English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Momentum
Non classifié
35
Piano & claviers
Piano seul
40
Accompagnement Piano
12
Piano, Voix et Guitare
10
Piano, Voix
4
Piano Facile
3
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Guitare
2
2 Guitares (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
23
Chorale TTBB
5
Chorale 3 parties
2
Chorale 2 parties
2
Chorale SAATB A Cappella
1
Chorale Unison
1
Voix duo
1
Chorale SSAA
1
+ 3 instrumentations
Retracter
Vents
2 Saxophones (duo)
11
Saxophone, Clarinette (duo)
6
2 Clarinettes (duo)
5
Clarinette, Trompette (duo)
4
Quatuor de Saxophones: 4 saxophones
4
2 Flûtes traversières (duo)
4
Clarinette, Violon (duo)
4
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Flûte, Alto (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Violon
2
Flûte, Clarinette (duo)
2
Clarinette et Alto
2
2 Hautbois (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois, Clarinette (duo)
2
Hautbois, Basson (duo)
2
Clarinette Basse, Piano
1
Clarinette et Piano
1
Ensemble de saxophones
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière et Piano
1
Clarinette
1
3 Saxophones (trio)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
+ 22 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trombones (duo)
2
Trompette, Trombone (duo)
2
Tuba et Piano
2
2 Trompettes (duo)
2
Trompette
1
Trombone et Piano
1
Cor
1
Trompette (partie séparée)
1
Cor et Orgue
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Harpe
4
Violon, Violoncelle (duo)
3
2 Violons (duo)
3
Violon et Piano
3
Violon (partie séparée)
2
2 Violoncelles (duo)
2
2 Altos (duo)
2
Violon, Alto (duo)
2
Violon
2
Violoncelle (partie séparée)
1
Alto seul
1
Contrebasse (partie séparée)
1
4 Violoncelles
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
93
Cloches
11
Orchestre
7
Orchestre à Cordes
6
Batterie
2
Ensemble Jazz
2
Jazz combo
2
Ensemble de cuivres
2
Orchestre de chambre
1
Fanfare
1
+ 5 instrumentations
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FLUTE A DIX…
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
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Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.92 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.39 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Thou Shalt Know Him
Chorale SATB
Choral Choir,Choral (SATB Chorus) - Level 4 - Digital Download SKU: A0.1511511 Comp…
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Choral Choir,Choral (SATB Chorus) - Level 4 - Digital Download SKU: A0.1511511 Composed by Hugo Madera. 21st Century,A Cappella,Advent,Christmas,Contest,Festival. 12 pages. Hugo Madera #1086668. Published by Hugo Madera (A0.1511511). A dynamic choral setting of the anonymous 16th-century poem, expressing the joyful anticipation of Christ’s arrival. The text emphasizes the excitement and awe surrounding His coming, offering a vibrant portrayal of the moment when the divine enters the world. Energetic rhythms, bold harmonies, and a sense of forward momentum capture the thrill of the awaited Savior.
$3.19
2.94 €
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Chorale SATB
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Hugo Madera
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Thou Shalt Know Him
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Hugo Madera
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SheetMusicPlus
Anim Zemiros
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
2.77 €
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Chorale SATB
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Sexy Villain
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1427943…
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1427943 By Remi Wolf. By Aidan Rodriguez, Jared Solomon, Mark Landon, Marty Weitz, Mary Weitz, Olivia Charlotte Waithe, and Remi Wolf. Arranged by Kevin Peter DeLisa. A Cappella,Contemporary,R & B,Soul. 9 pages. Kevin Peter DeLisa #1008686. Published by Kevin Peter DeLisa (A0.1427943). 6 Part A Cappella vocal arrangement of Sexy Villain by Remi Wolf. Chordal information focuses on neo soul voicings, building momentum through the bridge into a final chorus.
$5.00
4.61 €
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Chorale SATB
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Remi Wolf
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Kevin Peter DeLisa
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Sexy Villain
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Kevin Peter DeLisa
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SheetMusicPlus
Help Me Make It Through The Night
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1398989 By Kris Kri…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1398989 By Kris Kristofferson. By Kris Kristofferson. Arranged by Christopher Alexander. Comedy,Country,Jazz,Pop. 16 pages. Christopher Alexander #982266. Published by Christopher Alexander (A0.1398989). Originally written by the prolific singer-songwriter Kris Kristofferson, this tune has been covered by many artists since its 1970 release.  Famed country music and comedian Ray Stevens brought his stylings to a new interpreation of the song, complete with contrasting musical styles and different meanings to each of the lyrics within the song.  Your chorus will have the time of their lives performing this song at your next pops concert.  It is highly recommended to watch the Ray Stevens music video of this song (available on YouTube) to get a firm grasp of how to perform the many comedic moments without losing momentum of the song.  Some solos parts have been revised to become more suitable for today’s audiences, but nonetheless will still be entertaining.
