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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
CORNEMUSE
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DIDGERIDOO
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FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
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LIVRES
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MANDOLINE
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Chorale SATB
54
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7
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55
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38
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26
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21
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19
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19
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Saxophone Alto et Piano
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Clarinette
17
Flûte, Hautbois, Clarinette, Basson
17
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12
Hautbois (partie séparée)
12
Saxophone Tenor
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Clarinette, Violon (duo)
11
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11
Clarinette, Trompette (duo)
10
Hautbois, Piano (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Tenor et Piano
10
Flûte traversière et Piano
9
Flûte, Violon
8
Hautbois, Basson (duo)
8
Flûte, Alto (duo)
7
Saxophone Soprano
7
3 Saxophones (trio)
7
Hautbois, Clarinette (duo)
6
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6
Saxophone Baryton, Piano
6
Saxophone Soprano et Piano
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2 Hautbois (duo)
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6
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5
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4
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Flûte, Hautbois, Clarinette (trio)
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Clarinette Basse
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Quatuor de Flûtes à bec
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Saxophone et Orgue
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1
Ensemble de Hautbois
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, violon (duo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone
20
Trombone et Piano
19
Trompette, Saxophone (duo)
13
Trompette
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
6
Cor et Piano
6
2 Trombones (duo)
6
Trompette, Trombone (duo)
6
Trombone (partie séparée)
4
Tuba et Piano
4
Trompette, Piano
4
2 Euphoniums et 2 Tubas
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Piano (duo)
2
Ensemble de Tubas
1
Cor anglais, Piano
1
Tuba
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Trombone basse
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon, Violoncelle (duo)
19
Violon
17
Violon et Piano
12
2 Violons (duo)
11
Alto, Piano
10
Violon, Alto (duo)
10
Violoncelle, Piano
7
2 Violoncelles (duo)
7
Violoncelle
7
2 Altos (duo)
6
Violoncelle (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
3
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Alto, Violoncelle (duo)
2
Alto seul
2
Harpe
2
Violoncelle, Orchestre
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
60
Orchestre
34
Ensemble de cuivres
22
Orchestre à Cordes
17
Ensemble Jazz
13
Orchestre de chambre
11
Ensemble de Percussions
6
Cloches
5
Jazz combo
5
Batterie
2
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
One Last Time
Chorale SATB
Partitions à imprimer
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A Last Kiss
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1102489 Composed by Geritt…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1102489 Composed by Geritt W. Davenport. Classical,Contemporary. Octavo. 16 pages. T.U.X. People's Music #705901. Published by T.U.X. People's Music (A0.1102489). From the author: “Those final moments when you realize that this is the last time you will have the opportunity to express your love to someone you care deeply about.†A Last Kiss is a somber work for mixed chorus showcasing ensemble independence and agility.
$3.50
3.22 €
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Chorale SATB
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Geritt W
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A Last Kiss
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T.U.X. People's Music
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SheetMusicPlus
Last Sunset
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1030790 Composed by Jeremy…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1030790 Composed by Jeremy T. Warner. Concert,Contemporary,Sacred. Octavo. 9 pages. Warner Music Publishing #3074343. Published by Warner Music Publishing (A0.1030790). This moving work, born out of friendship between composer and poet, speaks of hope, loss, and renewal in the form of light, sunsets and sunrises. It is perfect for general concert use, living composer features, funerals, and any concerts/services dealing with the metaphors of darkness and light and/or sunsets and sunrises.The text comes from the personal experiences of the poet, Philip Tabler. He’d felt compelled to write this poem for a dear friend that had lost her father. As the story goes, it was her father’s last request that he see the sunset before his passing and though he was confined to his bed and bedroom, the family was able to adjust the room in such a way that he was able to see the sunset out of the bedroom window one final time in the moments just before he passed. The recording features the Memphis ChoralArts and University of Memphis Collegiate Choir ensembles performing in the beautiful and acoustic Cathedral of the Immaculate Conception, Memphis, TN under the director of the composer on April 23, 2017.
