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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Op Baroque
Non classifié
623
Piano & claviers
Piano, Voix
1 319
Piano seul
168
Orgue
35
Piano Facile
29
Piano Trio: piano, violon, violoncelle
22
Clavecin
7
Orgue, Piano (duo)
4
Orgue, Trompette (duo)
3
Piano, Voix et Guitare
3
1 Piano, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Instruments en Do
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
29
Guitare
21
Ukulele
4
Basse electrique
4
3 Guitares (trio)
3
2 Guitares (duo)
2
Mandoline
2
+ 2 instrumentations
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Voix
Voix duo, Piano
16
Chorale TTBB
3
Chorale SATB
3
Voix Soprano, Orchestre
2
Voix haute
2
Chorale 3 parties
2
Chorale Unison
1
Voix moyenne, Piano
1
Voix duo
1
Voix seule
1
+ 5 instrumentations
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Vents
Flûte traversière et Piano
85
2 Saxophones (duo)
57
3 Flûtes à bec (trio)
45
2 Flûtes traversières (duo)
40
2 Hautbois (duo)
28
3 Clarinettes (trio)
27
Quatuor de Flûtes à bec
26
2 Clarinettes (duo)
26
Flûte, Clarinette et Basson
25
Flûte, Hautbois, Clarinette (trio)
24
Hautbois, Piano (duo)
24
Clarinette et Piano
24
Flûte, Hautbois, Basson
23
3 Saxophones (trio)
22
5 Flûtes à bec
19
Flûte et Guitare
17
2 Clarinettes, Basson
17
Saxophone Alto et Piano
13
Quatuor de Clarinettes: 4 clarinettes
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Clarinette
12
Saxophone Soprano et Piano
10
Quatuor de Saxophones: 4 saxophones
10
Hautbois (partie séparée)
10
Ensemble de Clarinettes
9
Trio de Flûtes: 3 flûtes
9
2 Flûte à bec (duo)
9
Flûte traversière
9
Flûte, Hautbois, Clarinette, Basson
8
Quintette de Saxophone: 5 saxophones
7
Ensemble De Flûte à bec
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Cor anglais, Piano
7
Saxophone Tenor et Piano
7
2 Cors Anglais Et Pianoforte
7
Flûte à Bec
7
Cor Anglais
6
Saxophone Baryton, Piano
6
Clarinette et Alto
5
Hautbois, Basson (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Alto (duo)
5
Flûte à bec Soprano, Piano
5
Flûte, Violoncelle
5
Saxophone Tenor
5
Clarinette Basse, Piano
5
Saxophone Alto
5
Ensemble de Flûtes
4
Quatuor de Flûtes : 4 flûtes
4
Flûte, Violon et Violoncelle
3
Harmonica
3
Flûte et Quatuor à Cordes
3
Flûte, Clarinette (duo)
3
Hautbois
3
Flûte, Violoncelle, Guitare
3
Cor anglais, Guitare (duo)
2
Flûte à bec Alto, Piano
2
Flûte à bec Soprano
2
Flûte à bec Alto
2
Saxophone (partie séparée)
2
Flûte, Violoncelle, Piano (trio)
2
2 Flûtes traversières, Piano
1
Clarinette, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Flûte
1
Flûte à bec Alto, Basse continue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violon (duo)
1
Clarinette, Orchestre
1
+ 67 instrumentations
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Cuivres
2 Cors (duo)
20
Trompette, Piano
13
2 Trompettes (duo)
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
10
2 Trombones (duo)
10
2 Euphoniums (duo)
9
Trombone et Piano
8
Euphonium, Piano (duo)
8
2 Tubas (duo)
8
Cor anglais, Piano
7
2 Cors Anglais Et Pianoforte
7
Cor et Piano
6
Cor Anglais
6
Trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba et Piano
4
Tuba
4
Cor
4
Quatuor de cuivres: 4 trombones
3
Trompette (partie séparée)
2
Cor anglais, Guitare (duo)
2
Ensemble de Cors
2
Euphonium, Tuba (duo)
2
Quatuor de Cuivres
2
Trompette, Cor (duo)
1
Trompette, Trombone (duo)
1
4 Tubas
1
Euphonium
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
Trombone, Cor (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Trompettes
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
176
Violon et Piano
140
2 Violons (duo)
52
Violon
31
2 Violoncelles (duo)