$2.25
2.07 €
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Chorale SATB
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Kris Kristofferson
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Christopher Alexander
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Help Me Make It Through The Night
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Christopher Alexander
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SheetMusicPlus
Hallelujah! God Has Come
Chorale SATB
SATB choir, Piano - Digital Download SKU: LX.10-5104SF Composed by Steven Aldredge.…
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SATB choir, Piano - Digital Download SKU: LX.10-5104SF Composed by Steven Aldredge. Sacred Anthem, Advent, Christmas. Octavo. 16 pages. SoundForth #e10/5104SF. Published by SoundForth (LX.10-5104SF). ISBN 9780787758165.This original anthem from Steven Aldredge features a supportive accompaniment with tasteful ornaments to help drive momentum. The minor tonality of the verses weave into the bright, inspiring, major tonality of the chorus, representing the change from darkness to light by the birth of the Messiah.
$2.75
2.54 €
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Chorale SATB
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Steven Aldredge
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Hallelujah! God Has Come
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SoundForth
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SheetMusicPlus
Please Come To Boston
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1265310 By Dave Loggins. B…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1265310 By Dave Loggins. By Dave Loggins. Arranged by Don Staffin. A Cappella,Barbershop,Country,Folk,Rock. Octavo. 11 pages. Don Staffin #858163. Published by Don Staffin (A0.1265310). This a cappella arrangement of the timeless 70's classic - originally recorded by Dave Loggins, and covered by Reba McEntire and Kenny Chesney - captures the emotion and the movement of the song. The interplay between the outer parts creates a momentum that vocally re-creates the guitar feel. Also available in TTBB.
$2.99
2.76 €
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Chorale SATB
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Dave Loggins
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Don Staffin
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Please Come To Boston
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Don Staffin
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SheetMusicPlus
And Still The Stars Shine
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.826994 Composed by Rich Ca…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.826994 Composed by Rich Campbell. Christian,Christmas,Contemporary,Sacred. Octavo. 16 pages. Pay The Band Music #3259463. Published by Pay The Band Music (A0.826994). And Still The Stars Shine is an exciting new telling of the Christmas story. The arrangement features rich melodic lines, accessible harmonies, and a contemporary piano accompaniment in 3/4. It concludes with the choir building momentum in a bell-like section, culminating in a glorious conclusion. Ideal for Advent, Christmas Eve & Christmas concerts & services. And Still The Stars Shine, Over the manger, Oh, sweet Mary, a savior is bornAnd Still The Stars Shine With perfect Light Prince of Peace in this world
$2.75
2.54 €
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Chorale SATB
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Rich Campbell
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Christmas concerts &
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And Still The Stars Shine
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Pay The Band Music
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SheetMusicPlus
Come, Holy Spirit, Dove Divine
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.976727 Composed by Robert …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.976727 Composed by Robert Myers. Christian,Praise & Worship,Sacred. Octavo. 2 pages. WheatMyer Music #5197337. Published by WheatMyer Music (A0.976727). It was one of those accidents where you find something useful when you’re looking for something else. While reading on the nature of worship, a particular blog article ended with Adoniram Judson’s early 19th Century baptismal poem, Come Holy Spirit, Dove Divine. The flowing text called out (at least to me!) for a musical setting. Accordingly, some melodic and harmonic ideas began to percolate in my thoughts. However, before getting very far along in writing a tune, there were two surprises in store. First many others had already set the text to music before (with a multitude of tunes) going back to at least 1833. Second, despite being a Baptist for over forty years, I discovered that this hymn has been in the Baptist Hymnal since 1956 yet I have no recollection of every singing it! Well, chagrined at my ignorance, I carried on writing a new melody and harmony for this deserving text. I sought to make it friendly to congregational singers while still containing rich and sing-able harmonies and so aimed for a four-part hymn-style form. However, as I suspect my ignorance of the hymn is a common condition, a fresh and modern tune which would be at home in varied musical styles and have popular appeal was also pursued. The result is a delightful and uplifting tune, easy to sing, with an optimistic and forward momentum, commensurate with the meaning of believers’ baptism, Buried with Him in baptism; raised to walk in new life. The music is flexible in application to many church music styles: praise team and band, choir and organ, congregation and piano, or mix and match to fit your needs. May you find Come, Holy Spirit, Dove Divine, singing a much needed text, a means for your congregation to joyfully join with new believers in celebration of their baptism!
