Born Peace Be With You Remember The Child Run Tell Peter John And James Songs Of Eternal Life We Have Seen Him

The hit theme song of the 2012 James Bond film, as recorded by Adele. Collegiate pop-style a cappella arrangement. Improvised vocal percussion should be included in performance where possible.

Vocal ranges are as follows:
Solo: C4-C5
Sop 1: C4-G5 (optional Bb5)
Sop 2: C4-F5
Sop 3: C4-C5
Alto 1: Bb3-C5
Alto 2: Bb3-C5
Alto 3: G3-C5
Ten 1: D3-Eb4
Ten 2: D3-D4
Bass: F2 (optional D2) - F3

An exact and faithful (melodically and harmonically to the original) arrangement for SATB and piano accompaniment of the iconic James Bond theme to Moonraker. A straight forward and largely homophonic, very effective setting.

A highly effective and exact, faithful transcription in the original key of G major of this iconic James Bond theme song arranged for SATB and piano.

Who doesn't love James Bond? And who can argue about Billie Eilish's talent being the youngest person to record a Bond theme. This arrangement is for SATB choir & Piano with some solo opportunities. The arrangement stays as true to the original tune as possible, with fun "Bond" sounds thrown in there, such as the trumpet growl as well as the guitar twang.

Altos hold the melody for the majority of the tune so this is a nice feature for your lower voiced ladies.

Words & Music by Aurora Aksnes, James Jacob, Fiona Bevan and Couros Sheibani.
Arrangement by Emma Dean.
Practice Track recording, editing, mastering by Tony Dean at Tiny Dream Studios.
Practice Track performed by Emma Dean & Tony Dean.

SATB choir score + guitar. 10 pages. Perfect for community or professional choir.

Adele's original performance of Skyfall in the James Bond movie of the same name astounded audiences everywhere with her insistent, moving performance.

Alto/Tenor soloist accompanied by SATB with an 8 measure split in soprano and small tenor solo.

Originally arranged for Eastern Michigan Unversity's a cappella ensemble, Evergreen, Jolene Green's arrangement can be performed by groups of any skill level. This song is perfect for taking your choir to the next level musically, since the focus quickly shifts from the simple notes and rhythms to the musicality of the song.

Gavin Bryars has written prolifically for choirs of all abilities in a range of styles, from his sombre 'Cadman Requiem' to his uplifting song 'The Open Road', written for and performed by 300 people who had experienced homelessness. Bryars' fourth psalm setting, Psalm 141, is a beautiful and languid setting of the King James Bible translation, written shortly after the four hundredth anniversary of the 1611 publication. The work is scored for a cappella mixed choir with some divisi and was first performed by Ars Nova Copenhagen. In using the English version of the text, Bryars strives to make the words clear and highlight their poetic beauty, making this an ideal setting for liturgical use as well as concert performance for any size choir.

Latin.

During his time as Master of the Queen's Music, Sir Peter Maxwell Davies wrote a new carol for Her Majesty the Queen each Christmas. Ave, Plena Gracia , written for Christmas 2009, was the fifth in this series after An Heavenly Song, Wonder Tidings, The Yule-tide Bell and Kings and Shepherds all of which are published in the Schott Royal Collection.

First performed in St. James's Palace by the choir of the Chapel Royal on the Epiphany at the end of the 2009/2010 Christmas period, Ave, Plena Gracia is a short and traditional Latin setting that would be perfect for amateur choirs looking for new repertoire.