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Vous avez sélectionné:
Missed It
Chorale SATB
Partitions à imprimer
8 partitions trouvées
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Tommy's Return
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Chorale SATB
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C
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Tommy's Return
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3885 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Bi...
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Piano and voice (solo and SATB chorus) - SKU: LV.3885 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3885). Tommy's Return. Composed by C.T. Lockwood. Published 1868 by Root & Cady, 67 Washington St. Opera House in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. First line reads I missed it, dear Father, most sadly, I know, to cast all your counsels away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Tommy's Return
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Chorale SATB
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C
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Tommy's Return
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3886 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Bi...
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Piano and voice (solo and SATB chorus) - SKU: LV.3886 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3886). Tommy's Return. Composed by C.T. Lockwood. Published 1868 by Root & Cady, 67 Washington St. Opera House in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. First line reads I missed it, dear Father, most sadly, I know, to cast all your counsels away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Illumine le tenebre
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Chorale SATB
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AVANCÉ
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Sarah Labrie, Conductor - Cham
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary E...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99
Light Upon the Water (Downloadable)
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Chorale SATB
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FACILE
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David Evan Thomas
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Light Upon the Water
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Moderately Easy - SKU: MQ.8356-E Composed by David Evan Thomas. Marriage, 21st Century. Instrument part. 7 pages. E. C. Schir...
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SATB choir unaccompanied - Moderately Easy - SKU: MQ.8356-E Composed by David Evan Thomas. Marriage, 21st Century. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8356-E. Published by E. C. Schirmer Music Company - Digital (MQ.8356-E). English.Light Upon the Water was composed as part of a 2013 Composer Fellowship from The McKnight Foundation, a program administered by the American Composers Forum. While Michael Dennis Browne’s text is appropriate for a wedding, it is also too lovely to restrict it to only that purpose. The music is tender and lyrical, and the rhapsodic nature of the movendo section near the end of the piece ( All our dreams begin this day ) is not to be missed! Duration: 2:00.
$2.25
Magnificat and Nunc dimittis (Downloadable)
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Chorale SATB
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David Conte
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Magnificat and Nunc dimittis
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and organ - Moderately Difficult - SKU: MQ.8694-E Composed by David Conte. Instrument part. 20 pages. E. C. Schirmer Music Company - Digital ...
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SATB choir and organ - Moderately Difficult - SKU: MQ.8694-E Composed by David Conte. Instrument part. 20 pages. E. C. Schirmer Music Company - Digital #8694-E. Published by E. C. Schirmer Music Company - Digital (MQ.8694-E). English. Luke 1:46-55.Commissioned by Todd Wilson for Trinity Episcopal Cathedral in Cleveland, Ohio, this setting has exactly what you'd think it would: a stunning organ part and challenging choral writing. Although the Anglican lineage of these texts is apparent in the declamation of the text (largely homophonic) and the way the organ functions (commenting here, exclaiming there,) there is much more creativity here. A kaleidoscope of moods, rhythms, and colors heightens the meaning and elevates the emotions. Not to be missed.
$3.15
Steal Away
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Chorale SATB
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Musique Sacrée
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Earlene Rentz
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Steal Away
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGA1247 Composed by Earlene Rentz. General. Mixed Voices. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1247. P...
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SATB chorus - SKU: C7.CGA1247 Composed by Earlene Rentz. General. Mixed Voices. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1247. Published by Chorister's Guild - Digital (C7.CGA1247). UPC: 749193016497.This stunningly elegant arrangement of Steal Away by Earlene Rentz is perfect for any choir of mixed voices, but it has been specifically crafted for choirs with changing voices. Rentz's gift for creating magnificent yet easy-to-learn arrangements is apparent in this piece. Each octavo includes a rehearsal preparation sheet for learning purposes. This piece is not to be missed!
$2.10
That Good Night
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jake Safirstein
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That Good Night
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Jake Safirstein
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.940081 Composed by Jake Safirstein. Contemporary. Octavo. 77 pages. Jake Safirstein #3004315. Published by Jak...
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Choral Choir (4-Part) - Level 4 - SKU: A0.940081 Composed by Jake Safirstein. Contemporary. Octavo. 77 pages. Jake Safirstein #3004315. Published by Jake Safirstein (A0.940081). Work for orchestra and an optional choir. Duration is 5:36. Original composition, written for my grandmother after her husband passed away last summer. It is a beautiful piece that was made to represent their love and her grieving. He will be missed.
$49.99
#WeToo
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Chorale SATB
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INTERMÉDIAIRE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Publish...
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Choral Choir (SATB) - Level 3 - SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
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