$1.99
1.83 €
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Chorale SATB
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Robert Myers
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raised to walk in new life
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Come, Holy Spirit, Dove Divine
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WheatMyer Music
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SheetMusicPlus
Diffusa est gratia - SATB choir
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik S…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686504. Published by Erik Spangler (A0.1082352). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. “Diffusa est gratia / Senex puerum portabatâ€Â combines two liturgical texts associated with the feast of Candlemas. The first, “Diffusa est gratia is from Psalm 44:3 and ascribes to Mary a fullness of grace that is a common theme in Marian feasts. The second, Senex puerum portabat,†is more particularly relevant to the story of the infant Jesus and the ancient holy man Simeon found in today’s gospel. Singing two texts within one piece was common in Medieval music, where the interest lay on the juxtaposition of the texts and the interplay between them. Erik’s setting is influenced by both late Medieval and Renaissance choral styles. Each singer has long flowing lines that combine in duets, trios, and full quartet, yielding a variety of textures. Dissonant intervals are treated freely as was common in the late Medieval period before the tight control of the high Renaissance style. This expanded palette allows for more modern harmony that shifts in and out and resolves into consonant intervals at the end of phrases. Rhythmic syncopation and complexity were highly valued in the late Medieval style as they are again today; here they provide forward momentum. Together, these elements define a sensibility that is both ancient and new, influenced by practices of composers from the 14th and 15th centuries as well as more modern composers such as Moondog and Meredith Monk.
$6.00
5.53 €
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Chorale SATB
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Erik Spangler
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Diffusa est gratia - SATB choir
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Erik Spangler
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SheetMusicPlus
The Sense of a Place Will Remain
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.33 €
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Chorale SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
Were You There?
Chorale SATB
SATB choir - Intermediate SKU: LO.S525 Composed by Dale Wood. Choral. SC Series. Sa…
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SATB choir - Intermediate SKU: LO.S525 Composed by Dale Wood. Choral. SC Series. Sacred Anthem, General, Holy Week, Lent. Octavo. Sacred Music Press #S525. Published by Sacred Music Press (LO.S525). UPC: 000308010817.SATB/ Lent/Easter/General ... Medium . Filled with rich and unique harmonies, this new arrangement of a cherished spiritual shines above the norm. Inner vocal lines are as captivating as the haunting melody. The momentum builds to a stirring final stanza which speaks of the glorious resurrection, making the anthem appropriate throughout the Easter season or for general occasions.
$2.75
2.54 €
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Chorale SATB
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Dale Wood
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Were You There?
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Sacred Music Press
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SheetMusicPlus
For the Pleasure of the Lord
Chorale SATB
Choral SATB choir with optional C instruments - Digital Download SKU: H1.C5708DP Co…
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Choral SATB choir with optional C instruments - Digital Download SKU: H1.C5708DP Composed by Pepper Choplin. Piano with Optional C Instruments. General Worship, Worship. Octavo. 12 pages. Hope Publishing - Digital #C5708DP. Published by Hope Publishing - Digital (H1.C5708DP). Pepper Choplin. Philippians 2:13.Original Composition This delightful original by Pepper Choplin is an authentic summon to worship God and to do it all for the pleasure of the Lord - a theme appropriate for an emphasis on worship, stewardship and music ministry. The melodic writing, in a bright yet graceful 6/8 meter, provides memorable and easily learned parts for your singers. The optional C Instrument parts (included & reproducible) add an uplifting momentum and are included in the anthem.
