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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
323
Piano & claviers
Piano, Voix
411
Piano Facile
142
Piano seul
135
Piano, Voix et Guitare
79
Instruments en Do
26
1 Piano, 4 mains
16
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano grosses notes
4
Accordéon, Voix
2
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
25
Guitare notes et tablatures
19
Guitare
18
Ukulele
10
Basse electrique
5
2 Guitares (duo)
4
Mandoline
2
+ 2 instrumentations
Retracter
Voix
Chorale SATB
38
Voix Soprano, Piano
10
Chorale 3 parties
9
Voix Tenor, Piano
7
Voix duo, Piano
5
Chorale SSAA
4
Voix duo
3
Voix basse, Piano
2
Voix seule
2
Chorale Unison
2
Voix haute
2
Voix Baryton, Piano
2
Voix Baryton
1
Voix haute, Piano
1
Voix Tenor
1
Voix Soprano
1
Chorale 2 parties
1
Voix Mezzo-Soprano, Piano
1
Chorale TTBB
1
Soli, choeur mixte et accompagnement
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
74
Clarinette et Piano
69
Hautbois, Piano (duo)
56
Saxophone Alto et Piano
38
Clarinette
34
Quatuor de Saxophones: 4 saxophones
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Flûte traversière
26
Quatuor de Flûtes : 4 flûtes
23
Saxophone Soprano et Piano
23
Hautbois (partie séparée)
20
2 Flûtes traversières (duo)
19
Quatuor de Clarinettes: 4 clarinettes
17
2 Saxophones (duo)
15
Cor anglais, Piano
14
Saxophone Tenor et Piano
12
Flûte, Hautbois, Clarinette, Basson
12
Quintette de Clarinettes: 5 clarinettes
8
3 Saxophones (trio)
8
2 Clarinettes (duo)
8
Ensemble de Clarinettes
8
Quintette de Saxophone: 5 saxophones
6
3 Clarinettes (trio)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Ensemble de Flûtes
5
Saxophone Alto
5
2 Saxophones, Piano
4
Flûte, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Saxophone Baryton, Piano
4
Trio de Flûtes: 3 flûtes
3
Flûte, Hautbois, Basson
3
Saxophone Tenor
3
Clarinette Basse, Piano
3
Flûte, Clarinette et Basson
3
5 Flûtes à bec
3
2 Hautbois (duo)
2
Clarinette, Violoncelle (duo)
2
Saxophone (partie séparée)
2
Flûte, Violon et Violoncelle
2
Quatuor de Flûtes à bec
2
Flûte et Guitare
2
Saxophone, Clarinette (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Basson (duo)
2
Clarinette, Basson (duo)
2
2 Flûte à bec (duo)
2
Flûte à Bec
2
Flûte, Violon
1
Clarinette, Harpe (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano
1
Flûte à Bec, Piano
1
Flûte traversière, Basse continue
1
Flûte, Saxophone (duo)
1
Clarinette, Trompette (duo)
1
Flûte de Pan
1
Ensemble de saxophones
1
Flûte à bec Alto
1
Flûte à bec, Guitare (duo)
1
Clarinette, Violon (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Piano
1
Saxophone
1
2 Clarinettes, Piano
1
Clarinette (partie séparée)
1
Hautbois, Harpe
1
Flûte, Violoncelle
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes à bec, Guitare
1
+ 68 instrumentations
Retracter
Cuivres
Cor et Piano
48
Trompette, Piano
41
Cor
41
Trombone et Piano
40
Trompette
34
Tuba et Piano
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trombone
18
Tuba
18
Cor anglais, Piano
14
Ensemble de Trombones
9
Quatuor de cuivres: 4 trombones
8
Euphonium, Piano (duo)
8
2 Trombones (duo)
8
Quatuor de cuivres: 4 cors
4
2 Trompettes (duo)
4
Ensemble de Trompettes
4
Trompette, Trombone (duo)
3
Ensemble de Cors
3
3 Trombones (trio)
2
4 Tubas
2
3 Tubas (trio)
2
3 Cors (trio)
2
Trompette (partie séparée)
2
2 Cors (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Cor (duo)
1
Cor (partie séparée)
1
Trompette, Saxophone (duo)
1
2 Tubas (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
Trompette, Trombone, Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums (duo)
1
+ 33 instrumentations
Retracter
Cordes
Violon et Piano
77
Violoncelle, Piano
64
Alto, Piano
60
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon
35
Violoncelle
25
Contrebasse, Piano (duo)
22
Contre Basse
19
Violon, Violoncelle (duo)
16
Alto seul
16
Harpe
13
Harpe, Flûte (duo)
12
Trio à Cordes: violon, alto, violoncelle
11
Alto (partie séparée)
8
4 Violoncelles
7
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Trio à Cordes: 3 violoncelles
4
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Violon, Basse continue
1
Violon (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Violon, Basson (duo)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
145
Orchestre
81
Orchestre à Cordes
44
Orchestre de chambre
23
Ensemble de cuivres
17
Ensemble Jazz
5
Big band
2
Percussion (partie séparée)
2
Percussion
2
Ensemble de Percussions
2
Jazz combo
2
