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EUPHONIUM
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FLUTE A DIX…
FLUTE DE PA…
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GUITARE
GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
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AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
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NOËL
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OPERA
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PUNK
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avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
568
PIANO & CLAVIERS
Piano seul
158
Piano Facile
116
Piano, Voix et Guitare
44
Piano, Voix
33
1 Piano, 4 mains
16
Orgue
14
Accompagnement Piano
6
Piano grosses notes
6
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon, Voix
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
21
Guitare notes et tablatures
21
Guitare
13
Ukulele
12
Basse électrique (partie séparée)
11
Basse electrique
5
Banjo
2
Mandoline
1
2 Guitares (duo)
1
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VOIX
Chorale SATB
22
Chorale 3 parties
5
Chorale 2 parties
3
Chorale Unison
2
Chorale TTBB
1
Voix duo, Piano
1
Voix moyenne, Piano
1
Chorale SSAA
1
Voix Soprano, Piano
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
53
Saxophone (partie séparée)
45
Quatuor de Saxophones: 4 saxophones
41
Flûte, Hautbois, Clarinette, Basson
37
Quintette de Saxophone: 5 saxophones
36
2 Saxophones (duo)
35
Flûte traversière et Piano
27
Quatuor de Clarinettes: 4 clarinettes
23
Clarinette (partie séparée)
23
Clarinette et Piano
22
Saxophone Alto et Piano
20
Flute (partie séparée)
19
Ensemble de saxophones
17
2 Flûtes traversières (duo)
17
Ensemble de Clarinettes
16
2 Clarinettes (duo)
16
3 Saxophones (trio)
12
Hautbois, Piano (duo)
10
Quintette de Clarinettes: 5 clarinettes
9
Saxophone Tenor et Piano
9
Clarinette
9
Quintette de Flûte : 5 flûtes
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Baryton, Piano
7
Flûte traversière
7
Flûte, Clarinette (duo)
7
Saxophone et Guitare
6
Saxophone Alto
6
Ensemble de Flûtes
5
Clarinette, Basson (duo)
5
Saxophone Soprano et Piano
5
Saxophone, Clarinette (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
5
2 Hautbois (duo)
5
5 Flûtes à bec
5
2 Flûte à bec (duo)
5
Cor anglais, Piano
4
Clarinette, Violon (duo)
4
Flûte, Violon
4
Flûte à bec Soprano, Piano
4
Clarinette, Trompette (duo)
4
Clarinette Basse, Piano
3
Flûte à Bec, Piano
3
3 Flûtes à bec (trio)
3
Trio de Flûtes: 3 flûtes
3
Flûte à Bec
3
Flûte à bec Tenor
3
Flûte, Saxophone (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte irlandaise
2
Flûte à bec Alto
2
Hautbois (partie séparée)
2
Flûte, Alto (duo)
2
Saxophone Tenor
2
Hautbois, violon (duo)
1
Flûte, Trompette (duo)
1
Flûte, Hautbois, Basson
1
Hautbois, Basson (duo)
1
Instruments en Mib
1
Flûte, Hautbois (duo)
1
Saxophone
1
Clarinette et Alto
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Hautbois, Clarinette (duo)
1
Ensemble à vent
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
184
Trompette (partie séparée)
45
Ensemble de Trompettes
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Trombone (partie séparée)
25
Cor (partie séparée)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Quatuor de cuivres: 4 trombones
17
Tuba (partie séparée)
13
Quatuor de Cuivres
13
Trombone et Piano
13
Trompette, Piano
12
Ensemble de Trombones
9
2 Trompettes (duo)
9
2 Trombones (duo)
9
Trompette
8
Trombone
7
Trompette, Trombone (duo)
7
Quatuor de cuivres: 4 trompettes
6
Cor et Piano
6
Cor anglais, Piano
4
Tuba et Piano
4
2 Cors (duo)
4
Cor
4
4 Tubas
4
Euphonium, Piano (duo)
3
Ensemble de Cors
3
3 Tubas (trio)
3
3 Trombones (trio)
3
Trompette, Saxophone (duo)
3
Tuba
3
Quatuor de cuivres: 4 cors
2
Trompette, Cor (duo)
2
Trombone, Orgue
2
3 Trompettes (trio)
2
3 Cors (trio)
2
Trombone, Cor (duo)
2
Tuba ou Euphonium ou Saxhorn
2
Euphonium, Tuba (duo)
2
2 Tubas (duo)
1
Bass Clef Instruments
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Instruments en Sib
1
Ensemble de Tubas
1
Tuba et Orgue
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon et Piano
23
Violon (partie séparée)
19
Alto, Piano
19
Violoncelle, Piano
18
2 Violons (duo)
14
4 Violoncelles
10
Violon, Violoncelle (duo)
10
Violon, Alto (duo)
10
Harpe
9
Violoncelle (partie séparée)
9
2 Violoncelles (duo)
9
Alto (partie séparée)
7
2 Altos (duo)
6
Quatuor à cordes: 4 violons
5
Quatuor à cordes : 4 altos
5
Contrebasse (partie séparée)
