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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Marche
Non classifié
434
Piano & claviers
Piano seul
371
Piano Facile
84
Accordéon
64
Piano, Voix
39
1 Piano, 4 mains
26
Piano, Voix et Guitare
23
Orgue
22
Piano Trio: piano, violon, violoncelle
9
Instruments en Do
3
Orgue, Trompette (duo)
2
Accompagnement Piano
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Ensemble d'Accordéons
1
Piano grosses notes
1
Accordéon, Voix
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
+ 15 instrumentations
Retracter
Guitares
Guitare
34
2 Guitares (duo)
18
Guitare notes et tablatures
17
Ligne De Mélodie, (Paroles) et Accords
13
4 Guitares (Quatuor)
9
3 Guitares (trio)
4
Banjo
4
Mandoline, Guitare (duo)
3
Piano, Guitare (duo)
2
Orchestre à Plectres
2
Guitare, Violon, Violoncelle (trio)
2
Mandoline
2
Guitare, Harpe
2
Ensemble de Ukulélés
1
Dulcimer
1
Ensemble de guitares
1
Partitions De Groupes
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
16
Chorale 2 parties
11
Chorale 3 parties
6
Voix duo, Piano
5
Chorale TTBB
4
Chorale Unison
2
Voix seule
1
+ 2 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Quatuor de Clarinettes: 4 clarinettes
56
Quatuor de Saxophones: 4 saxophones
49
Flûte, Hautbois, Clarinette, Basson
40
Clarinette
34
Flûte traversière
32
Flûte traversière et Piano
28
Clarinette et Piano
22
Quintette de Saxophone: 5 saxophones
22
Saxophone Alto
21
Saxophone (partie séparée)
21
Saxophone Tenor
21
Saxophone Alto et Piano
21
Clarinette (partie séparée)
20
Hautbois, Piano (duo)
13
Quatuor de Flûtes : 4 flûtes
11
Flûte et Guitare
10
Saxophone
9
Quintette de Clarinettes: 5 clarinettes
9
Ensemble de Clarinettes
9
Saxophone Tenor et Piano
9
Saxophone Soprano et Piano
9
Ensemble de saxophones
7
Flute (partie séparée)
6
Hautbois
5
3 Clarinettes (trio)
5
Trio de Flûtes: 3 flûtes
4
Hautbois (partie séparée)
4
Saxophone et Guitare
4
Flûte, Violon, Piano
4
2 Saxophones (duo)
4
2 Clarinettes (duo)
4
Flûte à bec Soprano, Piano
4
Clarinette, Basson (duo)
4
Flûte à Bec
4
Saxophone et Piano
3
Hautbois, Basson (duo)
3
Flûte à bec Tenor
3
Flûte à Bec, Piano
3
Ensemble de Flûtes
3
Saxophone Soprano
3
Flûte, Clarinette (duo)
2
Flûte, Clarinette et Basson
2
2 Flûtes traversières (duo)
2
Saxophone Baryton, Piano
2
Clarinette, Guitare (duo)
2
Cor anglais, Piano
2
Quintette de Flûte : 5 flûtes
2
3 Flûtes à bec (trio)
1
3 Saxophones (trio)
1
Instruments en Mib
1
Ocarina
1
Flûte et Quatuor à Cordes
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Piccolo, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse, Piano
1
Saxophone Baryton
1
Flûte irlandaise
1
2 Flûte à bec (duo)
1
Flûte à bec Alto
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
202
Trompette
34
Ensemble de Trompettes
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trombone
15
Trombone (partie séparée)
14
Trompette, Piano
13
Trombone et Piano
11
Cor et Piano
10
Quatuor de cuivres: 4 cors
10
Tuba (partie séparée)
7
Cor (partie séparée)
6
2 Trompettes (duo)
6
Cor
6
Trompette (partie séparée)
6
Ensemble de Trombones
5
Quatuor de cuivres: 4 trompettes
4
Quatuor de Cuivres
4
Tuba
4
4 Tubas
3
3 Trompettes (trio)
3
Quatuor de cuivres: 4 trombones
3
Euphonium
3
2 Euphoniums et 2 Tubas
3
Tuba et Piano
2
Cornet A Pistons
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor anglais, Piano
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Instruments en Sib
1
Ensemble de Cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trombones (duo)
1
2 Cors (duo)
1
Cor, Tuba (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Euphonium, Piano (duo)
1
Tuba ou Euphonium ou Saxhorn
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violon
61
Violoncelle
39
Violon et Piano
38
Alto, Piano
31
Violoncelle, Piano
29
Alto seul
23
Violon, Guitare (duo)
9
Trio à Cordes: violon, alto, violoncelle
9
Violon, Violoncelle (duo)
8
Harpe
7
Violoncelle , Guitare (duo)
6
Violon (partie séparée)
5
Alto, Guitare (duo)
5
Alto, Violoncelle (duo)
4
Violon, Alto (duo)
4
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
3
2 Violons (duo)
3
4 Violoncelles
3
Contre Basse
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Flûte (duo)
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
2 Altos, Piano
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
2 Altos (duo)
1
Violoncelle (partie séparée)
1
2 Violons, Piano
1
Ensemble d'Altos
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violons
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
341
Orchestre
41
Orchestre à Cordes
37
Ensemble de cuivres
30
Fanfare
10
Instrumentation Flexible
9
Percussion (partie séparée)
6
Orchestre de chambre
6
Percussion
5
Quintette à Vent
5
Batterie
3
Cloches
3
Ensemble Jazz
3
Timbales (partie séparée)
3
Timbales
2
Ensemble de Percussions
2
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
Voix et Orchestre
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Marche
Chorale SATB
