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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
MOv
Sheetmusicplus
Non classifié
8 695
Piano & claviers
Piano seul
7 085
Piano Facile
2 917
Piano, Voix et Guitare
2 734
Piano, Voix
1 404
Orgue
591
Instruments en Do
329
1 Piano, 4 mains
216
Piano Trio: piano, violon, violoncelle
159
Piano grosses notes
125
2 Pianos, 4 mains
116
Accompagnement Piano
83
Piano Quintette: piano, 2 violons, alto, violoncelle
69
Piano Quatuor: piano, violon, alto, violoncelle
49
Piano Quatuor: piano, 2 violons, violoncelle
40
Clavecin
37
Piano (partie séparée)
33
Orgue, Piano (duo)
26
Accordéon
19
Orgue, Trompette (duo)
12
1 Piano, 6 mains
5
2 Pianos, 8 mains
5
Accordéon, Piano
4
Clavier
4
Ensemble d'Accordéons
2
Fake Book
2
2 Accordéons
2
Ensemble de Pianos
1
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
+ 23 instrumentations
Retracter
Guitares
Guitare notes et tablatures
588
Guitare
440
Ligne De Mélodie, (Paroles) et Accords
218
Ukulele
141
2 Guitares (duo)
69
Guitare (partie séparée)
58
Paroles et Accords
57
Piano, Guitare (duo)
56
Basse electrique
37
4 Guitares (Quatuor)
21
Mandoline
19
3 Guitares (trio)
13
Dulcimer
11
Ensemble de guitares
8
Guitare, Flûte, Clarinette
2
Banjo
2
Basse électrique (partie séparée)
2
Guitare, Quatuor à cordes
2
Guitare, Violon, Violoncelle (trio)
1
Cithare
1
2 Mandolines (duo)
1
2 Dulcimers (duo)
1
Ensemble de Ukulélés
1
Mandoline, Piano (duo)
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 951
Chorale 3 parties
635
Chorale 2 parties
537
Chorale TTBB
335
Chorale SSAA
249
Chorale Unison
182
Voix duo, Piano
178
Voix duo
56
Pack Instrumental pour Chorale
55
Voix Alto, Piano
54
Voix Baryton, Piano
52
Voix Soprano, Piano
43
Voix Tenor, Piano
36
Voix Tenor
31
Voix Soprano
27
Chorale
25
Voix seule
22
Voix haute
20
Voix basse, Piano
8
Chorale SSAATTBB
6
Voix moyenne, Piano
5
Chorale SSATB
5
Chorale SSAB a cappella
4
Chorale SSATTB
3
Soli, choeur mixte et accompagnement
2
Voix, Guitare
2
Voix Baryton
1
Chorale SSAB, Piano
1
+ 23 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
894
Flûte traversière et Piano
825
Quatuor de Saxophones: 4 saxophones
774
Clarinette et Piano
728
Flûte, Hautbois, Clarinette, Basson
539
Hautbois, Piano (duo)
506
Saxophone Alto et Piano
482
Clarinette
438
Saxophone (partie séparée)
427
Flûte traversière
424
Quatuor de Clarinettes: 4 clarinettes
414
Quintette de Saxophone: 5 saxophones
352
Clarinette (partie séparée)
319
2 Flûtes traversières (duo)
303
Saxophone Tenor et Piano
302
2 Saxophones (duo)
290
Saxophone Alto
264
Saxophone Soprano et Piano
227
2 Clarinettes (duo)
222
Hautbois (partie séparée)
221
Quatuor de Flûtes : 4 flûtes
198
Ensemble de Clarinettes
176
Saxophone Tenor
171
Ensemble de Flûtes
151
Saxophone Baryton, Piano
134
3 Saxophones (trio)
133
Ensemble de saxophones
123
3 Clarinettes (trio)
114
Flute (partie séparée)
114
Quintette de Clarinettes: 5 clarinettes
105
Flûte, Clarinette (duo)
99
Hautbois
91
Trio de Flûtes: 3 flûtes
76
Cor anglais, Piano
76
Hautbois, Basson (duo)
74
Flûte et Guitare
71
Clarinette Basse, Piano
69
2 Hautbois (duo)
67
Flûte, Hautbois, Clarinette (trio)
55
Quintette de Flûte : 5 flûtes
55
Saxophone, Clarinette (duo)
47
Clarinette, Violon (duo)
46
Flûte à bec Soprano
44
Hautbois, Clarinette (duo)
44
Flûte à Bec
44
Flûte, Violoncelle
43
Flûte, Clarinette et Basson
43
Quatuor de Flûtes à bec