$2.95
2.72 €
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Chorale SATB
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Pepper Choplin
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For the Pleasure of the Lord
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Hope Publishing - Digital
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SheetMusicPlus
We Reply (Downloadable)
Chorale SATB
SATB choir (choir divisi) and piano with optional string quartet or ensemble - Medium - Di…
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SATB choir (choir divisi) and piano with optional string quartet or ensemble - Medium - Digital Download SKU: MQ.8963-E Composed by Dominick DiOrio. 15 pages. E. C. Schirmer Music Company - Digital #8963-E. Published by E. C. Schirmer Music Company - Digital (MQ.8963-E). UPC: 600313489631. English.Imagined for a Leonard Bernstein 100th celebration given by the Master Chorale of South Florida, We Reply was inspired by his famous quote about making art in the face of adversity. It incorporates texts from the Jewish sacred prayers Shema and Hashkiveinu and bursts forth with rhythmic energy and momentum. Its harmonies clash with the threat of violence, but also surge with an inevitable optimism, propulsion, and joy.
$2.85
2.63 €
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Chorale SATB
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Dominick DiOrio
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We Reply
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Two Miniatures for Holy Week: 1. An Hosanna Fanfare 2. Faithful Cross (Downloadable)
Chorale SATB
SATB choir unaccompanied - Medium - Digital Download SKU: MQ.5158-E Composed by Leo…
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SATB choir unaccompanied - Medium - Digital Download SKU: MQ.5158-E Composed by Leo Nestor. Triduum/Three Days. 7 pages. E. C. Schirmer Music Company - Digital #5158-E. Published by E. C. Schirmer Music Company - Digital (MQ.5158-E). English, Spanish.A chromatic and engaging choral fanfare for Palm Sunday, paired with an introspective setting of the 6th-century text Crux fidelis, translated into both English and Spanish. Momentum is achieved by the alternation of long, lyrical phrases with short ones punctuated by figures in the original Latin.Includes:I. Hosanna FanfareII. Faithful Cross (O Cruz Fiel).
$2.25
2.07 €
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Chorale SATB
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Leo Nestor
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Two Miniatures for Holy Week: 1. An Hosanna Fanfare 2. Faithful Cross
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
O Worship the Lord
Chorale SATB
SATB choir, Piano - Digital Download SKU: LX.10-4314L Incorporating O Worship th…
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SATB choir, Piano - Digital Download SKU: LX.10-4314L Incorporating O Worship the King. Arranged by Lloyd Larson. Ready to Worship. Sacred Anthem, Ascension, Christ the King, Easter, General. Octavo. 8 pages. Lorenz Publishing - Digital Sheet Music #e10/4314L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-4314L). ISBN 9781429131025.This uplifting anthem is an exuberant call to all of God's people to worship the Lord! Building momentum until the glorious entrance of the traditional hymn tune, O Worship the King, Lloyd Larson presents a joyful song of praise for choirs of all sizes.
$2.40
2.21 €
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Chorale SATB
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Lloyd Larson
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O Worship the Lord
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
If in Your Heart (Downloadable)
Chorale SATB
SATB choir divisi a cappella - Medium - Digital Download SKU: MQ.50-1122-E Composed…
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SATB choir divisi a cappella - Medium - Digital Download SKU: MQ.50-1122-E Composed by Craig Carnahan. Christmas. Score. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-1122-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1122-E). This is a tender, yet powerful, poem that reminds us of the personal responsibility each of us bears in creating a world fit to welcome the return of God's Son. In each of the five stanzas, the anonymous poet underscores the message of the text by opening with the same words: If in your heart you... It is the final word of each of these lines that sets up the momentum of the poetry and the ultimate impact of its message: If in your heart you find...build...make...hold... and, finally, sing. Each of these acts builds on the previous thought and leads the reader through a series of petitions that, if followed, will result in a chorus of Alleluias not heard on earth since that night in Bethlehem centuries ago.
$2.65
2.44 €
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Chorale SATB
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Craig Carnahan
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If in Your Heart
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
To First Seek the Kingdom (Choral Score)
Chorale SATB
SATB choir, flute, and piano - Medium - Digital Download SKU: MQ.50-6126-E Composed…
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SATB choir, flute, and piano - Medium - Digital Download SKU: MQ.50-6126-E Composed by Michael John Trotta. Epiphany. Instrument parts. 13 pages. Duration 4 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #50-6126-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6126-E). English. Micah 6:6-8; Matthew 6:33.This is the kind of piece that might sound more difficult than it is. Michael Trotta employs an economy of choral writing: The SATB parts are sometimes unison, move often by steps, are repeated in the outer sections, and have only occasional divisi in the treble voices. The text is an innovative combination of Old and New Testament passages, put in a question-and-answer format with the question sung in a subdued matter and the answer intensifying in range, complexity, and volume. The piano and flute parts flow more quickly than the voices—save for a short, contrasting middle section—and provide an underlying momentum to this expressive work. Duration: 4:30.