Partitions à imprimer
16 partitions trouvées
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Jules Massenet: Marche Solennelle for large orchestra, antiphonal brass, and SATB chorus, chorus par
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jules Massenet
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Musik Fabrik Music Publishing
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Jules Massenet: Marche Solenne
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.535412 Composed by Jules Massenet. Arranged by Musik Fabrik Music Publishing. Romantic Period. Octavo. 7 pages. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.535412 Composed by Jules Massenet. Arranged by Musik Fabrik Music Publishing. Romantic Period. Octavo. 7 pages. Musik Fabrik Music Publishing #6232889. Published by Musik Fabrik Music Publishing (A0.535412). This work was originally written by Massenet for the inauguration of the Beethoven Hall in Barcelona, Spain in the 1880s and then again for the opening of the 1900 Paris International exposition. This is the chorus part including rehearsal piano part. The orchestral score is also available for sale. The parts are on rental from the publisher.
$3.50
When Sherman Marched Down To The Sea
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Chorale SATB
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FACILE
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E
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Stephen DeCesare
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When Sherman Marched Down To T
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.620662 Composed by E. Mack. Arranged by Stephen DeCesare. Folk,Musical/Show,Patriotic,Standards,Traditional. Oct...
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Choral Choir (SATB) - Level 2 - SKU: A0.620662 Composed by E. Mack. Arranged by Stephen DeCesare. Folk,Musical/Show,Patriotic,Standards,Traditional. Octavo. 13 pages. Exultet Music #3423951. Published by Exultet Music (A0.620662). One of the popular tunes of the Civil War has now been freshly arranged for Vocal (2), SATB, with Piano accompaniment. Featured in The American Civil War: the musical which is available on this site. Accessible and appropriate for any school or concert setting.
$3.99
LES OISEAUX DE NEIGE - Les marches naturelles
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Francois Couture
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Disques BOGHEI Records
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LES OISEAUX DE NEIGE - Les mar
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Francois Couture
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.971051 Composed by Francois Couture. Arranged by Disques BOGHEI Records. 20th Century,Contemporary,Folk. Octavo....
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Choral Choir (SATB) - Level 4 - SKU: A0.971051 Composed by Francois Couture. Arranged by Disques BOGHEI Records. 20th Century,Contemporary,Folk. Octavo. 32 pages. Francois Couture #6054315. Published by Francois Couture (A0.971051). Lyrics - Louis Honoré Fréchette 1839-1908
$6.95
The Restoration Marches On - an original hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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The Restoration Marches On - a
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701899 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kev...
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Choral Choir (SATB) - Level 4 - SKU: A0.701899 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3879877. Published by Kevin G. Pace (A0.701899). An original hymn with text by Michael Young below.
$1.99
March of the Three Kings (SATB)
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Chorale SATB
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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March of the Three Kings
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1474009 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Christmas,Multi...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1474009 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Christmas,Multicultural,Sacred,Standards,World. 11 pages. Exultet Music #1051673. Published by Exultet Music (A0.1474009). La Marche des rois is a popular Christmas carol of provençal origin celebrating the Epiphany and the Wise Men. Freshly arranged for SATB with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$3.99
Masters In This Hall (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Marin Marais, Willia Morris
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Carol Troutman Wiggins
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Masters In This Hall
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.727459 Composed by Marin Marais, Willia Morris. Arranged by Carol Troutman Wiggins. A Cappella,Christmas,Early M...