4
Alto seul
4
Violon
4
Contrebasse, Piano (duo)
4
Alto, Violoncelle (duo)
4
Trio à cordes: 3 altos
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Ensemble de Violons
3
Trio à cordes
3
Ensemble d'Altos
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle
2
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 2 violons, alto
1
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Fanfare
1544
Orchestre d'harmonie
641
Percussion
87
Orchestre
81
Orchestre à Cordes
64
Percussion (partie séparée)
55
Batterie (partie séparée)
38
Cloches
16
Ensemble de cuivres
16
Ensemble Jazz
10
Ensemble de Percussions
8
Batterie
6
Orchestre de chambre
6
Caisse Claire
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
1
2 Caisses Claires (duo)
1
Instrumentation Flexible
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Let March
Chorale SATB
Partitions à imprimer
22 partitions trouvées
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1
Athletes' Marching Song
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1006992 Composed by Johnson K. Gao. …
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Choral Choir (SATB) - Digital Download SKU: A0.1006992 Composed by Johnson K. Gao. Arranged by e-Pollination Inc. Contemporary,World. Octavo. 5 pages. Johnson Gao #3378093. Published by Johnson Gao (A0.1006992). Athletes' Marching Song. The original name is Olympic Marching Song. Since that music can be used in any sports' meeting, thus the name is changed. Eight voices created by computer are: Soprano, Tenor, Alto, Bass, Trumpet, Cornet, Drum and Cymbals.
$1.99
1.83 €
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Chorale SATB
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Johnson K
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e-Pollination Inc
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Athletes' Marching Song
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Johnson Gao
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SheetMusicPlus
Let All the World in Ev'ry Corner Sing — SATB voices, organ
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Let All the World in Ev'ry Corner Sing — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
God is Love, Let Heav'n Adore Him - SATB voices, piano
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726149 Composed by B.F. Wh…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726149 Composed by B.F. White. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred. Octavo. 5 pages. Con Spirito Music #6733809. Published by Con Spirito Music (A0.726149). “God is Love: Let Heav’n Adore Him†pairs a text by the Welsh Anglican bishop Timothy Rees (1874-1939) with the 19th-century American hymn tune BEACH SPRING, attributed to Benjamin Franklin White (1800-1979), compiler and editor of the influential Sacred Harp hymnal.Quick to rehearse, yet satisfying to perform and moving in its effect on listeners, this lovely anthem expresses assurance in God’s boundless love, from His creation of the world (v. 1) to His love for “ev’ry child of ev’ry race†(v. 2) to His ultimate triumph over sin and death. Verses 1 and 2 are assigned to unison women’s and unison men’s voices, respectively. Then, following a modulation upward, the concluding verse 3 is sung by all voices in unison, with 4-part harmony at the peak of the verse before drawing to a peaceful, unison close. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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B
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Todd Marchand
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God is Love, Let Heav'n Adore Him - SATB voices, piano
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Con Spirito Music
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SheetMusicPlus
America (Let Freedom Ring)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.905175 Arranged by Pete De…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.905175 Arranged by Pete Deshler. Contemporary,Folk,Holiday,Patriotic. Octavo. 16 pages. Pete Deshler #5305919. Published by Pete Deshler (A0.905175). This arrangement of America (My Country 'tis of Thee) contains quotes from America, the Beautiful, The Star Spangled Banner and When Johnny Comes Marching Home. It also has a newly composed piano part and a new ending with many choral flourishes. This piece was originally created for a large choir with elementary school, middle and high school voices. It is also appropriate for an SSATB choir.
