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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Note 8
Non classifié
917
Piano & claviers
Piano seul
536
Piano Facile
232
Piano grosses notes
131
Piano, Voix
120
Orgue
43
Piano, Voix et Guitare
29
Accompagnement Piano
24
Piano Trio: piano, violon, violoncelle
18
Instruments en Do
11
Accordéon
11
1 Piano, 4 mains
10
2 Pianos, 4 mains
4
Clavecin
3
Piano (partie séparée)
3
2 Pianos, 8 mains
3
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3 448
Guitare
74
Dulcimer
17
Basse electrique
12
Mandoline
8
Banjo
8
2 Guitares (duo)
4
2 Dulcimers (duo)
4
Ukulele
2
Ensemble de guitares
2
Ligne De Mélodie, (Paroles) et Accords
1
Paroles et Accords
1
Dobro
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
141
Chorale Unison
61
Chorale 3 parties
58
Chorale 2 parties
36
Chorale SSAA
30
Chorale TTBB
30
Voix duo, Piano
6
Voix Soprano, Piano
5
Voix seule
5
Voix duo
3
Voix Alto, Piano
1
Pack Instrumental pour Chorale
1
Voix d'Enfants, Piano
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
+ 10 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Flûte traversière et Piano
41
Clarinette et Piano
36
Quatuor de Saxophones: 4 saxophones
26
Quatuor de Clarinettes: 4 clarinettes
25
2 Saxophones (duo)
23
Quintette de Saxophone: 5 saxophones
23
Hautbois, Piano (duo)
22
Saxophone Alto et Piano
22
2 Flûtes traversières (duo)
22
2 Clarinettes (duo)
19
Flûte, Hautbois, Clarinette, Basson
19
Flûte traversière
16
Saxophone Tenor et Piano
16
Saxophone Soprano et Piano
11
Clarinette
10
Saxophone Baryton, Piano
10
2 Hautbois (duo)
9
Quatuor de Flûtes : 4 flûtes
8
3 Clarinettes (trio)
8
Ensemble de Clarinettes
8
Saxophone Alto
8
Hautbois, Clarinette (duo)
7
Flûte, Clarinette (duo)
7
Flûte, Hautbois (duo)
6
Flûte, Violoncelle
5
Ensemble de saxophones
5
Trio de Flûtes: 3 flûtes
5
Ensemble de Flûtes
5
3 Saxophones (trio)
4
2 Flûte à bec (duo)
4
Saxophone Tenor
4
Hautbois, Basson (duo)
4
Hautbois
3
Flûte, Violon, Piano
3
Flûte, Clarinette et Basson
3
Flûte à bec Soprano
3
Flûte, Hautbois, Clarinette (trio)
3
Clarinette Basse, Piano
3
Flûte et Guitare
3
Harmonica
3
Clarinette, Basson (duo)
2
Saxophone Soprano
2
Saxophone Baryton
2
Cor anglais, Piano
2
Ocarina
2
2 Flûtes traversières, Piano
2
Flûte, Hautbois, Piano (trio)
2
Quintette de Flûte : 5 flûtes
2
3 Flûtes à bec (trio)
2
Hautbois, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Flûte à Bec
1
Flûte à bec Alto, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Alto (duo)
1
Ensemble De Flûte à bec
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Basson et Piano
1
Hautbois (partie séparée)
1
Saxophone
1
Clarinette, Trombone (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flute, harpe et violon
1
Piccolo, Piano
1
+ 61 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trompette
26
Trompette, Piano
21
Cor et Piano
21
Trombone et Piano
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Tuba et Piano
11
Trombone
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Tuba
9
2 Cors (duo)
9
Cor
8
2 Trompettes (duo)
7
2 Trombones (duo)
7
Trompette, Trombone (duo)
7
Ensemble de Trombones
7
2 Tubas (duo)
6
Trompette, Cor (duo)
4
Ensemble de Trompettes
4
Quatuor de cuivres: 4 trombones
3
3 Trombones (trio)
3
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Cor anglais, Piano
2
3 Trompettes (trio)
2
Trompette, violon (duo)
2
Ensemble de Cors
2
Trompette, Tuba (duo)
2
Quatuor de Cuivres
2
Euphonium, Piano (duo)
2
Ensemble de Tubas
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Trompette (partie séparée)
1
Bass Clef Instruments
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
105
Violon et Piano
51
Harpe
44
Violoncelle, Piano
30
Alto, Piano
25
Violon, Violoncelle (duo)
25
2 Violons (duo)
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Violon
20
Trio à Cordes: violon, alto, violoncelle
17
2 Violoncelles (duo)
16
Violoncelle
15
Trio à Cordes: 2 violons, violoncelle
12
Violon, Alto (duo)
11
2 Altos (duo)
9
Contrebasse, Piano (duo)
8
Contre Basse
8
Alto seul
6
2 Contrebasses (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violon (partie séparée)
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