$1.99
1.83 €
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Chorale SATB
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Jeremy T
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Last Sunset
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Warner Music Publishing
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SheetMusicPlus
Even For His Prodigal One, a sacred hymn
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1464196 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1042917. Published by Kevin G. Pace (A0.1464196). A beautiful, sacred hymn referencing the Parable of the Prodigal Son. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:During a drought there’s faithful hope of a rescuing rain.A distant cloud may seem afar, but God our life sustains.All temples built must show great strength when erecting to God.The earth’s great gift of severed stones shows a final façade.Arid ground can be made whole; broken rocks can be strong.God’s love is a Father’s love . . . even for the prodigal one. Abraham’s age, and Sarah’s too, halted one promised heirUntil, with time, a miracle brought forth Isaac so fair.Witnesses from within a crowd, begged a stoning one day,But Jesus stooped and said with love, “Sin no more, go thy way.”Waiting long can claim God’s will; He can bless to belong.God’s love is a Father’s love . . . even for the prodigal one. A prodigal left home too soon . . . riches squandered, abused,Until at last all pride was gone; father’s kiss showing truth.Some sin may come, or mortal pain; earthly choices are made.Temptations soar, but Father, God, loves with grandeur displayed.Coming home to Father’s love brings a brand-new song.God’s love is a Father’s love . . . even for his prodigal one. God’s pure love means coming home . . . especially for His prodigal one.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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broken rocks can be strong
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Even For His Prodigal One, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
One Life Can Make a Difference (SATB) - PRINT UNLIMITED COPIES
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.858143 Composed by Eric L.…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.858143 Composed by Eric L. Carlson (ASCAP). 20th Century,Christian,Contemporary,Graduation. Octavo. 11 pages. Eric Carlson, dba Uplifting Music #2917453. Published by Eric Carlson, dba Uplifting Music (A0.858143). SATB Chorus, Piano, OboeComposed by Eric L. Carlson, in recognition of his daughter Kayla's H.S. graduation in 2009. Poem It's Up to You (Anonymous)Performance time approx. 4:00WITH THIS DOWNLOAD, YOU ARE AUTHORIZED TO PRINT AS MANY COPIES AS NEEDED FOR YOUR CHOIR TO PRACTICE AND PERFORM THIS PIECE! This is a significant savings, as most choirs would need to spend $100 or more for enough copies of a typical choral arrangement. (For mass choirs or festivals with multiple choirs, please contact composer for special pricing by emailing: CarlsonMusicPro@yahoo.com)Includes separate oboe part (last page) with the score. ALSO AVAILABLE: Demonstration/Accompaniment CD with several tracks, including individual practice tracks for each vocal part, are available directly from the composer for just $30.00 plus shipping (or $25 for download). Send email request to CarlsonMusicPro@yahoo.comThis piece has been performed around the world, many times at graduation ceremonies. The world premiere performance was at Case High School for Racine Unified School District's Area Choral Festival on March 25, 2010, with the composer at the piano, and Kayla's oboe teacher (Suzanne Geoffrey) playing the oboe.The studio recording was done the same day as surprising Kayla with the composition, with Eric, Kayla, and another daughter, Rachel, singing all the parts a few times each. Kayla played the oboe part, which was then revised slightly prior to the world premiere.The live world premiere can be seen/heard here:https://www.youtube.com/watch?v=WoPYhHw5oSsThe studio recording can be seen/heard here:https://www.youtube.com/watch?v=ok46bj3UWm4
$55.00
50.64 €
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Chorale SATB
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Eric L
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One Life Can Make a Difference
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Eric Carlson, dba Uplifting Music
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SheetMusicPlus
Time For Choir SATB & Strings
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.962408 Composed by Salvado…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.962408 Composed by Salvador Rojo Gamón. 20th Century,Contemporary. Octavo. 152 pages. Salvador Rojo-Gamon #5896423. Published by Salvador Rojo-Gamon (A0.962408). TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is a clear work, without ostentations, trying to be easy, simple and the most importantly honest. It is composed for Choir SATB & Chamber OrchestraIt has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds. People, it’s time. Beyond, beyond, beyond the walls. Beyond, beyond, beyond of worlds. Life is defined. Beyond the walls, life. Beyond the worlds, life. People, it’s time. What more could you ask for? You complain you complain about lack of empathy.
