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Like a Dove
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Vous avez sélectionné:
Like a Dove
Chorale SATB
Partitions à imprimer
12 partitions trouvées
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Like a Dove
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Chorale SATB
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Musique Sacrée
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John Purifoy
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Like a Dove
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Unity Music Press
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SheetMusicPlus
SATB choir with optional Congregation (With Optional Congregation) - Moderately easy - SKU: LX.10-1272U Non-commercial permission for congregational ...
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SATB choir with optional Congregation (With Optional Congregation) - Moderately easy - SKU: LX.10-1272U Non-commercial permission for congregational part with purchase. Composed by John Purifoy. Choir and Congregation Series. Sacred Anthem, Baptism, Confirmation, General. Octavo. 8 pages. Unity Music Press #e10/1272U. Published by Unity Music Press (LX.10-1272U). UPC: 000308029406.SATB and optional congregation. General/Baptism/Confirmation. A distinctive work with an inspirational refrain based on John's account of the Baptism of the Lord. Isaiah's prophecy, as recounted in Luke 3:4, is also crafted into this beautiful musical arrangement. A wonderful special music selection that will involve the congregation.
$2.40
Listen, sweet dove
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Chorale SATB
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Alan Smith
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Listen, sweet dove
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193705937 Composed by Alan Smith. Score. 8 pages. Oxford University Press Digital #9780193705937. Published by Oxford University Press Digit...
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SKU: OX.9780193705937 Composed by Alan Smith. Score. 8 pages. Oxford University Press Digital #9780193705937. Published by Oxford University Press Digital (OX.9780193705937). ISBN 9780193705937.For SATB and organ. Setting the George Herbert poem 'Whitsunday', this lilting, gentle anthem is particularly useful for Whit Sunday services. Syncopations and duplets provide rhythmic interest, with memorable melodies, sumptuous harmonies, and contrasting textures making this a rewarding anthem for performer and listener alike.
$3.25
There's No Business Like Show Business
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Chorale SATB
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INTERMÉDIAIRE
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Irving Berlin
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M & J Dover
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There's No Business Like Show
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Martin Dover
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1227991 Composed by Irving Berlin. Arranged by M & J Dover. 20th Century,Broadway,Musical/Show. Octavo. 15 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.1227991 Composed by Irving Berlin. Arranged by M & J Dover. 20th Century,Broadway,Musical/Show. Octavo. 15 pages. Martin Dover #823994. Published by Martin Dover (A0.1227991). A SATB arrangement of the classic show tune with piano accompaniment. A real show-stopper.
$2.20
There's No Business Like Show Business
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Comédie Musicale
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Irving Berlin
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M & J Dover
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There's No Business Like Show
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Martin Dover
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1227992 Composed by Irving Berlin. Arranged by M & J Dover. 20th Century,Broadway,Musical/Show. Octavo. 1...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1227992 Composed by Irving Berlin. Arranged by M & J Dover. 20th Century,Broadway,Musical/Show. Octavo. 15 pages. Martin Dover #823995. Published by Martin Dover (A0.1227992). A arrangement of the classic show tune for SATB plus solo (or semi-chorus) with piano accompaniment. Â A real show-stopper.
$2.20
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Benedicat Vos SATB
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Michael Kenneth
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Benedicat Vos SATB
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Michael Kenneth Fabian
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.905140 Composed by Michael Kenneth. Contemporary,Sacred. Octavo. 13 pages. Michael Kenneth Fabian #5726753. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.905140 Composed by Michael Kenneth. Contemporary,Sacred. Octavo. 13 pages. Michael Kenneth Fabian #5726753. Published by Michael Kenneth Fabian (A0.905140). Benedicat is a blessing prayer which is Trinitarian in form and uses word painting techniques. Different techniques were used to depict the different words used such as Pater, or Father, the depiction of the heavenly host and choirs of angels, Filius, or Son, the duality of Jesus' nature as God and Man and a depiction of his Passion through chromaticism and minor tonalities. Lastly, Spiritus Sanctus, or Holy Spirit, depicted by the floating sound above the entire chorus like a dove, descending on Jesus during His Baptism.
$2.99
Brincando no ar (Canto nupcial / Wedding song)
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Chorale SATB
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INTERMÉDIAIRE
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César del Caño
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English) and other details
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Brincando no ar
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Cesar del Cano
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 p...
