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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Not While I
Non classifié
400
Piano & claviers
Piano seul
333
Piano Facile
58
Piano, Voix
48
Piano, Voix et Guitare
36
Orgue
22
Instruments en Do
17
Piano Trio: piano, violon, violoncelle
16
1 Piano, 4 mains
8
2 Pianos, 4 mains
5
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
66
Guitare
47
Ukulele
18
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
5
Dulcimer
3
Mandoline
1
3 Guitares (trio)
1
Ukulele Baryton
1
Guitare, Orchestre
1
2 Guitares (duo)
1
2 Ukuleles
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
19
Chorale 2 parties
13
Chorale SSAA
8
Chorale Unison
7
Chorale TTBB
7
Voix seule
5
Chorale
3
Voix duo, Piano
2
Voix Soprano, Piano
2
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix haute
1
Voix Alto, Piano
1
Chorale SSAB a cappella
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière
25
Quatuor de Saxophones: 4 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Clarinette
22
Flûte traversière et Piano
17
Clarinette et Piano
15
Flûte, Hautbois, Clarinette, Basson
15
Quintette de Saxophone: 5 saxophones
12
Ensemble de saxophones
10
Saxophone Soprano et Piano
9
Saxophone Alto et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor et Piano
8
Ensemble de Clarinettes
8
Ensemble de Flûtes
7
Hautbois (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto
5
Flute (partie séparée)
4
Saxophone (partie séparée)
3
Quintette de Flûte : 5 flûtes
3
3 Clarinettes (trio)
3
Saxophone Tenor
3
2 Saxophones (duo)
3
3 Saxophones (trio)
3
2 Flûtes traversières (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Trio de Flûtes: 3 flûtes
2
2 Clarinettes (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Cor Anglais
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Piccolo
2
Flûte et Guitare
2
Clarinette Basse, Piano
2
Ensemble à vent
1
Saxophone et Orgue
1
Saxophone, Clarinette (duo)
1
Cor anglais, Piano
1
Flûte, Hautbois (duo)
1
Saxophone et Guitare
1
Flûte, Violon, Piano
1
Saxophone
1
+ 39 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trombone
18
Cor
11
Trompette, Piano
9
Ensemble de Trombones
7
Ensemble de Trompettes
5
Trombone et Piano
4
Trompette (partie séparée)
3
Cor et Piano
3
Tuba
3
Cor Anglais
2
Trombone (partie séparée)
1
Trombone, Tuba (duo)
1
Tuba et Piano
1
3 Trombones (trio)
1
Trompette, Euphonium (duo)
1
Quatuor de Cuivres
1
Ensemble de Cors
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Trompettes (duo)
1
2 Cors (duo)
1
2 Tubas (duo)
1
Trombone basse
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
31
Violon
20
Harpe
16
Violoncelle, Piano
15
Violoncelle
14
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
8
Violon, Violoncelle (duo)
6
Ensemble de Violons
4
Harpe, Voix
3
Violon, Alto (duo)
3
Contre Basse
3
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Ensemble d'Altos
2
2 Altos (duo)
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
Harpe et mandoline
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
29
Orchestre d'harmonie
28
Orchestre
24
Ensemble de Percussions
19
Marimba
18
Ensemble Jazz
16
Ensemble de cuivres
16
Orchestre de chambre
12
Jazz combo
10
Cloches
10
Batterie
3
Fanfare
2
Xylophone
1
Percussion
1
2 Marimbas
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
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DULCIMER
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FLUTE A DIX…
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FORMATION M…
GUITARE
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LUTH, THEOR…
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PERCU. ORCH…
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ENFANTS : EVEIL - IN…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Not While I
Chorale SATB
Partitions à imprimer
97 partitions trouvées
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Savior, Hear Me While I Pray
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Chorale SATB
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DÉBUTANT
#
Musique Sacrée
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Benjamin Ira Mikell
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Savior, Hear Me While I Pray
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Benjamin Ira Mikell
#
SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.939033 Composed by Benjamin Ira Mikell. Christian,Praise & Worship,Sacred. Octavo. 1 pages. Benjamin Ira Mikell ...