$1.99
1.83 €
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Chorale SATB
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Pete Deshler
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America
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Pete Deshler
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SheetMusicPlus
Caligaverunt Oculi Mei
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1023759 Composed by Christ…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1023759 Composed by Christian Humcke. A Cappella,Sacred. Octavo. 9 pages. Christian Humcke #6403581. Published by Christian Humcke (A0.1023759). Instrumentation: SATB a cappella choir (with divisi)Duration: 5'Completed: March 2017Caligaverunt oculi mei a fletu meo:quia elongatus est a me, qui consolabatur me:Videte, omnes populi,si est dolor similis sicut dolor meus.O vos omnes, qui transitis per viam, attendite, et videtesi est dolor similis sicut dolor meus.My eyes are darkened by my tears:For he is far from me that comforted me:See, O all ye people,if there be any sorrow like unto my sorrow.O all ye that pass by, behold and seeif there be any sorrow like unto my sorrow.
$2.99
2.75 €
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Chorale SATB
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Christian Humcke
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Caligaverunt Oculi Mei
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Christian Humcke
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SheetMusicPlus
A Soldier's Carol (Downloadable)
Chorale SATB
SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8320-E Composed by Ron…
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SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8320-E Composed by Ronald Perera. Advanced/Collegiate. Secular, Christmas, Christmas-Sacred. Octavo. 14 pages. Duration 4 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8320-E. Published by E. C. Schirmer Music Company - Digital (MQ.8320-E). This setting of the well known Christmas poem 'I Heard the Bells on Christmas Day' restores some of the language that is commonly left out of most hymnals. This setting restores some of the anguish associated with the Civil War and allows for a tension not often associated with this text. A powerful setting. The title of the original Longfellow poem is 'Christmas Bells.' Charles Appleton Longfellow was the eldest son of the famous poet Henry Wadsworth Longfellow and Fannie Elizabeth Appleton, who lived in Cambridge, Massachusetts. In March of 1863, with the Civil War then in its third year, nineteen year old Charley ran away to Washington to join the Union Army. He presented himself for enlistment to the commander of Battery A of the 1st Massachusetts Artillery, who knew the boy. The officer contacted Henry who reluctantly gave his permission for the boy to enlist. Charley proved himself such an exceptional soldier that he was soon offered a commission as a Second Lieutenant of Artillery. He first saw action at the Battle of Chancellorsville. In June he was briefly invalided home following a bout of typhoid fever and malaria, rejoining his unit in August. Then in November, during the Battle of New Hope Church, Charley was shot through the left shoulder, the bullet just grazing his spine. He narrowly avoided being paralyzed. Henry received word of Charley’s wounding on December 1, and he and a younger son went immediately to Washington, where Charley was in hospital, and brought him home to Cambridge. It was while nursing his son in his slow recovery that Henry Wadsworth Longfellow composed this poem during Christmas, 1863. -Ronald PereraDuration: 4:40.
$2.85
2.62 €
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Chorale SATB
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Ronald Perera
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A Soldier's Carol
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Lord Jesus, Think on Me — SATB voices, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Lord Jesus, Think on Me — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
When in Our Music God Is Glorified - Choral Score
Chorale SATB
SATB chorus - Level 2+ - Digital Download SKU: C7.CGA1235 Composed by Cathy Moklebu…
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SATB chorus - Level 2+ - Digital Download SKU: C7.CGA1235 Composed by Cathy Moklebust and Charles Villiers Stanford. Arranged by Cathy Moklebust and Charles Villiers Stanford. General. Score. 8 pages. Chorister's Guild - Digital #CGA1235. Published by Chorister's Guild - Digital (C7.CGA1235). UPC: 749193016336.When In Our Music God Is Glorified is an arrangement of the tune Engelberg that may be played by handbells alone, or in conjunction with organ, brass, timpani, SATB choir, and congregation. This glorious festival hymn arrangement begins with a fanfare introduction, followed by a straightforward setting of the first verse sung in unison. The second verse features the choir in four parts, accompanied by the bells and organ only. The brass and timpani join in on the third verse, which features a malleted or plucked bass line in the handbells, creating a march-like feel. A fanfare interlude precedes the majestic fourth verse, which features a soaring soprano descant, and a brief choral Amen concludes the arrangement. This hymn arrangement is perfect for worship, concert, or festival use.
