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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On The Very Rim
Non classifié
203
Piano & claviers
Piano seul
57
Piano Facile
49
Piano, Voix
19
Piano, Voix et Guitare
16
1 Piano, 4 mains
11
Orgue
10
Instruments en Do
5
Accordéon
2
2 Pianos, 4 mains
1
2 Pianos, 8 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
9
Guitare notes et tablatures
8
2 Guitares (duo)
4
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
1
Mandoline, Piano (duo)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Ukulele
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
20
Chorale Unison
9
Chorale 2 parties
7
Chorale 3 parties
4
Voix duo, Piano
3
Chorale SSAA
2
Chorale SSATTB
1
Voix basse, Piano
1
Voix haute
1
Voix Alto, Piano
1
+ 5 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
9
Ensemble de Flûtes
6
Quatuor de Saxophones: 4 saxophones
6
Ensemble de Clarinettes
6
Ensemble de saxophones
6
Saxophone Soprano et Piano
2
Clarinette et Piano
2
Saxophone Alto et Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Clarinettes: 4 clarinettes
2
Saxophone
1
Flûte traversière
1
Quintette de Flûte : 5 flûtes
1
Flûte et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Flûte traversière et Piano
1
Flûte à bec Soprano, Piano
1
+ 13 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Ensemble de Trombones
5
Trombone
4
Ensemble de Trompettes
3
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Trompette, Piano
1
2 Trombones (duo)
1
Trombone basse
1
2 Trompettes (duo)
1
2 Euphoniums et 2 Tubas
1
+ 9 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Harpe
9
Alto, Piano
4
2 Violons (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle
2
Violon et Piano
2
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
Violon (partie séparée)
1
Contre Basse
1
Alto, Guitare (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
Violon, Alto (duo)
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Piano
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
26
Ensemble de Percussions
18
Orchestre de chambre
14
Marimba
14
Orchestre à Cordes
10
Orchestre
6
Ensemble Jazz
4
Ensemble de cuivres
2
3 Marimbas
2
Piano et Orchestre
1
Fanfare
1
Xylophone, Piano
1
Cloches
1
+ 8 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
On The Very Rim
Chorale SATB
Partitions à imprimer
20 partitions trouvées
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1
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Why The Chimes Rang (the musical) (for Virtual or Reader's Theatre) (Score and Script)
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Chorale SATB
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FACILE
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Stephen DeCesare
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Why The Chimes Rang
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Exultet Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.627629 Composed by Stephen DeCesare. Broadway,Christian,Christmas,Film/TV,Musical/Show. Octavo. 62 pages. Exulte...
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Choral Choir (SATB) - Level 2 - SKU: A0.627629 Composed by Stephen DeCesare. Broadway,Christian,Christmas,Film/TV,Musical/Show. Octavo. 62 pages. Exultet Music #6035855. Published by Exultet Music (A0.627629). Once, long ago, a majestic church stood on a high hill in the center of a great city. But more remarkable than its tall towers, great archways and grand entrance was the legend surrounding the bells. It was the custom on Christmas Eve for all the people to bring to the church their offerings to the Christ-child. And there had been a time when an unusual offering brought magnificent music from the chimes which were rung, everyone believed, by the angels. But lately, no offering had been great enough...that is until young, poor brothers, Pedro and Manuel, make their first pilgrimage through the snow to give their simple gift.This touching story is enhanced with a re-enactment of the nativity by the children's choir. Score and script included as well as unlimited performance rights for one year. To hear the entire score, please visit the YouTube link. If you are interested in accompaniment tracks, please contact: mtapublishing@gmail.com and ask about pricing.
$50.00
On a Forest Path
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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John Newell
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On a Forest Path
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Abierto Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.930199 Composed by John Newell. Contemporary. Octavo. 18 pages. Abierto Music #3479359. Published by Abierto Mus...
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Choral Choir (SATB) - Level 3 - SKU: A0.930199 Composed by John Newell. Contemporary. Octavo. 18 pages. Abierto Music #3479359. Published by Abierto Music (A0.930199). On a Forest Path is the final movement of the composer's larger work, A Timbered Choir, settings of poems by Wendell Berry. It depicts various scenes that the poet encounters on his walks through the woods, and his reflections upon them. The piano takes on the role of the poet. The text consists of nine brief poems, composed at different times; several of them are only single line in length. The choral episodes are very approachable, with only a few moments of divisi, primarily for the sopranos. This creates a terrific opportunity to focus on color and the beautiful imagery of the poet's words. For more information on the composer's works visit www.johnnewellmusic.com.
$2.99
I Am the Bread of Life
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Chorale SATB
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FACILE
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Musique Sacrée
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Christian contemporain
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Edwin Roberts
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I Am the Bread of Life
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Edwin Roberts
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1019936 Composed by Edwin Roberts. A Cappella,Christian,Contemporary,Praise & Worship,Sacred. Octavo. 9 pages. E...