4 Violoncelles
3
Alto (partie séparée)
2
Violoncelle (partie séparée)
2
Ensemble de Violoncelles
2
Harpe, Flûte (duo)
2
4 Harpes
1
Violoncelle, Contrebasse (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
Flûte, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Cloches
245
Orchestre d'harmonie
129
Orchestre à Cordes
71
Ensemble Jazz
33
Ensemble de Percussions
31
Orchestre
27
Orchestre de chambre
21
Ensemble de cuivres
18
Jazz combo
7
Batterie
7
Fanfare
3
Percussion
3
Xylophone, Piano
2
Xylophone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Vous avez sélectionné:
Note 8
Chorale SATB
Partitions à imprimer
141 partitions trouvées
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126
Fain Would I Change That Note
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Chorale SATB
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Healey Willan
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Fain Would I Change That Note
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Biretta Books
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.879607 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3517993. Published by Biretta B...
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Choral Choir (SATB) - SKU: A0.879607 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3517993. Published by Biretta Books (A0.879607). Fain Would I Change That Note. Music by Healey Willan. Words by Captain Tobias Hume:Fain would I change that noteTo which fond Love hath charm'd meLong, long to sing by rote,Fancying that that harm'd me:Yet when this thought doth come'Love is the perfect sumOf all delight!'I have no other choiceEither for pen or voiceTo sing or write.O Love! they wrong thee muchThat say thy fruit is bitter,When thy rich fruit is suchAs nothing can be sweeter.Fair house of joy and bliss,Where truest pleasure is,I do adore thee:I know thee what thou art,I serve thee with my heart,And fall before thee.Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.SATB a capella (with piano reduction provided for rehearsal purposes)
$2.95
Salmo 8 (Partitura Coral - Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Juan Carlos Guerra González
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Salmo 8
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.933332 Composed by Juan Carlos Guerra González. Christian,Contemporary,Sacred. Octavo. 25 pages. Juan ...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.933332 Composed by Juan Carlos Guerra González. Christian,Contemporary,Sacred. Octavo. 25 pages. Juan Carlos Guerra Gonzalez #5829053. Published by Juan Carlos Guerra Gonzalez (A0.933332). Vocal Score for my Salmo 8 for SSAATTBB - Piano Full Score available.Full Score / Parts available.Text in Spanish.Salmo 8 is my homage to creation. In my years as Assistant Conductor and Pianist for the National Choir in El Salvador, I enjoyed working and performing works like this one. I wrote this piece with tho main ideas in mind: first, to create with easy harmonies that could appeal to anybody and second to be able to create a work that can be performed in concert halls. Conductors and Choristers will find interesting (and challenging) rhythmic patterns that give freshness to the work and invites listeners to enjoy the music. Text is from the Bible. The work could be performed at churches and concert halls. The work is scored for SSAATTBB, Piano, and String Orchestra. This vocal score includes a piano reduction for rehearsal purposes. Here's the program note text in Spanish:Esta obra es mi humilde homenaje a la creación. La obra está escrita para coro mixto, piano y pequeña orquesta de cuerdas. En su sección inicial la obra presenta un patrón rÃtmico no convencional (métrica de 5/8) que de vez en cuando se intercala con métricas más tradicionales. La sección media es introducida por las cuerdas que de forma misteriosa nos introduce a una atmósfera de mayor contemplación. para luego regresar a la parte rÃtmica y recapitular el tema melódico inicial. El compositor escribe: En mis años como Pianista y director asistente del Coro Nacional de El Salvador disfruté mucho montar obras como la que usted disfrutará esta noche. Lo cierto es que el compositor ha querido buscar una obra que sea accesible y que tenga a la vez un carácter único, como las grandes maravillas de nuestro planeta y la naturaleza. Una porción de las regalÃas que genere esta obra serán destinadas a la protección del medio ambiente. Para contribuir con los esfuerzos o adquirir la obra puede visitar el sitio web www.juancarlosguerra.com