$140.00
128.91 €
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Chorale SATB
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Salvador Rojo Gamón
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Time For Choir SATB & Strings
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Salvador Rojo-Gamon
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SheetMusicPlus
The Seven Last Words Of Christ (Choir/Vocal Score)
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.618695 By Stephen D…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.618695 By Stephen DeCesare. By Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 51 pages. Exultet Music #484931. Published by Exultet Music (A0.618695). A sacred cantata that is accessible for any level of performance (professional to the average church choir). This piece utilizes the Seven Last Words of Christ in conjunction with inspired hymns and songs. Scored for Solo, Tenor Solo, SATB, Piano/Organ. Songs included are: Overture * Forgive Them, O My Father * By His Wounds * Near The Cross Was Mary Weeping * My God, My God * What Have I Done To You? * When I See My Savior * Father, Into Your Hands * What Have We Done? Each of these pieces are also available separately on this site. A Vocal Score, Full Score, and Orchestra Parts are also available on this site.  Note: this book is just the vocal parts with NO accompaniment. This is just so that the choir can have an easier time with less page turns.
$10.00
9.21 €
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Chorale SATB
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Stephen DeCesare
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The Seven Last Words Of Christ
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Exultet Music
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SheetMusicPlus
Jesus Christ is Risen Today with Ye Watchers and Ye Holy Ones (SATB, Acc., Opt. Tpt. or C Instr.)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.780650 Composed by Athelst…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.780650 Composed by Athelstan Riley, Cologne Kirchengasänge, and Lyra Davidica. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred,Traditional. Octavo. 7 pages. Cathy Stamegna #5191449. Published by Cathy Stamegna (A0.780650). Jesus Christ is Risen Today with Ye Watchers and Ye Holy Ones (SATB Choir, Keyboard Accompaniment) begins with Jesus Christ is Risen Today. The voices continue with parts of Ye Watchers and Ye Holy Ones which serve as a bridge between verse two and the end of the piece. The last section incorporates Alleluias from both hymns for a Glorious ending. Other vocal/instrumental arrangements available. Performance Time: 3:00
$2.50
2.3 €
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Chorale SATB
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Athelstan Riley, Cologne Kirchengasänge, and Lyra Davidica
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Cathy Stamegna
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Jesus Christ is Risen Today with Ye Watchers and Ye Holy Ones
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Cathy Stamegna
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SheetMusicPlus
Christ Alone (SATB a cappella Gospel style)
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1386569 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1386569 Composed by Music by J.R. Murray and Words by Eliza M. Sherman. Arranged by Cathy Stamegna. A Cappella,Christian,Contemporary,Lent,Praise & Worship. 12 pages. Cathy Stamegna #970449. Published by Cathy Stamegna (A0.1386569). Christ Alone, gets a new look with a Gospel-like, a cappella arrangement based loosely on the traditional hymn by J. R. Murray and Eliza M. Sherman. Â Some original melodic lines in verses two and three propel the piece forward toward a key change, and a return to the beginning Gospel sound. Appropriate for concert or worship. Optional hand claps in chorus. Â Graded above Intermediate due to some syncopation, 4/4 transitioning to cut time and back, and the a cappella modulation from G Major or Ab Major. For the SAB arrangement, bass range may be possible for a lower tenor (C3-C4). Performance Time: Â approx. Â 2:50 (3:15 if repeating the last chorus). Â SATB is featured in the video.
$2.35
2.16 €
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Chorale SATB
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Music by J
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Cathy Stamegna
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Christ Alone
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Cathy Stamegna
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SheetMusicPlus
At Last
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1311271 By Etta Jam…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1311271 By Etta James. By Harry Warren and Mack Gordon. Arranged by Roy Rashbrook. 20th Century,A Cappella,Barbershop,Jazz. 4 pages. Silverbright Music #900271. Published by Silverbright Music (A0.1311271). At Last is a song written by Mack Gordon and Harry Warren for the musical film Sun Valley Serenade (1941). Glenn Miller and his orchestra recorded the tune several times, with a 1942 version reaching number two on the US Billboard pop music chart.In 1960, rhythm and blues singer Etta James recorded an arrangement by Riley Hampton that improvised on Warren's original melody. Etta James' rendition became the title track on her debut album At Last! (1960) and was eventually inducted into the Grammy Hall of Fame in 1999.This arrangement was originally for SSAA (also available) - and was subsequently transposed and rearranged for SATB (with one bass split at the very end). Although quite chromatic, with a key change before the final verse, this arrangement has been performed by amateur choirs.
