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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Open Strings
Non classifié
203
Piano & claviers
Piano seul
5
Piano Trio: piano, violon, violoncelle
5
Piano, Voix
3
Accompagnement Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano, Voix et Guitare
2
Piano Facile
1
Instruments en Do
1
+ 3 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
48
Basse electrique
5
2 Guitares (duo)
4
Ukulele
4
Banjo
2
Ensemble de guitares
2
Dulcimer
1
4 Guitares (Quatuor)
1
Piano, Guitare (duo)
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
+ 7 instrumentations
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Voix
Chorale SATB
12
Chorale Unison
8
Chorale 3 parties
3
Chorale 2 parties
2
Chorale TTBB
1
Vents
Clarinette (partie séparée)
13
Hautbois (partie séparée)
6
2 Saxophones (duo)
5
Flûte et Guitare
5
3 Saxophones (trio)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quintette de Saxophone: 5 saxophones
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
3
2 Flûte à bec (duo)
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette, Basson
2
Flute (partie séparée)
2
Clarinette
2
2 Flûtes traversières (duo)
2
Hautbois, Piano (duo)
2
Flute, harpe et violon
2
Flûte à bec Alto
1
Flûte, Clarinette (duo)
1
Saxophone Alto et Piano
1
Flûte à Bec, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone Baryton, Piano
1
Flûte traversière et Piano
1
Clarinette et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette et Basson
1
Ensemble de saxophones
1
Saxophone Tenor et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais, Piano
1
Clarinette, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
2 Clarinettes (duo)
1
Ensemble de Clarinettes
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Basson (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois, Guitare (duo)
1
Flûte et Trio à cordes
1
Flûte, Hautbois (duo)
1
+ 37 instrumentations
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Cuivres
Trompette (partie séparée)
14
Trombone (partie séparée)
8
Cor (partie séparée)
8
Tuba (partie séparée)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor
2
Ensemble de Cors
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trompettes
1
Trombone et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Trompettes
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
99
Violon
55
Violoncelle
25
Violon et Piano
23
Violon (partie séparée)
21
2 Violons (duo)
18
2 Violoncelles (duo)
14
Violon, Violoncelle (duo)
13
Trio à Cordes: violon, alto, violoncelle
12
Alto (partie séparée)
11
Alto, Violoncelle (duo)
9
Alto seul
7
Contrebasse (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe
6
Quatuor à cordes: 4 violons
6
Alto, Piano
6
Trio à cordes: 3 violins
5
Violoncelle, Piano
5
4 Violoncelles
4
Violon, Alto (duo)
4
Contre Basse
4
Quatuor à cordes : 4 altos
3
Trio à Cordes: 2 violons, violoncelle
3
4 Contrebasses
2
Violoncelle (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Altos (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: 3 violoncelles
1
3 Harpes
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
+ 29 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
147
Orchestre
114
Orchestre d'harmonie
36
Orchestre de chambre
36
Percussion (partie séparée)
9
Ensemble Jazz
8
Ensemble d'École
4
Cloches
2
Ensemble de cuivres
2
Jazz combo
2
Orchestre, Violon
1
+ 6 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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Vous avez sélectionné:
Open Strings
Chorale SATB
Partitions à imprimer
12 partitions trouvées
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1
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Cascade Piano Solo Score
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Deborah Johnson
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Cascade Piano Solo Score
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Deborah Johnson