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Choral Choir (SATB) - Level 1 - SKU: A0.939033 Composed by Benjamin Ira Mikell. Christian,Praise & Worship,Sacred. Octavo. 1 pages. Benjamin Ira Mikell #2061369. Published by Benjamin Ira Mikell (A0.939033). A prayer hymn. Can be used at any point of worship, even as a closing hymn. I wrote this more suitable music to the words by E. O. Excel that were published in a hymnal over a century ago and has not been sung in worship since that time.
$1.99
While Shepherds watched - in various melodies - version in G ATTB
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Chorale SATB
#
INTERMÉDIAIRE
#
various traditional
#
David Warin Solomons
#
While Shepherds watched - in v
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David Warin Solomons
#
SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.576492 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Oct...
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Choral Choir (Mixed) - Level 3 - SKU: A0.576492 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octavo. 8 pages. David Warin Solomons #27253. Published by David Warin Solomons (A0.576492). It all began with the idea one morning that the other tune for Nahum Tate's carol While shepherds watched is, of course, the Yorkshire ditty On Ilkley moor bar t'hat. Well, as the afternoon progressed, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing On Ilkla Moor, the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano gets some sly references to Sing a song of sixpence and Scotland the brave. I sang it in G on this mp3, to fit my multitrack range, but versions are available on sheetmusicplus in G (ATBB), C (SATB) (fairly high for the sopranos) and Bflat (SATB) (fairly low for the basses) It can also be seen as a video here: https://www.youtube.com/watch?v=wRXrzrSY-Vw === While shepherds watched their flocks by night, All seated on the ground, The angel of the Lord came down, And glory shone around. Fear not! said he, for mighty dread Had seized their troubled mind. Glad tidings of great joy I bring To you and all mankind. To you, in David's town, this day Is born of David's line A Saviour, who is Christ the Lord, And this shall be the sign: The heavenly babe you there shall find To human view displayed, All meanly wrapped in swathing bands, And in a manger laid. Thus spake the seraph and forthwith appeared a shining throng of angels praising God who thus addressed their joyful song All glory be to God on high, And to the Earth be peace; Good will henceforth from heaven to men, Begin and never cease!.
$2.99
While Shepherds watched - in various melodies - version in B flat SATB
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Chorale SATB
#
INTERMÉDIAIRE
#
various traditional
#
David Warin Solomons
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While Shepherds watched - in v
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David Warin Solomons
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.576491 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octa...
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Choral Choir (SATB) - Level 3 - SKU: A0.576491 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octavo. 8 pages. David Warin Solomons #27251. Published by David Warin Solomons (A0.576491). It all began with the idea one morning that the other tune for Nahum Tate's carol While shepherds watched is, of course, the Yorkshire ditty On Ilkley moor bar t'hat. Well, as the afternoon progressed, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing On Ilkla Moor, the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano gets some sly references to Sing a song of sixpence and Scotland the brave. I sang it in G on this mp3, to fit my multitrack range, but versions are available on sheetmusicplus in G (ATBB), C (SATB) (fairly high for the sopranos) and Bflat (SATB) (fairly low for the basses) It can also be seen as a video here: https://www.youtube.com/watch?v=wRXrzrSY-Vw === While shepherds watched their flocks by night, All seated on the ground, The angel of the Lord came down, And glory shone around. Fear not! said he, for mighty dread Had seized their troubled mind. Glad tidings of great joy I bring To you and all mankind. To you, in David's town, this day Is born of David's line A Saviour, who is Christ the Lord, And this shall be the sign: The heavenly babe you there shall find To human view displayed, All meanly wrapped in swathing bands, And in a manger laid. Thus spake the seraph and forthwith appeared a shining throng of angels praising God who thus addressed their joyful song All glory be to God on high, And to the Earth be peace; Good will henceforth from heaven to men, Begin and never cease!.
$2.99
While Shepherds watched - in various melodies - version in C SATB
#
Chorale SATB
#
INTERMÉDIAIRE
#
various traditional
#
David Warin Solomons
#
While Shepherds watched - in v
#
David Warin Solomons
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.576493 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octa...