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Choral Choir (SATB) - Level 2 - SKU: A0.1019936 Composed by Edwin Roberts. A Cappella,Christian,Contemporary,Praise & Worship,Sacred. Octavo. 9 pages. Edwin Roberts #4302461. Published by Edwin Roberts (A0.1019936). Begins with a well-crafted melody (A) with unison trebles; repeated by bass and tenor with treble alternate melody. A quite different B section - essentially A Capella. And then C with A superimposed on B. Very effective. Keyboard accompaniment. Duration 3-1/2 minutes. Best for celebraion of the Eucharist, but generally good.
$2.00
Love the Lord Your God for Choir SATB
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Sharon Kim
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Love the Lord Your God for Cho
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Song of Songs Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.846904 Composed by Sharon Kim. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Song of Songs Music #6100407....
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Choral Choir (SATB) - Level 4 - SKU: A0.846904 Composed by Sharon Kim. Christian,Praise & Worship,Sacred. Octavo. 5 pages. Song of Songs Music #6100407. Published by Song of Songs Music (A0.846904). Based on the scripture Deuteronomy 6, this gracious praise states the prime decree God told us to do 'Love the Lord your God' sweetly in the beginning but later with the strong conviction in the style of march passing through the bright middle section describing hopeful mind with the land God swore. Its dramatic ending will fill everyone's heart with great joy and grace!Performance duration: 4:10.
$3.99
"The Lord's My Shepherd" (with "Sheep May Safely Graze")
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Chorale SATB
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INTERMÉDIAIRE
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J
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R
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"The Lord's My Shepherd&q
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RG Huff
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.902641 Composed by J. S. Bach, R. G. Huff. Arranged by R. G. Huff. Baroque,Sacred. 5 pages. RG Huff #6069...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.902641 Composed by J. S. Bach, R. G. Huff. Arranged by R. G. Huff. Baroque,Sacred. 5 pages. RG Huff #6069689. Published by RG Huff (A0.902641). Based on the CRIMOND hymn tune, the Psalm 23 text from the Scottish Psalter is introduced and supported by the familiar J. S. Bach Sheep May Safely Graze. Requiring a good organist/pianist, the SATB choral parts are very accessible. Appropriate for a vocal ensemble or full choir.The price is a FLAT FEE per ensemble/organization, not a per copy fee. Please only make copies as needed within your ensemble/organization.
$35.00
Jazz Hodie (On This Day Earth Shall Ring)
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Chorale SATB
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INTERMÉDIAIRE
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PERSONENT HODIE from the Piae
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Ken Litton
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Jazz Hodie
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496732 Composed by PERSONENT HODIE from the Piae Cantones, 1583. Arranged by Ken Litton. 20th Centu...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496732 Composed by PERSONENT HODIE from the Piae Cantones, 1583. Arranged by Ken Litton. 20th Century,Advent,Christian,Christmas,Sacred. 19 pages. Artist of Note, Inc. #1073248. Published by Artist of Note, Inc. (A0.1496732). Jazz Hodie (On this Day Earth Shall Ring)PERSONENT HODIE arr. Ken Litton (ASCAP) Those who have the good fortunate to hear Gustav Holst’s arrangement of PERSONENT HODIE as a choral processional with its engaging melody, measured gait and echoed text have never forgotten the magical moment—and were never really ready for it to end. Hailing from the The Oxford Book of Carols this German plainsong melody—from the Piae Cantones, 1583—has made its way into strong choral and worship traditions at Advent/Christmas.Of all the current texts and arrangements available, this version honors Holst’s unison accompanied setting in an unexpected subtle jazz styling, with the hope of bringing additional range to its established place in advent literature (both in terms of style and in appeal to a variety of age groups). And, On This Day Earth Shall Ring, translated by Jane M. Joseph (text in the public domain) gives it just the traditional touch needed for Jazz Hodie (On this Day).This SATB setting of the tune offers accompaniment designed for piano or organ, optional acoustic/string bass and an optional part for a single player involving three of the percussionist section best friends in the : the suspended cymbal, mallets (vibraphone, marimba or bells or bell lyre), and a small triangle. It should be noted that an electronic piano/synthesizer voice could substitute well for the mallets and the use of handbells is also viable. Perfect for Lessons & Carols presentations!The unison singing and bell-tone echoes of the first stanza/refrain soon give way to smooth, contrasting jazz harmony. The choral ranges are very much within the reach of the average choir and the voicings vary from unison to three and four parts, followed by a return to the character of the opening. The piece builds toward a close with a choral ascent in the final bars and a bass line reminiscent of the first verse, but with an extra jazz twist. But, it can easily be restarted for processional use by simply dropping back into the C minor introduction’s bass line. Note: the String Bass/Electric Bass part is included!Also available in a Hymn Sheet Version that includes everything needed for a small ensembe and/or the worshiping congregation.All this from the places you go for the best in downloadable resources:Sheet Music Direct Sheet Music Plus As well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$2.99
The Three Kings : SATB Acapella
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Chorale SATB
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M
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The Three Kings : SATB Acapell
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Vocal Works
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.741936 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 14 pages. Voca...
