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New Found Glory
Chorale SATB
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AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
9.16 €
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Chorale SATB
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Michael A
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AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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M.A. Morizio
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SheetMusicPlus
Missa Millennia in Honor of St. Francis (SATB)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.17 €
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Chorale SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienn…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
3.66 €
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Chorale SATB
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Adrienne Inglis
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In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Adrienne Inglis
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SheetMusicPlus
We Believe! Six Traditional Spirituals
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.749819 Composed by Evelyn R. Larter,…
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Choral Choir (SATB) - Digital Download SKU: A0.749819 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Sacred,Spiritual. Octavo. 48 pages. Evelyn R Larter #3436427. Published by Evelyn R Larter (A0.749819). This collection of six traditional Spirituals is taken from a larger set of eleven titled The Life of Christ In Spirituals which I wrote as a cantata for my church choir and guest soloists many years ago. Scripture passages were read before each Spiritual, providing the Biblical context. In this booklet a two page bulletin insert with lyrics and Scripture references is provided after the instrumental parts. The scenes depicted in these Spirituals include, among others, the raising of Lazarus, the healing of the sick, and Jesus’ restoration of Peter after the Resurrection. The final song, You Can Tell The World, is an encouragement to spread the good news about Jesus. One song has an obbligato part for clarinet or soprano saxophone, and one has a part for flute. The remaining five Spirituals are available in another collection titled Five Spirituals for Holy Week, focusing on the events between Palm Sunday and the Resurrection. By inserting those five Spirituals between the 3rd and 4th songs in this collection, the booklets can be combined to perform the set as originally conceived. The songs, however, can also stand alone. The titles are We Believe This Is Jesus, Honor, Honor Unto The Dying Lamb, Oh, He Raise A Poor Lazarus, You Hear The Lambs A-Cryin', Oh Glory! and You Can Tell The World About This. The performance of the first song, We Believe This Is Jesus, is by a youth choir. Please contact me for recordings of the other songs. More information about my music may be found on my website, www.evelynlartermusic.com or on my Facebook page for Evelyn Larter Music.
$9.99
9.16 €
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Chorale SATB
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inserting those five Spirituals between the 3rd and 4th songs in this collection, the booklets can be combined to perform the set as originally conceived
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Evelyn R
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Evelyn Larter Music
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flute
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We Believe! Six Traditional Spirituals
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Evelyn R Larter
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SheetMusicPlus
The Story of a Leader
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.8 €
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Chorale SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
As the Wind Song - Choral Score
Chorale SATB
SATB chorus - Digital Download SKU: C7.CGA1362 Composed by Carol Lynn Mizell. Arran…
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SATB chorus - Digital Download SKU: C7.CGA1362 Composed by Carol Lynn Mizell. Arranged by Carol Lynn Mizell. General. None. Score. 8 pages. Chorister's Guild - Digital #CGA1362. Published by Chorister's Guild - Digital (C7.CGA1362). UPC: 749193019962.As the Wind Song is included in the new Presbyterian hymnal, Glory to God, with the tune by Swee Hong Lim (WAIRUA TAPU) and text by Shirley Erena Murray. The imagery found in the text is depicted by the combined sounds of handbells, chimes, flute and percussion. The instrumental parts are included in the full score.
$2.10
1.93 €
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Chorale SATB
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Carol Lynn Mizell
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Carol Lynn Mizell
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As the Wind Song - Choral Score
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Chorister's Guild - Digital
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SheetMusicPlus
O Sacrum Convivium
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.891808 Composed by Karl Kang. Christ…
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Choral Choir (SATB) - Digital Download SKU: A0.891808 Composed by Karl Kang. Christian,Contemporary,Sacred. Octavo. 3 pages. Karl kang #3556839. Published by karl kang (A0.891808). SATB divisi, Duration: ca. 2:00.O Sacrum Convivium, composed by KARL KANG, is a new choral music with a lyrical, beautiful and religious, can be used in Catholic Church. O Sacrum Convivium is a Latin prose text honoring the Blessed Sacrament. It was included as an antiphon to Magnificat in the vespers of the liturgical office on the feast of Corpus Christi. The text of the office is attributed with some probability to Saint Thomas Aquinas. Its sentiments express the profound affinity of the Eucharistic celebration, described as a banquet, to the Paschal mystery : O sacred banquet at which Christ is consumed, the memory of his Passion is recalled, our souls are filled with grace, and the pledge of future glory is given to us.
