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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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PIANO & CLAVIERS
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2 Guitares (duo)
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Chorale SATB
16
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3
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Cor anglais, Piano
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3 Trompettes (trio)
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Piano Trio: Violon, Alto, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
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Old English Round
Chorale SATB
Partitions à imprimer
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1
A Vision Unfolding: A Five-Movement Work (Choral Score)
Chorale SATB
SATB choir, piano, and Spoken word, with optional violin, B-flat trumpet, and snare drum -…
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SATB choir, piano, and Spoken word, with optional violin, B-flat trumpet, and snare drum - Moderately Difficult - Digital Download SKU: MQ.1.3682-E Composed by Kyle Pederson. 9/11 Service, National Songs/Patriotic. 104 pages. Galaxy Music Corporation - Digital #1.3682-E. Published by Galaxy Music Corporation - Digital (MQ.1.3682-E). English.An exciting extended work by Kyle Pederson, centered around themes of social justice—inviting the choir and audience into a compelling vision of a world rooted in compassion, freedom, inclusivity and justice. This five-movement, genre-bending work is for SATB chorus, with piano, spoken word, and optional violin, snare drum, and trumpet. Texts by Langston Hughes, Walt Whitman, Robert Bode, Shanelle Gabriel, and Pederson invite the listener to reach out and build bridges of care and connection, that we might find a better way of being in community. That we might stand in solidarity with those whose voices are too often dismissed, regardless of their skin color, sexual orientation, faith background, or other characteristic. That we might not dismiss, disdain, and judge those whose politics are different from ours, but that we might make the uncomfortable effort to see them as people just as worthy of respect and dignity. Each of the five movements in the work can be performed as a stand-alone piece; and choirs are welcome to craft their own spoken word narration (poetry, speech excerpts, etc) throughout the work to explore themes and perspectives that most resonate for their community/audience.
$12.95
11.74 €
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Chorale SATB
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Kyle Pederson
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A Vision Unfolding: A Five-Movement Work
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Cantique de Jean Racine (Canticle of Jean Racine) - for SATB Choir and Piano - French and English Texts
Chorale SATB
Composed by Gabriel Faure (1845-1924). Arranged by Flavio Regis Cunha. 20th Century,…
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Composed by Gabriel Faure (1845-1924). Arranged by Flavio Regis Cunha. 20th Century, Romantic Period, Repertoire, Graduation, Recital. Score. 16 pages. Published by Flavio Regis Cunha
Cantique de Jean Racine (Op. 11) is a work for mixed chorus and piano or organ by Gabriel Fauré. Written by the nineteen-year-old composer in 1864-5, the piece won Fauré the first prize when he graduated from the École Niedermeyer and was first performed the following year on August 4,<br> <br> 1866, with accompaniment of strings and organ. It was first published around 1875 or 1876 (Schoen, Paris, as part of the series Echo des Maîtrises) and appeared in a version for orchestra (possibly by the composer) in 1906. The accompaniment has also been arranged for strings and harp by Flavio Regis Cunha.<br> <br> With French and English Texts.
$1.99
1.8 €
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Chorale SATB
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Gabriel Faure (1845-1924)
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Flavio Regis Cunha
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Cantique de Jean Racine
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Flavio Regis Cunha
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SheetMusicPlus
Christmas is Coming, the Goose is Getting Fat
Chorale SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.721789 Composed by Tradit…
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.721789 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christian,Christmas,Concert,Sacred. Octavo. 5 pages. Music-Scores.com #5001981. Published by Music-Scores.com (A0.721789). Christmas is Coming, the Goose is Getting Fat, an old English nursery rhyme. There are several known versions, and here we give 3 of them. Two are suitable to be sung as a round.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$4.95
4.49 €
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Chorale SATB
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Traditional
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Christmas is Coming, the Goose is Getting Fat
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Music-Scores.com
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SheetMusicPlus
Gloucestershire Wassail (sort of)
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1307911 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1307911 Composed by traditional pre-18th century English Christmas carol. Arranged by Scott S. Stewart. Celtic,Christmas,Folk,Irish,Standards. 23 pages. Scott S. Stewart #897170. Published by Scott S. Stewart (A0.1307911). “Gloucestershire Wassailâ€, is an old song, sung around the Feast of Yule, by parties who go about dressed with boughs and ribbons, carrying a bowl, which they expect to be filled with beer or cider, and a toast put therein.  It is still customary in many parts of England to hand round the wassail, or health-bowl, on New Year’s Eve. The tune of this song is traditional popular music of the day – a universal favourite (tune) in Gloucestershire.  This arrangement of “Gloucestershire Wassailâ€, traditionally strophic in structure, has been changed to a rondo form with the original popular tune serving as the refrain or chorus and the text of the many verses serving as just that – a verse, giving emphasis to the text as sung by carousing, rural merry-makers to their feudal lords.  It is scored for a 4-part SATB ensemble with piano accompaniment.  Performance time: 4:55+-.