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Choral Choir (SATB) - Level 3 - SKU: A0.727459 Composed by Marin Marais, Willia Morris. Arranged by Carol Troutman Wiggins. A Cappella,Christmas,Early Music,Religious,Sacred. Octavo. 9 pages. Carol Troutman Wiggins #3868983. Published by Carol Troutman Wiggins (A0.727459). MASTERS IN THIS HALLSATB or AcappellaAn old French carol, Marche pour les Matelots by Marin Marais (1706), this tune is a favorite at Christmas and is popular with carolers. The words were written by Willia Morris (1860)In a 16th century style, Masters in This Hall refers back to a simpler society when the poor, bringing news of Christ's birth to the Masters in this Hall was a warning to the proud.This song explains raising up the poor and casting down the proud is also contained in the song of the Virgin Mary as in Luke 1:51. This carol describes a poor man who wished to draw his master's attention to the birth of Christ by telling how he had met shepherds travelling to Bethlehem. He joined them and saw the Christ child in his Mother Mary's arms. The chorus reveals how the birth of Christ has raised up the poor and cast down the proud.SATB, but may be sung acappellaChorus, men's section, ladies section, then all repeat on the chorusComfortable vocal rangePiano Accompaniment track available on this site
$2.50
Ave, victorioso e santo legno - Madrigale per SATB choir a cappella
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Chorale SATB
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FACILE
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Santino Cara
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Ave, victorioso e santo legno
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Santino Cara
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.516708 Composed by Santino Cara. A Cappella,Sacred. Octavo. 4 pages. Santino Cara #540247. Published by Santino ...
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Choral Choir (SATB) - Level 2 - SKU: A0.516708 Composed by Santino Cara. A Cappella,Sacred. Octavo. 4 pages. Santino Cara #540247. Published by Santino Cara (A0.516708). Sacred madrigal no.5, for choir of mixed voices a cappella composed in Rome in 1998 by Santino Cara on the italian text of the: Laude, Book II Venetiis, Octavianum Petrutium of Marco Cara said Marchetto (1475 - 1525). == Madrigale sacro no.5, per coro di voci miste a cappella composto a Roma nel 1998 da Santino Cara sul testo italiano delle; Laude, Libro II Venetiis, Octavianum Petrutium di Marco Cara detto; Marchetto (1475 - 1525.
$5.20
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
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Chorale SATB
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FACILE
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David Warin Solomons
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The Centipede - der Hundertf&u
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solo...
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Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
$2.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
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Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
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Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
Ani Ma'amin (I Believe) (Tenor Solo and SATB)
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Chorale SATB
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FACILE
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Stephen DeCesare
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Ani Ma'amin
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1138287 By Stephen DeCesare. By Stephen DeCesare. 20th Century,Contemporary,Jewish,Multicultural,Sacred,World. O...
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Choral Choir (SATB) - Level 2 - SKU: A0.1138287 By Stephen DeCesare. By Stephen DeCesare. 20th Century,Contemporary,Jewish,Multicultural,Sacred,World. Octavo. 16 pages. Exultet Music #738557. Published by Exultet Music (A0.1138287). The words that were sung by dozens of Jews as they marched into the gas chambers combined with the words that were scratched into a wall at Auschwitz: I believe in the sun even when it’s not shining. I believe in love even when I don’t feel it. I believe in God even when He is silent. comprise this haunting and beautiful song. Can be used for Holocaust Remembrance Day services or in a concert setting. Scored for Tenor Solo, Violin, SATB and Piano.
$3.99
The Little Drummer Boy
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Gloria Gaynor
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Eric T Knechtges
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The Little Drummer Boy
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Eric T Knechtges
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1487369 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Eric ...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1487369 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Eric T Knechtges. Christmas,Contemporary,Jazz,Pop. 10 pages. Eric T Knechtges #1064352. Published by Eric T Knechtges (A0.1487369). This arrangement marches to the beat of a different drummer. Swing feel, predominantly 3/4. Video link is to the TTBB version -- audio clip is the SATB version. Limited divisi
$2.99
For the Fallen (Choral suite - SATB, Piano)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99
Hosanna
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Simon Watkins
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Hosanna
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Simon Watkins
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1019452 Composed by Simon Watkins. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Simon Watkins #3468674. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.1019452 Composed by Simon Watkins. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Simon Watkins #3468674. Published by Simon Watkins (A0.1019452). A brand new short anthem for Palm Sunday, suitable as an introit. Inspired by the positive and rhythmic energy of contemporary protest marches, the piece is intended to capture the excitement of the crowd in the story of Jesus' triumphal entry to Jerusalem. Approximately 1 3/4 minutes' duration. SATB with partially divided Soprano line.
$3.99
Pomp and Circumstance No.1 - SATB and Piano
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Chorale SATB
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FACILE
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Classique
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Edward Elgar
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César Madeira
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Pomp and Circumstance No.1 - S
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Sheet Music To Play Editions
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1179215 Composed by Edward Elgar. Arranged by César Madeira. Children,Film/TV,March,Multicultural,Romantic Pe...
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Choral Choir (SATB) - Level 2 - SKU: A0.1179215 Composed by Edward Elgar. Arranged by César Madeira. Children,Film/TV,March,Multicultural,Romantic Period,World. Octavo. 6 pages. Sheet Music To Play Editions #779188. Published by Sheet Music To Play Editions (A0.1179215). Pomp and Circumstance (Military March No.1 in D major). Arrangement for SATB and Piano. With Full Score. Enjoy it!Sir Edward William Elgar (1857 - 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$2.99
For the Fallen (Choral suite - SATB, Organ)
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Chorale SATB
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INTERMÉDIAIRE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
$1.99
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