$2.99
Please, Lord, Rescue Me (shape notes)
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Chorale SATB
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INTERMÉDIAIRE
#
Musique Sacrée
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Andy Neilson
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Please, Lord, Rescue Me
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Andy Neilson
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1024478 Composed by Andy Neilson. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 8 pages. Andy Neilson #3...
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Choral Choir (SATB) - Level 3 - SKU: A0.1024478 Composed by Andy Neilson. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 8 pages. Andy Neilson #3568837. Published by Andy Neilson (A0.1024478). Shape notes. A cappella. A story of hope from one who was lost and called on the Lord. Text from Psalm 40. Duration 3:25. Works for church services and recovery groups. Offered separately in standard notation. Available in PowerPoint. Contact me at neilsonandy61@gmail.com.
$5.00
Husavik (My Hometown) - SATB and piano
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Will Ferrell And Molly Sande
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Bragi Thor Valsson
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Husavik
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Bragi Thor Valsson
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SheetMusicPlus
Choir, SATB - Intermediate - By Will Ferrell And Molly Sanden. Arranged by Bragi Thor Valsson. Score. 8 pages. Published by Bragi Thor Valsson...
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Choir, SATB - Intermediate - By Will Ferrell And Molly Sanden. Arranged by Bragi Thor Valsson. Score. 8 pages. Published by Bragi Thor Valsson
An arrangement of the song Husavik from the movie Eurovision Song Contest: The Story of Fire Saga. Arranged for mixed choir (SATB) and piano. Melody alternates between alto and soprano and the arrangement is in a higher key than the original, due to the original solo line being extremely low for a choir alto.
A full recording is available here: http://bragi.co.za/wp-content/uploads/2020/08/Husavik-SATB.mp3
Please note that the demo recording is sung in the arranger's own vocal range so the soprano and alto parts are sung one octave lower than a choir would sing it. Also note that the Icelandic parts of the song are pronounced in correct Icelandic in the demo, not as the singer in the "Story of Fire Saga" recording pronounces the Icelandic.
You are welcome to send any queries or comments to the arranger by email: bragithorvalsson@gmail.com
$2.99
Silent Night
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Chorale SATB
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Noël
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John Rutter
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Silent Night
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Oxford University Press Digital
#
SheetMusicPlus
Composed by John Rutter (1945-). Sheet music. John Rutter Anniversary Edition. Octavo. 8 pages. Oxford University Press Digital #9780193541658. Publis...
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Composed by John Rutter (1945-). Sheet music. John Rutter Anniversary Edition. Octavo. 8 pages. Oxford University Press Digital #9780193541658. Published by Oxford University Press Digital
For SATB (with divisions) unaccompanied. John Rutter's tender and expressive arrangement of Silent Night is presented here in both English and German. In a fascinating note, Rutter outlines the history of this celebrated carol, and this edition also includes performance hints from the composer.
