English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Long Before
Non classifié
347
Piano & claviers
Piano seul
181
Piano, Voix
85
Piano Facile
51
Piano, Voix et Guitare
30
Instruments en Do
23
Accompagnement Piano
19
Orgue
9
Accordéon
6
Piano Trio: piano, violon, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
1
2 Accordéons
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
18
Guitare
13
Ligne De Mélodie, (Paroles) et Accords
10
Mandoline, Guitare (duo)
4
Ukulele
3
Mandoline
2
Piano, Guitare (duo)
2
Basse electrique
2
Luth
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
66
Chorale 3 parties
15
Chorale Unison
10
Voix Alto, Piano
6
Voix Soprano, Piano
5
Chorale 2 parties
5
Chorale TTBB
5
Chorale SSAA
3
Voix haute
2
Voix seule
1
+ 5 instrumentations
Retracter
Vents
Flûte traversière et Piano
36
Ensemble de saxophones
29
Clarinette et Piano
28
2 Saxophones (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte, Hautbois, Clarinette, Basson
19
Hautbois, Piano (duo)
16
Saxophone Alto et Piano
15
Quatuor de Saxophones: 4 saxophones
15
Quintette de Saxophone: 5 saxophones
13
Saxophone Tenor et Piano
13
Saxophone, Clarinette (duo)
11
2 Flûtes traversières (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
Clarinette
10
Ensemble de Clarinettes
9
2 Clarinettes (duo)
9
Ensemble de Flûtes
9
3 Saxophones (trio)
8
Clarinette, Violon (duo)
8
Saxophone Soprano et Piano
8
Flûte, Clarinette (duo)
8
Clarinette, Trompette (duo)
8
Quintette de Flûte : 5 flûtes
5
Hautbois, Basson (duo)
5
Saxophone Baryton, Piano
5
2 Hautbois (duo)
5
Flûte, Saxophone (duo)
5
Hautbois, Clarinette (duo)
4
Flûte, Violon
4
Flûte traversière
4
Flûte à bec Soprano
3
Hautbois, Flûte
3
Trio de Flûtes: 3 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
3
Flûte, Alto (duo)
3
Flûte, Violoncelle
3
Clarinette et Alto
3
Clarinette Basse, Piano
3
Clarinette, Violoncelle (duo)
2
Flûte à bec Alto, Piano
2
Hautbois (partie séparée)
2
Flûte à bec Alto
2
3 Clarinettes (trio)
2
Flûte à Bec
2
Flûte, Trompette (duo)
2
Saxophone Alto
2
2 Flûte à bec (duo)
2
Hautbois, Violoncelle
1
Hautbois
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Tenor
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone
1
Saxophone (partie séparée)
1
Quatuor de Flûtes à bec
1
Ensemble de Hautbois
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trombone et Piano
17
Trompette, Piano
14
Cor et Piano
14
Quatuor de Cuivres
13
Trompette
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Tuba et Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Saxophone (duo)
8
2 Trompettes (duo)
6
Trombone
5
Ensemble de Trombones
5
Tuba
5
2 Trombones (duo)
5
Ensemble de Trompettes
4
Trompette, Trombone (duo)
4
Ensemble de Cors
4
Cor
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 trombones
2
Trombone, Tuba (duo)
1
2 Cors (duo)
1
Euphonium, Piano (duo)
1
Bass Clef Instruments
1
Trio de Cuivres
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
2 Tubas (duo)
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon et Piano
33
Alto, Piano
33
Violoncelle, Piano
27
Violon, Violoncelle (duo)
11
2 Violoncelles (duo)
10
Harpe
10
Violon
9
Trio à Cordes: violon, alto, violoncelle
9
2 Violons (duo)
9
2 Altos (duo)
6
Violoncelle
6
Violon, Alto (duo)
6
Alto, Violoncelle (duo)
5
Harpe, Voix
3
Alto seul
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Harpes (duo)
2
Alto et Harpe
1
Trio à cordes: 3 altos
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
89
Orchestre
36
Ensemble Jazz
31
Orchestre à Cordes
25
Orchestre de chambre
13
Ensemble de cuivres
12
Cloches
7
Jazz combo
4
Fanfare
3
Batterie
3
Ensemble de Percussions
3
Marimba
1
Xylophone, Piano
1
+ 8 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Long Before
Chorale SATB
Partitions à imprimer
66 partitions trouvées
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51
Git Along Little Dogies [SA(T)B]
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891191 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad. The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft. Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.94 €
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Chorale SATB
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Traditional
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Laurie Betts Hughes
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Git Along Little Dogies [SA(T)B]
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Dandelion Music Press
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SheetMusicPlus
Here Before the Sunrise Blue
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1007504 Composed by Robbie LaBanca. …