39
Clarinette et Alto
38
Flûte à bec Alto
38
2 Flûtes traversières, Piano
35
Hautbois, Clarinette, Basson (trio d'anches)
34
Clarinette, Basson (duo)
34
2 Flûte à bec (duo)
33
Flûte, Violon
31
Hautbois, Flûte
29
Clarinette, Violoncelle (duo)
29
Flûte, Violon, Piano
29
Flûte, Alto (duo)
27
Saxophone Soprano
26
Piccolo
24
Saxophone et Piano
23
Clarinette, Guitare (duo)
22
3 Flûtes à bec (trio)
22
Clarinette, Trompette (duo)
22
5 Flûtes à bec
21
Flûte, Clarinette, Piano (trio)
21
Saxophone
21
Hautbois, Violoncelle
20
Saxophone Baryton
20
Flûte, Saxophone (duo)
19
Flûte, Hautbois, Basson
19
Clarinette Basse
17
Flûte, Violon et Violoncelle
17
Flûte à bec Tenor
15
Ensemble De Flûte à bec
15
Flûte, Trompette (duo)
14
Clarinette, Violoncelle, Piano (trio)
14
Flûte, Violoncelle, Piano (trio)
13
Cor Anglais
11
Flûte à bec Soprano, Piano
10
Flûte, Alto et Piano
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
2 Saxophones, Piano
9
2 Clarinettes, Piano
8
3 Hautbois
8
Flûte irlandaise
7
Harmonica
7
Hautbois, Guitare (duo)
7
Saxophone et Guitare
7
Flûte, Hautbois (duo)
7
Flûte, Basson et Piano
6
2 Cors Anglais Et Pianoforte
6
Hautbois, violon (duo)
6
Flûte, Trombone (duo)
6
Ocarina
6
Clarinette, Harpe (duo)
6
Saxophone et Orgue
6
2 Clarinettes, Basson
5
Piccolo, Piano
5
Flûte à bec Alto, Piano
5
4 Hautbois
4
Flûte, Alto et Violoncelle
4
Clarinette, Basson, Piano (trio)
4
Flute, harpe et violon
4
Hautbois, Harpe
4
Flûte, alto et harpe
4
Clarinette, Quatuor à cordes et Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette, Orchestre
3
Flûte et Quatuor à Cordes
3
Flûte, trombone et piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte, Hautbois, Piano (trio)
3
Hautbois et alto (duo)
3
Cor anglais, Guitare (duo)
3
Saxophone et Harpe
3
Clarinette, Tuba
2
Flûte, Tuba (duo)
2
Clarinette, Trombone (duo)
2
Flûte et Trio à cordes
2
2 Hautbois, Piano
2
Flûte à Bec, Piano
2
Flûte, Violoncelle, Guitare
2
Flûte traversière, Orchestre
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble de Hautbois
1
Saxophone, Violon (duo)
1
Flûte, Harpe et Violoncelle
1
Saxophone, Tuba (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Orgue
1
Hautbois, Basson et Piano
1
Clarinette, Contrebasse (duo)
1
Instruments en Mib
1
Cor anglais et Harpe (duo)
1
Hautbois et Orchestre
1
Saxophone, Basson (duo)
1
+ 135 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
722
Trombone et Piano
489
Trompette, Piano
446
Trompette (partie séparée)
411
Trompette
406
Trombone (partie séparée)
399
Quatuor de Cuivres : 2 trompettes, trombone, tuba
385
Cor
360
Cor et Piano
347
Trombone
263
Tuba et Piano
177
Quatuor de Cuivres
160
Tuba
157
Cor (partie séparée)
156
Euphonium, Piano (duo)
148
Quatuor de Cuivres: 2 trompettes, Cor, trombone
122
2 Trompettes (duo)
96
Tuba (partie séparée)
86
Quatuor de cuivres: 4 trombones
78
2 Trombones (duo)
77
Cor anglais, Piano
76
Ensemble de Trombones
70
Ensemble de Trompettes
64
2 Cors (duo)
63
Trompette, Trombone (duo)
56
Quatuor de cuivres: 4 cors
45
2 Euphoniums et 2 Tubas
39
3 Trombones (trio)
33
4 Tubas
32
Trompette, Saxophone (duo)
32
Trompette, Cor (duo)
29
Ensemble de Cors
25
Trio de Cuivres
24
2 Tubas (duo)
21
Tuba et Orgue
16
Quatuor de cuivres: 4 trompettes
16
Euphonium
13
3 Trompettes (trio)
12
Tuba ou Euphonium ou Saxhorn
12
Cor Anglais
11
Euphonium, Tuba (duo)
8
3 Euphoniums
8
Trombone basse
8
3 Tubas (trio)
