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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
On the Clock
Non classifié
45
Piano & claviers
Piano seul
53
Piano Facile
30
Piano, Voix et Guitare
14
Piano, Voix
8
Piano grosses notes
4
1 Piano, 4 mains
3
Orgue
2
Instruments en Do
2
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
Clavecin
1
+ 7 instrumentations
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Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
1
Guitare notes et tablatures
1
2 Dulcimers (duo)
1
Voix
Chorale SATB
6
Chorale Unison
4
Chorale 2 parties
2
Chorale TTBB
2
Chorale 3 parties
1
Chorale SSAA
1
+ 1 instrumentations
Retracter
Vents
2 Saxophones (duo)
5
2 Flûtes traversières (duo)
5
2 Clarinettes (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Flûte traversière
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
Flûte traversière et Piano
2
Flûte, Clarinette (duo)
2
Flûte, Violon
2
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Alto
1
Flûte, Trompette (duo)
1
2 Flûte à bec (duo)
1
Hautbois, Basson (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Saxophone (duo)
1
Quintette de Saxophone: 5 saxophones
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Piano (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Violon (trio)
1
Saxophone (partie séparée)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
2 Hautbois (duo)
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Flûte
1
Saxophone Tenor
1
+ 33 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
2 Trombones (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Ensemble de Trombones
1
Trompette
1
3 Trombones (trio)
1
3 Trompettes (trio)
1
Trompette, Trombone (duo)
1
+ 5 instrumentations
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Cordes
Harpe
15
Quatuor à cordes: 2 violons, alto, violoncelle
5
Alto, Piano
3
Violon et Piano
3
Harpe, Voix
2
Violon, Violoncelle (duo)
2
Violon, Alto (duo)
2
2 Violons (duo)
2
Violoncelle
1
Violoncelle, Piano
1
Alto, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
2 Violoncelles (duo)
1
Trio à cordes: 3 violins
1
Violon
1
Harpe, Flûte (duo)
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
92
Ensemble de cuivres
5
2 Xylophones
4
Orchestre
4
Ensemble Jazz
3
Cloches
3
Orchestre de chambre
3
Orchestre à Cordes
2
Batterie
1
Quintette de Cuivres: autres combinaisons
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
SAXOPHONE
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Vous avez sélectionné:
On the Clock
Chorale SATB
Partitions à imprimer
6 partitions trouvées
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1
The Sense of a Place Will Remain
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.33 €
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Chorale SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
Lost on the Steamer "Stonewall." Mamma! Why Don't Papa Come Home
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11731 Composed by…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.11731 Composed by G.W. Brown. Marine accidents, Fires, Parlors, Birdcages, Fireplaces, Clocks & watches, Death, Mothers & children, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11731). Lost on the Steamer Stonewall. Mamma! Why Don't Papa Come Home. Words by J. Murphy. Music by G.W. Brown. Published 1869 by Balmer & Weber, No. 206 Fifth Street in St. Louis. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Marine accidents, Fires, Parlors, Birdcages, Fireplaces, Clocks & watches, Death, Mothers & children, Heaven. First line reads Mamma! why don't Papa come home? why does he stay away?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Chorale SATB
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G
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Lost on the Steamer "Stonewall." Mamma! Why Don't Papa Come Home
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Oxen of the Sun
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291800 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1291800 Composed by Eoghan Desmond. A Cappella,Celtic,Irish. 15 pages. Seolta Music Limited #882412. Published by Seolta Music Limited (A0.1291800). Oxen of the Sun, composed for the Choral Scholars of University College Dublin and Irish horn player Cormac Ó hAodáin in 2017, is a true celebration of the miracle of childbirth.Quoting a fragment of text from Chapter 14 of James Joyce’s Ulysses, composer Eoghan Desmond portrays childbirth as a divine mystery. The greeting fanfare of a solo horn in tandem with the choir depicts a mystical incantation by doctors in Dublin’s Holles Street Maternity Hospital – ‘Deshil Holles Eamus/clockwise we go’, in other words, ‘while we wait for the mother to give birth, we will proceed in a clockwise manner’. The birthing begins with active music on the words ‘send us bright one, light one, Hornhorn, quickening and wombfruit’.To explore all choral titles in College Choral Series please click here.
$2.50
2.3 €
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Chorale SATB
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Eoghan Desmond
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Oxen of the Sun
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Seolta Music Limited
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SheetMusicPlus
#WeToo
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.83 €
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Chorale SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Past two o'clock for men's voices (ATBarB)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.576137 Composed by Tradit…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.576137 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,A Cappella,Christmas,Contemporary,Jazz. Octavo. 7 pages. David Warin Solomons #2031583. Published by David Warin Solomons (A0.576137). Comic song parodying the old Christmas carol Past three o'clock set for men's voices (ATBarB) (a version for mixed choir (SATB) is also available) The choir is having a party into the early hours of the morning and annoying the neighbour - the neighbour takes his revenge by pulling the fuses, but the choir continues a cappella. The sound sample is my own performance It can also be seen as a video on youtube, with the words on screen: http://www.youtube.com/watch?v=nMWDn2QqxHQ.
$2.99
2.76 €
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Chorale SATB
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Traditional
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David Warin Solomons
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Past two o'clock for men's voices
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David Warin Solomons
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SheetMusicPlus
New York State Of Mind
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.796833 By Billy Joe…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.796833 By Billy Joel. By Billy Joel. Arranged by Eric Hagmann. A Cappella,Pop,Rock. Octavo. 11 pages. Eric Hagmann #5207907. Published by Eric Hagmann (A0.796833). This SATBarB w/ divis + solo contemporary a cappella arrangement of New York State of Mind by Billy Joel is based on the cover by MAX & Phony Ppl. The original 1976 tune is freshly reimagined with a funk shuffle groove while lush backing harmonies support a flexible soloist that has the freedom to showcase their extensive range. Additionally, the style lends itself well to vocal percussionists, and the tune could even act as a creative way to feature your beatboxer. With a performance time of about two minutes and thirty seconds, this arrangement would fit well in an ICCHSA or ICCA competition set where ensembles must keep a watchful eye on the clock! Ranges:Solo = G3 - E5 Soprano = G3 - F5Alto = G3 - D5Tenor = C3 - F#4Baritone = C3 - D4Bass = (opt. D2) F2 - A3Performance Time = approx. 2:30
$2.25
2.07 €
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Chorale SATB
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Billy Joel
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Eric Hagmann
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Phony Ppl.
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New York State Of Mind
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Eric Hagmann
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SheetMusicPlus
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On the Clock