Piano et Orchestre
1
Fanfare
1
Cloches
1
+ 9 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
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Partitions à imprimer
38 partitions trouvées
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1
26
Bailen, Canten Que Noche Bonita! For SATB Chorus and Orchestestra From the opera "On the Wings of t
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.730402 Composed by James N…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. James Nathaniel Holland #3216671. Published by James Nathaniel Holland (A0.730402). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, and full orchestra by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level and simple to produce. Use this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusInstrumentation: pic, 2fl, 2ob, eh, 12cl, bcl, tensax, 2bsn, 4 hrns, 2 tpt, trmb, btrm, tim, per (hand cym, castanets, ride cym, bd), hrp (or pno), stringsFull score in concert pitch, individual instrumental and vocal parts included.Piano vocal score and full opera vocal score sold separately.Duration 2:02 minutes. YouTube video presentation with dances: https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, y orquestra completa por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa. Por solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroInstrumentacion: pic, 2fl, 2b, eh, saxten, 2fag, 4 trmbdellaves, 2 trmpt, trmb, btrm, tim, per (plat mano, castanuelas, plat, tambaso), hrp (o pno), cuerdasPartitura para orquestra en tono del concierto, partitura individuales y de voces incluidos.Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Duracion 2:02 minutos. Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$15.95
14.64 €
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Chorale SATB
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James Nathaniel Holland
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Bailen, Canten Que Noche Bonita! For SATB Chorus and Orchestestra From the opera "On the Wings of t
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James Nathaniel Holland
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SheetMusicPlus
Bailen, Canten Que Noche Bonita! For SATB Chorus and Piano From the opera "On the Wings of the Scar
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.730403 Composed by James N…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.730403 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Octavo. 16 pages. James Nathaniel Holland #3218129. Published by James Nathaniel Holland (A0.730403). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, piano and guitar chords by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level to learn. Duration 2:02 minutes. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusUse this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Full orchestral accompaniment with full score in concert pitch, individual instrumental and vocal parts included sold separately. Full opera piano vocal score sold separately.YouTube Video presentation (with dances): https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html ****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, piano y acordes para guitara por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Para solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroDuracion 2:02 minutos. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa (ofrecido aparte). Partitura para orquestra en tono del concierto, partitura individuales y de voces incluidos ofrecido aparte. Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$4.00
3.67 €
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Chorale SATB
#
James Nathaniel Holland
#
Bailen, Canten Que Noche Bonita! For SATB Chorus and Piano From the opera "On the Wings of the Scar
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James Nathaniel Holland
#
SheetMusicPlus
The Curse of Athena for Dramatic Mezzo Soprano and Chorus, The Hero and the Damned Opera
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.730326 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.730326 Composed by James Nathaniel Holland. Contemporary,Halloween,Musical/Show,Opera. Octavo. 18 pages. James Nathaniel Holland #2897513. Published by James Nathaniel Holland (A0.730326). With over 17,000 views of this piece on YouTube, if you're a dramatic mezzo soprano, shouldn't you have recorded this aria already? Now it is available in piano vocal score form with SSATB Chorus. Orchestral accompaniment sold separately.Video Presentation: https://www.youtube.com/watch?v=bR-EnUHxWusComplete Opera Playlist at: http://www.youtube.com/playlist?list=PLEcbVsA36MCvAKaFfvS0td_-dkofF4KvQ