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Choral Choir (SATB) - Level 3 - SKU: A0.576493 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octavo. 8 pages. David Warin Solomons #27255. Published by David Warin Solomons (A0.576493). It all began with the idea one morning that the other tune for Nahum Tate's carol While shepherds watched is, of course, the Yorkshire ditty On Ilkley moor bar t'hat. Well, as the afternoon progressed, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing On Ilkla Moor, the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano gets some sly references to Sing a song of sixpence and Scotland the brave. I sang it in G on this mp3, to fit my multitrack range, but versions are available on sheetmusicplus in G (ATBB), C (SATB) (fairly high for the sopranos) and Bflat (SATB) (fairly low for the basses) It can also be seen as a video here: https://www.youtube.com/watch?v=wRXrzrSY-Vw === While shepherds watched their flocks by night, All seated on the ground, The angel of the Lord came down, And glory shone around. Fear not! said he, for mighty dread Had seized their troubled mind. Glad tidings of great joy I bring To you and all mankind. To you, in David's town, this day Is born of David's line A Saviour, who is Christ the Lord, And this shall be the sign: The heavenly babe you there shall find To human view displayed, All meanly wrapped in swathing bands, And in a manger laid. Thus spake the seraph and forthwith appeared a shining throng of angels praising God who thus addressed their joyful song All glory be to God on high, And to the Earth be peace; Good will henceforth from heaven to men, Begin and never cease!.
$2.99
T.I.M.E.
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Chorale SATB
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INTERMÉDIAIRE
#
Debbie Allen
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T.I.M.E.
#
Nottingham Scores
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.742755 By Debbie Allen. By Debbie Allen. A Cappella,Classical,Contemporary,Contest,Festival,Instructional. Octav...
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Choral Choir (SATB) - Level 3 - SKU: A0.742755 By Debbie Allen. By Debbie Allen. A Cappella,Classical,Contemporary,Contest,Festival,Instructional. Octavo. 20 pages. Nottingham Scores #350889. Published by Nottingham Scores (A0.742755). T.I.M.E., a work for SATB Choir, expresses the mystery of time, how it passes, how we use it and how it grants new beginnings. During the COVID-19 pandemic, we have experienced time and what is important to us in different ways. Certainly, there have been moments of uncertainty, anxiety, even panic over danger of contracting the virus, the long-term effects of the virus and the loss of life. In isolation, awaiting further instructions, we have had time to reflect, prepare and imagine. We have had to manage life with new guidelines and restrictions, while trying to keep ourselves and others safe. This work attempts to put time in perspective, with a message of hope for recovery, and a better understanding of how to move forward with passion and grace. The message is not just for life in a pandemic, but for life, in general. Hopefully, this work can stand the “test of timeâ€, finding a meaningful place in the repertoire.
$2.99
I Will Not Stand Idle (SAT, optional B)
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Chorale SATB
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FACILE
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Musique Sacrée
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Craig Leland Sparks
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I Will Not Stand Idle
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Craig Sparks Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.918772 Composed by Craig Leland Sparks. Christian,Praise & Worship,Religious. Octavo. 12 pages. Craig Sparks Mus...
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Choral Choir (SATB) - Level 2 - SKU: A0.918772 Composed by Craig Leland Sparks. Christian,Praise & Worship,Religious. Octavo. 12 pages. Craig Sparks Music #4109697. Published by Craig Sparks Music (A0.918772). An upbeat, gospel style Advent anthem with a great message. I will bring my heart in praise! I will show the love He taught to each of the least of these. The piano part drives with eighth notes, reminding us that while we wait for the coming Messiah, we still have work to be doing! Written for SAT in a traditional gospel style, a bass part can easily be added by doubling the melody down an octave.
