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Music, when soft voices die
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Crtitères actifs :
Music, when soft voices die
Chorale SATB
Partitions à imprimer
13 partitions trouvées
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1
Music, When Soft Voices Die
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Chorale SATB
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Eric Nelson
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Music, When Soft Voices Die
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Colla Voce Music - Digital
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SheetMusicPlus
SATB choir - SKU: MQ.40-96770-E Composed by Eric Nelson. Octavo. 11 pages. Colla Voce Music - Digital #40-96770-E. Published by Colla Voce Music - Digit...
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SATB choir - SKU: MQ.40-96770-E Composed by Eric Nelson. Octavo. 11 pages. Colla Voce Music - Digital #40-96770-E. Published by Colla Voce Music - Digital (MQ.40-96770-E).
$2.10
Music, When Soft Voices Die
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Chorale SATB
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Musique Sacrée
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Eugene Butler
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Music, When Soft Voices Die
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Sacred Music Press
#
SheetMusicPlus
SATB choir SKU: LO.AM1017 Composed by Eugene Butler. Choral. Sacred Anthem, Concert. Octavo. Sacred Music Press #AM1017. Published by Sacred Music Press ...
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SATB choir SKU: LO.AM1017 Composed by Eugene Butler. Choral. Sacred Anthem, Concert. Octavo. Sacred Music Press #AM1017. Published by Sacred Music Press (LO.AM1017). UPC: 000308081701.
$2.65
Music, When Soft Voices Die
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Chorale SATB
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Earlene Rentz
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Music, When Soft Voices Die
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Heritage Music Press
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SheetMusicPlus
By Earlene Rentz. For SATB choir, a cappella. Educational Octavo. Published by Heritage Music Press ...
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By Earlene Rentz. For SATB choir, a cappella. Educational Octavo. Published by Heritage Music Press
$2.30
Music, when soft voices die
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Jonathan Thomas Madden
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Music, when soft voices die
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Jonathan Thomas Madden
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.900627 Composed by Jonathan Thomas Madden. Classical,Contemporary. Octavo. 5 pages. Jonathan Thomas Madden #5069...
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Choral Choir (SATB) - Level 3 - SKU: A0.900627 Composed by Jonathan Thomas Madden. Classical,Contemporary. Octavo. 5 pages. Jonathan Thomas Madden #506924. Published by Jonathan Thomas Madden (A0.900627). Arvo Pärt’s minimalist masterpiece Spiegel im Spiegel (literally translated “Mirror in Mirrorâ€) conjures up images of an infinity mirror. I observed a similar sense of everlastingness in Percy Shelley’s famous poem Music, when soft voices die. Even in the face of change or loss, beautiful things like music, smells, experiences, love, and even life itself live on in the gift of the enduring vibrations of memory. Premiered by the Nazareth College Chamber Singers on April 24, 2022. Brian M. Stevens, director. This performance conducted by the composer.
$2.50
Music, When Soft Voices Die - Choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Phil Rawle
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Music, When Soft Voices Die -
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Phillip Rawle
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1081751 Composed by Phil Rawle. Classical,Contemporary. Octavo. 15 pages. Phillip Rawle #685878. Published by Ph...
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Choral Choir (SATB) - Level 4 - SKU: A0.1081751 Composed by Phil Rawle. Classical,Contemporary. Octavo. 15 pages. Phillip Rawle #685878. Published by Phillip Rawle (A0.1081751). Music, When Soft Voices Die is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London by John and Henry L. Hunt with a preface by Mary Shelley. The poem is one of the most anthologised, influential, and well-known of Shelley's works. This setting is for SATB Choir.
$5.00
Music, when soft voices die
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Chorale SATB
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Contemporain
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Rebecca Clarke
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Music, when soft voices die
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Oxford University Press Digital
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SheetMusicPlus
Unaccompanied SATB chorus - Composed by Rebecca Clarke (1886-1979). Sheet music. Octavo. 10 pages. Oxford University Press Digital #9780193560185. P...