$1.99
1.83 €
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Chorale SATB
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Etta James
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Roy Rashbrook
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At Last
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Silverbright Music
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SheetMusicPlus
Last Memories
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1017219 Composed by…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1017219 Composed by Kourtnee Cude. Contemporary,Graduation. Octavo. 8 pages. Kourtnee Cude #6082869. Published by Kourtnee Cude (A0.1017219). Commissioned by the Deer Creek High School Choir for the 2018 Senior Class. Duration 3:43. Perfect for Graduations of any level. The music and the lyrics go together by creating a sense that when you graduate and leave to find your own path, never forget the memories that have been created and treasured from the time you've spent there. The Youtube link is in D Major but after hearing the choir sing the song, I have raised the key to E Major to help with the lower notes so the piece can be more accessible to sing for everyone.Contact information: Email: kourtnee.cude.music@gmail.comFacebook: Kourtnee Cude, Vocalist Instagram: kourtnee_music
$2.25
2.07 €
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Chorale SATB
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Kourtnee Cude
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Last Memories
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Kourtnee Cude
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SheetMusicPlus
Alone on Wrangel Island
Chorale SATB
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.955006 Composed by Jim B…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.955006 Composed by Jim Bosse. Concert,Contemporary. Octavo. 51 pages. Jim Bosse #4593499. Published by Jim Bosse (A0.955006). This piece, scored for classical guitar ensemble - four parts plus narrator, tells the history of the ill conceived and catastrophic 1921 attempt to create a settlement on Wrangel Island in the arctic. Ada Blackjack was the sole survivor after being stranded there for two years. Performance time is 8 minutes with a demand level of intermediate. This piece can be paired with Kikkik - The Last Ihalmiut to Leave the Canadian Barrenlands as a set with the title Two Remakable Inuit Women. Jim's web site iswww.facebook.com/jimbosseguitar
$5.99
5.52 €
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Chorale SATB
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Jim Bosse
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Alone on Wrangel Island
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Jim Bosse
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SheetMusicPlus
Reflections on "We Shall Overcome"
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1001705 Arranged by Beth S…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1001705 Arranged by Beth Syverson. A Cappella,Christian,Folk,Instructional,Spiritual. Octavo. 11 pages. Beth Syverson #6253813. Published by Beth Syverson (A0.1001705). This is a 10-minute long piece that traces the history of the song We Shall Overcome, using narration and excerpts of ten versions of the song to educate about injustice and inspire hope. Its history is traced from its probable roots in slavery, to a Methodist hymn, through Pete Seeger, the Freedom Singers, and Joan Baez, and all the way to the present day. The piece ends with the performers and audience/congregation singing through the piece one last time, a capella, organically improvising harmonies. There are several opportunities for short solos, and one short a capella quartet section. .
$1.99
1.83 €
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Chorale SATB
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Beth Syverson
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Reflections on "We Shall Overcome"
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Beth Syverson
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SheetMusicPlus
David of The White Rock (SATB & Piano)
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1025011 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1025011 Composed by Traditional, Attr David Owen. Arranged by Howard Ward. Folk. Octavo. 6 pages. Howard Ward #6532579. Published by Howard Ward (A0.1025011). The poignant but uplifting vision of the dying harpist calling for his favourite instrument to play one last time is imaginatively captured in this setting for SATB choir and piano; the integral accompaniment adding its own creative contribution in helping to tell the story. Note that a full SATB choir is required to achieve the rich harmonies as there are many sections divisi parts. An SSAA version is also available.