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Choral Choir (SATB) - Digital Download SKU: A0.1007504 Composed by Robbie LaBanca. Contemporary. Octavo. 6 pages. R. LaBanca #3416017. Published by R. LaBanca (A0.1007504). Here Before the Sunrise BlueHere before the sunrise blue & in the solitude To you: come home. The moon is full over morning buildings, The shade of solitude is upon my hand:Come home. In this empty loft of high windows the shades are lifting, and people are arrived;To you: in the early silence between us that IS, folded deep into night & and the black well of SourcesIn-here is gone forth to meet in-there & we ARE bound below a sound or gesture;Beneath distance, before time, at the foot of the silent forest, meet me here, I love you.A fire is crackling, I have risen early before the dawn - love and how long I have need of you all I feel;Don’t know where you are or what’s happening, yet surely the morning stars will shed their light in desolate places, and this just from me first thing in the morning, love. Janine Pommy-Vega
$3.99
3.68 €
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Chorale SATB
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Robbie LaBanca
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Here Before the Sunrise Blue
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R. LaBanca
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SheetMusicPlus
Praise Yah and Long Live the King (Cast) from "The Kings" - ACT 2:Song 1
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784827 Composed by McCorkl…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784827 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11745. Published by DF McCorkle Music and eBook Publications (A0.784827). ACT TWO: Song 1. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 5:1-3 - Then came all the tribes of Israel to David unto Hebron, and spoke, saying: 'Behold, we are thy bone and thy flesh. 2 In times past, when Saul was king over us, it was you that did lead out and bring in Israel; and Yahweh said to you: ‘You shall feed My people Israel, and you shall be prince over Israel.’ 3 So all the elders of Israel came to the king to Hebron; and king David made a covenant with them in Hebron before Yahweh; and they anointed David king over Israel.] The second act opens in the Hebron as DAVID unites the clans and in a grand celebration DAVID is crowned as king over Israel and Judah to the shouts of [Praise God and Long Live the King – Ensemble]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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Chorale SATB
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McCorkle, Dennis F
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Praise Yah and Long Live the King
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
I Stand the Watch Before the Dawn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.971687 Composed by Michael…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp #2034327. Published by Michael E. Ropp (A0.971687). I Stand the Watch Before the Dawn is a dramatic piece for SATB choir and tenor and soprano soloists, for the season of Advent. The piece begins with the solo tenor and piano, in which the tenor plays the part of the night watchman and expresses longing for the light, and anguish at the condition of the people in the darkness. The tenor solo ends with the words Why have you forsaken us? The choir then enters a cappella (in performance, the choir can be doubled on organ using soft strings if necessary--it's difficult for the choir to get its starting pitches), and a soaring solo soprano provides the answer: the Light has come, but more than that, You were never alone; you are never alone; you will never be alone. One staging idea for this piece is to have the solo tenor up front, and the choir and soprano unseen in the rear, especially if there is a rear balcony that will hold the choir. However it is staged, this piece provides worshipers with a powerful and unforgettable reassurance that they do not face their darkest hours alone. (Please note that the MP3 file has some oddities in the dynamics; the sudden changes are artifices of how the MP3 is rendered from Finale and should not be interpreted literally.).
$2.99
2.76 €
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Chorale SATB
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Michael E
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you are never alone
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I Stand the Watch Before the Dawn
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Michael E. Ropp
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SheetMusicPlus
When the Train Comes Along Medley (SATB)
Chorale SATB
SATB chorus - Digital Download SKU: C7.CGE115 Composed by Arranged by Greg Gilpin. …
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SATB chorus - Digital Download SKU: C7.CGE115 Composed by Arranged by Greg Gilpin. Arranged by Greg Gilpin. General. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE115. Published by Chorister's Guild - Digital (C7.CGE115). UPC: 749193023327.This distinctive setting of the mournful scriptural text begins with an introspective, chant-like introduction that belies the fiery torrent of personal frustration and rage to come. With the incessant drum-like drubbing of octaves in the piano bolstering an equally accented choral outburst, the passionate pathos of sorrow expressed within the text is fully realized and understood. A beautiful legato section provides contrast before building anew, taking us to a dynamically intense finale. A stunning, dramatic showcase for concert or festival!