$3.00
Silent Night
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Chorale SATB
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Noël
#
John Rutter
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Silent Night
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Oxford University Press Digital
#
SheetMusicPlus
SATB choir (with divisions) unaccompanied - Digital Download Composed by John Rutter (1945-). Sheet music. John Rutter Anniversary Edition. Octavo. 8...
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SATB choir (with divisions) unaccompanied - Digital Download Composed by John Rutter (1945-). Sheet music. John Rutter Anniversary Edition. Octavo. 8 pages. Oxford University Press Digital #9780193536739. Published by Oxford University Press Digital
ISBN 9780193536739.
For SATB choir (with divisions) unaccompanied John Rutter's tender and expressive arrangement of Silent Night is presented here in both English and German. In a fascinating note, Rutter outlines the history of this celebrated carol, and this edition also includes performance hints from the composer.
$3.25
Hallelujah (mystical a cappella version)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Folk Rock
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Leonard Cohen
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Joel Sindelar
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Hallelujah
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Joel D Sindelar
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SheetMusicPlus
Choir, SATB - Advanced Intermediate - Digital Download By Leonard Cohen. Arranged by Joel Sindelar. Score. 8 pages. Published by Joel D Sindelar...
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Choir, SATB - Advanced Intermediate - Digital Download By Leonard Cohen. Arranged by Joel Sindelar. Score. 8 pages. Published by Joel D Sindelar
SSAATBB, A cappella. Lots of color notes for you extended chord fans. Works well in a space with some reverb, i.e. church. An attempt to capture the feeling of the Jeff Buckley version while still being true to the sound of a choir.
$1.99
My Song Is Love Unknown
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Chorale SATB
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INTERMÉDIAIRE
#
Ken Litton
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(Ken Litton)
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My Song Is Love Unknown
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Artist of Note, Inc.
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1351328 Composed by Ken Litton. Arranged by (Ken Litton). Christian,Easter,Lent,Sacred,Traditional. 8 pag...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1351328 Composed by Ken Litton. Arranged by (Ken Litton). Christian,Easter,Lent,Sacred,Traditional. 8 pages. Artist of Note, Inc. #936180. Published by Artist of Note, Inc. (A0.1351328). Written in 1664, the beloved hymn text My Song Is Love Unknown comes alive in a strirringly personal way with this setting for mixed voices SATB (only optional divisi) and piano. Crossman was a noted preacher who contributed to the guidance of young men as well as addressing social, government and military issues. Predominantly useful in a Lenten or Good Friday/Holy Week time frame (Palm Sunday/Ash Wednesday) it may also be a great fit for the First Sunday after Christmas Day.Thanks to the good folks at ArrangeMe.com a division of Hal Leonard!Sheet Music DirectSheet Music Plus.
$1.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
For Us There Is No Other Help but Thee (Nye ímamï inïya pómoshchi) (Downloadable)
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Chorale SATB
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FACILE
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Anthony Antolini and Pavel Gri
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Anthony Antolini
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For Us There Is No Other Help
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Moderately Easy - SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by An...
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SATB choir (choir divisi) unaccompanied - Moderately Easy - SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye Ãmamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye Ãmamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,†(Ð’Ñех ÑкорбÑщих РадоÑÑ‚ÑŒ|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye Ãmamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.
$2.25
Rain Down (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Elena Ruehr
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Rain Down
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) and piano - Medium - SKU: MQ.6475-E Composed by Elena Ruehr. 29 pages. E. C. Schirmer Music Company - Digital #6475-E. Publish...