26
Violon, Alto (duo)
25
Trio à Cordes: violon, alto, violoncelle
23
2 Altos (duo)
21
Violoncelle, Piano
20
Alto, Piano
18
Violon, Violoncelle (duo)
17
Trio à cordes: 3 violins
15
Violoncelle
15
2 Contrebasses (duo)
10
2 Violons, Piano
9
Violoncelle, Orchestre
8
Trio à Cordes: 2 violons, violoncelle
8
Alto seul
7
Alto (partie séparée)
6
Violoncelle, Contrebasse (duo)
6
Flûte, Contrebasse (duo)
5
Violon (partie séparée)
4
Contre Basse
4
Contrebasse, Piano (duo)
3
Alto, Violoncelle (duo)
3
Violon, Basse continue
3
Contrebasse (partie séparée)
3
Alto, Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
Violoncelle (partie séparée)
2
Harpe
2
Violoncelle, Basse continue
1
Quatuor à cordes : 4 altos
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Violons et Basse continue
1
Trio à Cordes: 2 violons, alto
1
+ 36 instrumentations
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Orchestre & Percussions
Orchestre
133
Orchestre à Cordes
123
Orchestre de chambre
120
Orchestre d'harmonie
31
Piano et Orchestre
17
Orchestre, Violon
10
Ensemble de cuivres
6
Ensemble de Percussions
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Vous avez sélectionné:
Op Baroque
Chorale SATB
Partitions à imprimer
3 partitions trouvées
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Cantata 'Ein feste Burg', op. 42 (full score and vocal score)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Adrian Gagiu
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Cantata 'Ein feste Burg', op.
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1236835 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 96 pages. Adria...
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Choral Choir (SATB) - Level 4 - SKU: A0.1236835 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 96 pages. Adrian Gagiu #832359. Published by Adrian Gagiu (A0.1236835). Full score and vocal score of the revision (2023) of an exercise in Baroque style: a cantata for mixed choir, 4 vocal soloists, 2 oboes, 2 trumpets, 3 trombones, timpani and organ, based upon Martin Luther's famous chorale and composed in 2011 for the music associations ('Musikräte’) of Saxonyâ€Anhalt, Saxony, and Thuringia, and for the project office of the Evangelical Church in Germany (EKD) 'Luther 2017 – 500 Years of Reformation’. Mostly festive and grandiose, inspired by Handel's great choruses from his oratorios, and fit for Christian celebrations, especially for the Lutheran church. Set in four movements, with Luther's lyrics (in German). Total duration: 26 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement.
$21.99
GLORIA IN EXCELSIS DEO - Chorus on the Giga by CORELLI (From Sonata IX, op. V). Arr. for SATB Choir
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Chorale SATB
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Renato Tagliabue
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GLORIA IN EXCELSIS DEO - Choru
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.723707 Composed by Renato Tagliabue. Baroque,Christian,Sacred. Octavo. 4 pages. Renato Tagliabue #2968733. Published by Re...
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Choral Choir (SATB) - SKU: A0.723707 Composed by Renato Tagliabue. Baroque,Christian,Sacred. Octavo. 4 pages. Renato Tagliabue #2968733. Published by Renato Tagliabue (A0.723707). GLORIA IN EXCELSIS DEO - Chorus on the Giga by CORELLI (From Sonata IX, op. V). Arr. for SATB Choir and OrganCorale di R Tagliabue su Giga di Arcangelo CorelliVisit my website on Youtube: https://www.youtube.com/user/liutebaag?
$2.20
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
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