$2.99
2.71 €
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Chorale SATB
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traditional pre-18th century English Christmas carol
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Scott S
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Gloucestershire Wassail
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Scott S. Stewart
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SheetMusicPlus
October Dawn - Choral Song (SSAATB)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00
2.72 €
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Chorale SATB
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
O Night, Restful and Deep
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1100303 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1100303 Composed by Sara Garrard. A Cappella,Christmas,Holiday,Religious,Sacred. 4 pages. Sara Garrard #704179. Published by Sara Garrard (A0.1100303). O Night, Restful and Deep (words from O bienheureuse nuit, a French Noel, English Translation by K. W. Simpson) in a new musical setting by Sara Garrard. A beautiful, peaceful song for Christmas, expanding into warm harmonies over four verses. O Night, restful and deep The Babe folded in sleep, In a poor manger dreameth! Moonlight softly doth shine, Around melody streameth: “He is the Babe Divine! He is the Babe Divine!†O Dawn, rosy and shy, Greet Him where He doth lie, At the birds' call awaking! As clouds fleeing from sight, So all shadows are breaking: â€He is the dark World's Light! He is the dark World's Light!†Oh Morn, lovely and blest, Round Him, guarding His rest, Angels gently are singing: â€Hail Him! Heavenly Dove!†Their notes joyfully ringing: â€He is the King of Love! He is the King of Love!†O Day, glorious the hour, Jesus mighty in power, Waketh in lowly manger! He bids sorrowing cease; Seek Him ever in danger! He is the sad World's Peace. He is the sad World's Peace.
$4.50
4.08 €
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Chorale SATB
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Sara Garrard
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O Night, Restful and Deep
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Sara Garrard
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SheetMusicPlus
Come to Christ - four-part choir with simple keyboard support
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1251785 Composed by Jonath…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1251785 Composed by Jonathan David Whitcomb. Christian,Classical,Easter,Religious,Sacred. Octavo. 7 pages. Whitcomb Music #845962. Published by Whitcomb Music (A0.1251785). The music is by Jonathan David Whitcomb, with some of the words from an English translation of an ancient text: mostly in *Third Nephi, what is now designated Chapter 11. Whitcomb added and arranged some words to work musically.Most of the lyrics center around an account of the appearance of Jesus Christ to people of the American continent many centuries ago.*(in the Book of Mormon)PART ONEPress forward: Feast of the word of Christ;Behold you shall have eternal life.Hold to the rod: the word of God;Behold the tree of the love of God.We like sheep had gone astray,Turning from the chosen way.Turn again. Turn to God.While the Shepherd seeks a stray,Father, help us keep to the Way.Now comes a still small voice.Behold my Son, my Beloved Son:Come unto Him for eternal life.Behold His hands, his feet and side:For you he bled and died.Turn to Him. Come unto Christ.Come to Him.PART TWONow comes a man in white.I am Jesus Christ. Come to me.I am the light and the life of the world.I have been slain for the sins of the world.Feel the wounds in my hands and my feet and side.See with your eyes; feel with your hands.Come to me.
$1.99
1.8 €
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Chorale SATB
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Jonathan David Whitcomb
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feel with your hands
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Come to Christ - four-part choir with simple keyboard support
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Whitcomb Music
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SheetMusicPlus
Hark! The Herald Angels Sing! for String Quartet
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix B…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098159. Published by Artistic Score Engraving di Galvagno Michele (A0.841363). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95
4.49 €
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Chorale SATB
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Felix Bartholdy Mendelssohn, Samuel Arnold, and William H
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Michele Galvagno
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Hark! The Herald Angels Sing! for String Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Medley of British Folksongs
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.821200 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.821200 Composed by Traditional. Arranged by Gordon Thornett. Folk,World. Octavo. 16 pages. Gordon John Thornett #3018305. Published by Gordon John Thornett (A0.821200). These simple folksong arrangements were made for two community choirs based in Selly Oak, Birmingham, but they would be equally suitable for school choirs or other groups. Included are well known songs from England, Wales, Scotland and Ireland, which are woven into a continuous piece lasting about 6' 45. The medley starts with the English song, ‘Early one morning’, one verse of which re-appears at the end to round things off. The tradition of singing folk songs in schools and in the community has very much faded away in the UK, but the four songs selected for this medley are likely to be well known and loved by many of the older generation!The simple harmonies range from three to four parts (SAB/SATB), with some unison sections as well.
$2.99
2.71 €
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Chorale SATB
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Traditional
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Gordon Thornett
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Medley of British Folksongs
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Gordon John Thornett
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SheetMusicPlus
My Song in the Night (Downloadable Choral Score)
Chorale SATB
SATB choir, cello, and piano - Moderately Easy - Digital Download SKU: MQ.50-3104-E…
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SATB choir, cello, and piano - Moderately Easy - Digital Download SKU: MQ.50-3104-E Composed by Terre Johnson. Lent. Instrument parts. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-3104-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3104-E). English.This text from an old Southern folk hymn is given new original music in this anthem setting for SATB, cello, and piano. The piano part can easily be adapted to organ. The voice parts are accessible. The tenors and basses do sing a verse alone, but in unison to two parts. The sum total makes a sort of contemplative tapestry in which the cello moves in and out of the foreground and so do the voices. Set mostly in C minor, there is a middle section where the chorus sings wordlessly against the cello line and the emphasis shifts to E-flat major. Despite the despair in the text, there is also comfort and reassurance here.