$2.85
2.63 €
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Chorale SATB
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Michael John Trotta
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Matthew 6:33
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To First Seek the Kingdom
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Risen Alleluia!
Chorale SATB
Choral SATB choir with optional Brass, Timpani & handbells - Digital Download SKU: H1.C…
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Choral SATB choir with optional Brass, Timpani & handbells - Digital Download SKU: H1.C5449DP Composed by Allen Pote. Piano with Optional Brass, Timpani & Handbells. Hymntune, Easter Sunday. Octavo. 12 pages. Hope Publishing - Digital #C5449DP. Published by Hope Publishing - Digital (H1.C5449DP). Matthew 28:6 - Luke 24:6 - Mark 16:6.Original anthem The excitement and joy of Easter is captured in this celebratory anthem for SATB choir and keyboard with optional handbells, brass, and timpani. Quoting Lyra Davidica, Allen Pote incorporates driving rhythms and building momentum, to skillfully exemplify the text Christ is risen, alleluia! The handbell part is included. Brass parts include: Trumpet 1 & 2, Trombone 1 & 2, Horn (in lieu of Trombone 1), Tuba & Timpani.
$2.95
2.72 €
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Chorale SATB
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Allen Pote
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Risen Alleluia!
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Hope Publishing - Digital
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SheetMusicPlus
Gather the Stars
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1096281 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1096281 Composed by Mark Lehnowsky. A Cappella,Classical,Contest,Festival. Octavo. 4 pages. Mark Lehnowsky Music #700249. Published by Mark Lehnowsky Music (A0.1096281). A choir favorite, Gather the Stars is a setting of the Carl Sandburg poem Stars, Songs, Faces. My favorite aspect of Carl Sandburg's poetry is that he captures profound thoughts with simple language and direct language. It is a composer's dream. We spend our whole lives chasing our dreams, only to one day let go and say goodbye. Similarly, the piece spends two minutes gathering stars, songs, and faces, gaining momentum...until everything fades again into a beautiful background of stars. Thank you to the 2009 PMEA Region V Choir and Dr. Christopher Kiver for this beautiful performance.
$2.95
2.72 €
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Chorale SATB
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Mark Lehnowsky
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Gather the Stars
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Mark Lehnowsky Music
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SheetMusicPlus
In You, O Lord, I Will Place My Trust (Downloadable Choral Score)
Chorale SATB
SATB choir, congregation, organ, optional brass quintet, timpani - Moderately Easy - Digit…
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SATB choir, congregation, organ, optional brass quintet, timpani - Moderately Easy - Digital Download SKU: MQ.50-0014-E Composed by Allen Pote. Passion/Palm Sunday. Full score. 11 pages. MorningStar Music Publishers - Digital Sheet Music #50-0014-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0014-E). Iinspired by selected verses of Psalm 31 (A psalm of David). Written in memory of a church musician, the anthem is a strong affirmation of a faith, which triumphs over human suffering. Based on the tune FREU DICH SEHR/PSALM 42/GENEVAN 42. It opens with an assertive unison statement, later harmonized, and gathers momentum culminating in a convincing ending with the congregation joining to sing the hymn tune, Rustington. The optional brass quintet and timpani will add support and strength to the confident nature of the anthem. A reproducible page for congregation is included in the anthem. The organist may play from either the full score or the choral score.Instrumental Parts include:Trumpets I and II in B flat and in CTrombones I and IITubaHorn in F as sub for Trombone ITimpani.
$1.85
1.71 €
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Chorale SATB
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Allen Pote
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In You, O Lord, I Will Place My Trust
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Good Christians, All Rejoice
Chorale SATB
SATB choir divisi with optional Flute and Piccolo (With Optional Flute, Piccolo) - Interme…
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SATB choir divisi with optional Flute and Piccolo (With Optional Flute, Piccolo) - Intermediate - Digital Download SKU: LX.10-2400M Arranged by Timothy L. Bandy. Sacred Anthem, Christmas. Octavo. 12 pages. Monarch Music #e10/2400M. Published by Monarch Music (LX.10-2400M). UPC: 000308052688.Rhythmic flair provides the momentum in this innovative setting of the perennial seasonal favorite, featuring canonic writing in the choral parts.
$2.50
2.3 €
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Chorale SATB
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Timothy L
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Good Christians, All Rejoice
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Monarch Music
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SheetMusicPlus
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