$4.50
4.14 €
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Chorale SATB
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Traditional, Attr David Owen
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Howard Ward
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David of The White Rock
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Howard Ward
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SheetMusicPlus
Prayer of Julian of Norwich
Chorale SATB
SATB Chorus & Piano - Digital Download SKU: IZ.VMW222 Composed by John Schimminger.…
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SATB Chorus & Piano - Digital Download SKU: IZ.VMW222 Composed by John Schimminger. Octavo. 8 pages. Imagine Music - Digital #VMW222. Published by Imagine Music - Digital (IZ.VMW222). 9 x 12 inches.While teaching composition at Dordt College, I had the distinct pleasure of working with the administrators of the Northwest Iowa Symphony Orchestra. As a result of that wonderful relationship, I was approached to write a new fanfare for this concert to feature organist Marylou Wielenga. This new fanfare, set in a simple ABA form, includes a setting of the hymn Praise to the Lord, the Almighty, which is presented exclusively in the organ. Counter melodies and motifs are introduced throughout the work in the brass, woodwinds, and strings which are tossed around the orchestra culminating in a presentation set against the hymn presented one last time in the organ. God is praised triumphantly through brilliant brass fanfares and sparkling woodwind flourishes, all grounded by organ hymn. Lauda is gratefully dedicated to Marylou Wielenga and Northwest Iowa Symphony Orchestra, Christopher Stanichar, conductor.
$2.25
2.07 €
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Chorale SATB
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John Schimminger
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Prayer of Julian of Norwich
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Imagine Music - Digital
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SheetMusicPlus
Holy Child, a sacred hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1184421 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1184421 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #784148. Published by Kevin G. Pace (A0.1184421). A beautiful, sacred Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:1. Holy Child born in Bethlehem today, Brings a sacred gift... pure peace to ever stay. Mary's newborn Son gives the world true joy, With some heavenly traits not common for a boy.2. Holy Child, veiled in flesh like human souls, Came to live so God's own children could be whole. Baby Jesus came to give his life on earth; Now He can redeem mankind with endless worth.3. Holy Child came from Father up above; Jesus showed the world a truer, lasting love. Born on Christmas day, this is God's special Son. Holy Baby Jesus is the saving One.Chorus: Holy Child, so divine, brings a gift which outlasts time, So on Christmas we can sing praises to our holy King.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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Holy Child, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
I'll Be Home For Christmas
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.746225 By Rascal Flatts. B…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.746225 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Michael Pilley. Jazz. Octavo. 9 pages. Michael Pilley Music #4849749. Published by Michael Pilley Music (A0.746225). One of the most loved Christmas tunes made famous by the ultimate crooner, Bing Crosby, I'll Be Home For Christmas resonates with me every year as I have been living in the UK since 2012. It speaks of the desire to return home for the special time of year to share in the celebration with family and friends. But in a small twist, the last line of the song is if only in my dreams, leaving us to consider those around the world who are displaced from their loved ones.This arrangement is in a simple ballad style and features the melody in the soprano and tenor voices. The harmony is chromatic in parts, but with good voice leading to assist with the learning of this jazz-infused tune. The bass part mainly anchors down the harmony, with a dm consonant aiming to recreate a jazz double bass sound. Soft consonants and sweet do sounds will ensure a smooth ballad style. Ranges are within a standard choir set, so this should be performable by most community choirs with basic reading ability. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$4.50
4.14 €
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Chorale SATB
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Rascal Flatts
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Michael Pilley
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I'll Be Home For Christmas
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Michael Pilley Music
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SheetMusicPlus
October Dawn - Choral Song (SSAATB)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00
2.76 €
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Chorale SATB
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.21 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.62 €
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Monk - Abide with Me (Eventide) in E flat Major - Easy
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1077080 Composed by Willia…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1077080 Composed by William Henry Monk. Arranged by Piacere Music Sheets. A Cappella,Praise & Worship,Romantic Period,Sacred,Spiritual. Octavo. 10 pages. Piacere Music Sheets #681177. Published by Piacere Music Sheets (A0.1077080). Opus/Catalog Number: IWM 1 Key/Tone: E flat major Movements/Sections: Andante Year/Date of Composition: 1861 Difficulty: Grade 2/12 (Easy) Obs.: This hymn is sung by Christians all over the world in times of sorrow and deep distress. The lyrics were written in 1847 by Henry Francis Lyte, an English pastor, poet and musician, only a few weeks before he died from tuberculosis. He was inspired by Saint Luke's account of Christ's appearance with His two disciples on the way to Emmaus: They urged Him strongly: Stay with us, for it is nearly evening; the day is almost over. (Luke 24:29). The music was composed by William Henry Monk, music editor of the famous Anglican Church hymnal Hymns Ancient and Modern, and it was included in the first edition of that hymnal in 1861. Mrs. Monk has described in her own words the context: This tune was written at a time of great sorrow - when together we watched, as we did daily, the glories of the setting sun. As the last golden ray faded, he took some paper and penciled that tune which has gone all over the earth. This score is the complete version of Abide With Me for choir SATB. Included: Full score and separated parts for each voice.