8
Cor et Harpe
8
Trompette, Tuba (duo)
7
Trombone, Orgue
7
2 Cors Anglais Et Pianoforte
6
Trombone basse et Piano
6
Cor, Violoncelle (duo)
6
2 Trompettes, Clavier (piano ou orgue)
6
Trombone, Cor (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
3 Cors (trio)
4
Trompette, violon (duo)
3
2 Cors, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Bass Clef Instruments
3
2 Euphoniums (duo)
3
Cor anglais, Guitare (duo)
3
Trompette, Harpe
2
Trombone, Violon (duo)
2
Trompette, Violoncelle et Piano
2
Trombone, violoncelle (duo)
2
Trombone, Tuba (duo)
2
Trompette, Violoncelle (duo)
2
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Trombone et orchestre
1
Ensemble de Tubas
1
Cor, Violoncelle et Piano
1
Instruments en Sib
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Euphonium (duo)
1
Cor, Tuba (duo)
1
Cor et Orgue
1
Cor anglais et Harpe (duo)
1
+ 72 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2 228
Violon et Piano
1 062
Violoncelle, Piano
690
Alto, Piano
604
Violon
572
Violoncelle
390
Trio à Cordes: violon, alto, violoncelle
333
Violon, Violoncelle (duo)
310
Violon (partie séparée)
271
Alto seul
269
Harpe
247
Quintette à cordes: 2 violons, alto, violoncelle, basse
216
2 Violons (duo)
205
Violon, Alto (duo)
164
Contrebasse, Piano (duo)
161
Contrebasse (partie séparée)
150
Contre Basse
134
2 Violoncelles (duo)
126
Alto (partie séparée)
110
Trio à Cordes: 2 violons, violoncelle
106
2 Altos (duo)
99
4 Violoncelles
81
Violoncelle (partie séparée)
73
Piano Trio: Violon, Alto, Piano
53
Trio à cordes: 3 violins
48
2 Harpes (duo)
44
Trio à Cordes: 3 violoncelles
41
Quatuor à cordes: 4 violons
41
Alto, Violoncelle (duo)
41
Violon, Guitare (duo)
36
Violoncelle, Contrebasse (duo)
31
Trio à cordes: 3 altos
30
Quatuor à cordes : 4 altos
29
Violon, Basson (duo)
26
2 Violons, Piano
24
Trio à Cordes: 2 violons, alto
20
Harpe, Flûte (duo)
20
Violoncelle , Guitare (duo)
19
Quintette à cordes: 2 violons, 2 altos, violoncelle
17
Trio à cordes
14
2 Violoncelles, Piano
13
Alto, Guitare (duo)
11
Ensemble de Violons
11
Harpe, Violon (duo)
11
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Ensemble d'Altos
9
Violoncelle, Orchestre
9
Harpe, Violoncelle (duo)
8
Flûte, Contrebasse (duo)
8
Violon, Clarinette, Piano (trio)
7
2 Contrebasses (duo)
7
2 Altos, Piano
6
4 Contrebasses
5
Harpe, Trombone (duo)
5
Harpe et Piano
4
Alto et Harpe
4
Violoncelle, Orgue
3
Ensemble de Violoncelles
3
Violon, Orgue
3
Violon, Violoncelle, Clarinette
3
3 Contrebasses
2
Alto et orchestre
2
Harpe, Violon, Violoncelle
1
Violoncelle, Basse continue
1
Alto et Basson
1
4 Harpes
1
Harpe, Orchestre
1
3 Harpes
1
Harpe, Voix
1
Harpe (partie séparée)
1
Violon, Basse continue
1
Harpe et mandoline
1
Harpe, Quatuor à cordes
1
+ 68 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 520
Orchestre
1 500
Orchestre à Cordes
1 400
Orchestre de chambre
436
Fanfare
420
Ensemble de cuivres
330
Ensemble Jazz
256
Cloches
220
Percussion (partie séparée)
172
Ensemble de Percussions
73
Batterie
60
Jazz combo
57
Batterie (partie séparée)
49
Timbales (partie séparée)
36
Marimba
29
Percussion
24
Timbales
14
Vibraphone
14
Piano et Orchestre
12
Quintette à Vent
11
Xylophone, Piano
9
Vibraphone (partie séparée)
7
Orchestre, Violon
6
Vibraphone et Marimba
5
Quintette de Cuivres: autres combinaisons
3
Xylophone
3
Marimba, Piano (duo)
2
Ensemble d'École
2
2 Xylophones
2