$1.99
1.83 €
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Chorale SATB
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Karl Kang
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O Sacrum Convivium
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karl kang
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SheetMusicPlus
Hear the Angels Sing medley - SATB, cello with parts included
Chorale SATB
Arranged by Connie Boss. Christian, Sacred, Celtic, Christmas. Score, Set of Parts. …
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Arranged by Connie Boss. Christian, Sacred, Celtic, Christmas. Score, Set of Parts. 22 pages. Published by Connie Boss
This is a medley of It Came Upon a Midnight Clear, Angels from the Realms of Glory, While Shepherds Watched Their Flocks by Night, Infant Holy. Some of the lyrics are changed and it is in SATB choir cello with parts included and piano. There is optional narration before each song change that can be sung with the intro. cdboss@cvalley.net See Lyrics below:<br> Hear the Angels Sing<br> <br> “God sent the angels from heaven down to earth to proclaim the message of His son’s birth”<br> <br> *It came upon the midnight clear<br> <br> That glorious song of old<br> <br> From angels bending near the earth<br> <br> To touch their harps of god<br> <br> Peace on the earth, good will to men<br> <br> From heaven’s all gracious king<br> <br> The world in solemn stillness lay<br> <br> To hear the angels sing<br> <br> “The angels proclaimed - Come and worship, Christ the newborn King!”<br> <br> *Angels from the realms of glory<br> <br> Wing your flight o’er all the earth<br> <br> You who sang creations story<br> <br> Now proclaim Messiah’s birth<br> <br> Come and worship, come and worship<br> <br> Worship Christ the newborn King<br> <br> “The angels spread God’s message all around; In the country and in the town. The sight of the angels sent fear in some of the people”<br> <br> *While shepherds watched their flocks by night<br> <br> All seated on the ground<br> <br> The angel of the Lord came down<br> <br> And glory shown around, and glory shown around<br> <br> “The angels and all of the people in the area followed a bright star. It shown it’s great light upon a stable. There they found Mary, Joseph and the newborn King”<br> <br> *Star is shining, in the night sky<br> <br> Lighting up the stable walls<br> <br> Baby’s lying in a manger<br> <br> Where His bed’s a cattle stall<br> <br> Mary’s rocking, Joseph’s walking<br> <br> Angels singing, Bells are ringing<br> <br> For the babe, was born for all.<br> <br> “You could hear the angels beautiful voices all over the land. Proclaiming songs about His birth”<br> <br> *Still through the cloven skies they come<br> <br> With peaceful wings unfurled<br> <br> And still their heav’nly music floats<br> <br> O’er all the weary world<br> <br> Peace on the earth good will to men<br> <br> From heaven’s all gracious King<br> <br> The world in solemn stillness lay<br> <br> To hear the angels sing……….
$5.50
5.04 €
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Chorale SATB
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Connie Boss
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Hear the Angels Sing medley - SATB, cello with parts included
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Connie Boss
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SheetMusicPlus
In Christ Alone
Chorale SATB
Choral SATB choir - Digital Download Composed by Keith Getty and Stuart Townend. Arrange…
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Choral SATB choir - Digital Download Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Vocal Solo Sheet Music Series. Easter Sunday, General Worship, Creed, Cross of Christ, Hope, Love. Octavo. 12 pages. Duration 12 minutes. Hope Publishing - Digital #C5675DP. Published by Hope Publishing - Digital
By Keith Getty and Stuart Townend. Matthew 28:19 - Matthew 28:20 - John 17:6 - John 17:7 - John 17:8 - John 17:9 - John 17:10 - John 17:11 - John 17:12 - John 17:13 - John 17:14 - John 17:15 - John 17:16 - John 17:17 - John 17:18 - John 17:19. Contemporary hymn by Keith Getty and Stuart Townend Keith Getty and Stuart Townend's contemporary hymn gets a stunning new choral treatment from arranger, Lloyd Larson, just in time for the Easter season. This theologically driven anthem builds from the simple affirmation, "In Christ alone my hope is found; he is my light, my strength, my song," then traces the birth, death and crowning glory of the resurrected Lord, who "bursting forth in glorious day, up from the grave rose again," culminating with the final return of Christ. The hint of "The Solid Rock" that Lloyd drops in at the end is a perfect coda to this powerful presentation. The addition of brass and percussion heightens the dramatic impact and sets this arrangement apart from all the rest. The Brass packet contains a Conductor's Score and parts for: 2 B-flat Trumpets, Trombone, Horn, Tuba, Percussion and Timpani.
$3.10
2.84 €
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Chorale SATB
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Keith Getty and Stuart Townend
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Lloyd Larson
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In Christ Alone
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Hope Publishing - Digital
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SheetMusicPlus
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