$4.50
Festive Hymns: O Lord, I Am Not Worthy - NON DIGNUS
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Chorale SATB
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FACILE
#
Musique Sacrée
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Kenneth Martin
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Kenneth Martin
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Festive Hymns: O Lord, I Am No
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Martin Music Editions
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1412255 By Kenneth Martin. By Kenneth Martin. Arranged by Kenneth Martin. 21st Century,Christian,Con...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1412255 By Kenneth Martin. By Kenneth Martin. Arranged by Kenneth Martin. 21st Century,Christian,Contest,Festival,Praise & Worship,Sacred. 14 pages. Martin Music Editions #994467. Published by Martin Music Editions (A0.1412255). Introducing a vibrant and festive arrangement of the beloved hymn O Lord, I Am Not Worthy, set to the timeless tune NON DIGNUS. This special rendition, arranged for SATB choir with organ or piano accompaniment, breathes new life into the classic melody while honoring its traditional roots.In this arrangement, each verse is expertly crafted to weave the familiar melody with unique vocal writing in the accompanying voices. The result is a rich tapestry of sound that adds depth and dimension to the hymn, without straying from its original essence.What sets this arrangement apart is the inclusion of optional parts for 2 Bb Trumpets, adding a majestic brilliance to the overall ensemble. These trumpet parts, carefully integrated into the score, elevate the hymn to new heights and infuse it with a sense of grandeur and celebration.Despite its richness and complexity, this arrangement remains accessible for efficient rehearsal, allowing choirs to master it with ease. The balanced vocal lines and thoughtful scoring ensure that each section of the choir has its moment to shine, creating a unified and cohesive performance.With its blend of tradition and innovation, this festive arrangement of O Lord, I Am Not Worthy offers a fresh interpretation of a cherished hymn, perfect for special worship services, concerts, or other occasions of praise. It is a testament to the enduring power of sacred music to inspire and uplift the soul.
$2.10
Not While I'm Around
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Chorale SATB
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FACILE
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Contemporain
#
Stephen Sondheim and Thomas Ne
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Stephen DeCesare
#
Not While I'm Around
#
Exultet Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.612527 Composed by Stephen Sondheim and Thomas Newman. Arranged by Stephen DeCesare. Contemporary. Octavo. 18 pa...
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Choral Choir (SATB) - Level 2 - SKU: A0.612527 Composed by Stephen Sondheim and Thomas Newman. Arranged by Stephen DeCesare. Contemporary. Octavo. 18 pages. Exultet Music #6333875. Published by Exultet Music (A0.612527). One of the beautiful signature songs from the Stephen Sondheim musical Sweeney Todd: The Demon Barber of Fleet Street. Scored for Flute, Oboe, French Horn, Cello, SATB and Piano.
$1.99
Not While I'm Around (from Sweeney Todd) (arr. Mark Brymer)
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Chorale SATB
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Comédie Musicale
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Stephen Sondheim
#
Mark A
#
Not While I'm Around
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Hal Leonard
#
SheetMusicPlus
Choral, Voice (SATB) - Digital Download Composed by Stephen Sondheim (1930-). Arranged by Mark A. Brymer. This edition: scorch. Broadway, Musical/Show....
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Choral, Voice (SATB) - Digital Download Composed by Stephen Sondheim (1930-). Arranged by Mark A. Brymer. This edition: scorch. Broadway, Musical/Show. Octavo. 9 pages. Duration 180. Published by Hal Leonard
$2.50
While Shepherds Watched (SATB choir and piano)
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Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Colin Kirkpatrick
#
Alto A3 – D5
#
While Shepherds Watched
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.522059 Composed by Colin Kirkpatrick. A Cappella,Christmas,Praise & Worship,Sacred. 10 pages. Colin Kirkp...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.522059 Composed by Colin Kirkpatrick. A Cappella,Christmas,Praise & Worship,Sacred. 10 pages. Colin Kirkpatrick Publications #4628229. Published by Colin Kirkpatrick Publications (A0.522059). This is a dramatic and attractive setting of the traditional text by Nahum Tate (1652-1715). Tate was an Anglo-Irish poet, hymn writer and lyricist, who became Poet Laureate in 1692. He’s best known for The History of King Lear, his 1681 adaptation of Shakespeare's play. He also wrote the libretto for Henry Purcell's timeless opera, Dido and Aeneas. The traditional melody of While Shepherds Watched is well-known, but this new setting brings in a wealth of new musical material. This is a tuneful work and is sure to be enjoyed by your singers and audiences alike. It is in 2/2 time throughout but journeys through several contrasting keys. It’s also available for SSA and SAT choirs with keyboard accompaniment.  There’s an a cappella section in the middle and more suited to experienced singers. The piano part is not difficult and should be within the reach of any competent pianist. This piece would be ideal for Nativity presentations or would make an excellent addition to your Christmas service or concert. With a duration of 03:05 the vocal ranges in the SATB version are as follows: Soprano: D4 – G5; Alto A3 – D5; Tenor: C3 – E4 and Bass F2 – C4. If you like this choral piece, you might also be interested in other Colin Kirkpatrick Nativity Anthems in this series And a Star is Shining in the East, See this Little Town, I Saw Three Ships, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn.Â
$3.99
Am I A Soldier of The Cross - S.A.T.B. voices with Piano Accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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ARLINGTON, Issac Watts, and Th
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Fritz Stanley
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Am I A Soldier of The Cross -
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MicStanley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.748513 Composed by ARLINGTON, Issac Watts, and Thomas Augustine Arne. Arranged by Fritz Stanley. Christian,Gospe...