2 Caisses Claires (duo)
1
2 Marimbas
1
Xylophone (partie séparée)
1
Voix Mezzo-Soprano, Orchestre
1
Conga
1
Big band
1
+ 30 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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CLASSIQUE - BAROQUE …
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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1 951 partitions trouvées
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1951
MAGNIFICAT. Mov. 11 "Gloria Patri". Soprano and Choir with piano accompaniment (orchestra reductio
#
Chorale SATB
#
Gabriel Ruiz-Bernal
#
MAGNIFICAT. Mov. 11 "Glor
#
Gabriel Ruiz-Bernal
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.893959 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. Octavo. 18 pages. Gabriel Ruiz-Bernal #6320937. Pub...
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Choral Choir (SATB) - SKU: A0.893959 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. Octavo. 18 pages. Gabriel Ruiz-Bernal #6320937. Published by Gabriel Ruiz-Bernal (A0.893959). Sicut Locutus is a highly rhythmic movement that blends into the final movement Gloria patri. Gloria filio, et spiritui sancto. Sicut erat in principio nunc et semper et in secula seculorum. Amen (Glory to the father, and to the son, and to the holy spirit, As it was in the beginning, both now, and always, and to ages of ages. Amen) which is created as a replica of the first movement Magnificat. This way the complete Magnificat closes a full circle using the thematic material presented in the first movement, returning to the familiar beginning as the lyrics sing as it was in the beginning, both now, and always, and to ages of ages. Amen (Sicut erat in principio nunc et semper et in secula seculorum. Amen).Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html
$3.00
MAGNIFICAT. Mov. 1. "Magnificat Anima Mea". Soprano and Choir with piano (orchestra reduction)
#
Chorale SATB
#
Gabriel Ruiz-Bernal
#
MAGNIFICAT. Mov. 1. "Magn
#
Gabriel Ruiz-Bernal
#
SheetMusicPlus
Choral Choir,Choral (SATB) - SKU: A0.893948 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 18 pages. Gabriel Ruiz-Bernal #6320913. Publ...
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Choral Choir,Choral (SATB) - SKU: A0.893948 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 18 pages. Gabriel Ruiz-Bernal #6320913. Published by Gabriel Ruiz-Bernal (A0.893948). The first movement Magnificat anima mea Dominum (My soul proclaims the greatness of the Lord) builds its thematic material directly from the original gregorian chant.  It starts with a broad Magnificat statement by the choir, continued by an intimate call from the soprano soloist. A portion of the original gregorian chant is quoted by the choir in the center of the movement.Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html.
$3.00
MAGNIFICAT. Mov. 4 "Omnes Generationes". Choir with piano accompaniment (orchestra reduction)
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Chorale SATB
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Noël
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Gabriel Ruiz-Bernal
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MAGNIFICAT. Mov. 4 "Omnes
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.893952 Composed by Gabriel Ruiz-Bernal. Christmas,Sacred. Octavo. 20 pages. Gabriel Ruiz-Bernal #6320921. Published by Ga...