$4.95
4.54 €
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Chorale SATB
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James Nathaniel Holland
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The Curse of Athena for Dramatic Mezzo Soprano and Chorus, The Hero and the Damned Opera
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James Nathaniel Holland
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SheetMusicPlus
Three Operatic Highlights
Chorale SATB
SATB choir, Solo voice, Piano - Digital Download SKU: LX.15-3777H Arranged by Russe…
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SATB choir, Solo voice, Piano - Digital Download SKU: LX.15-3777H Arranged by Russell L. Robinson. General. Octavo. 16 pages. Heritage Music Press #e15/3777H. Published by Heritage Music Press (LX.15-3777H). ISBN 9780787770266.This stunning medley effectively joins three of the most loved and recognized classic opera excerpts, faithfully drawn from trusted sources, including La Donna è Mobile from Rigoletto, O Mio Babbino Caro from Gianni Schicchi, and Toréador from Carmen. Italian and French lyrics appear throughout, offering a great opportunity for cross-curricular involvement with the foreign language department. Each section begins with a solo and leads into a full-choir response.
$2.75
2.52 €
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Chorale SATB
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Russell L
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Three Operatic Highlights
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Heritage Music Press
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SheetMusicPlus
VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934267 Composed by Nicola …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages. Antonio Cericola #6328707. Published by Antonio Cericola (A0.934267). La nuovissima edizione di questo metodo storico include i componimenti scritti per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa aria già trasposta), ma anche agli insegnanti. Gli allievi, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Ogni arietta è corredata da note storiche, da consigli interpretativi e da note autografe (ove presenti indicate in corsivo) del Vaccaj stesso. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi del Metastasio sono stati riscritti con gli accenti ortoepici correttamente segnati su tutte le parole di dubbia pronuncia italiana. Sono altresì indicati i raddoppiamenti fonosintattici. Una legenda ortoepica precede il metodo. Nell’appendice sono incluse sia le note storiche dettagliate di ciascuna opera da cui sono tratti i versi, sia la serie degli intervalli da cantare che il Vaccaj scrisse per le storiche edizioni. Di questi solfeggi cantati è stato realizzato anche il basso continuo per agevolarne l’esecuzione ai giovani pianisti. Questa nuova edizione completa dell’opera, curata nella veste grafica ed impaginata ex novo per una lettura più agevole e chiara, è arricchita ulteriormente dalla preziosa presentazione del M°Antonio Juvarra.This new edition of this historical method includes compositions written for all vocal extensions in three different keys.This convenience will certainly be useful not only to accompanying pianists, but also to teachers. Pupils also could practice the same lesson in different keys for educational and musical purposes. Each arietta is accompanied by historical notes, interpretative advice and handwritten notes (where present indicate in italics) by Vaccaj himself. All the verses of Metastasio have been rewritten with the orthoepic accents correctly marked on all words of dubious Italian pronunciation. The phonosyntactic doublings are also indicated. An orthoepic legend precedes the method. The appendix includes both the detailed historical notes of each work from which the verses are taken, and the series of intervals to be sung that Vaccaj wrote for the historical editions. The basso continuo has also been made of these sung solfeggios to facilitate their performance by young pianists. This new complete edition of the work, edited in the graphics and paginated from scratch for easier and clearer reading, is further enriched by the precious presentation of Maestro Antonio Juvarra.