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Choral Choir (SATB) - Level 3 - SKU: A0.748513 Composed by ARLINGTON, Issac Watts, and Thomas Augustine Arne. Arranged by Fritz Stanley. Christian,Gospel,Praise & Worship,Sacred. Octavo. 7 pages. MicStanley #4608767. Published by MicStanley (A0.748513). Am I A Soldier of The Cross is a hymn song based on ARLINGTON tune by Thomas A. Arne and the lyrics by Issac Watts. This song is as a poignant reminder that while the Christian life has many blessings, the journey is not without its own battles along the way. Arranged by Fritz Stanley for S.A.T.B. voices with piano as accompaniment.
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Music I Heard
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Chorale SATB
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Vicki Tucker Courtney
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Music I Heard
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0001853 Music I Heard - SATB. Composed by Vicki Tucker Courtney. Secular Choral. 7 pages. Alfred Music - Digital Sheet Mus...
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Chorus - SKU: AX.00-PO-0001853 Music I Heard - SATB. Composed by Vicki Tucker Courtney. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0001853. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001853). UPC: 038081467368. Conrad Potter Aiken.This song of remembrance celebrates a profound relationship and mourns its end. While the piece is not difficult to sing, groups that fully express the mature text and master the musical lines will achieve excellence.Concert/Contest.
$1.85
I'm Yours
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Chorale SATB
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INTERMÉDIAIRE
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Rock
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Jason Mraz
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Eric Hagmann
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I'm Yours
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.796798 By Jason Mraz. By Jason Mraz. Arranged by Eric Hagmann. A Cappella,Pop,Rock. Octavo. 9 pages. Eric Hagman...
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Choral Choir (SATB) - Level 3 - SKU: A0.796798 By Jason Mraz. By Jason Mraz. Arranged by Eric Hagmann. A Cappella,Pop,Rock. Octavo. 9 pages. Eric Hagmann #3533053. Published by Eric Hagmann (A0.796798). This SATB + solo contemporary a cappella arrangement of Jason Mraz's I'm Yours puts it in a key that's comfortable for a female soloist to take the lead. In general, the lower voices are split to set the foundation for the Reggae feel while the upper voices add support to the soloist as harmony or as background textures. If your soloist isn't great at vocal improv, fear not! This chart does away with Jason's scat-like bridge and replaces it with a breakdown, of sorts, that highlights the entire ensemble. A great arrangement for your high school or college vocal group!
$2.25
Hark, I Hear the Harps Eternal (Downloadable)
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Chorale SATB
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Daniel McDavitt
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Hark, I Hear the Harps Eternal
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - SKU: MQ.8328-E Composed by Daniel McDavitt. All Saints/All Souls. Instrument parts. 8 pages. E. C. Schirmer Mu...
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SATB choir (choir divisi) unaccompanied - SKU: MQ.8328-E Composed by Daniel McDavitt. All Saints/All Souls. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8328-E. Published by E. C. Schirmer Music Company - Digital (MQ.8328-E). English.While having a folk-like feel that suits this familiar text, the musical material is entirely original. This setting features a more pastoral, contemplative tone than more lively settings with which you might be familiar. SATB a cappella in seven parts (the altos do not divide).This piece can be performed as a companion to The Promised Land (7855), which is also a newly composed tune of a familiar folk anthem text. Duration: 3:00.
$2.25
How Can I Keep from Singing?
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Chorale SATB
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INTERMÉDIAIRE
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Robert Wadsworth Lowry and Ste
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How Can I Keep from Singing?
