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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
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XYLOPHONE
Odd Ones
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9
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4
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1
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Chorale SATB
7
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4
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2
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1
Voix duo
1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
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1
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1
3 Clarinettes (trio)
1
Clarinette
1
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1
+ 2 instrumentations
Retracter
Cuivres
2 Trombones (duo)
11
Quatuor de cuivres: 4 trombones
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
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1
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1
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1
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1
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Alto (partie séparée)
1
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1
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1
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1
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Retracter
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2
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2
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2
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1
Batterie
1
Quintette à Vent
1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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VIOLON
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Vous avez sélectionné:
Odd Ones
Chorale SATB
Partitions à imprimer
7 partitions trouvées
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1
Gwahoddiad
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1455012…
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1455012 By Rechoir. By Ieuan Gwyllt and Lewis Hartsough. Arranged by Nathan Jones. Broadway,Christian,Multicultural,Musical/Show,Pop,Traditional,World. 10 pages. Nathan Jones Music #1034083. Published by Nathan Jones Music (A0.1455012). A pop choir version of the traditional Welsh hymn.Originally in a predictable 3/4, this version (mostly in 4/4) keeps you guessing, with many key and time signature changes, giving the piece more of a Musical Theatre ensemble number flare.Including a brand new set of 'Amens' at the end, maintaining the impressive finish to the original, but inkeeping with the new style.Originally performered by Rechoir on Saint David's Day in 2020 and published as a lockdown video on YouTube for Saint David's Day 2021.Also Available: Band parts for Bass Guitar and Drum Kit (as heard in the YouTube video version) Individual rehearsal tracks for each part, sung by Rechoir members
$1.99
1.83 €
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Chorale SATB
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Rechoir
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Nathan Jones
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Gwahoddiad
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Nathan Jones Music
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SheetMusicPlus
When I Grow Up (reprise)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.799248 By Tim Minchin. By…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.799248 By Tim Minchin. By Tim Minchin. Arranged by John Milne. Contemporary. Octavo. 56 pages. Odd Shoe Music #6246297. Published by Odd Shoe Music (A0.799248). Tim Minchin’s song from the hit musical Matilda.Ideal for a school concert performance.Clear rehearsal marks for rehearsal.3 vocals6 horn parts available in alternative combinations. Parts for flute, 2 clarinets, alto sax, 2 tenor saxes, trumpet, 2 trombones and euphonium Rhythm section parts - keyboard (strings), guitar (with chords), piano, bass guitar (& TAB) and drum kit.
$36.99
34.1 €
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Chorale SATB
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Tim Minchin
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John Milne
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TAB) and drum kit.
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When I Grow Up
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Odd Shoe Music
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SheetMusicPlus
Holy Spirit, Ever Dwelling — SATB voices, organ
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040138. Published by Con Spirito Music (A0.1461385). “Holy Spirit, Ever Dwelling” are the opening words to a text written by the Welsh Anglican bishop Timothy Rees (1874-1939). Throughout, Rees employs the adverb “ever” to point to both the immanence and transcendence of the Holy Spirit in its timeless and perpetual activities:Holy Spirit, ever dwelling in the holiest realms of light,Holy Spirit, ever brooding o'er a world of gloom and night,Holy Spirit, ever raising those of earth to thrones on high,living, life-imparting Spirit, you we praise and magnify.Holy Spirit, ever living as the Church's very life,Holy Spirit, ever striving through us in a ceaseless strife,Holy Spirit, ever forming in the Church the mind of Christ,you we praise with endless worship for your gracious gifts unpriced.Holy Spirit, ever working through the Church's ministry,teaching, strength'ning, and absolving, setting captive sinners free,Holy Spirit, ever binding age to age and soul to soulin communion never ending, you we worship and extol.Mostly unison, with limited SATB voicing in verses 2 and 3, “Holy Spirit, Ever Dwelling” is quick to rehearse, easy to sing, and a meaningful declaration of praise to the third Person of the Holy Trinity.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
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Todd Marchand
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Holy Spirit, Ever Dwelling — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.92 €
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Chorale SATB
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.39 €
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Chorale SATB
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Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Quietly in the garden
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.966655 Composed by Masashi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.966655 Composed by Masashi Fujimoto. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Masashi Fujimoto #3009057. Published by Masashi Fujimoto (A0.966655). For Vocal and Piano.Words by Vaughan Jones.-----YouTube Videohttps://www.youtube.com/watch?v=egI_JSg-nlY-----Quietly in the garden Fearful, Mary came.As the dew of the dawning Proclaimed a new day. Quietly in the garden Tenderly, Christ came,In the newness of morning Hope’s bright shining ray. For the power belongs to the powerless, Giving strength to the weakAnd the downtrodden can stand up forthright Through the power of the cross. We are here in the garden, Hopefully we will comeTo break walls and build bridges Christ is with us now.
$3.99
3.68 €
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Chorale SATB
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Masashi Fujimoto
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Quietly in the garden
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Masashi Fujimoto
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SheetMusicPlus
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