$2.85
2.58 €
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Chorale SATB
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Terre Johnson
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My Song in the Night
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Legend of Ramund
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. …
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Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00
6.35 €
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Chorale SATB
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Mogens Eliasen
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The Legend of Ramund
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Soverenity Enterprises Inc.
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SheetMusicPlus
Eye of the Storm
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1031305 Composed by Alden …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1031305 Composed by Alden Pong. Contemporary. Octavo. 8 pages. Alden Pong #3110369. Published by Alden Pong (A0.1031305). A song of struggle between faith and fear as a storm threatens to engulf all in its path. Verses of storm are interspersed with verses of calm, as the loving heart struggles to ease the desperate mind with the notion of there being no reason to fear, reinforcing the faith that ‘love will hold through blood and tears’. The music and text express this idea with an almost surreal detachment of the peaceful heart from the surrounding storm during each return of the verse of calm, amidst the increasing tension in the verses of storm, as if in temporary respite within the eye of the storm. In such a meditative state, one can even begin to admire the storm in awe of the beauty of the sheer force of nature. It culminates with the eventual defeat of the loving heart and a resignation to the likely fate to be met by the end of the storm. Yet, the end is not met with the fear that had threatened to engulf the desperate minds, but with the final, strongest, statement in faith that ‘love goes on past life on earth’.Duration: Approx. 4:30minLanguage: English2017 Choral Contest Entry
$2.00
1.81 €
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Chorale SATB
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Alden Pong
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Eye of the Storm
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Alden Pong
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SheetMusicPlus
Brisbane Ladies (Augathella Station)
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.774722 Composed by Traditi…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
1.99 €
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Chorale SATB
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
As I Out Rode This Enderes Night (The Coventry Shepherds Carol)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774721 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.774721 Composed by Traditional. Arranged by Sandra Milliken. A Cappella,Christmas,Renaissance,Sacred. Octavo. 17 pages. Sandra Milliken #3691909. Published by Sandra Milliken (A0.774721). As I Out Rode This Enderes Night is a companion carol to the well-known and very popular Lully, Lullay, also known as the Coventry Carol. Both carols were part of the Pageant of the Shearmen and Tailors. The pageant was a mystery play regularly performed in the English city of Coventry from the early 15th Century until around the middle of the 16th Century. The Pageant also included a third carol beginning with the line Down from Heaven, from Heaven so High.The mystery plays of medieval Europe were traditionally created and performed by craft guilds based in the larger cities. These mystery plays focused on the representation of stories from the Bible, told in the local vernacular rather than in Latin. They told of subjects such as the Creation, the Nativity, the Passion and the Last Judgment.The Pageant of the Shearmen and Tailors depicted the Christmas story, covering events from the Annunciation through to the Massacre of the Innocents. Lully, Lullay refers to the latter event in which Herod ordered all male infants under the age of two, in Bethlehem, to be killed. As I Out Rode and Down from Heaven referred to the angel’s announcement, to shepherds in the fields near Bethlehem, concerning the birth of the Christ child and the subsequent visit by the shepherds to the manger, where they found the baby with Mary and Joseph.Today, the two shepherds’ songs are often combined into a single carol with the title As I Out Rode This Enderes Night or The Coventry Shepherds Carol.This new SATB-with-descant arrangement (the original was scored for treble, tenor and bass) incorporates an additional three verses, the lyrics of which are an adaptation of the dialogue from the pageant that came between the two songs of the shepherds.
$2.20
1.99 €
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Chorale SATB
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Traditional
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Sandra Milliken
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As I Out Rode This Enderes Night
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Sandra Milliken
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SheetMusicPlus
Ave Maria
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999076 Composed by Bach, G…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999076 Composed by Bach, Gounod. Arranged by Katherine Brookes. Concert,Contemporary,Romantic Period,Sacred,Wedding. Octavo. 7 pages. Katherine Brookes #6036853. Published by Katherine Brookes (A0.999076). 'Ave Maria' by Bach/Gounod is often performed as a vocal or instrumental solo. This is a 4 part vocal arrangement, sung in English rather than the original Latin. It is a song that lends itself to a 4 part vocal arrangement and can be performed by a choir or small vocal ensemble. Duration ca. 2.30The Gounod solo voice part was published in the 1850's but is based around the Baroque keyboard piece 'Prelude No 1' by J.S. Bach. This is an SATB arrangement with piano accompaniment. Katherine Brookes is a Guinness World Record holding flute player. To contact Katherine please email katherine@katherinebrookes.com and for more information about her please visit her website www.katherinebrookes.com .
$3.00
2.72 €
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Chorale SATB
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Bach, Gounod
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Katherine Brookes
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Ave Maria
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Katherine Brookes
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SheetMusicPlus
Солнце (Sun)
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed …
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Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, Ñолнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again Ñолнце в небе (the sun in the sky).
$1.99
1.8 €
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Chorale SATB
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Cassy Gress
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Солнце
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Cassy Gress
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SheetMusicPlus
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