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) and tenor solo with optional piano - Medium - SKU: MQ.1.3630-E Composed by Robert Wadsworth Lowry and Stephen Caracciolo. 9 pa...
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SATB choir (choir divisi) and tenor solo with optional piano - Medium - SKU: MQ.1.3630-E Composed by Robert Wadsworth Lowry and Stephen Caracciolo. 9 pages. Galaxy Music Corporation - Digital #1.3630-E. Published by Galaxy Music Corporation - Digital (MQ.1.3630-E). English.Written as a companion piece to the composer's setting of Simple Gifts this is an arrangement of this iconic folk hymn that sounds traditionally American, immediately recognizable, and not overly arranged, while still having something fresh to say musically.
$2.65
There Are Many Ways (to Say I Love You)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Fred Rogers
Arranged by
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Fred Rogers
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Kim Lomax
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There Are Many Ways
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Kimberly Lomax
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.935216 Composed by Fred Rogers. Arranged by Kim Lomax. A Cappella. Octavo. 10 pages. Kimberly Lomax #5290...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.935216 Composed by Fred Rogers. Arranged by Kim Lomax. A Cappella. Octavo. 10 pages. Kimberly Lomax #5290129. Published by Kimberly Lomax (A0.935216). SSATB a cappella - Advanced Intermediate - There Are Many Ways (To Say I Love You) By Fred RogersArranged by Kim LomaxL4, SSATB a cappella with notated chords - This Fred Rogers classic from his long-running PBS program Mr. Rogers' Neighborhood has been arranged for five part a cappella vocal jazz ensemble with a soprano lyric solo. This playful arrangement really swings! The upper four voices often feature tight harmonies with closed voicings, offering a challenge to singers, while remaining fun to listen to. The B section transitions to a jazz waltz and then back into swing for the final A and rubato coda to finish. It is possible to sing this with only 5 voices as the backgrounds are either doubled in the solo or can be woven into the solo line. The bass part is equal parts walking and homorhythmic. All vocal percussion is a written part of the bass line and singable by even a novice to vocal percussion. This title is part of the Vault Collection at KerryMarsh.com, where you can hear the full-length demo, preview the full score and supplement your SheetMusicPlus order with Part Tracks and Minus-One Tracks for this arrangement. Ranges S1: B4 - D5S2: G#3 - Db5A: F3 - C5T: C3 - Db4B: E2 - G3DurationApproximately 2:00
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When I Survey The Wondrous Cross
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Chorale SATB
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FACILE
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Isaac Watts
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Orion Mendenall
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When I Survey The Wondrous Cro
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Amos 5.8
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SheetMusicPlus
Choral,Mixed Chorus Choir,Choral - Level 2 - SKU: A0.1448347 Composed by Isaac Watts. Arranged by Orion Mendenall. Children,Christian,Sacred,Spiritual,T...
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Choral,Mixed Chorus Choir,Choral - Level 2 - SKU: A0.1448347 Composed by Isaac Watts. Arranged by Orion Mendenall. Children,Christian,Sacred,Spiritual,Traditional. 9 pages. Amos 5.8 #1028287. Published by Amos 5.8 (A0.1448347). Do you want your children's choir to sing and play recorders, while glorifying God? Have them learn this beautiful hymn! With a simple melody, students will learn to sing smoothly. There is also an optional two-part vocal section, offering an introduction to singing harmonies. Finally, students will practice the first four notes on recorder (G, A, B, and C) and will play them throughout the song. A new arrangement of a timeless song!
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How shall I repay the Lord for SATB with descant and pianoforte accompaniment.
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Chorale SATB
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Olivia Ahyoung
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How shall I repay the Lord for
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Olivia Ahyoung
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1011792 Composed by Olivia Ahyoung. A Cappella. Octavo. 7 pages. Olivia Ahyoung #4767455. Published by Olivia Ahyoung (A0....
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Choral Choir (SATB) - SKU: A0.1011792 Composed by Olivia Ahyoung. A Cappella. Octavo. 7 pages. Olivia Ahyoung #4767455. Published by Olivia Ahyoung (A0.1011792). This tuneful, lilting anthem is suitable for small to medium sized church choirs, and can be effectively performed with just a few rehearsals. It is especially suited to Thanksgiving but can be used throughout the year. The flowing piano introduction which is sight-readable, is maintained throughout as a contrast to the long notes in the melody. The middle section showcases the male voices in the choir while the descant in the last section adds to the intensity as the anthem builds to a climax. An optional accompaniment has been added to the A Capella section if needed.A review of this work is welcomed.