$2.10
1.94 €
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Chorale SATB
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Arranged by Greg Gilpin
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Greg Gilpin
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When the Train Comes Along Medley
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Chorister's Guild - Digital
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SheetMusicPlus
The Story of a Leader
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.87 €
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Chorale SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
The Holy Child
Chorale SATB
SATB choir, organ, narrator SKU: LO.65-1966S Reflections on the Eve of Christmas…
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SATB choir, organ, narrator SKU: LO.65-1966S Reflections on the Eve of Christmas. Composed by Gilbert M. Martin. Choral, cantatas. Advent, Christmas, Sacred. Choral score. Sacred Music Press #65/1966S. Published by Sacred Music Press (LO.65-1966S). UPC: 000308098303.The birth of the Holy Child is gently recalled in this serene and contemplative mini-cantata. This composer's familiar hallmarks of colorful organ sounds and expressive choral writing shine throughout this luminous work. An original, flowing setting of Come, Thou Long-Expected Jesus leads off the Bethlehem journey, followed by the well-known Lo, How a Rose E'er Blooming. The very first awe-filled visitors are in attendance with While Shepherds Watched Their Flocks, and all adore the new-born King with a sumptuous choral arrangement of Away in a Manger, weaving both familiar melodies together in simple tranquility. A sensitive setting of the Christina Rossetti poem, Love Came Down at Christmas brings the entire work together, quietly heralding Jesus' peaceful arrival on earth. The narrator comments throughout with the familiar Christmas story from St. Luke. You will find this work to be suitable for the Sundays before Christmas, on Christmas Day, and especially, on Christmas Eve.
Song List: Come Thou Long-Expected Jesus Lo How A Rose E'er Blooming While Shepherds Watched Their Flocks Away In A Manger Love Came Down At Christmas
Song List
: Come Thou Long-Expected Jesus Lo How A Rose E'er Blooming While Shepherds Watched Their Flocks Away In A Manger Love Came Down At Christmas
$7.95
7.33 €
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Chorale SATB
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Gilbert M
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The Holy Child
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Sacred Music Press
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SheetMusicPlus
Shelter in Place for SSAATB chorus and nature soundtrack
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.953628 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
3.68 €
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Chorale SATB
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Adrienne Inglis
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Shelter in Place for SSAATB chorus and nature soundtrack
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Adrienne Inglis
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SheetMusicPlus
Hush, Sweet Baby, sacred vocal solo for Christmas
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.702435 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.702435 Composed by Kevin G. Pace (ASCAP), Mary Ann Snowball. Christmas,Praise & Worship,Sacred. Octavo. 8 pages. Kevin G. Pace #6686875. Published by Kevin G. Pace (A0.702435). Sacred vocal solo for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball. See text below: Hush, sweet Baby called to earth long before thy mortal birth. Truth portrays angelic worth. Hush, sweet Baby, hush. Chosen Child from on high, there will be sweet lullabies Silencing each human cry. Hush, sweet Baby, hush. Hush, sweet Baby now adorned, wrapped in swaddling bands so warm. Love was born this Christmas morn. Hush, sweet Baby, hush. Now earth's Savior will be known: There will come a time to show Heav'nly power so blessings flow. Hush, sweet Baby, hush. Hush, 'til Thou saves from the Fall. Love will imprint on thy palms, Grace displaying healing balm. Hush, sweet Baby, hush. 'Til then sleep the night away, waiting for a brand-new day. Close your eyes now while you may. Hush, sweet Baby, sleep. Hush, hush oh Baby sweet. Sleep, sleep tonight. Jesus, our dear Savior lives, will His saving light.