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SATB choir (choir divisi) and piano - Medium - SKU: MQ.6475-E Composed by Elena Ruehr. 29 pages. E. C. Schirmer Music Company - Digital #6475-E. Published by E. C. Schirmer Music Company - Digital (MQ.6475-E). English.Rain Down was written during the summer of 1989 as a work that could be performed by a good amateur choir. This piece is made of a continuous seven note pattern repeated within an eight beat structure. A floating quarter note syncopates and displaces the pattern within the measure. The pattern is transformed by a variety of musical operations, including octave doublings, register changes, and canons between the hands. The original pitches (A, D, G, C, E, F#, Bb) undergo transposition, inversion, retrograde, and retrograde inversion, occasionally with two forms of the pattern occurring at the same time. In addition, the pattern is truncated in the middle of the piece, and repeats every four eighth notes rather than every eight.The structure of the choral entrances is also based on the pattern. Each voice enters at the same time and on the same pitch as that played by the piano. Monophonic lines, homophony, counterpoint, and imitation are created from the basic structure of the pattern. Even when the piano is absent, the structure of the pattern controls the entrances of the voices. Mary Ellen Solt’s rain down is an example of concrete poetry. Its gradually changing repetitive patterns inspired the form of the music. Duration: 8:00.
$3.25
Girls Chase Boys
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Ingrid Michaelson
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Kwanpo Cheng
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Girls Chase Boys
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Kwanpo Cheng
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1025936 By Ingrid Michaelson. By Barry Dean, Ingrid Michaelson, and Trent Dabbs. Arranged by Kwanpo Cheng...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1025936 By Ingrid Michaelson. By Barry Dean, Ingrid Michaelson, and Trent Dabbs. Arranged by Kwanpo Cheng. A Cappella. Octavo. 8 pages. Kwanpo Cheng #5453959. Published by Kwanpo Cheng (A0.1025936). Style: PopPages: 8Duration: 2:54Vocal Parts: SATTBBNumber of Singers: 8+, including lead and vocal percussionDifficulty: 7/10An a cappella arrangement of Ingrid Michaelson's Girls Chase Boys.The lowest bass note is E2 and the lead's highest note is E5. This arrangement can be difficult for some in terms of timing, and there are difficult vocal percussion sections (including a percussive solo).Please contact arranger at kwanpo.c@gmail.com for more information.
$4.99
The Advent
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Chorale SATB
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FACILE
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Gail M
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The Advent
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Gail M Luley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1488102 Composed by Gail M. Luley. A Cappella,Advent,Christian,Classical,Traditional. 8 pages. Gail ...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1488102 Composed by Gail M. Luley. A Cappella,Advent,Christian,Classical,Traditional. 8 pages. Gail M Luley #1064981. Published by Gail M Luley (A0.1488102). Music and Performance NotesThe Advent sets a poem by Rabindranath Tagore (1861-1941) to music. The poet asks us to recognize that God comes to us and is present in everything around us, in the things we see, experience and feel. God ever comes and touches us with joy. We recognize God in our songs, in our moods, in sorrow, in joy, in our daily lives.This music is scored for SATB choir and viola. If a violist is not available, a violin can substitute. A piano reduction of the choral parts can be used just for rehearsal, or also in the performance if necessary. If no string player is available, the pipe organ can be used for the string part.Note on the textRabindranath Tagore was a Bengali poet, writer, playwright, composer, philosopher, social reformer, and painter during the age of Bengal Renaissance. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the profoundly sensitive, fresh and beautiful poetry of Gitanjali, he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature.Song Offering/Gitanjali 45Have you not heard his silent steps?He comes, comes, ever comes.Every moment and every age, every day and everynight he comes, comes, ever comes.Many a song have I sung in many a mood of mind,but all their notes have always proclaimed,He comes, comes, ever comes.In the fragrant days of sunny April through the forestpath he comes, comes, ever comes.In the rainy gloom of July nights on the thunderingchariot of clouds he comes, comes, ever comes.In sorrow after sorrow, it is his steps that press upon my heart,and it is the golden touch of his feet that makes my joy to shine.Rabindranath Tagore.
$5.00
Now That the Son is Beaming Bright
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Richard Joseph Barber
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Now That the Son is Beaming Br
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #...