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Choral Choir (Mixed) - SKU: A0.893952 Composed by Gabriel Ruiz-Bernal. Christmas,Sacred. Octavo. 20 pages. Gabriel Ruiz-Bernal #6320921. Published by Gabriel Ruiz-Bernal (A0.893952). The very energetic fourth movement Omnes generationes qui potens est quia fecit mihi magna et sanctum nomen eius (the almighty has done great things for me and holy is his name, from generation to generation) has an intense orchestration filled with power and movement, in which the choir represents the past, present and then with the modulation to a higher key, the future generations.Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html
$3.00
MAGNIFICAT -COMPLETE VOCAL SCORE-. Complete 11 movements with piano (orchestra reduction)
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Chorale SATB
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Gabriel Ruiz-Bernal
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MAGNIFICAT -COMPLETE VOCAL SCO
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Choral Choir,Choral (SATB) - SKU: A0.893960 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 91 pages. Gabriel Ruiz-Bernal #6320939. Publ...
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Choral Choir,Choral (SATB) - SKU: A0.893960 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 91 pages. Gabriel Ruiz-Bernal #6320939. Published by Gabriel Ruiz-Bernal (A0.893960). Complete score containing all 11 movements of MAGNIFICAT with piano reduction. Â For the more economical score containing only the choral movements see the CHORAL score.Movements:Mov. 1 Magnificat Anima Mea. Â Soprano and Choir
$9.99
MAGNIFICAT -CHORAL SCORE- Choral score (6 movements) with piano accompaniment (orchestra reduction)
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Chorale SATB
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Christian contemporain
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Musique Sacrée
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Gabriel Ruiz-Bernal
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MAGNIFICAT -CHORAL SCORE- Chor
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Choral Choir,Choral (SATB) - SKU: A0.893961 Composed by Gabriel Ruiz-Bernal. Contemporary,Sacred. 66 pages. Gabriel Ruiz-Bernal #6320943. Published by G...
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Choral Choir,Choral (SATB) - SKU: A0.893961 Composed by Gabriel Ruiz-Bernal. Contemporary,Sacred. 66 pages. Gabriel Ruiz-Bernal #6320943. Published by Gabriel Ruiz-Bernal (A0.893961). MAGNIFICAT -CHORAL SCORE-Â Oratorio in eleven movements. Â Choral score containing only the six movements with choir of MAGNIFICAT. Â For complete score with all 11 movements, see the VOCAL score. Mov. 1 Magnificat Anima Mea. Â Soprano and Choir
$7.00
MAGNIFICAT. Mov. 2. "Et Exultavit". Choir with piano accompaniment (orchestra reduction)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Ruiz-Bernal
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MAGNIFICAT. Mov. 2. "Et E
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.893950 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. Octavo. 17 pages. Gabriel Ruiz-Bernal #63...
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Choral Choir (SATB) - Level 4 - SKU: A0.893950 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. Octavo. 17 pages. Gabriel Ruiz-Bernal #6320915. Published by Gabriel Ruiz-Bernal (A0.893950). Movement 2, Et exultavit spiritus meus in Deo salutari meo (my spirit rejoices in God my savior) reflects the lyrics with a rhythmic meter of 3/4, emulating the Spanish folk dance of Sevilla, filled with energy, in which not only the choir, but also the trumpets and timpani have a very important role.Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html
$3.00
MAGNIFICAT. Mov. 3. "Quia Respexit". Soprano, Tenor and Choir with piano accompaniment (orchestra
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Chorale SATB
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Gabriel Ruiz-Bernal
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MAGNIFICAT. Mov. 3. "Quia
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.893951 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary. Octavo. 16 pages. Gabriel Ruiz-Bernal #6320919. Published ...
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Choral Choir (SATB) - SKU: A0.893951 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary. Octavo. 16 pages. Gabriel Ruiz-Bernal #6320919. Published by Gabriel Ruiz-Bernal (A0.893951). Mov.3 Quia respexit humilitatem ancillae suae. Ecce enim ex hoc beatam me dicent (He has looked with favor on his lowly servant. From this day all generations will call me blessed) sets the lyrics on a gentle and humble dialogue between soprano and tenor, backed by the choir with the words Ecce enim ex hoc beatam me dicent.Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html
$3.00
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
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Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
She Moved Through the Fair (Irish folk song)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Traditional Irish Folk Song
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Scott S
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She Moved Through the Fair
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.955843 Composed by Traditional Irish Folk Song. Arranged by Scott S. Stewart. Concert,Contemporary,Folk. Octavo....