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Choral Choir (SATB) - SKU: A0.741936 Composed by M. Ryan Taylor. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 14 pages. Vocal Works #484879. Published by Vocal Works (A0.741936). A setting of Dorothy Sayers lovely Christmas / Epiphany poem. Piano reduction included. THE first king was very young, O balow, balow la lay, With doleful ballads on his tongue, O balow, balow la lay, He came bearing a branch of myrrh Than which no gall is bitterer, O balow, balow la lay, Gifts for a baby King, O. The second king was a man in prime, O balow, balow la lay, The solemn priest of a solemn time, O balow, balow la lay, With eyes downcast and reverent feet He brought his incense sad and sweet, O balow, balow la lay, Gifts for a baby King, O. The third king was very old, O balow, balow la lay, Both his hands were full of gold, O balow, balow la lay, Many a gaud and glittering toy, Baubles brave for a baby boy, O balow, balow la lay, Gifts for a baby King, O.
$1.99
Ride On, King Jesus
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Chorale SATB
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FACILE
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Kathy Clark
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Ride On, King Jesus
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Kathy Clark
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.935599 Arranged by Kathy Clark. A Cappella,Christian,Easter. Octavo. 7 pages. Kathy Clark #5999083. Published by...
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Choral Choir (SATB) - Level 2 - SKU: A0.935599 Arranged by Kathy Clark. A Cappella,Christian,Easter. Octavo. 7 pages. Kathy Clark #5999083. Published by Kathy Clark (A0.935599). This arrangement utilizes the traditional text, but with a mysterious mood that tells the grim story of the Passion. It is a cappella, but very accessible in range and rhythm.
$1.99
THE PEACE PRAYER
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Christian contemporain
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Musique Sacrée
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ANDRE VIDAL
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THE PEACE PRAYER
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Andre Vidal
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.1030723 Composed by ANDRE VIDAL. Contemporary,Sacred. Octavo. 8 pages. Andre Vidal #2014877. Published by Andre...
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Choral Choir (Mixed) - Level 4 - SKU: A0.1030723 Composed by ANDRE VIDAL. Contemporary,Sacred. Octavo. 8 pages. Andre Vidal #2014877. Published by Andre Vidal (A0.1030723). This piece for six-part choir (SSATTB) is a neo-classic approach to a very well-known text attributed to Saint Francis of Assisi, which is one of the most beloved prayers for the roman catholics. It displays a rich sonority, suitable for medium/large choir, alternating moments of modern dissonant harmonies and almost jazzy/bossa-nova sections. It is based primarily on chords mounted on intervals of fifths for the lower voices and fourths for the upper ones.
$3.99
Apollo 11 (Homecoming)
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Chorale SATB
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INTERMÉDIAIRE
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Glyn Lehmann
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Apollo 11
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.510172 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,R & B,Rock. Octavo. 11 pages. Glyn...
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Choral Choir (SATB) - Level 3 - SKU: A0.510172 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,R & B,Rock. Octavo. 11 pages. Glyn Lehmann #3542459. Published by Glyn Lehmann (A0.510172). The final song from SPACE RACE - a song-cycle celebrating the 50th anniversary of the moon landing on 20 July 1969. Other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and The Children of the World (July 1969). More information at https://glynlehmann.com/Space-RaceThe Apollo 11 mission was the culmination of years of dedication and experimentation in the attempt to land a man on the moon. This song traces the tense journey back home to Earth made by the Apollo 11 astronauts as they leave the moon's surface - ultimately returning as heroes. The subdued drama of the verses climaxes with the gospel-influenced triumph of the choruses.https://youtu.be/oAUjyzccdhMApollo 11 (Homecoming)Words by Phil Cummings, Music by Glyn LehmannVerse 1Time to leave Tranquillity BaseFor the finish line the end of the raceMoon-dusted suits, deep black skiesOn a dark horizon see Earth riseA cargo of rocks, soil and dustStrapped in the module, feel the thrustChorus 1 After days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home Verse 2The module falls, the angle is rightAnd the heat shield is burning brightInterludeRadio silence into the atmosphereNo voice of calm, no voices to hear Those that wait on the groundHold their breath, don’t make a soundThen from the silence a voice is clearCalling for the world to hearControl room erupts with shouts and cheersHigh in the sky the module appearsChorus 2This is the homecoming, this the homecomingThose brave men are coming, coming homeAfter days and days of being aloneThe astronauts were coming homeThey were coming home After days and days of being aloneThe astronauts were coming homeThey were coming home CodaHome, they were homeOur homeLyrics © 2018 Phil Cummings
$2.50
We're Forgiven (God of Grace) SATB Choral Version
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Chorale SATB
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DÉBUTANT
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Musique Sacrée
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Lisa Waites
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We're Forgiven
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Servant Song Music and Ministry
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.921768 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Octavo. 2 pages. Servant Song Music...