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.877801 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 26 pages. Deborah Johnson #3309...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.877801 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 26 pages. Deborah Johnson #33095. Published by Deborah Johnson (A0.877801). Cascade piano solo is a delightful and melodious piano solo presented at a medium intermediate level, is part of Deborah Johnson's Wayfarers Journey album. This piece, embodying new classically-inspired piano and instrumental solos, mirrors the style of Ravel and is perfectly suited for special occasions. Cascade includes a total of 26 pages, including score and separate parts. Parts include: Piano Solo; Instrumental (flute) background; vocal backgrounds (2-4 parts), Strings backgrounds. Piano solo includes guitar chords and evokes a picturesque and dynamic ambiance. The term Cascade signifies a small waterfall, often descending in multiple stages down a steep rocky slope. Additionally, it denotes a large amount of something flowing or hanging down, or events occurring rapidly in succession. Originating from French, derived from the Italian cascata, stemming from cascare (to fall) in Vulgar Latin, and from Latin casus (fall), the term was first used in 1641. Cascade captures the essence of a picturesque waterfall, reflecting the movement and vitality of swiftly descending waters. In the musical context, it embodies dynamic and cascading melodies, resembling the energetic rush of falling water. Emulating Ravel's style, this piece exudes a vibrant and engaging quality, making it an ideal choice for special occasions, adding a sense of picturesque beauty and dynamic energy to memorable events. Spotify link for MP3 download: https://open.spotify.com/track/2IQIsHNnlMBjxAjld0VmY6 Also available is the piano solo score version with parts and full book of all Wayfarer Journey piano solo versions. Signed copies of CDs at http:DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano, Strings: Deborah Johnson; Vocals: Deborah & David Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99
Lift Me Up
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Chorale SATB
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INTERMÉDIAIRE
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Rihanna
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Bryan Sharpe
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Lift Me Up
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Bryan Sharpe
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SheetMusicPlus
Choral Choir,Choral (4-Part) - Level 3 - SKU: A0.1140521 By Rihanna. By Ludwig Goransson, Robyn Fenty, Ryan Coogler, and Temilade Openiyi. Arranged by B...
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Choral Choir,Choral (4-Part) - Level 3 - SKU: A0.1140521 By Rihanna. By Ludwig Goransson, Robyn Fenty, Ryan Coogler, and Temilade Openiyi. Arranged by Bryan Sharpe. Contemporary,Film/TV,Pop. 38 pages. Bryan Sharpe (BSharpe Music) #740755. Published by Bryan Sharpe (BSharpe Music) (A0.1140521). Lift Me Up by Rihanna arranged for SSAB, piano, digital strings/pad, and string ensemble (violin 1-2, viola, cello.
$3.00
The Light Is You
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Hilmar Leujes
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The Light Is You
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Hilmar Leujes
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1009750 Composed by Hilmar Leujes. Christian,Gospel,Jazz,Pop,Spiritual. Octavo. 5 pages. Hilmar Leujes #2025755....
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Choral Choir (SATB) - Level 4 - SKU: A0.1009750 Composed by Hilmar Leujes. Christian,Gospel,Jazz,Pop,Spiritual. Octavo. 5 pages. Hilmar Leujes #2025755. Published by Hilmar Leujes (A0.1009750). A spiritual song in four part harmony, but you could also use the soprano line and chords to perform it as a normal song. In the audio file I have used strings instead of vocals to emphasize the harmony. The Light Is You No one here knows who you are No one knows your name No one likes the things that you like No one plays your game No one tells you everything And knows just what to say No one asks you what you want And no one finds a way No one finds a way And it’s overflowing When you think of all that’s going for you And it keeps on growing Knowing there is someone to adore You open up ever so slightly Let a tiny light wade through Nurse it till it shines so brightly That you find the light in you You will find the light is you No one here knows who you are No one takes the blame No one’s standing here before you No one be my name No one is my name.
$4.99
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
The Day Is Done (Downloadable Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Gwyneth W
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The Day Is Done
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - SKU: MQ.8776-E Composed by Gwyneth W. Walker. 23 pages. E....