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Choral Choir (SATB) - Level 4 - SKU: A0.955843 Composed by Traditional Irish Folk Song. Arranged by Scott S. Stewart. Concert,Contemporary,Folk. Octavo. 10 pages. Scott S. Stewart #6353625. Published by Scott S. Stewart (A0.955843). She Moved Through the Fair (also known as ‘Keayrt Dooyrt My Ghraih Veem Rhym’) is a traditional Irish folk song in which the narrator (tenor) sees his lover (soprano) move away from him through the fair, after telling him that since her family will approve, it will not be long, love, till our wedding day. Yet, she returns as a ghost at night, and repeats the words it will not be long, love…, implying her own tragic death, and perhaps the couple's reunion in the afterlife. It is scored for a 4-part SATB ensemble and pianist. Performance time: 4:56.
$25.00
We Shall Not Be Moved
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Chorale SATB
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FACILE
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Gospel Spirituel
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Jazz
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Traditional
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Drew Downing
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We Shall Not Be Moved
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Drew Downing
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.849359 Composed by Traditional. Arranged by Drew Downing. Spiritual. Octavo. 5 pages. Drew Downing #4294305. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.849359 Composed by Traditional. Arranged by Drew Downing. Spiritual. Octavo. 5 pages. Drew Downing #4294305. Published by Drew Downing (A0.849359). Based on a hymn, WE SHALL NOT BE MOVED became an important anthem for the Civil Rights Movement, continuing the tradition of the protest song. With over 120 years of history behind it, this is a great piece to experience as an integral part of music history.This simplified SATB arrangement is easy to learn and perfect for church services, high schools, colleges and community groups. The basic piano accompaniment (complete with chord symbols) is perfect for beginner accompanists.Need a custom arrangement? Email drewdowning84@gmail.com
$2.20
Move Him Into The Sun (satb)
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Chorale SATB
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Contemporain
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Richard Hoyle
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Move Him Into The Sun
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Richard Hoyle
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.998918 Composed by Richard Hoyle. Contemporary. Octavo. 6 pages. Richard Hoyle #5729721. Published by Richard Hoyle (A0.99...
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Choral Choir (SATB) - SKU: A0.998918 Composed by Richard Hoyle. Contemporary. Octavo. 6 pages. Richard Hoyle #5729721. Published by Richard Hoyle (A0.998918). A moving setting of Wilfred Owen's famous poem 'Futility' suitable for armistice and remembrance commemorations or indeed for concert performance. Packs an emotional punch.
$1.99
O magnum mysterium - acapella 3 movements choral music
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Chorale SATB
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INTERMÉDIAIRE
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C
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O magnum mysterium - acapella
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C. G. Davin Leonardo
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.999166 Composed by C. G. Davin Leonardo. A Cappella,Baroque,Christmas,Contemporary,Renaissance,Sacred. Oc...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.999166 Composed by C. G. Davin Leonardo. A Cappella,Baroque,Christmas,Contemporary,Renaissance,Sacred. Octavo. 16 pages. C. G. Davin Leonardo #5991577. Published by C. G. Davin Leonardo (A0.999166). Runner-up of SMP Press Composition Competition 2020 - Contemporary Choral Music CategoryThis entry is my choral composition on Latin Text O magnum mysterium. It contains three movements:1. O magnum - consists of the first stanza of the text, with Renaissance-like hymn style (SSATBB) (00:00).2. Beata Virgo - consists of the second stanza of the text, sung by the soloist (SATB Solo) (02:12).3. Fuga - Alleluia - consists of the final 'Alleluia' exclamation of the text. This part is a fugal composition with a Baroque-like style (SATB) (04:06).This composition reflects the mystery of the Incarnation of the Lord (first movement), the joy of Mother Mary after giving birth to the Lord while remembering the words of St. Elizabeth (second movement), and the exclamation of the faithful singing Alleluia continuously (third movement).This composition is accessible and suitable for student, school, or university choir, especially for Christmas Concert or Christmas Recital. But this composition is not ideal to be used in Mass since it has not received Nihil Obstat from any diocese.Audiomack: https://audiomack.com/cgdlEmail: https://davinleonardo.me/contact.htmlInstagram: https://www.instagram.com/cg_davin/Website: https://davinleonardo.me/
$5.00
TE DEUM - 3 movements for Choir SATB a cappella
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Chorale SATB
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INTERMÉDIAIRE
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Santino Cara
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TE DEUM - 3 movements for Choi
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Santino Cara
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.516307 Composed by Santino Cara. A Cappella,Classical,Sacred. Octavo. 23 pages. Santino Cara #2008013. Published...