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Choral Choir (SATB) - Level 3 - SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #3023247. Published by Barber Music Company (A0.915680). Words by St. Ambrose of Milan (c340–397), tr. by John Henry Newman.Set to music and arranged by Richard Joseph Barber for Rev. Jason Parker, High Country Baptist Church in Colorado Springs, CO.Composer's note:This is a joyous call to prayer (especially morning prayer). The music reminds me of little children skipping with glee under a bright blue morning sky. It needs to be sung with joy in the Lord, Who hears us when we call, forgives our sins, and gives us grace to love Him, keep his commands and do those things that are pleasing in His sight. It should be a wonder morning service anthem, but why not try it in the evening, too, in anticipation of meeting God at the beginning of the next day. The key to the style of this piece is rhythmic vitality. The 6/8 meter should be conducted in two, but singers (and the conductor) must feel the eighth note division of the beat as the composition's energizing rhythmic subtext. After the choir has learned the words, pitches and rhythms of the piece, have them let the text go for awhile, and replace it with the syllable doo for every eighth note value. That is, for every eighth note sing 'doo once; for every quarter note sing it twice; for every dotted quarter note sing it three times, and so on. You will hear some giggling from your singers. That is okay. They will have some fun, and you will hear definite improvement. RJB (barberpianoserv@gmail.com).
$3.00
Sight Singing 4-Part SATB Chorale Practice
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Chorale SATB
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INTERMÉDIAIRE
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J
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Happy singing!
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Sight Singing 4-Part SATB Chor
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J. Gallagher
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.978025 Composed by J.C. Baker. A Cappella,Instructional. Octavo. 9 pages. J. Gallagher #5024785. Published by J....
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Choral Choir (SATB) - Level 3 - SKU: A0.978025 Composed by J.C. Baker. A Cappella,Instructional. Octavo. 9 pages. J. Gallagher #5024785. Published by J. Gallagher (A0.978025). Bach Chorale Styled SATB Sight Singing and Warm Up Practice perfect for high school students and SATB choirs looking to improve sight singing, sight reading, blending, and SATB practice and more with WEEKS worth of examples.Includes: 1. 9 pages, 175 measures, 22 examples of original SATB Chorale Styled Music for Sight Singing/Reading Practice in 4-part.2. Whole, Half, Quarter, and Eighth Note examples as well as rests. 3. Examples in various keys including C, D, Eb, F, Bb, G 4. All examples in 4/4 time 5. No accidentals, no dynamics to focus on blending, solfege/sight singing diatonic to key, tempo changes etc6. Rhythm examples7. Do-Mi-Sol examples 8. Increasing level of difficulty from easy to hardThis is a great way to begin choir rehearsal as a warm up, sight reading in SATB, blending, vowel shapes, following the conductor, counting in 4/4, section independence, harmonies vs melody, moving notes, and so much more! With these 22 examples a choir director can get weeks of work improving their ensemble as a whole, learning as a group to work through passages, listening to each other and focusing on all things outlined above!While these examples are somewhat basic (no dynamics, slurs, etc) the positive impact they can have on your ensemble should not be taken lightly. Happy singing!
$5.00
O Come Emmanuel - SATB Ensemble
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Chorale SATB
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INTERMÉDIAIRE
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Traditional Latin
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Mark R Lewis
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O Come Emmanuel - SATB Ensembl
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Mark R Lewis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1045075 Composed by Traditional Latin. Arranged by Mark R Lewis. Christmas,Classical,Holiday,Sacred,Tradi...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1045075 Composed by Traditional Latin. Arranged by Mark R Lewis. Christmas,Classical,Holiday,Sacred,Traditional. Octavo. 8 pages. Mark R Lewis #649637. Published by Mark R Lewis (A0.1045075). O Come, O Come Emmanuel is an ancient Latin hymn associated with the Vespers services leading up to Christmas. This SATB divisi arrangement by Mark R Lewis imitates the tradition of Latin plainsong but is fully modern in conception. While this arrangement is not too extreme in terms of notes and rhythms, it will stretch the limits of many singers' vocal ranges and incorporates some complex harmonies. ​The arrangement incorporates a pedal note drone that can be played on any instrument. There is an optional hand drum part. While this arrangement does work with only the drone accompaniment, Mark has also published string orchestra and woodwind ensemble settings that work wonderfully as accompaniment to the vocal setting. The audio sample for this item is from the vocal trio arrangement of this piece that Mark has published. Vocal Range: Key of d minor Soprano - 1 1/2 octaves (C4 - A5 {opt. Bb5}) Alto - 1 + octaves (A3 - Bb4) Tenor - 1 + octaves (C3 - D4) Bass - 1 1/2 octaves ({opt. D2} F2 - C4).