$1.95
1.79 €
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Chorale SATB
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Cathy Moklebust and Charles Villiers Stanford
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When in Our Music God Is Glorified - Choral Score
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Chorister's Guild - Digital
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SheetMusicPlus
Moonlight Sonata by Beethoven for Choral and Piano
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1150939 Composed by…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period,Wedding. 23 pages. Woods Only, Arrangements #751125. Published by Woods Only, Arrangements (A0.1150939). This arrangement adapted for choir SATB and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
9.17 €
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Chorale SATB
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Choral and Piano
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Woods Only, Arrangements
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SheetMusicPlus
The Longest Day
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1135078 By Paul Anka. By P…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1135078 By Paul Anka. By Paul Anka. Arranged by Sylvia Miles. 20th Century,Film/TV,Historic,March,Multicultural,World. Octavo. 9 pages. Sylvia Miles #735119. Published by Sylvia Miles (A0.1135078). The Longest Day, from the film of the same name, commemorates the events of D-Day, 6th June 1944. The courage of those fighting men is legendary. I arranged this for my French choir. Based in Normandy, this has special poignance for local people, who owe their freedom to those warriors, and for whom these are their fields, their beaches. Annual commemoration events here in Normandy are extraordinarily moving, and happen in every town down to the smallest village, often attended by families of the men who fought on that day. (We sang it in French, of course - Le Jour le Plus Long - let me know if anyone wants this arrangement with the French words.) If you don't have enough singers to split the parts, sing the upper note.
$4.99
4.58 €
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Chorale SATB
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Paul Anka
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Sylvia Miles
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The Longest Day
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Sylvia Miles
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SheetMusicPlus
Three Evening Canticles — SATB voices, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Lightâ€) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn†and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.†The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.†The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$3.00
2.75 €
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Chorale SATB
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Todd Marchand
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Three Evening Canticles — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Ave Maria
Chorale SATB
SATB chorus a cappella - Digital Download SKU: BJ.1433 Composed by David Ã…berg.…
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SATB chorus a cappella - Digital Download SKU: BJ.1433 Composed by David Ã…berg. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1433. Published by Bo Ejeby Forlag - Digital (BJ.1433). 8.27 x 11.7 inches.This Ave Maria was composed for the Enskede chamber choir and its concert on The Feast of the Annunciation, March 2020. When the piece was completed in February, the coronavirus epidemic seemed like a distant threat, but only one month later all concerts were cancelled and the piece has yet to premiere. When the music is being published, the pandemic is still upon us, and our Ave Maria has not yet had an opportunity to ring out in public, but I hope that it will bring joy to others nevertheless. - David Aberg, January 2021.
$3.20
2.94 €
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Chorale SATB
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David Ã…berg
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Ave Maria
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
I Am The Way
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019362 Composed by Kevin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019362 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 10 pages. Kevin Longley #6322993. Published by Kevin Longley (A0.1019362). I Am The Way, Church Anthem for Tenor Solo, SATB and Piano composed in March 2017. Inspiration Each of us, throughout our lives, are faced with choices where the path forward is unclear. Where the decision maybe a crossroad for our lives. Who can guide us? Who should we turn to? Jesus said I Am The Way? The Music A rousing church anthem that begins with the Tenor Soloist searching for answers. Presented with a difficult choice he asks Jesus what should I do now?, who will be my guide?. The choir responds with I Am The Way, offering the response in a polyphonic round, so to speak. Once completed, the opening melody returns sung by the choir followed by a repeat of the chorus. A C section is then introduced, in a minor key, reminding us to follow the Light as Darkness can deceive. The Tenor soloist returns with the opening melody, now with minimal accompaniment, giving a retrospective feeling to the music. The anthem closes with a repeat of the chorus followed by the Tenor soloist giving the piece a finality.