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Choral Choir (SATB) - Level 3 - SKU: A0.516307 Composed by Santino Cara. A Cappella,Classical,Sacred. Octavo. 23 pages. Santino Cara #2008013. Published by Santino Cara (A0.516307). Movement no,1 Te Deum laudamus - Movement no.2 Tu Rex gloriae - Movement no.3 Salvum fac-Miserere.
$8.50
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
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Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Symphony No. 8 - 1st Movement
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Chorale SATB
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AVANCÉ
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Classique
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Gustav Mahler
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Randy A
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Symphony No. 8 - 1st Movement
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Randy A. Steinberg
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.870375 Composed by Gustav Mahler. Arranged by Randy A. Steinberg. 20th Century. Octavo. 439 pages. Randy A. St...
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Choral Choir (4-Part) - Level 5 - SKU: A0.870375 Composed by Gustav Mahler. Arranged by Randy A. Steinberg. 20th Century. Octavo. 439 pages. Randy A. Steinberg #1900261. Published by Randy A. Steinberg (A0.870375). Frequently called the Symphony of a Thousand, this major work by Mahler is one of the largest symphony and choral works in the entire repertoire of classical music. The work was written in 1906, but not performed until 1910. Highly unconventional, this symphony only has 2 movements. The first movement is titled Veni Creator Spiritus (Come, Creator Spirit), the second is a setting of the words from the closing scene of Goethe's Faust. It is the first movement that utilizes mass choir and soloists in a rousing and inspiring setting. Musical historians have highlighted this work as a defining musical composition for the 20th century. It is that movement that has been arranged here for the first time for Concert Band. 2016 Arrangement New Release.
$65.00
Asgard & Niflheim, Movement I. Land of the Holly Trees (full score)
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Chorale SATB
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James W
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Niflheim, Movement I. 
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Asgard & Niflheim, Movemen
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Knox Music
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SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.942871 Composed by James W. Knox. Contemporary,Folk,World. Octavo. 22 pages. Knox Music #4969591. Published by Knox Music...
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Choral Choir (Mixed) - SKU: A0.942871 Composed by James W. Knox. Contemporary,Folk,World. Octavo. 22 pages. Knox Music #4969591. Published by Knox Music (A0.942871). Asgard & Niflheim, Movement I. Land of the Holly Trees is a major choral work (all six movements available in late spring 2020). The title is based of Old Norse cosmological realms. Asgard refers to the godly and Niflheim refers to the darkness.James magically captures the inspiration from The Lord of Rings by using his own music and text that tell Old Norse tales.Set for choir, string orchestra, piano and percussion. Advanced level.
$5.00
Concerto #9 "The Love Of God" 1st movement
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Chorale SATB
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INTERMÉDIAIRE
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Joseph Pugh
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movement. 
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Concerto #9 "The Love Of
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Joseph Pugh
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.855220 Composed by Joseph Pugh. Christian,Contemporary,Rock,Sacred. Octavo. 33 pages. Joseph Pugh #6463035. Publ...
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Choral Choir (SATB) - Level 3 - SKU: A0.855220 Composed by Joseph Pugh. Christian,Contemporary,Rock,Sacred. Octavo. 33 pages. Joseph Pugh #6463035. Published by Joseph Pugh (A0.855220). This song draws it's inspiration from the Hymn, Thou Hidden Love Of God, Whose Height, by Gerhard Terstegen(1697-1769) and translated by John Wesley(1703-1791) from which the lyrics were drawn. Contemporary styling brings the Hymn back to life with a different musical setting. From Joseph's Concerto No. 9 ,the 1st movement. Download it for your choir today, at a reduced price or, purchase all three movements and do the Concerto in it's entirety.
$2.99
A Vision Unfolding: A Five-Movement Work (Choral Score)
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Chorale SATB
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Kyle Pederson
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A Vision Unfolding: A Five-Mov
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir, piano, and Spoken word, with optional violin, B-flat trumpet, and snare drum - Moderately Difficult - SKU: MQ.1.3682-E Composed by Kyle Pede...