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Choral Choir (SATB) - Level 1 - SKU: A0.921768 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Octavo. 2 pages. Servant Song Music and Ministry #6629007. Published by Servant Song Music and Ministry (A0.921768). We're Forgiven (God of Grace) was originally scored in a Piano/Guitar/Voice format, but for this Advent/Christmas season, Servant Song Music & Ministry has produced this full SATB Choral arrangement, as well! This particular arrangement is suitable for Beginner and Early Intermediate Church Choirs and Worship Teams, including very small ensembles. If you don't have any men in your choir, you can turn the score into a Soprano/Alto 2-part version pretty easily, too. This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing the Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Please don't make illegal copies of this score; it is the primary way I recover the costs of arranging, engraving and publishing new music. I work on the honour system. If you truly can't afford to purchase copies of this piece for each of your singers/musicians, please contact me via email or my Facebook music page, and I'll make sure your group is taken care of. To God be the glory!
$4.59
Holy Spirit, Rain upon Us (SATB a cappella)
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Chorale SATB
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INTERMÉDIAIRE
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Anthony Giamanco
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Holy Spirit, Rain upon Us
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Whole Tone Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.773653 Composed by Anthony Giamanco. A Cappella,Christian,Sacred. Octavo. 5 pages. Whole Tone Press #3414713. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.773653 Composed by Anthony Giamanco. A Cappella,Christian,Sacred. Octavo. 5 pages. Whole Tone Press #3414713. Published by Whole Tone Press (A0.773653). Holy Spirit, Rain upon Us is an expressive choral anthem for unaccompanied voices (SATB), that includes some divisi , primarily in the alto part. This very singable work utilizes some lush harmonies and carefully placed dynamics allowing for a tender and wonderfully expressive interpretation. Ideal for a medium-large choir, and most appropriate for worship services on Pentecost, and other services where focus is on the Holy Spirit. Also appropriate for church concerts.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$2.10
It Is Not Death to Die
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music...
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Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
Anim Zemiros
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Chorale SATB
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AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Pop 101
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Chorale SATB
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INTERMÉDIAIRE
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Marianas Trench
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Andrew Montano
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Pop 101
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Andrew Montano
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1513010 By Marianas Trench. By Anami Vakil and Josh Ramsay. Arranged by Andrew Montano. A Cap...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1513010 By Marianas Trench. By Anami Vakil and Josh Ramsay. Arranged by Andrew Montano. A Cappella,Pop. 18 pages. Andrew Montano #1087895. Published by Andrew Montano (A0.1513010). 7-Part DivisiTenor (Solo)SopranoAlto 1Alto 2Tenor 1BaritoneBassPop 101 is a culmination of tropes and cliché trends taken from modern pop music. Other inspired genres include EDM, Folk, Hip Hop, & Pop Rock.Throughout the piece, every page contains a reference to modern pop fundamentals such as patterned chord progressions, utilizing 808 percussion, celebrity impressions (Kesha, Lil' Jon, DJ Khaled, etc.), referencing song styles, (Justin Timberlake's SexyBack or Imogen Heap), generic lyricism, and so on. The last couple pages are open for experimentation. Encourage sections to create their own dialogue, onomatopoeia, or musical ideas before and after the bass drop. The main goal of this song is to have fun and embrace its satirical nature.
$4.99
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
Grasslands Chant
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Lebo M
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Oliver Squibb
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Grasslands Chant
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Oliver Squibb
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1325504 Composed by Lebo M. Arranged by Oliver Squibb. Broadway,Multicultural,Musical/Show,Praise ...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1325504 Composed by Lebo M. Arranged by Oliver Squibb. Broadway,Multicultural,Musical/Show,Praise & Worship,Spiritual,World. 6 pages. Oliver Squibb #913732. Published by Oliver Squibb (A0.1325504). This arrangment for SATB divisi choir follows the orignal Broadway recording very closely. It requires the choir to split to SSAATTB and features an optional percussion line on marimba, bass drum and shaker. It is recommened that the piano part is played on a Synth Kalimba sound.
$1.99
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