$3.95
3.64 €
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Chorale SATB
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Kevin G
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Hush, Sweet Baby, sacred vocal solo for Christmas
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Kevin G. Pace
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SheetMusicPlus
Hush, Sweet Baby - sacred choral music for Christmas
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1281368 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1281368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Kevin G. Pace #872711. Published by Kevin G. Pace (A0.1281368). Sacred choral music for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball. Text: Hush, sweet Baby called to earth long before thy mortal birth. Truth portrays angelic worth. Hush, sweet Baby, hush. Chosen Child from on high, there will be sweet lullabies Silencing each human cry. Hush, sweet Baby, hush. Hush, sweet Baby now adorned, wrapped in swaddling bands so warm. Love was born this Christmas morn. Hush, sweet Baby, hush. Now earth's Savior will be known: There will come a time to show Heav'nly power so blessings flow. Hush, sweet Baby, hush. Hush, 'til Thou saves from the Fall. Love will imprint on thy palms, Grace displaying healing balm. Hush, sweet Baby, hush. 'Til then sleep the night away, waiting for a brand-new day. Close your eyes now while you may. Hush, sweet Baby, sleep. Hush, hush oh Baby sweet. Sleep, sleep tonight. Jesus, our dear Savior lives, will His saving light.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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Hush, Sweet Baby - sacred choral music for Christmas
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Kevin G. Pace
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SheetMusicPlus
Crystal Veil Suite
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.990685 Composed by Stephan…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.990685 Composed by Stephanie K. Andrews. Contemporary. Octavo. 29 pages. Stephanie K Andrews #6432151. Published by Stephanie K Andrews (A0.990685). Crystal Veil Suite was composed in 2018 for REVEL, an Austin, Texas based classical music group led by Dr. Carla McElhaney, and for Chorus Austin, also of Austin, Texas, Ryan Heller, Artistic Director. The premiere of the piece took place on December 1, 2018, at the Existential Solstice concert, part of REVEL's Radio Project concert series. The Existential Solstice concert, a collaboration between REVEL and Chorus Austin, featured music and poetry meant to elicit vivid imagery of winter scenes. As a lifelong Texan, this required a stretching of my creativity, as you well might imagine. The A section of the first movement, The Snow, was written in Phyrigian mode to evoke the melancholy mood that may accompany a long winter, with descending patterns in the viola and the right hand of the piano painting a gentle snowfall. The B section contrasts with a faster tempo, suggesting an intensification of the snowfall, before returning to the melancholic A section. The second movement, Frost and Wind, paints a snowstorm with its faster tempo, swirling winds in the right hand of the piano and in the choir, and bitter frost evinced in all voices. Finally, in the third movement, Snow, a shift to the major mode and tranquil melodic lines suggests a return to a gentle snowfall following the storm, with contemplative motives in all voices, until a lone robin's voice and sunlight bring us hope of spring's return.
$4.95
4.56 €
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Chorale SATB
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Stephanie K
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Crystal Veil Suite
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Stephanie K Andrews
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SheetMusicPlus
Lift His Light
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.829345 Composed by Gloria …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.829345 Composed by Gloria Willingham. Arranged by Lyndell Leatherman. Christian,Sacred. Octavo. 2 pages. Leatherman Music Services #5776791. Published by Leatherman Music Services (A0.829345). Gloria Willingham is an iconic figure in the Nazarene denomination; her mother was Grace Ramquist and her grandfather was J. B. Chapman. Oh, and her husband, Elbert, is the son of T. W. Willingham. Gloria was a schoolteacher before retirement; she raised two daughters; and she is a lifelong advocate for world missions. Her enthusiasm is contagious, and her laugh is inspiring...especially considering her long battle with rheumatoid arthritis. What an honor it was to collaborate with Gloria on several songs while serving together at Kansas City First Church of the Nazarene back in the day: she, the missionary president, and I, a music staff member.
$4.99
4.6 €
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Chorale SATB
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Gloria Willingham
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Lyndell Leatherman
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Lift His Light
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Leatherman Music Services
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SheetMusicPlus
When I Land
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.787259 Composed by Greg Ba…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.787259 Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259). An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. When I Land is duration ca. 5 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management. Follow along in the score as you listen to a performance in this video: https://youtu.be/8ZmbFg3jI6s TEXT: I fly da Vinci's dream on wings of speed,With effortless delight I cleave the air, Free in the boundless realm of sky, I feed My soul with wonder, questions seeming fair. Why brought forth to wander on this earth? Why given this brief breath of life, To wonder at our enigmatic birth, To reach for stars, want reason for the strife. Yet, being here, why try to find a plan? Why waste time in thought before we go? Is not life enough for any man? How many have, as theirs, my answer, No. When I set foot again upon the land, And darkness gains upon the setting of the sun, I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run, Life's nights are all too few. No other hand, no other's look, no other one, Can bring that peace to mind or heart or soul, No peace. Although I know there's always fun In life, to reach that sublime goal, I must return to you.