$2.95
2.72 €
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Chorale SATB
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William Henry Monk
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Piacere Music Sheets
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the day is almost over
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Monk - Abide with Me
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Piacere Music Sheets
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.02 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Vater unser
Chorale SATB
Mixed choir (SATB) a cappella - easy - Digital Download SKU: S9.Q47744 Schrobenh…
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Mixed choir (SATB) a cappella - easy - Digital Download SKU: S9.Q47744 Schrobenhausener Vater unser. Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, choral score. Duration 2' 10. Schott Music - Digital #Q47744. Published by Schott Music - Digital (S9.Q47744). German.Alwin Michael Schronen has become a fixture in the German choral music scene in the last few years due to his lively, expressive and at the same time down-to-earth compositional style (not only). And his father, our four-part mixed choir a cappella, also provides an impressive example of his art of intimately, intensively and at the same time believingly translating the substantial text content of the central prayer of Christians. This setting is due to its brevity and musical catchiness ideal for liturgical use. A charming special feature of this sacred a cappella work is the simple interjection Our Father, repeated six times and harmonized at the same time, through which the individual passages of the Lord's Prayer are broken. This can be sung by the congregation or a small group either unanimously or by several choral groups from different positions in the church. A truly fascinating and heartfelt sound experience to which community and choir can contribute together!
$2.99
2.75 €
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Chorale SATB
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Alwin Michael Schronen
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Vater unser
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Schott Music - Digital
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SheetMusicPlus
Symphony No. 10
Chorale SATB
Pic.3.afl-3.3Acl.bcl.cbcl.3(3.cbsn).cbsn-4.4.3.1-timp(temple bowl)6perc(glsp, mar, crots, …
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Pic.3.afl-3.3Acl.bcl.cbcl.3(3.cbsn).cbsn-4.4.3.1-timp(temple bowl)6perc(glsp, mar, crots, 3sus cym(bow), 3 gongs, tub bells, 2 metal bars, s.d., tenor drum, v. lg b.d., 3 tom-toms, flexatone-str baritone solo, mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q21640 Alla ricerca di Borromini. Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 327. Duration 45 minutes. Schott Music - Digital #Q21640. Published by Schott Music - Digital (S9.Q21640). Italian.In his 80th year, Peter Maxwell Davies returns in music to Rome, where he studied with Goffredo Petrassi in the late 1950’s. Full of darkly glowing sonorities (recalling the earlier Roma, Amor of 1998) and often in a language of startling harmonic directness, the Symphony sets Leopardi’s sonnet A se stesso, Borromini’s last testament and an anonymous sonnet which attacks Borromini’s work for its ‘eccentricity’ and ‘lack of coherence’. Davies has composed a deeply moving meditation on the nature of creativity, the artist’s relationship with the past and, ultimately, mortality. Chris Austin.
$30.99
28.54 €
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Chorale SATB
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Sir Peter Maxwell Davies
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Symphony No. 10
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Schott Music - Digital
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SheetMusicPlus
BEHOLD HE IS COMING (SATB) – Revelation 1:7
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
1.83 €
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Chorale SATB
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Thank God I'm A Country Boy
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583247 By John Denver. By …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.583247 By John Denver. By John Martin Sommers. Arranged by Jeff Tincher. A Cappella,Rock. Octavo. 36 pages. Jeff Tincher #3626305. Published by Jeff Tincher (A0.583247). It's time to get you country on !!. This is a Choral (SATB) arrangement of the one song that made John Denver famous! In the original key from The Essential John Denver CD, this song is guaranteed to get your toes a tapping! This arrangement includes all the guitar and dobro solos. Performance note: the choir sings the last violin/dobro solos with the option of singing it acapella (which really sounds great) with the piano coming back in on the last 2 measures. Duration = 3:08. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$1.99
1.83 €
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Chorale SATB
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John Denver
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Jeff Tincher
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Thank God I'm A Country Boy
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Jeff Tincher
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SheetMusicPlus
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