$14.99
13.76 €
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Chorale SATB
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Nicola Vaccaj
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Antonio Cericola
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VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
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Antonio Cericola
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SheetMusicPlus
Let There be Lights in the Firmament of Heaven : SSATBB Acapella
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.741927 Composed by M. Ryan Taylor. A…
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Choral Choir (SATB) - Digital Download SKU: A0.741927 Composed by M. Ryan Taylor. A Cappella,Christian,Jewish,Sacred,Spiritual. Octavo. 6 pages. Vocal Works #484809. Published by Vocal Works (A0.741927). Let There be Lights in the Firmament of Heaven SSATBB Choral Interlude from The Other Wise Man : a chamber opera in one act based on the inspiring story by Henry Van Dyke Visit http://mryantaylor.com for more information on The Other Wise Man Text see : Genesis 1:14 & Psalms 90:4.
$1.99
1.83 €
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Chorale SATB
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M
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Let There be Lights in the Firmament of Heaven : SSATBB Acapella
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Vocal Works
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SheetMusicPlus
Smooth Operator
Chorale SATB
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Down…
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Download SKU: A0.479890 By Sade. By Helen Adu and Ray St. John. Arranged by Deke Sharon. This edition: Interactive Download. Hip-Hop. Octavo. Duration 160. Deke Sharon #2VKcTYMriUZx2eAMwuv6M. Published by Deke Sharon (A0.479890). Key: C minor.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.83 €
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Chorale SATB
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Sade
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Deke Sharon
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Smooth Operator
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Deke Sharon
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SheetMusicPlus
John Paul Jones - a musical (complete vocal score - 2010 concert version)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.971722 Composed by WAGSTAF…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.971722 Composed by WAGSTAFF, Julian. Arranged by HANSON, Simon. Broadway,Musical/Show,Opera,Patriotic,Standards. Octavo. 177 pages. Julian Wagstaff #3425227. Published by Julian Wagstaff (A0.971722). John Paul Jones is a full-length stage musical by Scottish composer Julian Wagstaff, with music and lyrics by Julian Wagstaff and book by Julian Wagstaff and Joel Jenkins.
$19.99
18.34 €
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Chorale SATB
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WAGSTAFF, Julian
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HANSON, Simon
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John Paul Jones - a musical
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Julian Wagstaff
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SheetMusicPlus
La donna è mobile
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955832 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955832 Composed by Giuseppe Verdi. Arranged by Scott S. Stewart. A Cappella,Instructional,Opera,Standards. 2 pages. Scott S. Stewart #6319921. Published by Scott S. Stewart (A0.955832). La donna è mobile', the Duke's aria from Rigoletto is probably one of the most recognizable operatic melodies ever written. It has been arranged for 4-part SATB ensemble to be performed a cappella. This arrangement of an operatic masterpiece was created to make ‘Opera’ accessible to wider audiences for various reasons (instructive, educational purposes; and performance familiarity to/for a larger population). The original melody and harmonies are used. It retains the original foreign language text. This arrangement is an excellent tool for introducing ‘Opera’ music in the classroom, and programming diversity in the concert hall.