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Choral Choir (SATB) - Level 3 - SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 pages. Cesar del Cano #6418517. Published by Cesar del Cano (A0.1030297). · · Polyphonic a cappella work for four mixed voices (S, A, T/B) with divisi and solo voices. · Approximate duration: 1:30 · Pages (4): Cover (1), Score (2, 3), Lyrics (4): Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition. · A video-score from YouTube is attached. · [ENG] Brincando no ar (Dancing in the air) Wedding song. Text, music and polyphonic work: César del Caño She: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. He: You came to me like the moon comes to the night, and nobody will steal from me this nest I have made for you. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak it came, dancing in the air. [ESP] Brincando no ar (Danzando en el aire) Canto nupcial Texto, música y obra polifónica: César del Caño Obra polifónica para cuatro voces mixtas (Soprano, Contralto, Tenor y Bajo), con divisi. Ella: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico, danzando en el aire. Él: Llegaste a mà como la luna viene a la noche, y nadie me robará el nido que he hecho para ti. Coro: Danzando en el aire una paloma viene a ti con una canción de amor ¡oh, sÃ! en su pico llegó, danzando en el aire. · Composer data: Website: https://www.cesardelcano.com Facebook: https://www.facebook.com/cesardelcano.esp YouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT ·
$4.50
Beginnings
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Chorale SATB
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DÉBUTANT
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Musique Sacrée
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John W
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John W
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Beginnings
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John Fisher
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - SKU: A0.1287126 Composed by John W. Fisher. Arranged by John W. Fisher. 21st Century,Christian,Contemporary,Instr...
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Choral Choir,Choral (SATB) - Level 1 - SKU: A0.1287126 Composed by John W. Fisher. Arranged by John W. Fisher. 21st Century,Christian,Contemporary,Instructional,Praise & Worship. 3 pages. John Fisher #878132. Published by John Fisher (A0.1287126). This sermon song was inspired by a homily by Dr. Paul de Jong of First Presbyterian Fort Myers Florida, July 30, 2023 from Mark 1: 1-11.In the beginning the earth was created. In the beginning the Word was made flesh.Jesus our Saviour began His long journey, baptized by John, His spirit was fresh.When He was baptized, He rose from the water, there was a voice, as a dove was released.God spoke to all who had gathered at Jordan, This is my son, in whom I am pleased.Adam and Eve, they me sin in the garden, Jesus was tempted in desert so dry.Because what happened to Eve and to Adam, Jesus for us did suffer and die.For forty days He was tempted by Satin, guarded by angels He never gave in.  Likewise e're challenged by forces of evil, but by our faith we're saved from our sin.
$3.00
Beginning Here
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Nicholas White
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Beginning Here
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1254712 Composed by Nicholas White. 21st Century,A Cappella,Chamber,Christian. Octavo. 12 pages. Nicholas...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1254712 Composed by Nicholas White. 21st Century,A Cappella,Chamber,Christian. Octavo. 12 pages. Nicholas White Music #846851. Published by Nicholas White Music (A0.1254712). A choral setting of Malcolm Guite's exquisite sonnettBeginning here we glimpse the Three-in-one; The river runs, the clouds are torn apart,The Father speaks, the Spirit and the Son Reveal to us the single loving heartThat beats behind the being of all thingsAnd calls and keeps and kindles us to light. The dove descends, the spirit soars and sings ‘You are belovèd, you are my delight!’In that quick light and life, as water spills And streams around the Man like quickening rain, The voice that made the universe revealsThe God in Man who makes it new again.He calls us too, to step into that riverTo die and rise and live and love forever.
$2.00
Songs from the First World War - Medley - SATB
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Chorale SATB
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INTERMÉDIAIRE
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C
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M
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Songs from the First World War
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Martin Dover
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.786878 Composed by C. Knight, H. Williams, J. Gover-Kind, J. Judge, and K. Lyle. Arranged by M. Dover. Patriotic...
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Choral Choir (SATB) - Level 3 - SKU: A0.786878 Composed by C. Knight, H. Williams, J. Gover-Kind, J. Judge, and K. Lyle. Arranged by M. Dover. Patriotic,Traditional. Octavo. 8 pages. Martin Dover #3534659. Published by Martin Dover (A0.786878). Songs from the First World War is a medley of songs for 4-part choir - SATB and piano accompaniment. It comprises arrangements of well known songs from that era including Here we are again, It's a long way to Tipperary, and I do like to be beside the Seaside.
$2.25
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Like a Dove