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SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - SKU: MQ.8776-E Composed by Gwyneth W. Walker. 23 pages. E. C. Schirmer Music Company - Digital #8776-E. Published by E. C. Schirmer Music Company - Digital (MQ.8776-E). English.Longfellow's poem, The Day is Done, speaks of evening as the time when poetry and music comealive and soothe the cares of day. The musical setting presents the opening lyrics in the children’s voices: The day is done, and the darkness falls from the wings of night. These phrases, or slight variations thereof, return as refrains throughout the song. The verses alternate between the men’s and women’s voices, with the children interjecting refrains or offering commentary in the background. Finally, the children interrupt the SATB dialogue with exclamations of a song! a song! a song! These lead to the climax of the song, given to the children’s chorus, singing And the night shall be filled with music. All voices then join together in celebration: Our song shall fill the night. The accompaniment (originally composed for piano, later adapted for flute, strings, and percussion) delights in text-setting with sparkling arpeggios depicting the celestial harmonies, and filigree patterns for the star-filled night sky. Duration: 5:00.
$3.20
Winter Carols - SATB
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Chorale SATB
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Noël
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Douglas E
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Winter Carols - SATB
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGE509 Composed by Douglas E. Wagner. General, Christmas, Holiday, Winter. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CG...
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SATB chorus - SKU: C7.CGE509 Composed by Douglas E. Wagner. General, Christmas, Holiday, Winter. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE509. Published by Chorister's Guild - Digital (C7.CGE509). This creative medley of beloved carols is an ideal centerpiece for any Christmas celebration! This engaging arrangement seamlessly strings together five carol favorites: In the Bleak Midwinter, Fum, Fum, Fum, Sing We Now of Winter, Good King Wenceslas, and Deck the Hall With Boughs of Holly. With twists on meter and style while maintaining accessibility, this piece is perfect as a festive opener or closer that audiences and singers will love!
$2.45
Deck The Hall
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Traditional
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EDDY CLEMENT
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Deck The Hall
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Eddy Clement
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927817 Composed by Traditional. Arranged by EDDY CLEMENT. Christmas. Octavo. 6 pages. Eddy Clement #5755407. Pub...
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Choral Choir (SATB) - Level 3 - SKU: A0.927817 Composed by Traditional. Arranged by EDDY CLEMENT. Christmas. Octavo. 6 pages. Eddy Clement #5755407. Published by Eddy Clement (A0.927817). This arrangement of the Traditional Deck The Hall breathes new life into the Holiday classic. Easily accessible voice parts will sing solidly with your ensembles. The sophisticated Fa, la, la... chorus is playful, and is skillfully used as an overlay with the third verse of the carol. A great concert Opener or Closer! Available in S(S)ATB and TTBB voicings, these can be used separately or together for massed choir settings. Accompaniment can be Piano only, or any one of the Instrumental Packs (Winds, Strings and/or Brass [Brass orchestration by KEVIN ROBISON]). Unlike the Choral voicings, the Instrumental Packs should not be combined.
$2.95
Only from Blood Does Freedom Grow (Piano/Choral Score)
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Chorale SATB
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
Bailen, Canten Que Noche Bonita! For SATB Chorus and Orchestestra From the opera "On the Wings of t
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Chorale SATB
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FACILE
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James Nathaniel Holland
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Bailen, Canten Que Noche Bonit