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SATB choir, piano, and Spoken word, with optional violin, B-flat trumpet, and snare drum - Moderately Difficult - SKU: MQ.1.3682-E Composed by Kyle Pederson. 9/11 Service, National Songs/Patriotic. 104 pages. Galaxy Music Corporation - Digital #1.3682-E. Published by Galaxy Music Corporation - Digital (MQ.1.3682-E). English.An exciting extended work by Kyle Pederson, centered around themes of social justice—inviting the choir and audience into a compelling vision of a world rooted in compassion, freedom, inclusivity and justice. This five-movement, genre-bending work is for SATB chorus, with piano, spoken word, and optional violin, snare drum, and trumpet. Texts by Langston Hughes, Walt Whitman, Robert Bode, Shanelle Gabriel, and Pederson invite the listener to reach out and build bridges of care and connection, that we might find a better way of being in community. That we might stand in solidarity with those whose voices are too often dismissed, regardless of their skin color, sexual orientation, faith background, or other characteristic. That we might not dismiss, disdain, and judge those whose politics are different from ours, but that we might make the uncomfortable effort to see them as people just as worthy of respect and dignity. Each of the five movements in the work can be performed as a stand-alone piece; and choirs are welcome to craft their own spoken word narration (poetry, speech excerpts, etc) throughout the work to explore themes and perspectives that most resonate for their community/audience.
$12.95
Lips Are Movin'
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Chorale SATB
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INTERMÉDIAIRE
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Meghan Trainor
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Bryan Sharpe
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Lips Are Movin'
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Bryan Sharpe
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.725498 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Bryan Sharpe. A Cappella,Pop. 1...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.725498 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Bryan Sharpe. A Cappella,Pop. 17 pages. Bryan Sharpe (BSharpe Music) #3550561. Published by Bryan Sharpe (BSharpe Music) (A0.725498). Contemporary a cappella arrangement of LIPS ARE MOVIN' by Meghan Trainor for Solo + SSATB and Vocal Percussion
$2.50
Keep On Movin'
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Chorale SATB
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INTERMÉDIAIRE
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Five
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Jack Bridges
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Keep On Movin'
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Jack Bridges
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1035171 By Five. By Jason Brown, Julian Gallagher, Richard Breen, Richard Stannard, and Sean Conlon. Arranged by...
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Choral Choir (SATB) - Level 3 - SKU: A0.1035171 By Five. By Jason Brown, Julian Gallagher, Richard Breen, Richard Stannard, and Sean Conlon. Arranged by Jack Bridges. Dance. Octavo. 6 pages. Jack Bridges #3692819. Published by Jack Bridges (A0.1035171). An arrangement for mixed barbershop voices, of the Five classic noughties hit Keep On Movin'. Catered for mixed barbershop choruses, and can be a fun challenge for SATB choirs who would like to try something a bit different. Melody sits in the second (alto) voice.
$2.99
I Shall Not Be Moved
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Chorale SATB
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Alice Parker
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I Shall Not Be Moved
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0003020 I Shall Not Be Moved - SATB. Arranged by Alice Parker. Lawson Gould Choral. 10 pages. Alfred Music - Digital Sheet...
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Chorus - SKU: AX.00-PO-0003020 I Shall Not Be Moved - SATB. Arranged by Alice Parker. Lawson Gould Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0003020. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003020). UPC: 783556006909.
$2.25
Let Us Move (score - vocal choir and violin solo)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik Internat...
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Choral Choir (SATB) - Level 4 - SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik International #6206201. Published by Mark O'Connor Musik International (A0.861905). Let Us Move (score - vocal choir and violin solo) MO144AVocal Choir (Soprano, Alto, Tenor, Baritone, Bass with violin obligato). Violin part availableMusic by Mark O’Connor34 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144ACopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Let Us Move (violin part - vocal choir and violin solo)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik Internat...
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Choral Choir (SATB) - Level 4 - SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik International #6206203. Published by Mark O'Connor Musik International (A0.861906). Let Us Move (violin part - vocal choir and violin solo) MO144BViolin Obligato Part (vocal choir score available)Music by Mark O’Connor6 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144BCopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
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