$1.99
1.83 €
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Chorale SATB
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Kevin Longley
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I Am The Way
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Kevin Longley
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SheetMusicPlus
Gloria
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1253610 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1253610 Composed by Nicholas White. 21st Century,Christmas,Latin,Religious. Octavo. 88 pages. Nicholas White Music #847251. Published by Nicholas White Music (A0.1253610). GLORIA was written in celebration of the 25th Anniversary of Chorus Angelicus & Gaudeamus, and was completed on July 20th, 2015. The first performance took place on March 19th, 2016 in Hartford, CT, and a second performance on April 3rd, 2016 in The Chapel of St. Peter & St. Paul, St. Paul’s School, Concord, NH. For this performance, Chorus Angelicus & Gaudeamus were joined by members of The Chapel Choir of St. Paul’s School, and members of The Boston Cecilia, Boston, MA. Chorus Angelicus & Gaudeamus Gabriel Löfvall, music director The Chapel Choir of St. Paul’s School Nicholas White, music director The Boston Cecilia Nicholas White, music director GLORIA is in twelve movements and is scored for two soprano soloists, bass soloist, SATB choir (with divisi) and the following chamber orchestration: Flute OboeClarinetHornCelloHarpOrgan Percussion (one player) Timpani.
$15.00
13.77 €
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Chorale SATB
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Nicholas White
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Gloria
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Nicholas White Music
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SheetMusicPlus
The Nutcracker Song
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1279630 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1279630 Composed by Peter Ilyich Tchaikovsky. Arranged by SCMusic. Children,Christmas,Classical,Holiday,Traditional. 16 pages. SCMusic #871093. Published by SCMusic (A0.1279630). A sparkling Christmas choral arrangement, based on tunes from Tchaikovsky's ballet 'The Nutcracker', with new words added to celebrate the joy and hustle and bustle of Christmas time, and the anticipation of Christmas Day ahead. Suitable for mixed voice choir (SATB), non divisi with one part per line. Includes Dance of the Reed Flutes, Dance of the Sugar Plum Fairy, Trepak, Waltz of the Flowers, Overture and March.
$2.20
2.02 €
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Chorale SATB
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Peter Ilyich Tchaikovsky
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SCMusic
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The Nutcracker Song
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SCMusic
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SheetMusicPlus
Countless Stars; Endless Roads (Chinese lyrics)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1006999 Composed by Johns…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1006999 Composed by Johnson K. Gao. Contemporary,Holiday,World. Octavo. 1 pages. Johnson Gao #3467614. Published by Johnson Gao (A0.1006999). 說來奇怪。 有時當我清晨醒來,我的大腦會自動產生æŸç¨®æ—‹å¾‹ã€‚ 這是我在 2018 å¹´ 3 月 1 æ—¥ä¸Šåˆ 5 點 30 分錄製的一段經éŽæ練的五å¥æ—‹å¾‹ã€‚ 第二天更早 3 月 2 日凌晨 2 點,æˆ‘çµ¦éŸ³æ¨‚æ·»åŠ äº†ä¸€äº›ä¸æ–‡æŒè©ž,å½¢æˆäº† 一首完整的æŒæ›²,我想作為一張特殊的生日賀å¡çµ¦æˆ‘çš„é•·å阿爾文, 他的生日是 3 月 3 æ—¥, ä»–ç¾åœ¨çœŸå·§åœ¨æ„› 爾è˜å·¡å³¶æ—…éŠã€‚ 我希望這首æŒçš„æ„義能é©åˆä»–的處境。 It is strange. Sometimes when I wake up in the early morning, my brain will automatically produce certain kind of melody. This is a refined piece of five lines melody that I recorded on the March 1, 2018 at 5:30am. The next day even more early at 2:00 am on March 2, I added some Chinese lyrics to the music to form a complete song, which I would like to give as a special birthday card to my eldest son Alvin, whose birthday is March 3, and he is now just on a tour along the Ireland. I hope that the meaning of the song can fit to his situation. ç‰ˆæ¬Šæ‰€æœ‰ã€‚æœ¬æŒ æ›² å… è¨± éž åˆ© 潤 複 制 。但任何想è¦å°‡æ¤æŒæ›²ç”¨æ–¼ç›ˆåˆ©æˆ–商æ¥ç”¨é€”çš„äººå£«å¿…é ˆäº‹å…ˆèˆ‡æŒæ›²ä½œè€… è¯ç¹«ã€‚ jkxgao@gmail.com All rights reserved. Copying of the song is permitted for none profit purpose. Anyone who wants to use this song for profit or commercial purpose must contact the songwriter in advance at: jkxgao@gmail.com
$1.99
1.83 €
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Chorale SATB
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Johnson K
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Countless Stars; Endless Roads
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Johnson Gao
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arr…