$1.99
It Came Upon a Midnight Clear
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Chorale SATB
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INTERMÉDIAIRE
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Noel
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Ken Litton
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It Came Upon a Midnight Clear
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1499790 Composed by Noel. Arranged by Ken Litton. 19th Century,Advent,Christian,Christmas,Holiday. 8...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1499790 Composed by Noel. Arranged by Ken Litton. 19th Century,Advent,Christian,Christmas,Holiday. 8 pages. Artist of Note, Inc. #1075857. Published by Artist of Note, Inc. (A0.1499790). It Came Upon the Midnight ClearNOEL CMD Trad. English Melodyarranged by Ken Litton (ASCAP)Sheet Music PlusSheet Music DirectAlso available: As well as via Hal Leonard InStore™ retailers.The text is the familiar hymn of Edmund Hamilton Sears (1810-1876), an American clergyman ministering for many years in Massachusetts. After a retirement due to health concerns, his second Christmas hymn dating from about 1849 was published in The Christian Register. Of it a fellow minister by the name of Morrison wrote, I always feel that, however poor my Christmas sermon may be, the reading and singing of It Came Upon the Midnight Clear are enough to make up for all deficiencies.”Here the tune is NOEL (CMD). The arrangement begins in Eb moving up to F, followed by an expressive (optionally a cappella) section in Dm. After a brief return to F for the final stanza (with a descant limited to top space F) there is a subtle surprise by joy to Em and on to a singable ending in G, with options for second soprano. The voicing range from unison to 2-part and on to 3 and 4 parts, but in a singable, approachable range for choirs of medium ability and only a hint of easily sung divisi.The accompaniment is active but playable and the score suggests a harpsichord voice as the keyboard option. The style of the piece——as well as the mp3 instrumentation—allude to abasso continuo optional part for cello, bassoon, or other C bass instrument, a separate medium difficulty part included.And mp3 demo/slass accompaniment track is available separately.Be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$2.99
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Chorale SATB
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DÉBUTANT
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by N...
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Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
To us is born-Nobis est natus - Sacred Motet for Choir SATB a cappella
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Chorale SATB
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INTERMÉDIAIRE
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Santino Cara
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To us is born-Nobis est natus
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Santino Cara
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.516303 Composed by Santino Cara. A Cappella,Christian,Christmas,Sacred. Octavo. 8 pages. Santino Cara #2008021. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.516303 Composed by Santino Cara. A Cappella,Christian,Christmas,Sacred. Octavo. 8 pages. Santino Cara #2008021. Published by Santino Cara (A0.516303). Text by Anonymous - Codex SpeciálnÃk, c.1500 Note: This translation was executed for the purpose of fitting to the existing musical structure. It is not intended to be a pure translation. Also note that this translation encompasses only verses 1, 2, 3, and 7.