$2.99
2.74 €
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Chorale SATB
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Giuseppe Verdi
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Scott S
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La donna è mobile
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Scott S. Stewart
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SheetMusicPlus
Libiamo ne' lieti calici, Brindisi (SATB) - La traviata
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.955866 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.955866 Composed by Giuseppe Verdi. Arranged by Scott S. Stewart. Opera. 10 pages. Scott S. Stewart #6504223. Published by Scott S. Stewart (A0.955866). The Brindisi (drinking song), Libiamo ne’ lieti calici (Let’s drink from the joyful chalices) is the famous duet from the Italian opera La traviata (1853) by Giuseppe Verdi, and perhaps one of the best known opera melodies in all the operatic repertoire. This ‘arrangement’ is a practical performance arrangement scored for (reduced to) 4-part SATB ensemble with piano accompaniment; its aim is to ease the work of the pianist not having to deal with the many necessary page turns. it also is a practical alternative for an SATB solo quartet to perform as an ensemble. It is in the original Italian text. Performance time: 2:48+
$2.99
2.74 €
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Chorale SATB
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Giuseppe Verdi
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Scott S
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Libiamo ne' lieti calici, Brindisi
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Scott S. Stewart
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SheetMusicPlus
Blame it on the Old Dongbu! for SATB Chorus
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.730197 Composed by …
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.730197 Composed by James Nathaniel Holland. Broadway,Folk,Multicultural,Musical/Show,Opera,World. 9 pages. James Nathaniel Holland #6327. Published by James Nathaniel Holland (A0.730197). Sing the opening chorus of the opera on the Wings of the Scarlet Messenger by James Nathaniel Holland. This folk-like piece for SATB community or school chorus will open your concert with a wise lesson from Southeast Asia about luck and life. Fun, easy and wonderful for choir or show choir! Great opener for concert. Youtube presentation (in context of the opera. Starting at point 2'40). Duration: 1'52.
$1.99
1.83 €
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Chorale SATB
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James Nathaniel Holland
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Blame it on the Old Dongbu! for SATB Chorus
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James Nathaniel Holland
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SheetMusicPlus
Låt människan
Chorale SATB
SATB chorus and piano ad lib. - Digital Download SKU: BJ.1070 Composed by Bo Ejeby …
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SATB chorus and piano ad lib. - Digital Download SKU: BJ.1070 Composed by Bo Ejeby and Stefan Forssen. Arranged by Gunnar Eriksson. Secular. Octavo. 4 pages. Bo Ejeby Forlag - Digital #1070. Published by Bo Ejeby Forlag - Digital (BJ.1070). 8.27 x 11.7 inches.Let humanity. A beautiful poem in an equally beautiful setting. The poem tells in an open way about our short life: Let us, let wind our hair and grass our feet ... Let bread and wine, let human life, our only. The music is a cooperation between the jazz pianist Stefan Forssen, the choral singer Bo Ejeby and the conductor and arranger Gunnar Eriksson. There is also a version for women's voices.
$2.40
2.2 €
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Chorale SATB
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Bo Ejeby and Stefan Forssen
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Gunnar Eriksson
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Låt människan
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Two Views of Scott Joplin
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James S…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99
9.17 €
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Chorale SATB
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
O salutaris hostia from Missa breve (SATB)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.778337 Composed by Leo Del…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.778337 Composed by Leo Delibes. Arranged by Thomas R. Vozzella. Romantic Period,Sacred. Octavo. 5 pages. Thomas R. Vozzella #4797215. Published by Thomas R. Vozzella (A0.778337). Léo Delibes best known as a composer of ballets such as Coppélia, Sylvia, etc. and for the famed Flower Duet from the opera Lakmé. His only known sacred work, the Messe Brève for soprano, alto and organ. It is written without Credo and Benedictus but, contains a setting of the O salutaris hostia which is sung at the Eucharistic blessing or during Communion. Here is an SATB arrangement of this lovely movement from Messe Brève.
$1.99
1.83 €
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Chorale SATB
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Leo Delibes
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Thomas R
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O salutaris hostia from Missa breve
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Thomas R. Vozzella
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SheetMusicPlus
Sweet Echo
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.879609 Composed by Healey Willan. 20…
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Choral Choir (SATB) - Digital Download SKU: A0.879609 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3518001. Published by Biretta Books (A0.879609). Sweet Echo is a lovely choral work by Healey Willan's written for SATB choir, a capella. The text is a Song from ‘Comus,’ a Masque by John Milton:Sweet Echo, sweetest nymph that liv’st unseen Within thy airy shell,By slow Meander’s margent green,And in the violet-embroidered vale,Where the love-lorn nightingale Nightly to thee her sad song mourneth well;Canst thou not tell me of a gentle pair That likest thy Narcissus are? O, if thou have Hid them in some flowery cave, Tell me but where, Sweet queen of parley, daughter of the sphere! So mayst thou be translated to the skies,And give resounding grace to all heaven’s harmonies.A piano reduction is included in the score for rehearsal use.Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.