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Chorale: Messianicum, Prophetia
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael J
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Chorale: Messianicum, Propheti
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Van Slyke Audio
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.945510 Composed by Michael J. Van Slyke. A Cappella,Easter,Sacred. 9 pages. Van Slyke Audio #5888229. Pub...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.945510 Composed by Michael J. Van Slyke. A Cappella,Easter,Sacred. 9 pages. Van Slyke Audio #5888229. Published by Van Slyke Audio (A0.945510). The piece: Chorale: Messianicum, Prophetia, was not originally composed as a sacred work. Rather, it was an exercise; written to practice aural and written theory while I was a student at the University of Wyoming. So, its roots were those of a Vocalise. Be that as it may, the harmonies are reminiscent of the music for Mass in the old Catholic cathedrals and churches. Therefore I added a text taken from Isaiah 53: 3-5 from the the Vulgate to complement the music.There are moments where the music appears to be at odds with natural inflection of the Latin language and this is not an error. Though there is a time signature indicating a meter, this is to facilitate greater ease in conducting and reading the music. It is very much in free time and thus I invite the conductors and choirs performing this work to please refrain from following the metronome mark as if it were God reincarnate.Finally, a thank you to all musicians who suffer for my madness, the conductors and directors for taking a chance, my fellow composers for the inspiration they give, and my friends and family for the loving support they give to one, who for better of for worse, works hard at nothing all day.8 1/2 X 11 pre-prepped for Booklet Printing
$3.99
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
On That Cross
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Stuart Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published by Stuart Brown Music (A0.835422). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
$3.50
And His Kingdom Will Have No End
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No E
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99
Celebrate The Journey
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Chorale SATB
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FACILE
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Musique Sacrée
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Kevin Longley
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Celebrate The Journey
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1019371 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Kevin Longley #6525517. P...
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Choral Choir (SATB) - Level 2 - SKU: A0.1019371 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Kevin Longley #6525517. Published by Kevin Longley (A0.1019371). Celebrate The JourneyInspiration Composed in 1987 for a choral competition where the lyrical theme was specified. While I did not place at the competition, the piece ended up being performed several times by the same church over the years. The Music A simple but catchy melody seems to drive this pieces attraction along with its celebration tone. People like uplifting music which this is. Program Notes This is an easy piece which can be quickly learned
$1.99
Art is a fire!
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Chorale SATB
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INTERMÉDIAIRE
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David Nelson Jex
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Art is a fire!
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David Jex
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.925770 Composed by David Nelson Jex. 20th Century,Concert,Contemporary,Graduation. Octavo. 9 pages. David Jex #2...
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Choral Choir (SATB) - Level 3 - SKU: A0.925770 Composed by David Nelson Jex. 20th Century,Concert,Contemporary,Graduation. Octavo. 9 pages. David Jex #2154591. Published by David Jex (A0.925770). 2016 Choral Contest EntryArt is a fire! is a bold statement on the importance of Art in our lives and society.Composed for SATB Chorus and Piano it is of moderate difficulty, with a length of 3 1/2 minutes.. The text is from a poem written by our older son, Matthew. He has a gift to express ideas and emotions in words that I do not, and I was very pleased and excited when he gave me permission to set his poem to music. The music is in an overall ternary form, with the fiery outer sections tempered with a more spiritual middle segment. The piano plays an important but supporting accompanying role. The music is somewhat tonally oriented, with an E minor basis for the more passionate outer sections. These sections also require the choir to sing some chromatic melodic and harmonic lines and constructions. The rhythm also varies somewhat, asking the chorus to express these emotional portions of the piece. The flowing middle section has a more consistent tempo and is centered in C major. This key seems to have the qualities of innocence and peace, which offsets the more restless and fiery E minor of the rest of this work. This more meditative center section also has a more triadic basis than the somewhat contrapuntal textures surrounding it. It invites the music performers and listeners to experience the joy of Music and Art, while the closing music and text sing of the passion and energy of the artistic experience.
$2.99
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