$6.10
IN THE BLEAK MIDWINTER
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Christina Rossetti
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Nick Luna
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IN THE BLEAK MIDWINTER
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Nick Luna Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1301662 By Christina Rossetti. By Gustav Holst. Arranged by Nick Luna. A Cappella,Christmas,Contemporary,...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1301662 By Christina Rossetti. By Gustav Holst. Arranged by Nick Luna. A Cappella,Christmas,Contemporary,Holiday,Jazz. 8 pages. Nick Luna Music #891272. Published by Nick Luna Music (A0.1301662). This has long been one of my absolute favorite carols. I fell in love with it while singing with the Dickens Carolers of Seattle. This along with countless other caroling classics have such a wonderful sense of harmonic movement that support lovely melodies. I wanted to lean into the melodic and allow rich harmony to unfold. This arrangement is quite challenging, with plenty of intricate harmonies and sonorities and a diverse array of stylistic influences. It will take an intermediate to advanced choir to pull it off. Range is not too challenging, with the lowest bass note an F2 and the highest soprano note is an F5. This is a blissful and serene arrangement with some spicy moments to keep things interesting. Perfect for you choir's holiday showcase!
$1.99
It Is Not Death to Die
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music...
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Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
Where Or When
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Chorale SATB
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AVANCÉ
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Dion and The Belmonts
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William J
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Parts.
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Where Or When
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William Bullock
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1016460 By Dion and The Belmonts. By Richard Rodgers. Arranged by William J. Bullock. 20th Century,Broadway,Cham...
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Choral Choir (SATB) - Level 5 - SKU: A0.1016460 By Dion and The Belmonts. By Richard Rodgers. Arranged by William J. Bullock. 20th Century,Broadway,Chamber,Musical/Show,Pop,Standards. Octavo. 8 pages. William Bullock #5732909. Published by William Bullock (A0.1016460). A Bullock Editions publication for SATB chorus, string quartet and piano: Where or When-Full Score & Parts. Music: Richard Rodgers. Lyrics: Lorenz Hart. Arrangement: William J. Bullock. Duration: 2:35. Arranger’s Note: Verse and AABA refrain included; rich harmonies; string quartet and piano accompany together and separately; second A section unaccompanied; program note included. Formats: Full Score & Parts (H0.782537-SC001291310); Chorus & Piano Reduction (H0.782547-SC001291310).
$2.25
Lead Me On, O Great Jehovah
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Chorale SATB
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Jay Althouse
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Lead Me On, O Great Jehovah
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB Chorus - SKU: H1.C5956DP Composed by Jay Althouse. Piano Accompaniment. General Worship, Sacred. Octavo. 8 pages. Hope Publishing - Digital ...
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Choral SATB Chorus - SKU: H1.C5956DP Composed by Jay Althouse. Piano Accompaniment. General Worship, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5956DP. Published by Hope Publishing - Digital (H1.C5956DP). Words by William Williams. Exodus 17:1-7 - Numbers 20:8-11 - 1 Cor. 10:3 - Joshua 3:8-17.Original hymn with words by William Williams Jay Althouse updated a text by the noted Welsh hymn writer William Williams and set it to original music. The haunting new melody is folk-like in nature - much in the style of an Appalachian folk hymn - and incorporates, both in the accompaniment and the voices, the early American tune Poor Wayfaring Stranger. There are options for vocal solos and the accompaniment is transparent and accessible.
$2.95
Pet Love Fugue
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Chorale SATB
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INTERMÉDIAIRE
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Music by Deborah Wicks La Puma
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Pet Love Fugue
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Crunchynotes.com
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.992112 Composed by Music by Deborah Wicks La Puma, Lyrics by Andy Dodds. Concert,Contemporary,Musical/Show. Octa...
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Choral Choir (SATB) - Level 3 - SKU: A0.992112 Composed by Music by Deborah Wicks La Puma, Lyrics by Andy Dodds. Concert,Contemporary,Musical/Show. Octavo. 8 pages. Crunchynotes.com #6050185. Published by Crunchynotes.com (A0.992112). A quintet of love for our furry friends! This opening number from the musical review Petpourri celebrates the ways we talk to our pets in an intricate dance of vocal counterpoint. Originally written for a quintet, or easily modified for an SATB quartet. To find out more about Petpourri, go to: https://crunchynotes.com/show/petpourri/
$4.99
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