$2.95
2.71 €
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Chorale SATB
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slow Meander’s margent green,
And in the violet-embroidered vale,
Where the love-lorn nightingale
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ightly to thee her sad song mourneth well;
Canst thou not tell me of a gentle pair
That likest thy Narcissus are?
O, if thou have Hid them in some flowery cave,
Tell me but where,
Sweet queen of parley, daughter of the sphere!
So mayst thou be translated to the skies,
And give resounding grace to all heaven’s harmonies
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Healey Willan
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Sweet Echo
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Biretta Books
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SheetMusicPlus
To Be Merry
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.879613 Composed by Healey Willan. 20…
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Choral Choir (SATB) - Digital Download SKU: A0.879613 Composed by Healey Willan. 20th Century. Octavo. 8 pages. Biretta Books #3518015. Published by Biretta Books (A0.879613). Healey Willan is the Dean of Canadian Composers. This setting of Herrick's poem To Be Merry is merry indeed! Written for SATB Choir & Piano, your choir will just love to sing it. Words by Robert Herrick:Let's now take our time, While we're in our prime, And old, old age is afar off; For the evil, evil days Will come on apace,Before we can be aware of. Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.Learn more at http://healeywillan.com/
$2.85
2.62 €
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Chorale SATB
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Healey Willan
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To Be Merry
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Biretta Books
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SheetMusicPlus
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovann…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
9.17 €
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Chorale SATB
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni Battista Bononcini
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Calon Lan - A Pure Heart, Welsh Hymn
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1016441 Composed by John H…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1016441 Composed by John Hughes, lyrics by Daniel James. Arranged by Daniel White. Celtic,Sacred,World. Octavo. 13 pages. Dan White #5711005. Published by Dan White (A0.1016441). Calon Lan is one of the most beloved songs of Wales, and here is the choral arrangement that you have been waiting for of it! Suitable for festival competition, sacred worship service, or any choral concert, this arrangement features SSAATTBB, piano, pennywhistle (which can be substituted), and includes an IPA transcription of the Welsh lyrics.About the arranger:Daniel White is currently a DMA candidate at the University of Utah in Choral Conducting, including secondary areas in Music Education and Vocology. He holds a BA in Music from Eastern Oregon University, an MM in Choral Conducting from Portland State University, and also attended Cardiff University in Wales where he completed intensive Welsh language programs. White retired from the Mormon Tabernacle Choir in 2017 after nearly ten years of membeship; he has also sang with the Utah Symphony Chorus, Utah Opera Chorus, and Cor CF1 in Wales. He holds teaching licenses in Utah, taught in the public education system for several years, and welcomes any commissions, recorded performances of his works, and questions! Please feel free to contact him at: danny_boy99@yahoo.com.
$4.00
3.67 €
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Chorale SATB
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John Hughes, lyrics by Daniel James
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Daniel White
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Calon Lan - A Pure Heart, Welsh Hymn
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Dan White
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SheetMusicPlus
[Karchin] Jane Eyre (Piano Reduction)
Chorale SATB
Choral Choir (SATB divisi) - Digital Download SKU: A0.952998 Composed by Louis Karc…
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Choral Choir (SATB divisi) - Digital Download SKU: A0.952998 Composed by Louis Karchin. Contemporary,Opera. Octavo. 286 pages. American Composers Alliance Inc. #4632163. Published by American Composers Alliance Inc. (A0.952998). A piano reduction of Karchin's 3-act opera with libretto by Diane Osen, adapted from the novel by Charlotte Brontë. The opera is cast for 4 sopranos, 3 mezzo-sopranos, 1 tenor, 2 baritones, 2 bass-baritones, 1 bass, and children's chorus, however roles can be doubled for a resultant cast of 3 sopranos, 2 mezzo-sopranos, 1 tenor, 1 baritone, 1 bass-baritone, 1 bass, and children's chorus. PDF download includes complete piano-vocal score.