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.730402 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Octavo. 46 pages. James Nathaniel Holland #3216671. Published by James Nathaniel Holland (A0.730402). Use this rousing piece for a grand, happy opening with Spanish flare with Soloists, SATB Chorus, and full orchestra by American Costa Rican composer James Nathaniel Holland. Text is 90% in Spanish and 10% in English. Opening chorus is from Act III of the American opera, On the Wings of the Scarlet Messenger. Easy level and simple to produce. Use this piece as the first movement in combination with the Dances from On the Wings of the Scarlet Messenger. for full orchestra. Soloists needed: (2 tenors, 1 baritone bass, 1 mezzo soprano) and SATB chorusInstrumentation: pic, 2fl, 2ob, eh, 12cl, bcl, tensax, 2bsn, 4 hrns, 2 tpt, trmb, btrm, tim, per (hand cym, castanets, ride cym, bd), hrp (or pno), stringsFull score in concert pitch, individual instrumental and vocal parts included.Piano vocal score and full opera vocal score sold separately.Duration 2:02 minutes. YouTube video presentation with dances: https://youtu.be/QHzyUfKLI9MComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html****Tengan esta cancion de alegria para una apertura grande con sabor del Espana con Soloistas, SATB Coro, y orquestra completa por compositor Americano-Costarricense James Nathaniel Holland. Letras estan en 90% espanol y 10% en ingles. Coro para el principio de Acto III de la opera Americana, On the Wings of the Scarlet Messenger. Abilidad facil y facil para presentar. Usa este como el movimiento primero y en combinacion con los Dances from On the Wings of the Scarlet Messenger. para orquestra completa. Por solistas: (2 tenores, 1 baso baritono, 1 mezzo soprano) y SATB coroInstrumentacion: pic, 2fl, 2b, eh, saxten, 2fag, 4 trmbdellaves, 2 trmpt, trmb, btrm, tim, per (plat mano, castanuelas, plat, tambaso), hrp (o pno), cuerdasPartitura para orquestra en tono del concierto, partitura individuales y de voces incluidos.Partitura de piano y voz y opera completa (en ingles) ofrecido aparte.Duracion 2:02 minutos. Sitio del compositor: http://lacoronadelossantos.net/jamesnathanielholland.htmlo en espanol: https://www.facebook.com/jamesnathanielholland/
$15.95
From Darkness to Light
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Chorale SATB
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Ruth Watson Henderson
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From Darkness to Light
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Roger Dean Publishing
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SheetMusicPlus
SATB choir, Mezzo-soprano, Baritone, Organ (With Optional C Trumpet, C Trumpet, Timpani, Harp, Violin, Viola, Cello, String Bass, Organ) - Moderately Advanced -...
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SATB choir, Mezzo-soprano, Baritone, Organ (With Optional C Trumpet, C Trumpet, Timpani, Harp, Violin, Viola, Cello, String Bass, Organ) - Moderately Advanced - SKU: LX.45-1129R A cantata for Baritone and Mezzo-soprano Soloists, SATB Chorus and Organ with optional Trumpet in C 1 and 2, Timpani, Harp, and Strings. Composed by Ruth Watson Henderson. 52 pages. Roger Dean Publishing #e45/1129R. Published by Roger Dean Publishing (LX.45-1129R). UPC: 000308093322.From the quiet opening timpani notes to the hushed and yearning settings of the final words -- Darkness sang to the light and the kiss of love was peace -- this exquisite work by Canadian composer Ruth Watson Henderson employs primarily Impressionistic harmonies and alternates between biblical texts and the poems of Wilfred Watson. Commissioned by the American Guild of Organists for their 2002 National Convention and destined to become a standard in serious choral repertoire, it was reviewed by Timothy Howard of the American Organist as colorful -- in some places downright ravishing..
$8.95
"He's the Reflection of His Glory", SATB, instruments, piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Shannon Bailey and Paul Dosset
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Terry M
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Opening, anthem, closing
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"He's the Reflection of H
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Forsyth Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.932709 Composed by Shannon Bailey and Paul Dossett. Arranged by Terry M. Forsyth. Christian,Praise & Worship. Oc...
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Choral Choir (SATB) - Level 4 - SKU: A0.932709 Composed by Shannon Bailey and Paul Dossett. Arranged by Terry M. Forsyth. Christian,Praise & Worship. Octavo. 20 pages. Forsyth Publishing #6246321. Published by Forsyth Publishing (A0.932709). An exciting! bold statement of Jesus' Glory that could be used anywhere in the worship service: Opening, anthem, closing. For soloist and SATB chorus with various instruments including advanced intermediate piano and keyboard for strings. If you liked Crown Him King of Kings you will love this praise to God as much. Text written in a church group healing effort as the church went through a dark time, Shannon searches to see what God looks like and at the end, she does.
$16.00
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