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Unaccompanied SATB chorus - Composed by Rebecca Clarke (1886-1979). Sheet music. Octavo. 10 pages. Oxford University Press Digital #9780193560185. Published by Oxford University Press Digital
$3.65
Shelly Songs: Music When Soft Voices/Loves Philos
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Chorale SATB
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John V
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Shelly Songs: Music When Soft
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Roger Dean Publishing
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SheetMusicPlus
SATB choir divisi, a cappella - Moderately easy - SKU: LX.15-1335R Music When Soft voices Die and Love's Philosophy. Composed by John V. Mochnick...
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SATB choir divisi, a cappella - Moderately easy - SKU: LX.15-1335R Music When Soft voices Die and Love's Philosophy. Composed by John V. Mochnick. Prima Cantate Series. Educational. Octavo. 16 pages. Roger Dean Publishing #e15/1335R. Published by Roger Dean Publishing (LX.15-1335R). UPC: 000308036534. Text: Percy B Shelly.These contemporary madrigals are set to texts by P.B. Shelly. Hymn of Pancreates a pastoral landscape through it's alternating melodic and densely-harmonic contrasts. Music, When Soft Voices Die is a hypnotic setting of this familiar poem. Love's Philosophy provides a delightful closing to this trilogy.
$2.75
Music, When Soft Voices Die
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Chorale SATB
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Rene Clausen
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Music, When Soft Voices Die
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Roger Dean Publishing
#
SheetMusicPlus
By Rene Clausen. For SATB choir (divisi) and piano. Prima Cantate Series. Concert, General. Choral score. Published by Roger Dean Publishing ...
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By Rene Clausen. For SATB choir (divisi) and piano. Prima Cantate Series. Concert, General. Choral score. Published by Roger Dean Publishing
$2.50
Music When Soft Voices Die
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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G
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Music When Soft Voices Die
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George Skipworth
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1411166 Composed by G.F. Skipworth. 21st Century,Classical. 4 pages. George Skipworth #993495. Publi...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1411166 Composed by G.F. Skipworth. 21st Century,Classical. 4 pages. George Skipworth #993495. Published by George Skipworth (A0.1411166). SATB choral setting of Percy Bysshe Shelley's poem. Range and difficulty level moderate. Piano accompaniment.
$2.50
Music, when soft voices die
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Chorale SATB
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Contemporain
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Robert G
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Music, when soft voices die
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Robert G Farrell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.926539 Arranged by Robert G. Farrell. Contemporary. Octavo. 7 pages. Robert G Farrell #5205079. Published by Robert G Farr...
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Choral Choir (SATB) - SKU: A0.926539 Arranged by Robert G. Farrell. Contemporary. Octavo. 7 pages. Robert G Farrell #5205079. Published by Robert G Farrell (A0.926539). A choral work for SATB.
$2.25
Music, When Soft Voices Die
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Chorale SATB
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FACILE
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William Heath
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Music, When Soft Voices Die
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William Heath
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1232171 Composed by William Heath. 21st Century,Chamber,Classical,Contemporary. Octavo. 6 pages. William Heath #...
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Choral Choir (SATB) - Level 2 - SKU: A0.1232171 Composed by William Heath. 21st Century,Chamber,Classical,Contemporary. Octavo. 6 pages. William Heath #827854. Published by William Heath (A0.1232171). A short SATB choral art song, setting the poetry of P.B. Shelley.
$2.50
Music When Soft Voices Die
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Chorale SATB
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INTERMÉDIAIRE
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George Skipworth
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Music When Soft Voices Die
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George Skipworth
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1431065 Composed by George Skipworth. 21st Century,Classical. 4 pages. George Skipworth #1011543. Pu...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1431065 Composed by George Skipworth. 21st Century,Classical. 4 pages. George Skipworth #1011543. Published by George Skipworth (A0.1431065). SATB chral setting on a poem of Percy Bysshe Shelley - three minutes, ranges moderate, difficulty level Medium - Suitable for secular concert.
$2.00
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
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