$2.25
2.07 €
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Chorale SATB
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Greg Bartholomew
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When I Land
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Burke & Bagley
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SheetMusicPlus
Beyond The Sea
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
9.22 €
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Chorale SATB
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
I Did Not See Temple Spires - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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I Did Not See Temple Spires - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
Bad Case Of Loving You
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.796809 By Robert Palmer. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.796809 By Robert Palmer. By John Moon Martin. Arranged by Eric Hagmann. A Cappella. Octavo. 8 pages. Eric Hagmann #3692383. Published by Eric Hagmann (A0.796809). An SATB + Solo contemporary a cappella arrangement of Bad Case of Loving You by Robert Palmer. Released in 1978 by John Moon Martin and then covered the very next year by Robert Palmer, this driving-rock spin on the traditional blues form fits perfectly as a piece just for voices. Contains alternate lyrics which could be used by a female soloist. In the hands of a skilled vocal percussionist, the propulsive rhythm of Bad Case thumps alongside the bass; thus laying the groundwork for your soloist and setting the electric tone for the entire song. Rather than mimicking the guitar licks of the original piece, the supporting vocals fill the void between phrases and then pack a true punch when finally getting to the chorus that we all know and love. At the bridge, the bass has a moment to shine on the melody before handing it off to the altos to finish the section. This is followed directly by a unique departure from the original tune - a breakdown where all but one section drops out. Over a short time, each part layers themselves back into the texture, thus building to an exciting climax where the vocal percussionist resumes the original groove along with the full support of the rest of your singers.High energy and lots of fun, this arrangement is great for your high school or college ensemble! .
$2.25
2.07 €
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Chorale SATB
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Robert Palmer
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Eric Hagmann
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Bad Case Of Loving You
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Eric Hagmann
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SheetMusicPlus
Fain Would I Change That Note
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.879607 Composed by Healey Willan. 20…
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Choral Choir (SATB) - Digital Download SKU: A0.879607 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3517993. Published by Biretta Books (A0.879607). Fain Would I Change That Note. Music by Healey Willan. Words by Captain Tobias Hume:Fain would I change that noteTo which fond Love hath charm'd meLong, long to sing by rote,Fancying that that harm'd me:Yet when this thought doth come'Love is the perfect sumOf all delight!'I have no other choiceEither for pen or voiceTo sing or write.O Love! they wrong thee muchThat say thy fruit is bitter,When thy rich fruit is suchAs nothing can be sweeter.Fair house of joy and bliss,Where truest pleasure is,I do adore thee:I know thee what thou art,I serve thee with my heart,And fall before thee.Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.SATB a capella (with piano reduction provided for rehearsal purposes)
$2.95
2.72 €
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Chorale SATB
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Healey Willan
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Fain Would I Change That Note
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Biretta Books
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.12 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
#WeToo
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.83 €
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Chorale SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Now Thank We All Our God: Set B
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837496 Composed by Martin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837496 Composed by Martin Rinkart. Arranged by Brett L. Wery. Holiday,Praise & Worship,Sacred. Octavo. 44 pages. Sonata Grendel Publishing #5753937. Published by Sonata Grendel Publishing (A0.837496). SET B Conductor’s Score,Trumpet 1, Trumpet 2, Horn in F, Trombone, Tuba, Timpani, SATB Choir/Organ Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
$34.95
32.22 €
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Chorale SATB
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Martin Rinkart
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Brett L
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Now Thank We All Our God: Set B
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Sonata Grendel Publishing
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SheetMusicPlus
Now Thank We All Our God: Set A
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837495 Composed by Martin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837495 Composed by Martin Rinkart. Arranged by Brett L. Wery. Christian,Holiday,Praise & Worship,Sacred. Octavo. 12 pages. Sonata Grendel Publishing #5753929. Published by Sonata Grendel Publishing (A0.837495). SET A: SATB Choir/Organ (optional brass quintet and timpani-sold separately ) Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
$2.75
2.54 €
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Chorale SATB
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Martin Rinkart
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Brett L
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Now Thank We All Our God: Set A
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Sonata Grendel Publishing
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SheetMusicPlus
Deep In The Heart Of Texas
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1135766 By Alvino R…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1135766 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by D. Jason Bishop. 20th Century,Country,Pop,Standards. 8 pages. Tully Road Music #735814. Published by Tully Road Music (A0.1135766). The 1941 classic “Deep in the Heart of Texas†is an American popular song about the state of Texas with lyrics by June Hershey and music by Don Swander. It has been recorded in multiple versions, five of which were on the Billboard charts in 1942. Several university bands in Texas perform the song before football games including the University of Texas Longhorn Band and the Texas Christian University Horned Frog Marching Band, and country music singer and native Texan George Strait has the song played before he takes the stage at concerts. This simple version for SATB voices and piano was arranged by D. Jason Bishop for the Texas Boys Choir.