$65.95
60.52 €
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Chorale SATB
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Louis Karchin
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[Karchin] Jane Eyre
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American Composers Alliance Inc.
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arr…
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
12.84 €
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Guido Menestrina
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
16.51 €
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Guido Menestrina
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SheetMusicPlus
Adoramus te, Christe (SATB)
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.778383 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.778383 Composed by Claudio Monteverdi. Arranged by Thomas R. Vozzella. Baroque,Renaissance,Sacred,Standards. 8 pages. Thomas R. Vozzella #6234743. Published by Thomas R. Vozzella (A0.778383). Claudio Monteverdi (1567-1643) composed Adoramus te, Christe the year the Pilgrims landed at Plymouth Rock (1620). He was an Italian composer, string player and choirmaster. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.After the loss of his wife and subsequent years of depression, Monteverdi found his own renaissance in the Basilica of Venice as their music director. He invented opera and poured himself into church music, eventually becoming a member of a monastic order after surviving the plague. His exquisite small pieces were a great part of his complete works. As he aged, they reflected his journey through the stages of faith.
$1.99
1.83 €
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Chorale SATB
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Claudio Monteverdi
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Thomas R
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Adoramus te, Christe
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Thomas R. Vozzella
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SheetMusicPlus
Medley from The Phantom of the Opera - 10 Prints from The Phantom of the Opera - SATB Choir + Piano
Chorale SATB
Andrew Lloyd Webber - Medley from The Phantom of the Opera - from the musical The Phantom …
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Andrew Lloyd Webber - Medley from The Phantom of the Opera - from the musical The Phantom of the Opera Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: SATB Choir + Piano, instruments: SATB Choir;Piano Accompaniment; 22 pages -- Show/Broadway~~Choral~~Musical
$2.65
2.43 €
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Chorale SATB
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10 Prints from The Phantom of the Opera
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Musicnotes
Verdi "I Lombardi alla prima Crociata" (Act1) Prelude-Introdution - Choir STB and piano
Chorale SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.516494 Composed by Verdi …
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.516494 Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Octavo. 23 pages. Santino Cara #5973. Published by Santino Cara (A0.516494). I Lombardi to the first Crusade (I Lombardi alla prima Crociata) by Giuseppe Verdi. Librettist Temistocle Solera. Act 1 Scene 1 - Prelude and Choir of introduction. Transcribed by Santino Cara for STB Choir and piano. Single file pdf of the complete score for piano and choir, with separate part for choir.
$8.80
8.08 €
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Chorale SATB
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Verdi Giuseppe
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Santino Cara
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Verdi "I Lombardi alla prima Crociata"
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Santino Cara
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SheetMusicPlus
Verdi "I Lombardi alla prima Crociara"(Act2-I) E' dunque vero-Bass voice, Male choir(TB) and piano
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.516502 Composed by Verdi …
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.516502 Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Octavo. 15 pages. Santino Cara #11373. Published by Santino Cara (A0.516502). Act 2, Scene I., for solo Bass voices, Male chorus of Tenors and Basses, and piano from: I Lombardi in the first Crusade! by Giuseppe Verdi on the libretto by Temistocle Solera. In the pdf file, in addition to the complete score for voices and piano, also includes the parts of the Bass voice and the part for chorus Scenes: Scene I. Chorus of Ambassador E' dunque vero? Roles of the characters: Acciano, tyrant of Antioch (Bass) Chorus of Ambassadors (Tenors and Basses).
$6.20
5.69 €
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Chorale SATB
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Verdi Giuseppe
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Santino Cara
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Verdi "I Lombardi alla prima Crociara"(Act2-I) E' dunque vero-Bass voice, Male choir(TB) and piano
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Santino Cara
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SheetMusicPlus
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