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
12.85 €
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Guido Menestrina
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
16.52 €
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Guido Menestrina
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SheetMusicPlus
The Love Which Makes Us One
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031983 Composed by Gloria…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031983 Composed by Gloria Cangahuala. A Cappella,Contemporary. Octavo. 10 pages. Published by Gloria Cangahuala #5713427. Published by Published by Gloria Cangahuala (A0.1031983). The Love Which Makes Us One is a composition for SATB choir with piano accompaniment. It is based on a sonnet by Christina Rossetti (1830-1894) entitled I loved you first: but afterwards your love from her Monna Innominata, a series of 14 sonnets. I loved you first: but afterwards your love is one of Rossetti’s love poems; it simply yet profoundly expresses the existence of love as being made possible only through the complete melding of two people as one entity.The Love Which Makes Us One is best suited for advanced intermediate to professional level choirs. Competitive high school and college choirs should be able to manage it. The piece involves continuous two-against-three rhythms with the choir vs. piano. In addition, there is one extended a capella section that requires the choir to stay on pitch for the piano re-entry. Tenors need to be able to sing the G above middle C, and basses need to be able to sing the F below C3.Duration: 5:40World premiere performance by Freudig Singers of Western New York on March 7, 2020, Buffalo, NY.(Please note that the mp3 file associated with this listing is a midi rendering only. No lyrics are used, although the vocal parts are sung.)
$2.99
2.75 €
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Chorale SATB
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Gloria Cangahuala
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The Love Which Makes Us One
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Gloria Cangahuala #5713427.
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SheetMusicPlus
O Sing To The Lord A New Song (Psalm 98)
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1221919 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1221919 Composed by Diane Whitacre. A Cappella,Praise & Worship,Sacred. Octavo. 8 pages. Dianewhitacremusic.com #818204. Published by Dianewhitacremusic.com (A0.1221919). This exciting choral work was commissioned for the 75th Anniversary of the Genevans, the student choir of Geneva College, Beaver Falls, Pennsylvania. O Sing To The Lord A New Song is a setting of the complete text of Psalm 98. It was the students' favorite piece on its premiere concert in March of 2013. The piece has become a staple of their repertoire, has been the capstone piece of their 2013 through 2017 tours and has been sung most every year by the Genevans since its premiere. The voicing is SSAATTBB, for acapella choir and includes the rehearsal piano part.    It is a fantastic anthem for celebrations or a rousing way to start or end your concert.
$2.25
2.07 €
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Chorale SATB
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Diane Whitacre
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O Sing To The Lord A New Song
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Dianewhitacremusic.com
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SheetMusicPlus
Three American Folk Hymns (Vocal Score)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.889752 Composed by William…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.889752 Composed by William Hawley. Contemporary,Praise & Worship. Octavo. 21 pages. William Hawley #6551243. Published by William Hawley (A0.889752). This is the Vocal Score of William Hawley's Three American Folk Hymns, commissioned by the Vocal Arts Ensemble of Cincinnati, Earl Rivers, Director. The World Premiere took place, with the Cincinnati Chamber Orchestra, in Memorial Hall, Cincinnati, Ohio, March 22, 2009, Earl Rivers, Conductor. The audio clip is the complete Composer's Demo recording of the work. The live World Premiere recording is available separately at SMP Press, as are the Full Score and Orchestral Parts. Performance Duration: 9 minutes. ASCAP https://williamhawley.net.
$4.99
4.58 €
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Chorale SATB
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William Hawley
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Three American Folk Hymns
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William Hawley
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SheetMusicPlus
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