$2.00
1.84 €
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Chorale SATB
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Alvino Rey & His Orchestra
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D
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Deep In The Heart Of Texas
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Tully Road Music
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SheetMusicPlus
A Winter's Tale
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1494901 By Que…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1494901 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Timothy Allen. Pop,Rock. 10 pages. Timothy Allen Music Ltd #1071460. Published by Timothy Allen Music Ltd (A0.1494901). This is one of the last songs that Freddie Mercury recorded before he died, and he wrote it whilst looking out at Lake Geneva, where Queen had a recording studio. He knew he didn't have long left, but his reflections in this song aren't melancholy - he writes of the things he can see out of his window, the beauty of the world, the fun that kids are having outside, and the simple joys of winter. The arrangement has some tricky rhythms, as it aims to stay pretty close to what Freddie sang. Aim for a conversational feel, with some freedom in the delivery, and it will become easier than mathematically working out all the cross-rhythms. Enjoy the big fall-offs - they're really fun!
$2.99
2.76 €
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Chorale SATB
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Queen
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Timothy Allen
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A Winter's Tale
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Timothy Allen Music Ltd
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SheetMusicPlus
Norwegian Wood (This Bird Has Flown)
Chorale SATB
Rhythm Section SATB Chorus divisi,Voice - Level 3 - Digital Download SKU: A0.1488649
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Rhythm Section SATB Chorus divisi,Voice - Level 3 - Digital Download SKU: A0.1488649 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kerry Marsh. Jazz,Pop. Vocal Jazz Ensemble. 43 pages. Kerry Marsh #1065497. Published by Kerry Marsh (A0.1488649). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a lower price than the standard flat-fee range for vocal jazz ensemble arrangements ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the “All Tracks Pack (With SkyTracks Mixer)“ package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).Adapted from Kurt Elling's rendition on his album *Nightmoves*, Kerry’s arrangement of Norwegian Wood is back in print after a too-long hiatus. The chart incorporates hip and unique syncopations with reharmonizations that give the Lennon/McCartney classic a fresh and engaging sound. It features a persistent underlying 16th-note subdivision that drives the rhythm and allows the melody to be reframed and stretched onto a brand-new canvas, creating space for interesting colors in the rhythm section and vocal backgrounds.Elling's signature melismatic melody flourishes are transcribed and seamlessly integrated into this arrangement, offering a nod to his style while adding unique texture and depth. Space for vocal or instrumental improvisation is included, encouraging creativity and spontaneity in performance. A modulation after the solo section introduces a new emotional backdrop for the final lyrical moments, enhancing the song's storytelling aspect.The arrangement uses diverse voicings, blending clusters and more widely spaced harmonies to create a rich, textured sound. It builds to an exciting peak toward the end before winding down to a soft and mysterious finish, capturing the intrigue and emotion of the original while exploring new musical territories. This chart will provide a distinctive and memorable addition to any ensemble's repertoire.
$49.99
46.09 €
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Chorale SATB
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The Beatles
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Kerry Marsh
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Norwegian Wood
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Kerry Marsh
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SheetMusicPlus
Salve Regina
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1024693 Composed by Jennif…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1024693 Composed by Jennifer Ricciardi. A Cappella,Christmas,Classical,Contemporary,Sacred. Octavo. 16 pages. Jennifer Ricciardi #3435431. Published by Jennifer Ricciardi (A0.1024693). Salve Regina SATB, A cappella with divisi (includes piano reduction for rehearsal) Total run time approximately 4:00 This work reflects the traditions of plainsong as well as early liturgical choral polyphony, while embracing 21rst century harmonies and styles. The Marion Antiphons have a long monastic tradition in the Roman and Franciscan Church. Each antiphon was sung daily during one of the four main divisions of the church year: Alma Redemptoris Mater from advent to February 1, Ave Regina Coelorum from February 2 till Wednesday before Easter, Regina Coeli Laetare from Easter to Trinity, and Salve Regina from Trinity to Advent. Complete Set is also available for sale.
$2.49
2.3 €
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Chorale SATB
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Jennifer Ricciardi
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Salve Regina
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Jennifer Ricciardi
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SheetMusicPlus
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