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Vous avez sélectionné:
Jan P
Chorale SATB
Partitions à imprimer
9 partitions trouvées
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Jan Pieterszoon Sweelinck (1562-1621) - Regina coeli a 5
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.828756 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.828756 Composed by Jan Pieterszoon Sweelinck. Arranged by Guido Menestrina. Baroque,Christian,Sacred. Octavo. 12 pages. Guido Menestrina #3245083. Published by Guido Menestrina (A0.828756). Mottetto a 5 voci con accompagnamento d'organo di J.P.Sweelinck, compositore olandese a cavallo tra '5 e '600.
$4.99
4.58 €
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Chorale SATB
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Jan Pieterszoon Sweelinck
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Guido Menestrina
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Jan Pieterszoon Sweelinck
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Guido Menestrina
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SheetMusicPlus
Hodie Christus Natus Est
Chorale SATB
By Jan P Sweelinck. Edited by Chester L Alwes. For SATB divisi choir. Sacred Anthem. Prima…
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By Jan P Sweelinck. Edited by Chester L Alwes. For SATB divisi choir. Sacred Anthem. Prima Cantate Series. Advent, Christmas. Moderately difficult. Published by Roger Dean Publishing
$2.75
2.52 €
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Chorale SATB
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Jan P Sweelinck
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Hodie Christus Natus Est
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Roger Dean Publishing
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SheetMusicPlus
Du bär mig i din hand
Chorale SATB
SATB chorus - Digital Download SKU: BJ.1234KP Arranged by Lennart Esborn. Folk, Chr…
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SATB chorus - Digital Download SKU: BJ.1234KP Arranged by Lennart Esborn. Folk, Christian. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1234Kp. Published by Bo Ejeby Forlag - Digital (BJ.1234KP). 8.27 x 11.7 inches.Three hymns in Swedish folk tradition – Som liljan på sin äng, Min vän är min, Tänk när en gång – arranged in a modern romantic way. The clarinet part could be replaced by a flute or violin. Separate parts are available.Choral part.
$3.20
2.94 €
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Chorale SATB
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Lennart Esborn
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Du bär mig i din hand
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Cups (when I'm Gone)
Chorale SATB
By Anna Kendrick. By A.P. Carter, Heloise Tunstall- Behrens, and Luisa Gerstein. Arra…
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By Anna Kendrick. By A.P. Carter, Heloise Tunstall- Behrens, and Luisa Gerstein. Arranged by Jan-Hendrik Herrmann. A Cappella, Film/TV, Pop. Octavo. 5 pages. Jan- Hendrik Herrmann #780711. Published by Jan-Hendrik Herrmann
$3.00
2.75 €
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Chorale SATB
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Anna Kendrick
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Jan-Hendrik Herrmann
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Cups
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Jan-Hendrik Herrmann
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.8 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.3 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Liefde Gods - Mixed Choir And Piano Or Organ
Chorale SATB
By W.P. Rowlands. Arranged by Jan Mulder. For SATB choir and piano/organ. Sacred. Text lan…
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By W.P. Rowlands. Arranged by Jan Mulder. For SATB choir and piano/organ. Sacred. Text language: Dutch. 1 pages. Published by John Miller Publishing
$1.80
1.65 €
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Chorale SATB
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W
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Jan Mulder
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Liefde Gods - Mixed Choir And Piano Or Organ
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John Miller Publishing
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SheetMusicPlus
Dos aguinaldos venezolanos del siglo XIX
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.881123 Composed by Rafael …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.881123 Composed by Rafael Isaza / Ricardo Perez. Arranged by Cesar Alejandro Carrillo. A Cappella,Christmas,Romantic Period,World. Octavo. 12 pages. Cesar Alejandro Carrillo #3860075. Published by Cesar Alejandro Carrillo (A0.881123). In Venezuela, the word aguinaldo has two meanings. It is synonymous with a gift that is given at Christmas, but also refers to a very popular musical genre in our own country of the Christmas season. This genre represents the quintessential musical expression of Venezuelan Christmas. Modesta Bor, our composition teacher, always instilled in us the cultivation of this genre in the repertoire of our choirs and as creative work, in order to preserve it from its disappearance before the overwhelming invasion of other musical genres strange to our traditional Christmas holidays. PurÃsima and A ti te cantamos, they are part of the musical heritage of the 19th century in Venezuela. Out of the creative genius of Rafael Isaza and Ricardo Pérez, respectively, are two of the most beautiful aguinaldos collected, among many others, by the Maestro Vicente Emilio Sojo, and are part of our Christmas tradition. They are two praises to the Virgin Mary, mother of the Child Jesus. Either can be sung a cappella, although they can also be accompanied by our traditional cuatro.
$2.50
2.29 €
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Chorale SATB
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Rafael Isaza / Ricardo Perez
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Cesar Alejandro Carrillo
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Dos aguinaldos venezolanos del siglo XIX
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Cesar Alejandro Carrillo
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SheetMusicPlus
The United States Army Hymn (Eternal Father, Hear Our Prayer)
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465850 Compos…
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Religious. 4 pages. Military Bible Association #1044448. Published by Military Bible Association (A0.1465850). The History of the Four Immortal Chaplains and the United States Army HymnDuring World War II, four Army chaplains met at the Army Chaplains School at Harvard University. ere, they received training for their assignments in the European theater. They then boarded and sailed on the United States Army Transport (USAT) Dorchester to report to their new assignments. The USAT Dorchester left New York on January 23, 1943, en route to Greenland. She carried about 900 military personnel and was escorted by Coast Guard Cutters Tampa, Escanaba, and Comanche. During the early morning hours of February 3, 1943, the vessel was torpedoed by the German submarine U-223 off Newfoundland in the North Atlantic. As the Dorchester sank on that fateful day of February 3, 1943, the four Army chaplains on board helped their soldiers board lifeboats as they handed out life jackets. When they ran out of life jackets, the chaplains gave their own life jackets to four soldiers that they might live. Then the chaplains joined arms and prayed as they went down with the Dorchester. These were young chaplains, new to the Army, holding the rank of first lieutenant. They included Methodist minister Reverend George L. Fox, Reform Rabbi Alexander D. Goode, Catholic priest Father John P. Washington, and Reformed Church in America minister Reverend Clark V. Poling. e four chaplains were posthumously awarded the Distinguished Service Cross and the Purple Heart. Chaplain (MAJ) James F. Linzey, USA (Ret.), who was one of four military chaplains in his family, composed the United States Army Hymn, “Eternal Father, Hear Our Prayer,” in remembrance of the “Four Immortal Chaplains” on board the Dorchester. Also, James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
1.83 €
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Chorale SATB
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James F
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The United States Army Hymn
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Military Bible Association
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SheetMusicPlus
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